Showing posts sorted by relevance for query bootcamp. Sort by date Show all posts
Showing posts sorted by relevance for query bootcamp. Sort by date Show all posts

Tuesday, September 19, 2017

Bootcamp for Artists Coming later this month!


Early heads up!


On September 30, from 2-4:30 pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.



This seminar is suitable for all visual artists interested in taking their careers to the next level.



Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies? How to approach a gallery?



Then this is the seminar for you! This program is free, but space is limited to 40 persons, and last year lots of artists were turned away because it filled up so quickly!


This seminar always books up very quickly!


3901 Rhode Island Avenue
Brentwood, MD 20722
301-277-2863


This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.



The seminar, which has been taken by over 6,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

Sometimes called "Boot Camp for Artists" by the attendees, people as far as Arizona, California, New York and South Carolina have attended, including many, many university level art professionals.

In its seven hour format compressed into 2.5 hours, the seminar covers a wide range of structured issues including:

1. Materials - Buying materials; strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume - Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider's view and strategy to get in the competitions.

5. How to take slides and photographs of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Outdoor Art Festivals – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources - Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing - Cable TV, Local media

17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.


18. Art fairs

Thursday, March 18, 2010

Free Seminar for Artists

On April 10, 2010 from 1-5pm, Gateway CDC in partnership with MNCPPC will be hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.

This seminar is suitable for all visual artists interested in taking their careers to the next level.

Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies?

Then this is the seminar for you! This program is free, but space is limited so please email John@Gateway-cdc.org or call 301-864-3860 ext. 3 if you would like to attend.

This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.

Of interest to the general public: a closing reception for the Gateway Arts District Show, which I juried a while back will immediately follow the “Bootcamp for Artists Seminar” from 5-8pm. All are welcome!

Thursday, April 08, 2010

Saturday: Free Art Business Seminar for Artists

On April 10, 2010 from 1-5pm, Gateway CDC in partnership with MNCPPC will be hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists. Registration ends at noon tomorrow.

This seminar is suitable for all visual artists interested in taking their careers to the next level.

Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies?

Then this is the seminar for you! This program is free, but space is limited so please email John@Gateway-cdc.org or call 301-864-3860 ext. 3 if you would like to attend. Hurry! You must register no later than noon tomorrow!

This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.

Of interest to the general public: a closing reception for the Gateway Arts District Show, which I juried a while back ,will immediately follow the “Bootcamp for Artists Seminar” from 5-8pm. All are welcome!

A free business seminar and then a closing reception with munchies and wine... life is good.

Thursday, April 01, 2010

Free Art Business Seminar for Artists

On April 10, 2010 from 1-5pm, Gateway CDC in partnership with MNCPPC will be hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.

This seminar is suitable for all visual artists interested in taking their careers to the next level.

Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies?

Then this is the seminar for you! This program is free, but space is limited so please email John@Gateway-cdc.org or call 301-864-3860 ext. 3 if you would like to attend. Hurry!

This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.

Of interest to the general public: a closing reception for the Gateway Arts District Show, which I juried a while back will immediately follow the “Bootcamp for Artists Seminar” from 5-8pm. All are welcome!

Wednesday, July 05, 2017

Bootcamp for Artists Seminar


Early heads up!


On September 30, from 2-4:30 pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.



This seminar is suitable for all visual artists interested in taking their careers to the next level.



Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies? How to approach a gallery?



Then this is the seminar for you! This program is free, but space is limited to 40 persons, and last year lots of artists were turned away because it filled up so quickly!


As soon as they start taking reservations (and I will announce that soon), I recommend that interested people reserve early, as this seminar always books up very quickly!



This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.



See ya there!

Thursday, August 03, 2017

Save the date: Bootcamp for Artists


Early heads up!


On September 30, from 2-4:30 pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.



This seminar is suitable for all visual artists interested in taking their careers to the next level.



Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies? How to approach a gallery?



Then this is the seminar for you! This program is free, but space is limited to 40 persons, and last year lots of artists were turned away because it filled up so quickly!


