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Saturday, December 17, 2022

The Rock Magnet

Below is a peek from Juicy Fruit Perfume: An American Remembers his Cuban Childhood, my biography, which is currently scheduled to be published in 2024 (should I ever finish it!) - This chapter is titled "The Rock Magnet":

One of our favorite games was rock fights. 

How in the world we survived countless battles without losing an eye or getting killed is both a miracle and mystery. 

Rock fights would either be planned, between a couple of teams, or just start out of nowhere, first with one or two people, and slowly gathering impetus until broken up by either an adult, a cracked head, or a cracked window or windshield on a parked or passing car. 

How many times would I wander out of my house, bored and with nothing to do, climb on the roof and survey the neighborhood from my own little kingdom. And if I detected Pepin or his brother Monguito playing down at the end of the block, or perhaps one of the Calixton brothers outside their house a block directly across from us, I would climb down from the roof, gather a few rocks, walk to the middle of the block, yell just one warning shout and launch an unexpected aerial attack.

Having been at the receiving end of these same attacks, it was not unfair to launch an unprovoked attack, and immediately the battle would begin. 

Two solitary warriors lobbing rocks at each other, maybe 100-200 feet apart, throwing the rocks in long, elegant arcs that demanded attention – in order to avoid them – and guts – in order to appear unconcerned and avoid being hit just at the last minute by side-stepping the rock as it was about to hit you. Soon, one of the brothers would join in, and now I would have to start dodging two attackers while shouting for either my cousin Cesar or my best friend Jorge Cunningham to come to my aid. 

As my best friend, Jorge, who was an excellent rock thrower, was feared for his skill; however, he lived about half a block down from Cuartel Street and would not always hear me. Cesar nearly always came to my aid, but he was not very good at aiming, and there was always a chance that he’d join the other guys – unless the Monguitos had done something to him recently. 

The only guy in our neighborhood that you never started an unprovoked rock fight against with was Pupy. 

Pupy was one of an endless horde of Haitians who lived in a huge house at the end of where the paved Cuartel Street ended. He didn’t usually play with us, as the Haitians tended to keep to themselves, and his house had a huge, fenced garden full of trees and space where he usually played his many brothers and cousins. A whole tribe of Haitians lived behind that walled fortress of a house and it was one of the few places in our neighborhood where we weren’t welcomed or allowed in. 

But once in a while Pupy would come out and play with us, more often than not terrorizing us. We were all afraid of him, except the Monguito brothers, who were fearless and would fight anyone, anytime; and Jorge, who although skinny and small was very tough. 

Pupy was mean and evil, and in rock fights would run close up to you and fire rocks at close range, rather than maintaining a respectable artillery distance. Our only means of revenge against Pupy was rather cowardly, but we all did it anyway. 

It consisted of the ritual of lobbing a few anonymous rocks into his house’s back garden or their roof, nearly every night; or whenever we were playing around that corner of the street, which was unusual by itself, as we usually played around the other corner of the block, directly next to my grandparents’ house, which is where I lived. 

There was an art to the rock fight that demanded a certain skill and grace in order to survive without being hit. This was especially needed when you were defending against two boys. 

The idea was to throw your rock and then immediately and very quickly begin looking for a new one to throw. Because we lived on a paved street, strategy and location was important, such as beginning the fight from around one of the several empty lots in our block, with an abundant supply of projectiles. One was most vulnerable when bending down to pick up new rocks (ideally two at once), when you took your eyes off your opponent. 

A well timed throw would arc towards you to try to catch you looking away for that final split second. Two throwers demanded intense concentration and skill, and an amazing dance around a rainfall of rocks. 

One year, for a few delirious months, our street was torn and opened up as huge, new sewer lines were installed. For months these large cement pipes provided castles and forts from which massive rock fights took place – the open, torn streets providing an unending supply of rocks. It is amazing how few times we were actually hurt – of course we were hit, and it did hurt, but seldom were hits very serious or requiring stitches. 

Except for Pepin. 

Pepin was the youngest of the two Monguito brothers, his father was Mongo, who we would all make fun of, as he traveled back and forth to his job in a bicycle, becoming the proverbial Mongo en Bicicleta character. Mongo also wore the same thick, nerd glasses that Castro wore and that nearly every Cuban who needed glasses seemed to have in those years. 

Later when I was in the US Navy we would see those glasses being issued in bootcamp and we would call them "birth control glasses." 

Mongo also had an incredible resemblance to the American cartoon artist Robert Crumb. Pepin and Monguito were a key part of our pandilla, and we all played together, and of course this included rock fights, either on our side against other neighborhood’s kids or internecine battles in our own group. 

