Linda Hales takes a look at the Freer Gallery's "Mr. Whistler's Galleries: Avant-Garde in Victorian London," which opened a few days ago. This is a "different" show in the sense that the Freer has attempted to re-create two famous Whistler London shows -- "Arrangement in White and Yellow" (1883) and "Arrangement in Flesh Colour and Grey" (1884) -- to show how Whistler revolutionalized the then standard rules of displaying art and set a new style for exhibiting artwork in gallery shows that is still in use to this day.

Some people think that Whistler's unorthodox use of acrid colors was perhaps due to the fact that he may have been partially color blind.

Artists looking for studio space should contact The Blue Elephant Art Center. They are a cooperative artist studio/gallery in Frederick, MD featuring over 3000 sq. ft. of gallery spaces and 10 studio spaces. Two full studios and one shared studio are available now.

Cost is $200 a month for the full studio and $100 for the shared studio, all utilities included. Studios are roomy and have large windows. Group and solo shows at the Blue Elephant are available for all members. Currently on exhibit is a Blue Elephant group show. Please send contact information (name, address, phone, email), some images of your work and one page statement of work and artist intent to Brian Slagle, Blue Elephant, 4a W. 5th St., Frederick, MD 21701 or call him at 301-663-7809. Email address is blueelephantart@aol.com.

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Deadline: Wednesday, December 17, 2003
Touchstone Gallery on 7th Street is having a call for artists for its 6th Annual juried competition. The show will be curated by my good friend Joe Shannon, easily one of the best painters in our area. Joe, who is a retired curator from the Hirshhorn Museum and Sculpture Garden and currently teaches at the Maryland Institute College of Art. He is also a reviewer for Art in America and writes art related stories for The Washington Times and sometimes also for the Post.

Prospectus can be downloaded from the gallery website, or send a SASE to Touchstone Gallery, 406 7th St., NW, Washington, DC 20004. For further information contact Camille Mosely-Pasley, Director, Touchstone Gallery, 202-347-2787, or info@touchstonegallery.com.

Last night was opening night for the four Canal Square Galleries in Georgetown. It was pretty good, with around three hundred people showing up over the three hour period.

Parish Gallery had a particularly interesting photography show, which featured some very arousing photographs by Alex Downs. It's rare to see an erotic photography show in Washington, and Downs manages to capture several highly sensual photographs of women while also investigating SM imagery.

We have a show of new figurative assemblages by Katie Dell Kaufman, who teaches at the Corcoran.

No matter how hard I try, I just don't get this guy and I now I am puzzled as well as to why the chief art critic of the New York Times Michael "Dia" Kimmelman, suddenly likes him so much.

Kimmelman writes that "Mr. Currin is among other things a latter-day Jeff Koons, trafficking in lowdown humor, heartless kitsch and ironic smut, while offering up dollops of finesse, beauty and brains. The combination is disorienting and, at its best, thrilling."

I'm disoriented by the review! Not in a million years would I have speculated that the same critical mind that loves the minimalist nothingness of most Dia:Beacon artists, would also find John Currin "thrilling."

If you like Currin - do you also like Lisa Yuskavage?

Live and learn.

Just back from gallery hopping around the Third Thursday downtown area galleries.

After the galleries, Kate and I enjoyed our favorite tapas at Jaleo. My favorite Spanish tapa is cazon, which is shark with Alioli. I just love it with that great bread that they serve in Jaleo. I fell in love with Cazon while I lived in Andalucia in the the 1980s. I also really liked "San Jacobo" tapas back then, but I have yet to find it in any of the area's Spanish restaurants.

Today was "Galleries" focus day in the Post and Jessica Dawson, like she does usually on the 3rd Thursday of the month, did a series of mini-reviews of several area galleries, including one vanity gallery. I've seen several of these shows and from the lot of six, my pick is Jeff Spaulding at G Fine Art.

Tomorrow I'll be at the Canal Square Galleries in Georgetown for the 3rd Friday openings from 6-9 PM.

In response to the whole issue of nude paintings causing a "controversy" in our Bethesda gallery, photographer Forrest MacCormack emails me a link to his favorite local nude in a public art collection.

Just like Forrest, I think that Ron Mueck's giant is a superb example of the diversity of the human body and the amazing range of emotions it can extract from us.

Opportunites:

Deadline December 19 - Juried Art Show and Auction to benefit The National Center for Children and Families.

This is a call for artists for a live and silent auction to be held March 13, 2004 at BAPA's Imagination Stage in Bethesda, MD. NCCF is a private, nonprofit agency with an 88-year commitment to serving families in the national capital area. NCCF's residential programs serve homeless families, victims of domestic violence, and vulnerable adolescents. Auction proceeds to be split 50/50 between artists and NCCF. For more information or to download submission guidelines, please visit their web site at www.nccf-cares.org. For questions, call 202-270-8822.