As soon as they start taking reservations (and I will announce that soon), I recommend that interested people reserve early, as this seminar always books up very quickly!



This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.



See ya there!

Tuesday, September 26, 2017

Bootcamp

On September 30, from 2-4:30 pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.


This seminar is suitable for all visual artists interested in taking their careers to the next level.


Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies? How to approach a gallery?


Then this is the seminar for you! This program is free, but space is limited to 40 persons, and last year lots of artists were turned away because it filled up so quickly!

This seminar always books up very quickly!


3901 Rhode Island Avenue
Brentwood, MD 20722
301-277-2863


This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.


The seminar, which has been taken by over 6,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.
Sometimes called "Boot Camp for Artists" by the attendees, people as far as Arizona, California, New York and South Carolina have attended, including many, many university level art professionals.
In its seven hour format compressed into 2.5 hours, the seminar covers a wide range of structured issues including:

1. Materials - Buying materials; strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume - Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider's view and strategy to get in the competitions.

5. How to take slides and photographs of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Outdoor Art Festivals – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources - Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing - Cable TV, Local media

17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.


18. Art fairs

Wednesday, March 24, 2010

Free Art Business Seminar for Artists

On April 10, 2010 from 1-5pm, Gateway CDC in partnership with MNCPPC will be hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.

This seminar is suitable for all visual artists interested in taking their careers to the next level.

Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies?

Then this is the seminar for you! This program is free, but space is limited so please email John@Gateway-cdc.org or call 301-864-3860 ext. 3 if you would like to attend. Hurry!

This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.

Of interest to the general public: a closing reception for the Gateway Arts District Show, which I juried a while back will immediately follow the “Bootcamp for Artists Seminar” from 5-8pm. All are welcome!

Monday, December 29, 2008

Webminars: Bootcamp for Artists

For about a decade, while I was the co-owner of the Fraser Galleries in DC and Maryland from 1996-2006, I co-developed a highly successful one day seminar titled "Success as an Artist," which over the years, the many thousands who took part in it, eventually dubbed "Bootcamp for Artists."

I am now taking the basic modules and principles of that one day seminar, modernizing the tactics and re-inventing the approach into a series of webminars in partnership with CFX Network Webminars.

The first in a series of webminars for artists will take place on
Sunday, February 01, 2009 at 11:00 AM (ET).

All the details are here.

More later, but you can start registering now.

Saturday, April 03, 2010

Free Art Business Seminar for Artists

On April 10, 2010 from 1-5pm, Gateway CDC in partnership with MNCPPC will be hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.

This seminar is suitable for all visual artists interested in taking their careers to the next level.

Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies?

Then this is the seminar for you! This program is free, but space is limited so please email John@Gateway-cdc.org or call 301-864-3860 ext. 3 if you would like to attend. Hurry!

This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.

Of interest to the general public: a closing reception for the Gateway Arts District Show, which I juried a while back ,will immediately follow the “Bootcamp for Artists Seminar” from 5-8pm. All are welcome!

A free business seminar and then a closing reception with munchies and wine... life is good.

Thursday, January 05, 2012

Free Bootcamp for Artists Seminar

On February 11, 2012 from 1-5pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.

This seminar is suitable for all visual artists interested in taking their careers to the next level.

Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies? How to approach a gallery?

Then this is the seminar for you! This program is free, but space is limited to 40 persons, and last year lots of artists were turned away because it filled up so quickly! You can sign online here.

This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.

See ya there!

Sunday, November 13, 2005

Bootcamp today

I'll be at Warehouse all day co-presenting the "Success as an Artist" seminar, also known around these parts as Bootcamp for Artists.

This seminar is fully booked, but we have a wait list for the next one. Email Catriona for details.

More later...

Monday, December 27, 2021

PO1 Mock

As most of my Navy buds know, I used to do a lot of cartoons while I was in the Navy... some were published in base newspapers,  Navy magazines,  Stars & Stripes, etc. I gave most of them away over the years... this one just showed up at an auction.

It depicts the legendary Seaman Schmuckatelli - first as a "boot" in bootcamp and then as a tough sailor a few years later - notice that the Seaman is screwing up the salute!