But Pepin’s head seemed to be a rock magnet! I cannot recall the number of times that his poor mother Elba, had to take Pepin to the hospital to stitch his head close from rock wounds. It was astounding even to the doctors, and his crewcut was decorated with shiny white healed scars visible under the short cropped hairstyle that we all wore. It was so bad that one time, as Elba and Pepin where coming out of the most recent visit to the hospital (she madder than a hornet at yet another busted head, and he, recently stitched and bandaged), an amazing thing happened as they were waiting for the bus outside the hospital

Now, it must be made clear that buses were also good targets for rock throwing, and in our neighborhood we generously pelted the buses with rocks if they happened to drive by during one of our battles. 

Apparently this was the case all over Guantanamo, as when the bus arrived at the hospital stop, and as Elba and the bandaged Pepin prepared to enter it, from across the street someone lobbed a rock at the bus, managed to miss it completely, arcing the rock over it and landing it squarely atop Pepin’s head, busting it open in a new spot and sending him back to the hospital amidst Elba’s cries of blue murder. 

But the rock fight to end all rock fights was an incredibly huge rock fight that took place one warm, sunny summer early evening at the crossing of the river Guaso. It has remained, both in my memory and my father’s memory, as the largest, most intensive rock fight in Guantanamo’s history, and it literally involved nearly 100 people of all ages, sizes and colors. This rock fight was the mother of all rock fights.

Monday, May 16, 2022

Art Clinic Online: Bootcamp for Artists!

 Art Clinic Online - Saturday, May 28 from 10:30 -11:30am

Join me at the Art Clinic Online for a discussion and Q&A about nearly everything you wanted to know about being an artist, grants, resume-building, approaching galleries, etc.

About Art Clinic Online (ACO)

The Art Clinic Online community aims to create a friendly artsy environment and bring together artists who may have taken classes with us before or who are contemplating it and want to learn from one another in an online community-based setting. As such, they are not didactic sessions but a forum for the equal exchange of art ideas and art information as well as an opportunity to share art challenges and breakthroughs. 

The Stone Tower resident artists created the ACO after hearing the need for such a forum expressed by many of their students. If you are interested in joining, click the button below and email Mariana to join! Yes, it's still FREE.

Location: Glen Echo.

Saturday, April 30, 2022

Montgomery College’s King Street Gallery presents the annual Student Exhibition

The King Street Gallery presents the annual Student Exhibition featuring the work of Montgomery College students from the Department of the Visual and Performing Arts at Takoma Park, Silver Spring Campus.  The exhibition will be on display from May 19th through September 9th, 2022. 

King Street Gallery is open late on May 19th from 5 PM to 7:30 PM for the exhibition opening. This event is located at the Morris and Gwendolyn Cafritz Foundation Arts Center. This exhibition is free and open to the public. For more information, visit their Facebook page: https://www.facebook.com/MCVPA 

The Virtual Student Exhibition featuring artwork from remote classes can be followed on Instagram: https://www.instagram.com/930kingstreet/ and Facebook: https://www.facebook.com/MCVPA  - You can also see all the student artwork online here.

The exhibition features artworks made by Art & Design students over the past year and includes work from courses in 2D Design, 3D Design,  Ceramics, Craft, Drawing,  Graphic Design, Illustration, Painting, Printmaking, and Sculpture. Throughout the year, Montgomery College art students have worked hard to accomplish a variety of artwork that will make this year’s show something not to miss.  Please join them to celebrate their student body's creativity.  

The works are usually for sale, and I've discussed many times in my seminars for beginning collectors (Bootcamp for Art Collectors), art student shows are an excellent way to get original artwork at student prices.

About the King Street Gallery: 

The Morris and Gwendolyn Cafritz Foundation Arts Center includes galleries that mount exhibitions in support of the academic mission of the Department of Visual and Performing Arts at Montgomery College. The King Street Gallery is on the ground floor of The Morris and Gwendolyn Cafritz Foundation Arts Center on the west side of the Takoma Park/Silver Spring Campus.  

The arts center is located off Georgia Avenue at 930 King Street, Silver Spring, MD. Parking is available in the West Campus Garage, which is immediately behind the center. Additional parking is available in the East Campus Garage on Fenton Street with pedestrian access by a bridge and walking path.  For maps and directions, visit www.montgomeycollege.edu/maps

Monday, December 27, 2021

PO1 Mock

As most of my Navy buds know, I used to do a lot of cartoons while I was in the Navy... some were published in base newspapers,  Navy magazines,  Stars & Stripes, etc. I gave most of them away over the years... this one just showed up at an auction.