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Deadline January 15, 2004 - Liquitex Excellence in Art Award.
Awards totaling over $14,000 in cash and products will be given to artists demonstrating skill and creativity in the use of acrylic paints. Open to residents of US and Canada. Entries must be postmarked on or before January 15, 2004 and be received by January 26, 2004. Tel:
800-445-4278 or visit: www.liquitex.com.

Reminder: Today is the third Thursday of the month, and thus the Third Thursday extended hours by the downtown area galleries. See locations and details here.

And tomorrow is the third Friday of the month, and therefore the four Canal Square Galleries in Georgetown will have their new show openings from 6-9 PM. Openings are free and open to the public and catered by the Sea Catch Restaurant.

Last night the Channel 7 news at 6 PM had the story about the "controversy" caused by our current exhibit of Caroline Danforth and Scott Hutchison.

See the video of the newscast here.

It was a bit over dramatized with "battle lines" drawn over an exhibition that essentially features a lot of large female nudes. There were also some really ignorant comments by some of the "public" interviewed in the story. Some of the more eloquent responses (from the public) were never used.

What goes for shocking in NYC and what goes for shocking in the DMV are two different things.

Our current exhibit of Caroline Danforth and Scott Hutchison paintings has raised the ugly issues of nudity and art and complaints and censorship.

Because of the visibility of the Bethesda Gallery, Scott Hutchison large nudes have apparently offended some people and we're apparently being complained about. This morning a Channel 7 news crew came and interviewed Catriona and will air a segment about the whole issue at 6 PM tonite.

Our landlord supports us, and so do some of our neighbors, but perhaps this is as good an opportunity as any to discuss this show from the perspective of what goes for "shocking" in the Washington area is still the human figure.

Opportunities for artists:

Deadline: January 31, 2004. The Marie Walsh Sharpe Art Foundation's "Space Program" offers free studio spaces in New York City's Tribeca neighborhood for visual artists 21 and over.

Studios are available beginning Sept. 1, 2004 for up to one year. Postmark deadline is January 31, 2004. Applications should include: 8 slides of recent work or video, an annotated slide list or video description, a resume, a one page statement on why studio is needed, and a SASE for return of slides.

Send applications to The Space Program, The Marie Walsh Sharpe Art Foundation, 830 North Tejon Street, Suite 120, Colorado Springs, CO 80903.

This coming Thursday is the third Thursday of the month, as as such Third Thursday extended hours by the downtown area galleries. See locations and details here.

And Friday is the third Friday of the month, and therefore the four Canal Square Galleries in Georgetown will have their new show openings from 6-9 PM. Openings are free and open to the public and catered by the Sea Catch Restaurant.

Thanks to Modern Art Notes for a great link to the images of the 8th Bienal de La Habana.

Aimée García, a very young Cuban artist being showcased at the Bienal, and whose first American solo show sold out last year at the Robert Berman Gallery in Santa Monica, will make her Washington, DC debut next November 2004 with a solo show at our Georgetown gallery.

The Washington Post website sports a new look today. Museums and galleries are now on this page. Their listing of 142 area art galleries is here.

When the Post first launched their website a couple of years ago, they used to augment their printed newspaper coverage of the visual arts by allowing a few freelance writers (myself included) as well as their "regular" galleries critic (at the time Ferdinand Protzman) to write additional weekly reviews of gallery and museum shows. Then their online Arts Editor (at the time John Poole) was promoted and the "job" was left open for a very long time and all the online gallery reviews ended.

Maura McCarthy is now the online Arts Editor and doing a pretty good job, but obviously the budget to have contract writers do additional gallery reviews no longer exists and she doesn't have the luxury to augment the print version's already skimpy coverage of area galleries and artists.

Of all the moronic, dimwit, tunnel-visioned, agenda-driven, academic, peer-pressured reasons to clamor and claim (for 40 years now) that "painting is dead," this is probably the only good reason to kill painting.

Warning: The link above is rather gross, as it depicts artist Keith Boadwee in the process of "painting" via the use of his asshole. This is definately "mixed media."

And this artist may be a close second.

The Washington Times art critic, Joanna Shaw-Eagle offers her view of the Washington Convention Center's Public Art Collection.

Why the Washington Times doesn't have a "regular" weekly "Galleries" column, like most major metropolitan newspapers in the world offer, has always been a mystery to me.

Another great mystery: Considering how inexpensive storage is, and how easy it is to store an article online once it has been created. Why doesn't the Washington City Paper archive its articles?

The Corcoran tells me that Salvadorean artist Muriel Hasbun, who lives in DC and is a longtime Corcoran faculty member, and who represented El Salvador at the last Venice Biennale, and is represented locally by Conner Contemporary will be having a solo show at the Corcoran opening on March 6, 2004 and curated by Paul Roth, the Corcoran's Associate Curator of Photography and Media Arts. An excellent essay about Hasbun's work by Andy Grunberg can be read online here.

