Alternative

Those of you who attended my bootcamp for artists' seminars in the past know well that I think that the worst place for art is hidden away in your closet or studio or basement: art should be displayed as much as possible so that an artistic dialogue - and maybe a few sales if that's the aim - can take place.

And I am a big fan of alternative spaces to show artwork. DC is loaded with those and I wanted to alert you that I am hearing good things about such a to a place for DC area artists to get some exposure for their work.

There is a very cool restaurant in the Shaw area of DC called Vegetate. I am told that the food is artful and that they show good local art on the walls.

Currently Judith Peck is showing fifteen of her paintings alongside with Ken Ashton's photographs and they look great. Check it out.

Top 6 mustaches in local arts

Can I just say Yay!

My mustache has just made the it to the "Top 6 mustaches in local arts"!

Check it out here.

My dear mustache is a "come and go" mustache these days... I keep growing it and then taking it off, then I grow it again, then I take it off...

I've had a mustache since I was like 16 or 17... and I hate shaving; especially my upper lip. Every time that I shave it this happens: I am well asleep and then I turn over and my naked lip hits the cold pillow and it wakes me up.

Arrrrgh!

Between somewhere in 1972-3 and 2009, the only time that I didn't have a mustache was when I was in Navy bootcamp.

And between 1974 and 1983 I had a full beard, which returned sporadically (such as when I served temporary exchange duties in the British Royal Navy in 1987-1989).

Then full again a beard from 1997-1999 when I sort of went Bohemian for a while again.

The Lenster in 1997
And then around 2004/5 the now classic waxed mustache made its initial appearance. And off and on from there on...

And it has had its payoff for me: I once got a free burrito at Chipotle because the lady making the yummy food really liked my bigote (Spanish for mustache) and gave me a free burro.

Congrats to fellow artists Adrian Parsons and Andrew Wodzianski, who also made the list... and BTW... please note how the "Arts" mustaches kick ass versus the politicians' mustaches.

Coolio Julio Jenny Rogers!

P.S. Emmett Burns (Clarence Thomas doppleganger at the bottom here), you need a new picture dude; a little smile would get a few thousand more votes next time!

Seminar Pics

Yesterday's Bootcamp for Artists Seminar at the Gateway Arts Center was packed with a standing room crowd. About 60 people showed up (only 50 had RSVP'd). The seminar was free, courtesy of Gateway CDC in partnership with MNCPPC.

That's me discussing the ever popular subject of juried art competitions. Photo courtesy of Terry Ward.


And that's me and a partial shot of the crowd. The discussion now is the even more dicey subject of how to price your artwork. Photo courtesy of Terry Ward.


After the seminar there was a closing reception for the current show - which I had curated. Here are artists Rosetta de Berardinis, who is back in the DC area after a three year exile to Baltimore and Alexa Meade, whose amazing work is really lifting her young career to new heights.

And the kid with artist Terry Ward.

For your CV

In my "Bootcamp for Artists" series of seminars, one of the guerrilla tactics that I share and teach is how to build your art exhibition resume, and the key importance of having it for grants, residencies, and of course: sales.


Wanna add a group show to your resume and also contribute to a good cause?

CALL FOR POSTCARDS / DEADLINE MAY 19TH Wish You Were Here 16 A.I.R. Gallery's Annual Postcard Show A.I.R. Gallery is pleased to announce its 16th annual postcard show, Wish You Were Here, which will take place in the entry gallery of our Plymouth Street location from May 25 - June 25, 2017. This inclusive event both raises valuable funds for A.I.R. programs and makes affordable artwork available to the public. Past Wish You Were Here exhibitions have included work by notable artists like Mary Beth Edelson, Dottie Attie, Mary Grigoriadis, and Barbara Zucker. We invite artists from all over the world - female / male / cis / trans / gender nonconforming / neutral -  to participate by donating 1 postcard-sized work (4 x 6 inches) in any medium. Each original work is sold for $45 on a first come first serve basis and the buyer will take the work with them at the time of the sale. All proceeds go to benefit A.I.R. programming and are tax-deductible to the fullest extent of the law. FREE ENTRY & ALL WORKS ACCEPTED! For more information and to submit work for the annual postcard show, click here. Deadline is May 19, 2017 at 6pm.