It depicts the legendary Seaman Schmuckatelli - first as a "boot" in bootcamp and then as a tough sailor a few years later - notice that the Seaman is screwing up the salute!

Seaman Schmuckatelli Navy cartoon from 1983 by Lenny Campello
Seaman Schmuckatelli Navy cartoon from 1983 by Lenny Campello


Saturday, April 10, 2021

Things that are not OK - and I'm going to start calling them out

One of the most common ingredients of the artworld, and sometimes a formidable tool for emerging artists to build a resume (if you want to know what it is sooooooo important that you develop a valid and sustainable artistical resume, then you need to take my next "Bootcamp for Artists" seminar) is to respond to call for artists, art competitions, etc.

There's always a set of deadlines.

A deadline for entries to be in - the most important deadline for the artist.

A deadline for the hosting entity to respond with notifications of acceptance or rejection.

A deadline for delivery of accepted artworks

A deadline for pick up of exhibited/unsold artwork at the end of competition (if local delivered)

Three of the four key deadlines fall on the artists - and generally speaking, if you miss any of the first two (entry deadline and delivery deadline), then you are OUT!

If you miss the last deadline, there's often a daily "storage charge" until the artwork is picked-up.

One thing that I have been noticing more and more lately, is that hosting venues are often - anecdotal data seems to indicate most of the time - Missing THEIR deadline to notify artists and respond with notifications of acceptance or rejection.

This is not only unprofessional, but puts an extra burden on the shoulders of the artists, who may only have a tight window for decision-making related to the submitted artwork.

What is up with that? Why are we allowing the hosting venues to simply (often without a reason) go silent as deadlines pass and then ad hoc notify artists?

I have been on the jurying end of this process dozens if not hundreds of times, and thus as the poet Marti wrote: "I know the monster well, for I have lived in its entrails."

Friday, November 01, 2019

Bootcamp for artists is tomorrow!

The Artists’ Boot Camp

Saturday, November 2nd, 10am-4pm , in the John Addison Concert Hall of Harmony Hall
Harmony Hall Arts Center presents Mr. Lenny Campello’s seminar, “The Artists’s Boot Camp”, open to all Prince George’s County artists, 16 and up.  Mr. Campello is the Greater Washington D.C. area’s pre-eminent art dealer, critic, consultant and blogger as well as artist. He designed his seminar to deliver information, data and proven tactics to artists, and to allow them to develop and sustain a career in the fine arts. Some of the topics that he will cover are, creating a resume, creating a body of work, selling your art, juried shows and news releases, just to name a few. 
The seminar is free and lunch is included. Seating is limited so please call 301.446.3251 or email stuart.diekmeyer@pgparks.com to register and provide lunch preference.

As many of you know, for over a decade or so I have been teaching a course for artists and arts professional, that course, for the last few years has been known as “Boot Camp for Artists.”

That six hour seminar, which has been taken by over 2,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

In the past, I’ve discussed the importance of artists having their work at the various art fairs held around the world, most notably during Art Basel Miami Beach (ABMB) week in the Greater Miami area.

Presentation is a huge part of an artist’s professional life, and more often than it should be, presentation is a detractor and takes away from the artwork.

Why am I discussing that here? Because before you start exploring the various ways to get your artwork invited to the “big dance” during ABMB week, as an artist you should be ready to play with the big dogs when it comes to all the tools of the trade needed to set foot in a world-class art fair.

It is not unusual for me to step foot in a gallery and see artwork which (at least from a presentation point of view) is “not ready” for primetime… this is getting to be rarer and rarer as galleries struggle to survive, but still there.

In its six hour format, the seminar covers a wide range of structured issues, including the below list, but essentially artists should at least be aware and explore:

1. Materials – Buying materials and strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume – Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider’s view and strategy to get in the competitions.

5. How to take images of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Fine Art Fairs – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources – Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing – Cable TV, Local media


17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.

Harmony Hall
10701 Livingston Road 
Fort Washington, MD 20744

Thursday, October 31, 2019

Bootcamp for Artists this Saturday!

The Artists’ Boot Camp

Saturday, November 2nd, 10am-4pm , in the John Addison Concert Hall of Harmony Hall in Laurel, MD. Harmony Hall is at 10701 Livingston Road, Fort Washington, MD 20744.
Harmony Hall Arts Center presents Mr. Lenny Campello’s seminar, “The Artists’s Boot Camp”, open to all artists, 16 and up.  Mr. Campello is the Greater Washington D.C. area’s pre-eminent art dealer, critic, consultant and blogger as well as artist. He designed his seminar to deliver information, data and proven tactics to artists, and to allow them to develop and sustain a career in the fine arts. Some of the topics that he will cover are, creating a resume, creating a body of work, selling your art, juried shows and news releases, just to name a few.
The seminar is free and lunch is included. Seating is limited so please call 301.446.3251 or email stuart.diekmeyer@pgparks.com to register and provide lunch preference.