Seaman Schmuckatelli Navy cartoon from 1983 by Lenny Campello
Seaman Schmuckatelli Navy cartoon from 1983 by Lenny Campello


Monday, January 05, 2009

Webminar: How to build your art resume

For about a decade, while I was the co-owner of the Fraser Galleries in DC and Maryland from 1996-2006, I co-developed a highly successful one day seminar titled "Success as an Artist," which over the years, the many thousands who took part in it, eventually dubbed "Bootcamp for Artists."

I am now taking the basic modules and principles of that one day seminar, modernizing the tactics and re-inventing the approach into a series of webminars in partnership with CFX Network Webminars.

The first in a series of webminars for artists will take place on
Sunday, February 01, 2009 at 11:00 AM (ET). It is focused on how to build your visual arts resume.

An artists' resume is one of the key factors not only in potentially help to sell artwork, but also in getting grants, residencies and awards, as well as attracting gallery and collector attention. In this seminar I will cover a variety of proven tactics for building your resume quickly and easily. The tactics are applicable to new Art school graduates, emerging and mid career artists as well as those starting a new career in the visual arts after retiring from another career.

All the details are here.

Friday, February 16, 2007

Last Nite

I dropped in to the opening of Nevin Kelly's first ever photography show, featuring work by Mark Parascandola and Yanina Manolova.

Considering how brutal the night was, and how icy U Street was, the opening was packed, and while there I ran into the talented artist Scott Brooks and also the ubiquitous Vivienne Lassman.

I particularly liked Yanina Manolova's "Death Time for my Body," a superbly twisted and odd dual body composition of a female body. This photographer's work is sexy and skilled and also a really good deal, as most photos are under $400.

I also liked Mark's visualization of the Alhambra, one of my favorite buildings in the world. His saturated colors really deliver striking images. I'm a little prejudiced, as Parascandola is a graduate of one of our "Bootcamp for Artists" seminars and is obviously doing well with his career in using the lessons learned there.

Tuesday, August 08, 2017

Boot camp for artists coming...


Early heads up!


On September 30, from 2-4:30 pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.



This seminar is suitable for all visual artists interested in taking their careers to the next level.



Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies? How to approach a gallery?



Then this is the seminar for you! This program is free, but space is limited to 40 persons, and last year lots of artists were turned away because it filled up so quickly!


As soon as they start taking reservations (and I will announce that soon), I recommend that interested people reserve early, as this seminar always books up very quickly!



This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.



The seven hour seminar, which has been taken by over 6,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

Sometimes called "Boot Camp for Artists" by the attendees, people as far as Arizona, California, New York and South Carolina have attended, including many, many university level art professionals.

In its seven hour format, the seminar covers a wide range of structured issues including:

1. Materials - Buying materials; strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume - Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider's view and strategy to get in the competitions.

5. How to take slides and photographs of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Outdoor Art Festivals – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources - Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing - Cable TV, Local media

17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.


18. Art fairs

Saturday, December 17, 2022

The Rock Magnet

Below is a peek from Juicy Fruit Perfume: An American Remembers his Cuban Childhood, my biography, which is currently scheduled to be published in 2024 (should I ever finish it!) - This chapter is titled "The Rock Magnet":

One of our favorite games was rock fights. 

How in the world we survived countless battles without losing an eye or getting killed is both a miracle and mystery. 

Rock fights would either be planned, between a couple of teams, or just start out of nowhere, first with one or two people, and slowly gathering impetus until broken up by either an adult, a cracked head, or a cracked window or windshield on a parked or passing car. 

How many times would I wander out of my house, bored and with nothing to do, climb on the roof and survey the neighborhood from my own little kingdom. And if I detected Pepin or his brother Monguito playing down at the end of the block, or perhaps one of the Calixton brothers outside their house a block directly across from us, I would climb down from the roof, gather a few rocks, walk to the middle of the block, yell just one warning shout and launch an unexpected aerial attack.