Free Bootcamp for Artists this Saturday!

As many of you know, for over a decade or so I have been teaching a course for artists and arts professional, that course, for the last few years has been known as “Boot Camp for Artists.”

That six hour seminar, which has been taken by over 2,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

In the past, I’ve also discussed the importance of artists having their work at the various art fairs held around the world, most notably during Art Basel Miami Beach (ABMB) week in the Greater Miami area.

Presentation is a huge part of an artist’s professional life, and more often than it should be, presentation is a detractor and takes away from the artwork.

Why am I discussing that here? Because before you start exploring the various ways to get your artwork invited to the “big dance” during ABMB week, as an artist you should be ready to play with the big dogs when it comes to all the tools of the trade needed to set foot in a world-class art fair.

It is not unusual for me to step foot in a gallery and see artwork which (at least from a presentation point of view) is “not ready” for primetime… this is getting to be rarer and rarer as galleries struggle to survive, but still there.

The seminar will be offered this coming Saturday, November 2 at Harmony Hall, 10701 Livingston Road, Fort Washington, MD 20744 - courtesy of PG County and fully free to all artists - and lunch is included!

In its six hour format, the seminar covers a wide range of structured issues, including the below list, but essentially artists should at least be aware and explore:

1. Materials – Buying materials and strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume – Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider’s view and strategy to get in the competitions.

5. How to take images of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Fine Art Fairs – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources – Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing – Cable TV, Local media

17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.

Montgomery College’s King Street Gallery presents the annual Student Exhibition

The King Street Gallery presents the annual Student Exhibition featuring the work of Montgomery College students from the Department of the Visual and Performing Arts at Takoma Park, Silver Spring Campus.  The exhibition will be on display from May 19th through September 9th, 2022. 

King Street Gallery is open late on May 19th from 5 PM to 7:30 PM for the exhibition opening. This event is located at the Morris and Gwendolyn Cafritz Foundation Arts Center. This exhibition is free and open to the public. For more information, visit their Facebook page: https://www.facebook.com/MCVPA 

The Virtual Student Exhibition featuring artwork from remote classes can be followed on Instagram: https://www.instagram.com/930kingstreet/ and Facebook: https://www.facebook.com/MCVPA  - You can also see all the student artwork online here.

The exhibition features artworks made by Art & Design students over the past year and includes work from courses in 2D Design, 3D Design,  Ceramics, Craft, Drawing,  Graphic Design, Illustration, Painting, Printmaking, and Sculpture. Throughout the year, Montgomery College art students have worked hard to accomplish a variety of artwork that will make this year’s show something not to miss.  Please join them to celebrate their student body's creativity.  

The works are usually for sale, and I've discussed many times in my seminars for beginning collectors (Bootcamp for Art Collectors), art student shows are an excellent way to get original artwork at student prices.

About the King Street Gallery: 

The Morris and Gwendolyn Cafritz Foundation Arts Center includes galleries that mount exhibitions in support of the academic mission of the Department of Visual and Performing Arts at Montgomery College. The King Street Gallery is on the ground floor of The Morris and Gwendolyn Cafritz Foundation Arts Center on the west side of the Takoma Park/Silver Spring Campus.  

The arts center is located off Georgia Avenue at 930 King Street, Silver Spring, MD. Parking is available in the West Campus Garage, which is immediately behind the center. Additional parking is available in the East Campus Garage on Fenton Street with pedestrian access by a bridge and walking path.  For maps and directions, visit www.montgomeycollege.edu/maps. 