This seminar usually books very quickly, so I'd recommend that you RSVP as soon as possible! It is open to ALL artists - not just PG County residents!

Background: As many of you know, for over a decade or so I have been teaching a course for artists and arts professional, that course, for the last few years has been known as “Boot Camp for Artists.”

That six hour seminar, which has been taken by over 2,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

In the past, I’ve discussed the importance of artists having their work at the various art fairs held around the world, most notably during Art Basel Miami Beach (ABMB) week in the Greater Miami area.

Presentation is a huge part of an artist’s professional life, and more often than it should be, presentation is a detractor and takes away from the artwork.

Why am I discussing that here? Because before you start exploring the various ways to get your artwork invited to the “big dance” during ABMB week, as an artist you should be ready to play with the big dogs when it comes to all the tools of the trade needed to set foot in a world-class art fair.

It is not unusual for me to step foot in a gallery and see artwork which (at least from a presentation point of view) is “not ready” for primetime… this is getting to be rarer and rarer as galleries struggle to survive, but still there.

In its six hour format, the seminar covers a wide range of structured issues, including the below list, but essentially artists should at least be aware and explore:

1. Materials – Buying materials and strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume – Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider’s view and strategy to get in the competitions.

5. How to take images of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Fine Art Fairs – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources – Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing – Cable TV, Local media

17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.


Harmony Hall

10701 Livingston Road

Fort Washington, MD 20744

Tuesday, October 29, 2019

Free Bootcamp for Artists this Saturday!

As many of you know, for over a decade or so I have been teaching a course for artists and arts professional, that course, for the last few years has been known as “Boot Camp for Artists.”

That six hour seminar, which has been taken by over 2,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

In the past, I’ve also discussed the importance of artists having their work at the various art fairs held around the world, most notably during Art Basel Miami Beach (ABMB) week in the Greater Miami area.

Presentation is a huge part of an artist’s professional life, and more often than it should be, presentation is a detractor and takes away from the artwork.

Why am I discussing that here? Because before you start exploring the various ways to get your artwork invited to the “big dance” during ABMB week, as an artist you should be ready to play with the big dogs when it comes to all the tools of the trade needed to set foot in a world-class art fair.

It is not unusual for me to step foot in a gallery and see artwork which (at least from a presentation point of view) is “not ready” for primetime… this is getting to be rarer and rarer as galleries struggle to survive, but still there.

The seminar will be offered this coming Saturday, November 2 at Harmony Hall, 10701 Livingston Road, Fort Washington, MD 20744 - courtesy of PG County and fully free to all artists - and lunch is included!

In its six hour format, the seminar covers a wide range of structured issues, including the below list, but essentially artists should at least be aware and explore:

1. Materials – Buying materials and strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume – Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider’s view and strategy to get in the competitions.

5. How to take images of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Fine Art Fairs – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources – Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing – Cable TV, Local media

17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.

Tuesday, September 26, 2017

Bootcamp

On September 30, from 2-4:30 pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.


This seminar is suitable for all visual artists interested in taking their careers to the next level.


Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies? How to approach a gallery?


Then this is the seminar for you! This program is free, but space is limited to 40 persons, and last year lots of artists were turned away because it filled up so quickly!

This seminar always books up very quickly!


3901 Rhode Island Avenue
Brentwood, MD 20722
301-277-2863


This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.


The seminar, which has been taken by over 6,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.
Sometimes called "Boot Camp for Artists" by the attendees, people as far as Arizona, California, New York and South Carolina have attended, including many, many university level art professionals.
In its seven hour format compressed into 2.5 hours, the seminar covers a wide range of structured issues including:

1. Materials - Buying materials; strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume - Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider's view and strategy to get in the competitions.

5. How to take slides and photographs of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Outdoor Art Festivals – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources - Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing - Cable TV, Local media

17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.


18. Art fairs

Tuesday, September 19, 2017

Bootcamp for Artists Coming later this month!


Early heads up!


On September 30, from 2-4:30 pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.



This seminar is suitable for all visual artists interested in taking their careers to the next level.



Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies? How to approach a gallery?



Then this is the seminar for you! This program is free, but space is limited to 40 persons, and last year lots of artists were turned away because it filled up so quickly!