Opportunity for artists:

These are "open" mail art exhibitions (as opposed to "juried"). This means that all submissions will be included in the exhibition. Entries are sent via mail and are usually not returned. Mail art is usually created on a blank postcard and sent through the mail to the exhibition.

Deadline: Dec. 31, 2003
Group 78, Tokyo's English-language local group of Amnesty International, the worldwide human rights organization, will adopt the theme "Violence Against Women" as a major campaign priority next year. To publicize this and to reach out to women's groups, human rights groups and other concerned people, they are appealing to the mail art artists for suitable submissions on the theme. They intend to exhibit in Tokyo and possibly other cities in Japan, and to produce a documentation of the submitted works. Every contributor will receive a copy of the documentation.

MEDIA/TECHNIQUE: free
SIZE: from postcard size to A4 size (29 X 21 cm) 2D only.
DEADLINE: Dec. 31, 2003

Send to:

Chris Pitts
Kyoritsu Women's College
3-27 Kanda-Jinbocho
Chiyoda^ku
101-0051 Tokyo
Japan

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Deadline: February 1, 2004
"Bras for Breast Cancer." Embellish a bra for an exhibit to be held at Northwood University in Cedar Hill, Texas in April of 2004. Bras will be exhibited along with paintings, poetry, videos, installations and assemblages created by women and men who have stories to share about themselves and or loved ones who are coping with Breast Cancer. All entries will be exhibited. No Jury. No Returns.

Send all entries to:
Junanne Peck
P.O.Box 177528
Irving, Texas
75017-7528
Email questions to junannepeck@mac.com

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Deadline: February 1, 2004
The Boulder Museum of Contemporary Art is requesting mail art submissions for an exhibit in February 2004 on the theme "Sense of Place." Artists are encouraged to respond by providing works that examine changing conceptions of place, borders and nationalism on a global scale. How would you represent your sense of place in today's world? What has happened to your sense of place since the rise of globalization? Since 9/11? How has the spread of internet communications altered perspectives on near and far?

Each work should not exceed 20 inches in any direction and may be 3 dimensional. Please include contact information: name, address, email. Due to space limitations, not all submissions can be exhibited. However, all submissions will appear on BMoCA's website and all submitting artists will be acknowledged. Exhibited works will be listed in the catalogue and on the BMoCA website. Submissions will not be returned unless SASE is included. Questions to Brandi Mathis at 303/443-2122.

Boulder Museum of Contemporary Art
1750 13th St.
Boulder, CO 80302

British art critic Matthew Collins, who is often credited with helping to launch many YBA's, and modern video and installation art now says:

"We don't live in a great time for art; we live in a time when art is very successful as a leisure activity. Art is very amusing, but within that culture there's still a hierarchy of better and worse. I'm interested in that hierarchy but I recognise that modern art and pre-modern art were very important, and postmodern art is rubbish, really."

Collins has a new TV series on British television that begins next Sunday. Read the whole story in The Observer here.

Blake Gopnik gives us a look at the Havana Bienal today in the Sunday Arts section of the Post.

By the way, I know it's pedantic, but if we call the Venice Biennial the Biennale then we should refer to the Havana Biennial as the Bienal, which is the Spanish word for Biennial, just as Biennale is the Italian word for it.

Although he mentioned it at the beginning, he skimmed lightly over the very important issue of censorship and this was very disappointing to me. More on this issue here and from the Prince Claus Fund, the main financial supporter of the past Bienal. They withdrew support from this Bienal because of Castro's recent human rights abuses and artist censorship.

More on the desperate situation of human rights in Cuba from Human Rights Watch and from Amnesty International.

Otherwise the article was very readable and somewhat predictable, as Blake does not mention a single painter and shows his colors by writing: "A visit to the main art school showed student work as good as you'd get anywhere, even in relatively newfangled fields such as performance and video art."

Newfangled? Hardly. As a child, I recall being dragged to "enjoy" performance art in the 60's in New York by various artsy members of my family, so that's been around for 40 years or more and video art came out as soon as the first video camera came out in the 70s and by the time I went to art school at the University of Washington (1977-1981) in Seattle, my then girlfriend Susie K. was boring us to sleep with her video art, which consisted of her recording the Seattle skyline from the Space Needle Restaurant as it slowly rotated around the Needle.

Same crap that Tacita Dean did decades later at the revolving restaurant atop the TV tower at Alexanderplatz in Berlin. Susie K did it in 1979.

Also today, Paul Richards reviews Philip Guston's retrospective at the Metropolitan Museum of Art. Guston is one of those artists that are very difficult to digest, but the more you talk to people, especially young artists, about him, the more influential he seems.

"If someone bursts out laughing in front of my painting," Richards says Guston wrote in 1973, "that is exactly what I want."

The retrospective, curated by Michael Auping, was organized by the Modern Art Museum of Fort Worth and will travel to the Royal Academy of Arts, London, after closing in New York.