Richard Weiblinger: Hard work pays off

A common complaint from artists is "lack of exhibition opportunities." I usually address this in my Bootcamp for Artists seminar, but (at least in the DMV) there are plenty of exhibition opportunities.

Empirical data? Look at the enviable number of yearly shows that DMV area photographer Richard Weiblinger has been part of since 2011. Check out his work here.

Hard work pays off.

 

2016

• Delaplaine Visual Arts Center Frederick, MD Solo invitational exhibition November 2016
• ArtSpace Herndon Gallery group invitational juried exhibition Herndon, Va. September 2016
• "Water" SE Center for Photography juried exhibition Greenville, South Carolina April 2016
• "Red" A. Smith Gallery invitational juried exhibition Johnson City, Texas April 2016
• "Blossoms of Hope: Moving Forward" 7th Annual juried invitational exhibition Columbia, MD April 2016
• Weinberg Center for the Arts solo invitational exhibition Frederick, MD April 2016 
• Marymount University Barry Gallery Arlington, Va. two person invitational exhibition January - March 2016
• 47th Annual LAG juried exhibition at Montpelier Arts Center Main Gallery March 2016
• Circle Gallery juried invitational exhibit Maryland Federation of Art, Annapolis, MD Janaury 2016
• “Maryland State of Mind” Maryland General Assembly Maryland House of Delegates Lowe House Office Building Annapolis, MD January -April 2016 

 

2015 

• "Magical Realism" The Arts Barn  juried invitational exhibition Gaithersburg, MD December, 2015
• Washington Artworks Gallery Rockville, MD juried invitational Exhibition Decemberl 2015
• Montpelier Art Center Library Gallery  Solo invitational exhibition September 2015
• "Au Naruel" DelRay Artisans Gallery juried invitational exhibition Alexandria, VA August, 2015
• Washington Printmakers Gallery juried national small works exhibition Washington, DC August 2015
• University of Maryland The Art Gallery: Maryland Federation of Art juried invitational exhibition College Park, MD June 2015
• McLean Project for the Arts juried invitational exhibition Mclean, VA. June 2015
• Hill Center Galleries juried exhibition Washington, DC June 2015
• "Transformations" Pyramid Atlantic Art Center juried invitational exhibition Silver Spring, MD May 2015
• Gallery at Penn Place juried invitational exhibition Bethesda, MD May 2015
• Washington Artworks Gallery Rockville, MD solo invitational Exhibition April 2015
• "My Little Town" Photoworks Gallery, invitational juried exhibit Glen Echo, Md April 2015
• ArtSpace Herndon Gallery "Fine Art Photography Exhibit" Herndon, Va. March 2015
• "Focal Point" Circle Gallery juried invitational exhibit Maryland Federation of Art, Annapolis, MD March 2015
• “The Guild” Maryland General Assembly Maryland House of Delegates Lowe House Office Building Annapolis, MD February 2014 
• “What’s On Your Mind” Strathmore Mansion Gallery North Bethesda, MD 24th Annual Strathmore Fine Arts juried exhibition February 2015 
• "The White Show” Washington Artworks Urban by Nature Gallery Rockville, MD juried Exhibition January 2015

 