This seminar always books up very quickly!


3901 Rhode Island Avenue
Brentwood, MD 20722
301-277-2863


This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.



The seminar, which has been taken by over 6,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

Sometimes called "Boot Camp for Artists" by the attendees, people as far as Arizona, California, New York and South Carolina have attended, including many, many university level art professionals.

In its seven hour format compressed into 2.5 hours, the seminar covers a wide range of structured issues including:

1. Materials - Buying materials; strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume - Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider's view and strategy to get in the competitions.

5. How to take slides and photographs of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Outdoor Art Festivals – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources - Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing - Cable TV, Local media

17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.


18. Art fairs

Tuesday, August 08, 2017

Boot camp for artists coming...


Early heads up!


On September 30, from 2-4:30 pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.



This seminar is suitable for all visual artists interested in taking their careers to the next level.



Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies? How to approach a gallery?



Then this is the seminar for you! This program is free, but space is limited to 40 persons, and last year lots of artists were turned away because it filled up so quickly!


As soon as they start taking reservations (and I will announce that soon), I recommend that interested people reserve early, as this seminar always books up very quickly!



This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.



The seven hour seminar, which has been taken by over 6,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

Sometimes called "Boot Camp for Artists" by the attendees, people as far as Arizona, California, New York and South Carolina have attended, including many, many university level art professionals.

In its seven hour format, the seminar covers a wide range of structured issues including:

1. Materials - Buying materials; strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume - Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider's view and strategy to get in the competitions.

5. How to take slides and photographs of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Outdoor Art Festivals – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources - Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing - Cable TV, Local media

17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.


18. Art fairs

Thursday, August 03, 2017

Save the date: Bootcamp for Artists


Early heads up!


On September 30, from 2-4:30 pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.



This seminar is suitable for all visual artists interested in taking their careers to the next level.



Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies? How to approach a gallery?



Then this is the seminar for you! This program is free, but space is limited to 40 persons, and last year lots of artists were turned away because it filled up so quickly!


As soon as they start taking reservations (and I will announce that soon), I recommend that interested people reserve early, as this seminar always books up very quickly!



This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.



See ya there!

Wednesday, July 05, 2017

Bootcamp for Artists Seminar


Early heads up!


On September 30, from 2-4:30 pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.



This seminar is suitable for all visual artists interested in taking their careers to the next level.



Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies? How to approach a gallery?



Then this is the seminar for you! This program is free, but space is limited to 40 persons, and last year lots of artists were turned away because it filled up so quickly!


As soon as they start taking reservations (and I will announce that soon), I recommend that interested people reserve early, as this seminar always books up very quickly!



This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.



See ya there!

Wednesday, May 10, 2017

For your CV

In my "Bootcamp for Artists" series of seminars, one of the guerrilla tactics that I share and teach is how to build your art exhibition resume, and the key importance of having it for grants, residencies, and of course: sales.


Wanna add a group show to your resume and also contribute to a good cause?


CALL FOR POSTCARDS / DEADLINE MAY 19TH

Wish You Were Here 16
A.I.R. Gallery's Annual Postcard Show

A.I.R. Gallery is pleased to announce its 16th annual postcard show, Wish You Were Here, which will take place in the entry gallery of our Plymouth Street location from May 25 - June 25, 2017. This inclusive event both raises valuable funds for A.I.R. programs and makes affordable artwork available to the public. Past Wish You Were Here exhibitions have included work by notable artists like Mary Beth Edelson, Dottie Attie, Mary Grigoriadis, and Barbara Zucker.

We invite artists from all over the world - female / male / cis / trans / gender nonconforming / neutral -  to participate by donating 1 postcard-sized work (4 x 6 inches) in any medium. Each original work is sold for $45 on a first come first serve basis and the buyer will take the work with them at the time of the sale. All proceeds go to benefit A.I.R. programming and are tax-deductible to the fullest extent of the law.

FREE ENTRY & ALL WORKS ACCEPTED!
For more information and to submit work for the annual postcard show, click here.

Deadline is May 19, 2017 at 6pm.

Friday, May 20, 2016

AC Moore's coupons

One of the things that I teach in my Bootcamp for Artists seminar is guerrilla tactics for reducing framing costs up to 80-90% from custom framing costs.


One valuable asset here are A.C. Moore stores, with their significant set of ready made frames at generally affordable prices, often coupled with weekly sales.


Moore's is also a prodigious coupon-generating factory, and quite often you get a coupon that proudly announces "55% off any regular priced item."




To me, being a pedantic Virgo, "any" means that all items in the store which are not on sale are discounted 55%.