Having been at the receiving end of these same attacks, it was not unfair to launch an unprovoked attack, and immediately the battle would begin. 

Two solitary warriors lobbing rocks at each other, maybe 100-200 feet apart, throwing the rocks in long, elegant arcs that demanded attention – in order to avoid them – and guts – in order to appear unconcerned and avoid being hit just at the last minute by side-stepping the rock as it was about to hit you. Soon, one of the brothers would join in, and now I would have to start dodging two attackers while shouting for either my cousin Cesar or my best friend Jorge Cunningham to come to my aid. 

As my best friend, Jorge, who was an excellent rock thrower, was feared for his skill; however, he lived about half a block down from Cuartel Street and would not always hear me. Cesar nearly always came to my aid, but he was not very good at aiming, and there was always a chance that he’d join the other guys – unless the Monguitos had done something to him recently. 

The only guy in our neighborhood that you never started an unprovoked rock fight against with was Pupy. 

Pupy was one of an endless horde of Haitians who lived in a huge house at the end of where the paved Cuartel Street ended. He didn’t usually play with us, as the Haitians tended to keep to themselves, and his house had a huge, fenced garden full of trees and space where he usually played his many brothers and cousins. A whole tribe of Haitians lived behind that walled fortress of a house and it was one of the few places in our neighborhood where we weren’t welcomed or allowed in. 

But once in a while Pupy would come out and play with us, more often than not terrorizing us. We were all afraid of him, except the Monguito brothers, who were fearless and would fight anyone, anytime; and Jorge, who although skinny and small was very tough. 

Pupy was mean and evil, and in rock fights would run close up to you and fire rocks at close range, rather than maintaining a respectable artillery distance. Our only means of revenge against Pupy was rather cowardly, but we all did it anyway. 

It consisted of the ritual of lobbing a few anonymous rocks into his house’s back garden or their roof, nearly every night; or whenever we were playing around that corner of the street, which was unusual by itself, as we usually played around the other corner of the block, directly next to my grandparents’ house, which is where I lived. 

There was an art to the rock fight that demanded a certain skill and grace in order to survive without being hit. This was especially needed when you were defending against two boys. 

The idea was to throw your rock and then immediately and very quickly begin looking for a new one to throw. Because we lived on a paved street, strategy and location was important, such as beginning the fight from around one of the several empty lots in our block, with an abundant supply of projectiles. One was most vulnerable when bending down to pick up new rocks (ideally two at once), when you took your eyes off your opponent. 

A well timed throw would arc towards you to try to catch you looking away for that final split second. Two throwers demanded intense concentration and skill, and an amazing dance around a rainfall of rocks. 

One year, for a few delirious months, our street was torn and opened up as huge, new sewer lines were installed. For months these large cement pipes provided castles and forts from which massive rock fights took place – the open, torn streets providing an unending supply of rocks. It is amazing how few times we were actually hurt – of course we were hit, and it did hurt, but seldom were hits very serious or requiring stitches. 

Except for Pepin. 

Pepin was the youngest of the two Monguito brothers, his father was Mongo, who we would all make fun of, as he traveled back and forth to his job in a bicycle, becoming the proverbial Mongo en Bicicleta character. Mongo also wore the same thick, nerd glasses that Castro wore and that nearly every Cuban who needed glasses seemed to have in those years. 

Later when I was in the US Navy we would see those glasses being issued in bootcamp and we would call them "birth control glasses." 

Mongo also had an incredible resemblance to the American cartoon artist Robert Crumb. Pepin and Monguito were a key part of our pandilla, and we all played together, and of course this included rock fights, either on our side against other neighborhood’s kids or internecine battles in our own group. 

But Pepin’s head seemed to be a rock magnet! I cannot recall the number of times that his poor mother Elba, had to take Pepin to the hospital to stitch his head close from rock wounds. It was astounding even to the doctors, and his crewcut was decorated with shiny white healed scars visible under the short cropped hairstyle that we all wore. It was so bad that one time, as Elba and Pepin where coming out of the most recent visit to the hospital (she madder than a hornet at yet another busted head, and he, recently stitched and bandaged), an amazing thing happened as they were waiting for the bus outside the hospital

Now, it must be made clear that buses were also good targets for rock throwing, and in our neighborhood we generously pelted the buses with rocks if they happened to drive by during one of our battles. 