2014 

• Montpelier Arts Center Main Gallery PAL 24th Annual Juried Exhibition Laurel, MD December 2014 
• “Focus” Delaplaine Visual Arts Center Frededrick, MD juried Exhibition Juror: Frank Van Riper August 2014
• Glenview Mansion Gallery Rockville, MD invitational Exhibition September 2014 
• Hill Center Galleries Washington, DC juried Exhibition Juror: Phiip Kennicott Art Critic The Washington Post October 2014 
• “Beach Comber Art” AnnMarie Art Center Dowell, MD juried Exhibition August 2014 
• “Florally Inspired” Dorchester Center for the Arts Cambridge, MD invitational Exhibition June 2014 
• University of Maryland Art Gallery "MD Art at College Park" College Park, MD juried Exhibition June 2014 
• "A Burst of Color” Washington Artworks Urban by Nature Gallery Rockville, MD juried Exhibition May 2014 
• Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition April 2014 
• 37th Annual Art on Paper Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition March 2014 
• “Unique Visions” Hodgson Art Gallery Frederick Community College Frederick, MD Solo Exhibition March 2014 
• “Warmer” Whitaker Gallery Hood College Frederick, MD invitational Exhibition March 2014 
• Montpelier Arts Center Main Gallery LAG 45th Annual Juried Exhibition Laurel, MD March 2014 
• ArtSapce Herndon Fine Art Photography juried exhibition Herdon, VA March 2014 
• Strathmore Mansion Gallery North Bethesda, MD 23rd Annual Strathmore Fine Arts juried exhibition March 2014 
• “Love is in the Air” Photoworks Gallery Glen Echo, MD juried exhibition March 2014 
• “A Case of the Reds” Maryland General Assembly Lowe House Office Building Annapolis, MD January 2014 
• “Color in January” iDorchester Center for the Arts Cambridge, MD invitational Exhibition January 2014 
• Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition January 2014 
• “A celebration of Color” Washington Gallery of Photography Rockville, MD juried Exhibition January 2014

 

2013 

• Montpelier Arts Center Main Gallery PAL 23rd Annual Juried Exhibition Laurel, MD December 2013 
• “Up Close and Personal” BlackRock Center for the Arts Main Gallery Solo Exhibition November 2013 
• Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition September 2013 
• Maryland Federation of Art Circle Gallery Annapolis, MD 13th Annual American Landscapes juried Exhibition August 2013 
• “Local Color 2013” Artists' Gallery Columbia, MD juried Exhibition July 2013 
• MD Art at College Park University of Maryland Art Gallery College Park, MD juried Exhibition June 2013 
• Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition 2nd Place Award May 2013 
• “Drawing for Art” Strathmore Mansion Gallery North Bethesda, MD juried exhibition April 2013 
• Montpelier Arts Center Main Gallery LAG 44th Annual Juried Exhibition Laurel, MD March 2013 
• Maryland General Assembly Lowe House Office Building Annapolis, MD “On The Verge” invitational Exhibition February 2013 
• “Points of View” Strathmore Mansion Gallery North Bethesda, MD juried exhibition January 2013 
• “Nature in Focus” Howard County Center for the Arts Ellicott City, MD invitational Exhibition January 2013 
• Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition January 2013

 

2012 

• Montpelier Arts Center Main Gallery PAL 22nd Annual Juried Exhibition Laurel, MD December 2012 
• Delaplaine Visual Arts Center Frederick, MD 2nd Annual Juried Photography Exhibition November 2012 
• “Focus on Color” The Arts Barn Gaithersburg MD invitational Exhibition November 2012 
• “Under the Influence” Harmony Hall Arts Center Gallery Fort Washington, MD invitational Exhibition October 2012 
• “Let There be Color” BlackRock Center for the Arts Main Gallery Solo Exhibition October 2012 
• York Art Association Woodward Gallery York, PA 42nd Annual Juried Exhibition October 2012 
• “Xl-XS University of Maryland Art Gallery College Park, MD juried Exhibition August 2012 
• Maryland Federation of Art Circle Gallery Annapolis, MD “12th Annual American Landscapes juried Exhibition August 2012 Jurors Choice Award 
• “Unique Visions” Bernice Kish Gallery at Slayton House Columbia, MD Solo Exhibition September 2012 
• Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition July 2012 
• Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition May 2012 Honorable Mention 
• Gallery West Alexandria, VA 15th Annual National juries Exhibition June 2012
• “Photographic Visions” Ratner Museum Bethesda, MD invitational Exhibition June 2012 
• Gettysburg College Schmucker Art Gallery Gettysburg, PA 9th Annual ACAC Juried Exhibition June 2012 
• “Lotta Art” School 33 Art Center Baltimore, MD invitational Exhibition April 2012  
• Art Association of Harrisburg Harrisburg, PA invitational Exhibition April 2012 
• Montpelier Arts Center Main Gallery LAG 43rd Annual Juried Exhibition Laurel, MD March 2012 
• Maryland Federation of Art Circle Gallery Annapolis, MD “35th Art on Paper” National juried Exhibition March 2012 
• “Focus on Color” Gardiner Gallery Delaplaine Visual Arts Center Frederick, MD Solo exhibition February 2012 
• “Memories from all Directions” Maryland General Assembly Lowe House Office Building Annapolis, MD  invitational Exhibition January 2012