Not to A.C. Moore.


The small print on the coupon notes several exceptions to "any."


Limit one coupon per customer, per transaction, per day. Must be surrendered at time of purchase. No reproductions. Not valid with any other coupons, discounts, previous purchases, sale, clearance, or blue, red or green labeled items. Coupon has no cash value. Not valid on purchase of Gift Cards, Cricut®, Home Essentials Frames, Elf on the Shelf, Custom Framing, Custom Floral Arranging, Classroom Fees, Magazines, or www.acmoore.com purchases. Not valid at our Outlet or Liquidation Store locations



Prior to the "any" coupon, I had received an email blast from A.C. Moore's proudly announcing "Today Only: 20% Off Everything‏." And so I rush to the store, thinking that "everything" means.... ahh... everything!


"Everything" is understood by the most casual observer to mean everything in the store... and thus I was surprised when I went and made a large purchase that there were many things at the store where it didn't apply -- that is dishonest advertising to say "everything" and then you get to the store and Essential Frames, clearance items, etc. are NOT part of "Everything."

This, of course, bugged me and thus I contacted A.C. Moore to explain to them that by using the word "everything", the implication was that any item on the store was eligible for the discount.


Below is their response:
Thank you for contacting A. C. Moore Customer Care. We apologize for the misunderstanding about the 20% off coupon from our email subject line. The details of this coupon are printed on the actual coupon, where it explains that the 20% off is on your regular and sale price items, and lists excluded items.  Your detailed feedback is greatly appreciated as it allows us the opportunity to address this type of situation for future visits. 
        I have added 500 points to your rewards account (the equivalent of making a $50.00 purchase) for the inconvenience. 
        We understand your position and we appreciate your feedback about this. We will forward your feedback to our marketing team to take this into consideration for future email coupons. 
         Thank you.

Sincerely,
Caitlin Scarbrough
Customer Care Coordinator | A. C. Moore
130 A.C. Moore Drive  | Berlin, NJ  08009
And I am grateful, and it is an inconvenience to load a cart with 30 Home Essential frames on two separate occasions, only to find out that they are not eligible under the "any" descriptor in the 55% "any" coupon, or under the "everything" descriptor in the 20% coupon.


What's the solution? Can Moore's get out of this borderline deceptive coupon by simply using an asterisk after the word "any" and "everything"? At least an asterisk raises an alarm that there are limitations.


Or am I being too pedantic?

Saturday, April 16, 2016

Richard Weiblinger: Hard work pays off

A common complaint from artists is "lack of exhibition opportunities." I usually address this in my Bootcamp for Artists seminar, but (at least in the DMV) there are plenty of exhibition opportunities.

Empirical data? Look at the enviable number of yearly shows that DMV area photographer Richard Weiblinger has been part of since 2011. Check out his work here.

Hard work pays off.
 
2016
  • Delaplaine Visual Arts Center Frederick, MD Solo invitational exhibition November 2016
  • ArtSpace Herndon Gallery group invitational juried exhibition Herndon, Va. September 2016
  • "Water" SE Center for Photography juried exhibition Greenville, South Carolina April 2016
  • "Red" A. Smith Gallery invitational juried exhibition Johnson City, Texas April 2016
  • "Blossoms of Hope: Moving Forward" 7th Annual juried invitational exhibition Columbia, MD April 2016
  • Weinberg Center for the Arts solo invitational exhibition Frederick, MD April 2016 
  • Marymount University Barry Gallery Arlington, Va. two person invitational exhibition January - March 2016
  • 47th Annual LAG juried exhibition at Montpelier Arts Center Main Gallery March 2016
  • Circle Gallery juried invitational exhibit Maryland Federation of Art, Annapolis, MD Janaury 2016
  • “Maryland State of Mind” Maryland General Assembly Maryland House of Delegates Lowe House Office Building Annapolis, MD January -April 2016 