Apparently this was the case all over Guantanamo, as when the bus arrived at the hospital stop, and as Elba and the bandaged Pepin prepared to enter it, from across the street someone lobbed a rock at the bus, managed to miss it completely, arcing the rock over it and landing it squarely atop Pepin’s head, busting it open in a new spot and sending him back to the hospital amidst Elba’s cries of blue murder. 

But the rock fight to end all rock fights was an incredibly huge rock fight that took place one warm, sunny summer early evening at the crossing of the river Guaso. It has remained, both in my memory and my father’s memory, as the largest, most intensive rock fight in Guantanamo’s history, and it literally involved nearly 100 people of all ages, sizes and colors. This rock fight was the mother of all rock fights.

Saturday, January 14, 2012

Free Seminar for Artists

On February 11, 2012 from 1-5pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.

This seminar is suitable for all visual artists interested in taking their careers to the next level.

Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies? How to approach a gallery?

Then this is the seminar for you! This program is free, but space is limited to 40 persons, and last year lots of artists were turned away because it filled up so quickly! You can sign online here.

This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.

See ya there!

Thursday, October 31, 2019

Bootcamp for Artists this Saturday!

The Artists’ Boot Camp

Saturday, November 2nd, 10am-4pm , in the John Addison Concert Hall of Harmony Hall in Laurel, MD. Harmony Hall is at 10701 Livingston Road, Fort Washington, MD 20744.
Harmony Hall Arts Center presents Mr. Lenny Campello’s seminar, “The Artists’s Boot Camp”, open to all artists, 16 and up.  Mr. Campello is the Greater Washington D.C. area’s pre-eminent art dealer, critic, consultant and blogger as well as artist. He designed his seminar to deliver information, data and proven tactics to artists, and to allow them to develop and sustain a career in the fine arts. Some of the topics that he will cover are, creating a resume, creating a body of work, selling your art, juried shows and news releases, just to name a few.
The seminar is free and lunch is included. Seating is limited so please call 301.446.3251 or email stuart.diekmeyer@pgparks.com to register and provide lunch preference.

This seminar usually books very quickly, so I'd recommend that you RSVP as soon as possible! It is open to ALL artists - not just PG County residents!

Background: As many of you know, for over a decade or so I have been teaching a course for artists and arts professional, that course, for the last few years has been known as “Boot Camp for Artists.”

That six hour seminar, which has been taken by over 2,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

In the past, I’ve discussed the importance of artists having their work at the various art fairs held around the world, most notably during Art Basel Miami Beach (ABMB) week in the Greater Miami area.

Presentation is a huge part of an artist’s professional life, and more often than it should be, presentation is a detractor and takes away from the artwork.

Why am I discussing that here? Because before you start exploring the various ways to get your artwork invited to the “big dance” during ABMB week, as an artist you should be ready to play with the big dogs when it comes to all the tools of the trade needed to set foot in a world-class art fair.

It is not unusual for me to step foot in a gallery and see artwork which (at least from a presentation point of view) is “not ready” for primetime… this is getting to be rarer and rarer as galleries struggle to survive, but still there.

In its six hour format, the seminar covers a wide range of structured issues, including the below list, but essentially artists should at least be aware and explore:

1. Materials – Buying materials and strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume – Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider’s view and strategy to get in the competitions.

5. How to take images of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Fine Art Fairs – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources – Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing – Cable TV, Local media

17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.


Harmony Hall

10701 Livingston Road

Fort Washington, MD 20744

Tuesday, January 17, 2012

Free Seminar Booked

On February 11, 2012 from 1-5pm, The Brentwood Arts Exchange and I will be once again hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.

As I predicted, the seminar is now fully booked. If you are still interested in signing up, contact them at 301-277-2863 / fax. 301-277-2865 / tty. 301-446-6802 and you'll be put on a waiting list.