 

2011 

• “Small Wonders” Maryland Federation of Art Circle Gallery Annapolis, MD National juried Exhibition December 2011 
• “Visions” Washington Gallery of Photography Rockville, MD Juried Exhibition November 2011  Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition June 2011 
• Academy Art Museum Easton, MD “Focus on Flowers” Solo exhibition June 2011 
• Maryland Federation of Art Circle Gallery Annapolis, MD juried Exhibition May 2011
• Fraser Gallery Bethesda, MD 10th International Fine Art Photography Exhibition March 2011 
• Montpelier Arts Center Main Gallery LAG 42nd Annual Juried Exhibition Laurel, MD March 2011 
• Strathmore Mansion Gallery North Bethesda, MD “20th Annual Fine Arts Exhibition” juried exhibition February 2011

Percent-for-Art Programs

If you've taken my "Bootcamp for Artists" 8-hour seminar, then you know that I've been preaching this for almost two decades now... but just in case you didn't believe me...

These ordinances, called percent-for-art programs, are seeking to use public spaces to bring art into the consciousness of a wider public by requiring a fee, usually some percentage of the project cost, on large scale development projects in order to fund and install public art.  That percentage usually ranges from 0.5% to 2%, with most programs (ironically) adopting 1% allocation.  As such, percent-for-art programs have been popping up all over the country, although the details may vary from area to area.  For example, the City of Los Angeles’ 1% for arts program, has developers pay an amount equal to 1% of the construction value of a large-scale project to fund public art at the construction site.

Check Nicolita Martinez article here.

AC Moore's coupons

One of the things that I teach in my Bootcamp for Artists seminar is guerrilla tactics for reducing framing costs up to 80-90% from custom framing costs.


One valuable asset here are A.C. Moore stores, with their significant set of ready made frames at generally affordable prices, often coupled with weekly sales.


Moore's is also a prodigious coupon-generating factory, and quite often you get a coupon that proudly announces "55% off any regular priced item."

To me, being a pedantic Virgo, "any" means that all items in the store which are not on sale are discounted 55%.


Not to A.C. Moore.


The small print on the coupon notes several exceptions to "any."

Limit one coupon per customer, per transaction, per day. Must be surrendered at time of purchase. No reproductions. Not valid with any other coupons, discounts, previous purchases, sale, clearance, or blue, red or green labeled items. Coupon has no cash value. Not valid on purchase of Gift Cards, Cricut®, Home Essentials Frames, Elf on the Shelf, Custom Framing, Custom Floral Arranging, Classroom Fees, Magazines, or www.acmoore.com purchases. Not valid at our Outlet or Liquidation Store locations

Prior to the "any" coupon, I had received an email blast from A.C. Moore's proudly announcing "Today Only: 20% Off Everything‏." And so I rush to the store, thinking that "everything" means.... ahh... everything!


"Everything" is understood by the most casual observer to mean everything in the store... and thus I was surprised when I went and made a large purchase that there were many things at the store where it didn't apply -- that is dishonest advertising to say "everything" and then you get to the store and Essential Frames, clearance items, etc. are NOT part of "Everything."

This, of course, bugged me and thus I contacted A.C. Moore to explain to them that by using the word "everything", the implication was that any item on the store was eligible for the discount.