 
2015 
  • "Magical Realism" The Arts Barn  juried invitational exhibition Gaithersburg, MD December, 2015
  • Washington Artworks Gallery Rockville, MD juried invitational Exhibition Decemberl 2015
  • Montpelier Art Center Library Gallery  Solo invitational exhibition September 2015
  • "Au Naruel" DelRay Artisans Gallery juried invitational exhibition Alexandria, VA August, 2015
  • Washington Printmakers Gallery juried national small works exhibition Washington, DC August 2015
  • University of Maryland The Art Gallery: Maryland Federation of Art juried invitational exhibition College Park, MD June 2015
  • McLean Project for the Arts juried invitational exhibition Mclean, VA. June 2015
  • Hill Center Galleries juried exhibition Washington, DC June 2015
  • "Transformations" Pyramid Atlantic Art Center juried invitational exhibition Silver Spring, MD May 2015
  • Gallery at Penn Place juried invitational exhibition Bethesda, MD May 2015
  • Washington Artworks Gallery Rockville, MD solo invitational Exhibition April 2015
  • "My Little Town" Photoworks Gallery, invitational juried exhibit Glen Echo, Md April 2015
  • ArtSpace Herndon Gallery "Fine Art Photography Exhibit" Herndon, Va. March 2015
  • "Focal Point" Circle Gallery juried invitational exhibit Maryland Federation of Art, Annapolis, MD March 2015
  • “The Guild” Maryland General Assembly Maryland House of Delegates Lowe House Office Building Annapolis, MD February 2014 
  • “What’s On Your Mind” Strathmore Mansion Gallery North Bethesda, MD 24th Annual Strathmore Fine Arts juried exhibition February 2015 
  • "The White Show” Washington Artworks Urban by Nature Gallery Rockville, MD juried Exhibition January 2015

 
2014 
  • Montpelier Arts Center Main Gallery PAL 24th Annual Juried Exhibition Laurel, MD December 2014 
  • “Focus” Delaplaine Visual Arts Center Frededrick, MD juried Exhibition Juror: Frank Van Riper August 2014
  • Glenview Mansion Gallery Rockville, MD invitational Exhibition September 2014 
  • Hill Center Galleries Washington, DC juried Exhibition Juror: Phiip Kennicott Art Critic The Washington Post October 2014 
  • “Beach Comber Art” AnnMarie Art Center Dowell, MD juried Exhibition August 2014 
  • “Florally Inspired” Dorchester Center for the Arts Cambridge, MD invitational Exhibition June 2014 
  • University of Maryland Art Gallery "MD Art at College Park" College Park, MD juried Exhibition June 2014 
  • "A Burst of Color” Washington Artworks Urban by Nature Gallery Rockville, MD juried Exhibition May 2014 
  • Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition April 2014 
  • 37th Annual Art on Paper Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition March 2014 
  • “Unique Visions” Hodgson Art Gallery Frederick Community College Frederick, MD Solo Exhibition March 2014 
  • “Warmer” Whitaker Gallery Hood College Frederick, MD invitational Exhibition March 2014 
  • Montpelier Arts Center Main Gallery LAG 45th Annual Juried Exhibition Laurel, MD March 2014 
  • ArtSapce Herndon Fine Art Photography juried exhibition Herdon, VA March 2014 
  • Strathmore Mansion Gallery North Bethesda, MD 23rd Annual Strathmore Fine Arts juried exhibition March 2014 
  • “Love is in the Air” Photoworks Gallery Glen Echo, MD juried exhibition March 2014 
  • “A Case of the Reds” Maryland General Assembly Lowe House Office Building Annapolis, MD January 2014 
  • “Color in January” iDorchester Center for the Arts Cambridge, MD invitational Exhibition January 2014 
  • Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition January 2014 
  • “A celebration of Color” Washington Gallery of Photography Rockville, MD juried Exhibition January 2014

 
2013 
  • Montpelier Arts Center Main Gallery PAL 23rd Annual Juried Exhibition Laurel, MD December 2013 
  • “Up Close and Personal” BlackRock Center for the Arts Main Gallery Solo Exhibition November 2013 
  • Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition September 2013 
  • Maryland Federation of Art Circle Gallery Annapolis, MD 13th Annual American Landscapes juried Exhibition August 2013 
  • “Local Color 2013” Artists' Gallery Columbia, MD juried Exhibition July 2013 
  • MD Art at College Park University of Maryland Art Gallery College Park, MD juried Exhibition June 2013 
  • Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition 2nd Place Award May 2013 
  • “Drawing for Art” Strathmore Mansion Gallery North Bethesda, MD juried exhibition April 2013 
  • Montpelier Arts Center Main Gallery LAG 44th Annual Juried Exhibition Laurel, MD March 2013 
  • Maryland General Assembly Lowe House Office Building Annapolis, MD “On The Verge” invitational Exhibition February 2013 
  • “Points of View” Strathmore Mansion Gallery North Bethesda, MD juried exhibition January 2013 
  • “Nature in Focus” Howard County Center for the Arts Ellicott City, MD invitational Exhibition January 2013 
  • Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition January 2013

 
2012 
  • Montpelier Arts Center Main Gallery PAL 22nd Annual Juried Exhibition Laurel, MD December 2012 
  • Delaplaine Visual Arts Center Frederick, MD 2nd Annual Juried Photography Exhibition November 2012 
  • “Focus on Color” The Arts Barn Gaithersburg MD invitational Exhibition November 2012 
  • “Under the Influence” Harmony Hall Arts Center Gallery Fort Washington, MD invitational Exhibition October 2012 
  • “Let There be Color” BlackRock Center for the Arts Main Gallery Solo Exhibition October 2012 
  • York Art Association Woodward Gallery York, PA 42nd Annual Juried Exhibition October 2012 
  • “Xl-XS University of Maryland Art Gallery College Park, MD juried Exhibition August 2012 
  • Maryland Federation of Art Circle Gallery Annapolis, MD “12th Annual American Landscapes juried Exhibition August 2012 Jurors Choice Award 
  • “Unique Visions” Bernice Kish Gallery at Slayton House Columbia, MD Solo Exhibition September 2012 
  • Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition July 2012 
  • Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition May 2012 Honorable Mention 
  • Gallery West Alexandria, VA 15th Annual National juries Exhibition June 2012
  • “Photographic Visions” Ratner Museum Bethesda, MD invitational Exhibition June 2012 
  • Gettysburg College Schmucker Art Gallery Gettysburg, PA 9th Annual ACAC Juried Exhibition June 2012 
  • “Lotta Art” School 33 Art Center Baltimore, MD invitational Exhibition April 2012  
  • Art Association of Harrisburg Harrisburg, PA invitational Exhibition April 2012 
  • Montpelier Arts Center Main Gallery LAG 43rd Annual Juried Exhibition Laurel, MD March 2012 
  • Maryland Federation of Art Circle Gallery Annapolis, MD “35th Art on Paper” National juried Exhibition March 2012 
  • “Focus on Color” Gardiner Gallery Delaplaine Visual Arts Center Frederick, MD Solo exhibition February 2012 
  • “Memories from all Directions” Maryland General Assembly Lowe House Office Building Annapolis, MD  invitational Exhibition January 2012

 
2011 
  • “Small Wonders” Maryland Federation of Art Circle Gallery Annapolis, MD National juried Exhibition December 2011 
  • “Visions” Washington Gallery of Photography Rockville, MD Juried Exhibition November 2011  Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition June 2011 
  • Academy Art Museum Easton, MD “Focus on Flowers” Solo exhibition June 2011 
  • Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition May 2011
  • Fraser Gallery Bethesda, MD 10th International Fine Art Photography Exhibition March 2011 
  • Montpelier Arts Center Main Gallery LAG 42nd Annual Juried Exhibition Laurel, MD March 2011 
  • Strathmore Mansion Gallery North Bethesda, MD “20th Annual Fine Arts Exhibition” juried exhibition February 2011

Wednesday, December 16, 2015

Percent-for-Art Programs

If you've taken my "Bootcamp for Artists" 8-hour seminar, then you know that I've been preaching this for almost two decades now... but just in case you didn't believe me...
These ordinances, called percent-for-art programs, are seeking to use public spaces to bring art into the consciousness of a wider public by requiring a fee, usually some percentage of the project cost, on large scale development projects in order to fund and install public art.  That percentage usually ranges from 0.5% to 2%, with most programs (ironically) adopting 1% allocation.  As such, percent-for-art programs have been popping up all over the country, although the details may vary from area to area.  For example, the City of Los Angeles’ 1% for arts program, has developers pay an amount equal to 1% of the construction value of a large-scale project to fund public art at the construction site.
Check Nicolita Martinez article here.

Tuesday, January 17, 2012

Free Seminar Booked

On February 11, 2012 from 1-5pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.

As I predicted, the seminar is now fully booked. If you are still interested in signing up, contact them at 301-277-2863 / fax. 301-277-2865 / tty. 301-446-6802 and you'll be put on a waiting list.

Saturday, January 14, 2012

Free Seminar for Artists

On February 11, 2012 from 1-5pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.

This seminar is suitable for all visual artists interested in taking their careers to the next level.

Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies? How to approach a gallery?

Then this is the seminar for you! This program is free, but space is limited to 40 persons, and last year lots of artists were turned away because it filled up so quickly! You can sign online here.

This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.

See ya there!

Thursday, January 05, 2012

Free Bootcamp for Artists Seminar

On February 11, 2012 from 1-5pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.

This seminar is suitable for all visual artists interested in taking their careers to the next level.

Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies? How to approach a gallery?

Then this is the seminar for you! This program is free, but space is limited to 40 persons, and last year lots of artists were turned away because it filled up so quickly! You can sign online here.

This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.

See ya there!