Below is their response:

Thank you for contacting A. C. Moore Customer Care. We apologize for the misunderstanding about the 20% off coupon from our email subject line. The details of this coupon are printed on the actual coupon, where it explains that the 20% off is on your regular and sale price items, and lists excluded items.  Your detailed feedback is greatly appreciated as it allows us the opportunity to address this type of situation for future visits. 

        I have added 500 points to your rewards account (the equivalent of making a $50.00 purchase) for the inconvenience. 

        We understand your position and we appreciate your feedback about this. We will forward your feedback to our marketing team to take this into consideration for future email coupons. 

         Thank you.

Sincerely,
Caitlin Scarbrough
Customer Care Coordinator | A. C. Moore
130 A.C. Moore Drive  | Berlin, NJ  08009

And I am grateful, and it is an inconvenience to load a cart with 30 Home Essential frames on two separate occasions, only to find out that they are not eligible under the "any" descriptor in the 55% "any" coupon, or under the "everything" descriptor in the 20% coupon.


What's the solution? Can Moore's get out of this borderline deceptive coupon by simply using an asterisk after the word "any" and "everything"? At least an asterisk raises an alarm that there are limitations.


Or am I being too pedantic?

Bootcamp for artists is tomorrow!

The Artists’ Boot Camp

Saturday, November 2nd, 10am-4pm , in the John Addison Concert Hall of Harmony Hall

Harmony Hall Arts Center presents Mr. Lenny Campello’s seminar, “The Artists’s Boot Camp”, open to all Prince George’s County artists, 16 and up.  Mr. Campello is the Greater Washington D.C. area’s pre-eminent art dealer, critic, consultant and blogger as well as artist. He designed his seminar to deliver information, data and proven tactics to artists, and to allow them to develop and sustain a career in the fine arts. Some of the topics that he will cover are, creating a resume, creating a body of work, selling your art, juried shows and news releases, just to name a few. 

The seminar is free and lunch is included. Seating is limited so please call 301.446.3251 or email stuart.diekmeyer@pgparks.com to register and provide lunch preference.

As many of you know, for over a decade or so I have been teaching a course for artists and arts professional, that course, for the last few years has been known as “Boot Camp for Artists.”

That six hour seminar, which has been taken by over 2,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

In the past, I’ve discussed the importance of artists having their work at the various art fairs held around the world, most notably during Art Basel Miami Beach (ABMB) week in the Greater Miami area.

Presentation is a huge part of an artist’s professional life, and more often than it should be, presentation is a detractor and takes away from the artwork.

Why am I discussing that here? Because before you start exploring the various ways to get your artwork invited to the “big dance” during ABMB week, as an artist you should be ready to play with the big dogs when it comes to all the tools of the trade needed to set foot in a world-class art fair.

It is not unusual for me to step foot in a gallery and see artwork which (at least from a presentation point of view) is “not ready” for primetime… this is getting to be rarer and rarer as galleries struggle to survive, but still there.

In its six hour format, the seminar covers a wide range of structured issues, including the below list, but essentially artists should at least be aware and explore:

1. Materials – Buying materials and strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume – Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider’s view and strategy to get in the competitions.

5. How to take images of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Fine Art Fairs – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources – Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing – Cable TV, Local media


17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.

Harmony Hall
10701 Livingston Road 
Fort Washington, MD 20744

Things that are not OK - and I'm going to start calling them out

One of the most common ingredients of the artworld, and sometimes a formidable tool for emerging artists to build a resume (if you want to know what it is sooooooo important that you develop a valid and sustainable artistical resume, then you need to take my next "Bootcamp for Artists" seminar) is to respond to call for artists, art competitions, etc.

There's always a set of deadlines.

A deadline for entries to be in - the most important deadline for the artist.

A deadline for the hosting entity to respond with notifications of acceptance or rejection.

A deadline for delivery of accepted artworks

A deadline for pick up of exhibited/unsold artwork at the end of competition (if local delivered)

Three of the four key deadlines fall on the artists - and generally speaking, if you miss any of the first two (entry deadline and delivery deadline), then you are OUT!

If you miss the last deadline, there's often a daily "storage charge" until the artwork is picked-up.

One thing that I have been noticing more and more lately, is that hosting venues are often - anecdotal data seems to indicate most of the time - Missing THEIR deadline to notify artists and respond with notifications of acceptance or rejection.

This is not only unprofessional, but puts an extra burden on the shoulders of the artists, who may only have a tight window for decision-making related to the submitted artwork.

What is up with that? Why are we allowing the hosting venues to simply (often without a reason) go silent as deadlines pass and then ad hoc notify artists?

I have been on the jurying end of this process dozens if not hundreds of times, and thus as the poet Marti wrote: "I know the monster well, for I have lived in its entrails."

Art Clinic Online: Bootcamp for Artists!

 Art Clinic Online - Saturday, May 28 from 10:30 -11:30am

Join me at the Art Clinic Online for a discussion and Q&A about nearly everything you wanted to know about being an artist, grants, resume-building, approaching galleries, etc.

About Art Clinic Online (ACO)

The Art Clinic Online community aims to create a friendly artsy environment and bring together artists who may have taken classes with us before or who are contemplating it and want to learn from one another in an online community-based setting. As such, they are not didactic sessions but a forum for the equal exchange of art ideas and art information as well as an opportunity to share art challenges and breakthroughs. 

The Stone Tower resident artists created the ACO after hearing the need for such a forum expressed by many of their students. If you are interested in joining, click the button below and email Mariana to join! Yes, it's still FREE.

Location: Glen Echo.

What happens in Vegas

Other than the hell known as Navy bootcamp, I've had a moustache since High School (and from 1974-1983 a full beard).

When you've had face hair most of your life, it sort of defines you in a way that no other "thing" in your body or clothing does.

It also sort of defines the way that one conducts their daily routine.


Last month when I was returning from the California desert via a weekend in Las Vegas, the moustache came off.


More big news later... my upper lip is cold.

Reminder: Women's Caucus for Art's 2006 Annual Networking Day

This coming Saturday, the Women’s Caucus for Art of Greater Washington DC will be having their 2006 Annual Networking Day, focusing on exhibiting and marketing your art.

I will be presenting a focused talk covering marketing. This presentation has been derived from our Bootcamp for Artists seminar. This event is free and open to the public.

When: 9:30 a.m. – 4:30 p.m., Saturday, April 29, 2006
Where: Goodwin House
3440 South Jefferson Street
Falls Church, VA 22041
1.703.820.1488

The Women’s Caucus for Art, a major national non-profit member organization, was founded in 1972 and is an affiliated society of the College Art Association. It is unique in its multi-disciplinary, multicultural membership. WCA members are artists, art historians, arts administrators, museum and gallery professionals, teachers, students, curators, critics, collectors, and others who are committed to WCA’s goals.

For more info call 301.910.1231 or email Authentic_Art@att.net.

See ya there!

Women's Caucus for Art: 2006 Annual Networking Day

Women’s Caucus for Art of Greater Washington DC will be having their 2006 Annual Networking Day, focusing on exhibiting and marketing your Art. I will be presenting a focused shortened version covering marketing derived from our Bootcamp for Artists seminar. Event is free and open to the public.

When: 9:30 a.m. – 4:30 p.m., Saturday, April 29, 2006
Where: Goodwin House
3440 South Jefferson Street
Falls Church, VA 22041
1.703.820.1488

The Women’s Caucus for Art, a major national non-profit member organization, was founded in 1972 and is an affiliated society of the College Art Association. It is unique in its multi-disciplinary, multicultural membership. WCA members are artists, art historians, arts administrators, museum and gallery professionals, teachers, students, curators, critics, collectors, and others who are committed to WCA’s goals.

For more info call 301.910.1231 or email Authentic_Art@att.net.

See ya there!

Bootcamp for Artists

The next seminar will be held on Sunday, March 26, 2006 in partnership with The Arts and Humanities Council of Montgomery County and will be held at the Round House Theatre Education Center located at 925 Wayne Avenue, Silver Spring, MD from 10:30AM - 6PM. This seminar is open only to Montgomery County residents.

Please visit this website or e-mail us or call 301/718-9651 if you would like more details. Register using this form (limited to 50 attendees).

The seven hour seminar, which has been taken by over 2,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts. The seminar normally costs $80 (includes lunch), but this version is done in partnership with The Arts and Humanities Council of Montgomery County and only costs $50 for county residents.

Sometimes called "Boot Camp for Artists" by the attendees, people as far as Arizona, California, New York and South Carolina have attended, including many, many university level art professionals.

In its seven hour format, the seminar covers a wide range of structured issues including:

1. Materials - Buying materials;strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume - Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider's view and strategy to get in the competitions.

5. How to take slides and photographs of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Outdoor Art Festivals – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources - Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing - Cable TV, Local media

17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.

The seminar has been a spectacular success, and the feedback from artists can be read online at here and we continue to receive tremendous positive feedback on the practical success that this seminar has meant for those who have taken it.

Hurry, as the 50 spaces usually book very quickly, and we already have several eople signed up.

Register using this form.

Gimp

If you see me limping around, it is not from having worn my knee out from giving someone that once promised and well-deserved ass kicking.

This story is nothing compared to Tentacles but...

Today as I was getting dressed, I was barefooted, and as I have hardwood floors, managed to pick up a huge sliver in my left foot.

Luckily, I was standing next to my bed, and so I collapsed on top of it while holding my foot aloft, as one of the key things to do in the event of a sliver attack, is to isolate the attacked limb, lest we break the sliver and have to resort to emergency needle surgery.

So I managed to preserve the sliver intact on the bottom of my foot.

Next, what is needed is good light, and good vision, in order to extract the attacking sliver.

So, holding my foot aloft, I hopped over to the bathroom, and turned the lights on.

I then lifted my left leg, in order to do the acrobatic act of remaining balanced while exposing the sole of my left foot.

I however, failed to account for the bathroom door handle, and smashed my kneecap on the handle as I lifted the leg up, while attmepting to balance on the other foot.

Now I am really hopping on one leg and screaming bloody murder, as my knee complains bitterly at the unwarranted smash-up.

Eventually I manage to settle down, and to my relief the splinter is still whole and sticking out of my foot. Luckily, in a paradoxical way, it is a massive splinter, which is bad for the pain that it is delivering to my foot, but good for the fact that I can just grab it with my fingers and not spend several hours looking for the tweezers.

And so I grab it out, and I think that I performed a clean extraction.

Pheeew!

However, this is a massive rain-forest sized chunk of wood, and some blood begins to seep out. Since I do not know what sort of postmodern germs are now ferociously attempting entry into my blood stream, I decided to put some first aid cream on the wound.

Half an hour later and I still haven't found the cream, so I decide to use that bottle of iodine that has somehow managed to stay with me since it came with my first aid kit in Navy bootcamp eons ago.

Do they even make iodine anymore?

So I open the small bottle of iodine, and this bottle is so old, that the little plastic tip that dips into the iodine just falls off as I open it, landing squarely on top of my pants, after caressing my suit jacket on its downward spiral.

So now I have an iodine track on my jacket and on my pants; and a ruined suit, as iodine (as far as I know) does not come off.

I eventually put some of this prehistoric stuff on my wound, and as everyone knows, iodine stings like a M@#$%^&*^er.

I pretend it is the pain from all those germs being killed by whatever uberchemical makes up iodine (isn't iodine an element by itself?).

I think that I got all the wood out, but now my foot still hurts like crazy.

A day in the life of a gallerist.