Copycat

This is what happens when an artist-wannabe copies someone else's artwork, and then (years later) because of something else they do, they become infamous, and their copyright violation comes to light.

Like Richard Burton said... (sightly modified): "An [ass]hole, is an [ass]hole, is an [ass]hole."

Tks JWB.

Grounded

I was supposed to fly back to San Diego today, but after wasting half a day sitting in Dulles, the whole trip has been cancelled and I've made my way back home in a messy snow day here in the DC area.

View from my Second Floor Window

Bad news is that my most precious asset is time, and I've wasted a lot of it today; the good news is that now I can make the First Friday Gallery Crawl around Dupont Circle! And this is good, because I am really looking forward to seeing Molly Springfield's show at JET Artworks, which really needs to get off their ass and get their website going.


View from my Bedroom Window

Lida Moser is Coming

Opening on March 18, 2005 and through April 13, 2005, our Fraser Gallery in Georgetown will be hosting the first ever Washington, DC solo exhibition of legendary American photographer Lida Moser, who now lives in retirement in nearby Rockville, Maryland.

This 85-year-old photographer is not only one of the most respected American photographers of the 20th century, but also a pioneer in the field of photojournalism. Her photography is currently in the middle of a revival and rediscovery, and has sold as high as $4,000 in recent Christie's auctions and continues to be collected by both museums and private collectors worldwide. In a career spanning nearly 60 years, Moser has produced a body of works consisting of thousands of photographs and photographic assemblages that defy categorization and genre or label assignment.

Additionally, Canadian television is currently in the process of filming a documentary about her life; the second in the last few years, and Moser’s work is now in the collection of many museums worldwide.

A well-known figure in the New York art scene of the 1950s, 1960s, and 1970s,a portrait of Lida Moser by American painter Alice Neel hangs in the permanent collection of the Metropolitan Museum in New York City. Neel painted a total of four Moser portraits over her lifetime, and I believe that one of them will be included in the National Museum of Women in the Arts' "Alice Neel's Women" coming to Washington, DC this October.

Lida Moser's photographic career started as a student and studio assistant in 1947 in Berenice Abbott's studio in New York City, where she became an active member of the New York Photo League. She then worked for Vogue, Harper's Bazaar, Look and many other magazines throughout the next few decades, and traveled extensively throughout the United States, Canada and Europe.

In 1950 Vogue, and (and subsequently Look magazine) assigned Lida Moser to carry out an illustrated report on Canada, from one ocean to another. When she arrived at the Windsor station in Montreal, in June of that same year, she met by chance, Paul Gouin, then a Cultural Advisor to Duplessis government. This chance meeting led Moser to change her all-Canada assignment for one centered around Quebec.

Armed with her camera and guided by the research done by the Abbot Felix-Antoine Savard, the folklorist Luc Lacourcière and accompanied by Paul Gouin, Lida Moser then discovers and photographs a traditional Quebec, which was still little touched by modern civilization and the coming urbanization of the region. Decades later, a major exhibition of those photographs at the McCord Museum of Canadian History became the museum’s most popular exhibit ever.

She has also authored and been part of many books and publications on and about photography. She also wrote a series of "Camera View" articles on photography for The New York Times between 1974-81. Her work has been exhibited in many museums worldwide and is in the permanent collection of the National Portrait Gallery, London, the National Archives, Ottawa, the National Galleries of Scotland, National Portrait Gallery, Washington, DC, the Library of Congress, Les Archives Nationales du Quebec, Corcoran Gallery, Phillips Collection and many others. Moser was an active member of the Photo League and the New York School.

The Photo League was the seminal birth of American documentary photography. It was a group that was at times at school, an association and even a social club. Disbanded in 1951, the League promoted photojournalism with an aesthetic consciousness that reaches street photography to this day.

This will be her first solo exhibition in Washington, DC and it will run from March 18 through April 13, 2005.

An opening reception for Ms. Moser will be held on Friday, March 18, 2005 from 6-9PM as part of the third Friday openings in Georgetown. The reception is free and open to the public.

Feedback

Yesterday we finished our Success as an Artist seminar to about 50 or so artists and arts professionals. Herewith some feedback:

"Thank you so much for an incredible amount of valuable information. Having worked commercially for 25 years, I thought I might hear repetitive things. The fact is, I'm somewhat overwhelmed by the amount I have yet to learn based on your seminar. Thanks for the jump-start in this new segment of the art industry. Look forward to visiting the gallery again." -- Sally Wern Comport

"This seminar was better than a four year college education. I learned more about what I need to do to have a career as an artist here." -- John Bata

"Tremendous amount of information shared that was constructive, practical and well focused. This was the best investment I could make in understanding the wide range of business issues that artists face and gave me lots of ideas regarding successful strategies." -- Judy Bayer

"This seminar more than met my needs. This was like four years of college packed into 7 hours." -- Jonathan

"It was excellent - Very informative, hands-on, action oriented guidance to promote myself as an artist. Fun, fast moving, and spell-binding for me - I wrote 24 pages of notes!" -- Sue Holland

"So much specific, reality-based info, communicated succintly and understandibly. Amazing!" -- Leslie Albin

"Wonderful, exciting, and thoroughly penetrating info!" -- Rochleigh X. Wholfe

Artwork by Committee

The National Endowment for the Arts and the State Department have agreed to reinstate an advisory committee to recommend artists to represent the United States at international exhibitions like the various Biennials.

"We are going back to the traditional way the N.E.A. helped manage exhibitions," said Dana Gioia, the endowment's chairman. "It's important that this process be open, transparent and well understood."

And may I add: "And that it doesn't have a New York only filter."

Read the story here, and thanks AJ.

Elsie Hull at Sprectrum

By Rosetta DeBerardinis

The Elsie Hull exhibition at Spectrum Gallery is a subtle display of black and white photographic oval jewels. The show, "Portals" is an array of prints mounted on white canvases of various sizes creating a two or three dimensional installation.

This show is a fine exhibit at a cooperative gallery with a most innovative installation. And the back walls, with works of its gallery member artists, offers some interesting works as well.

But, if you care about quality photography at prices that are indeed affordable, this show is worth a visit. It has captivating black and white images of cats, cows, etc. And the staff is friendly and helpful.

Elise Hull, "Portals." Open from February 25 until March 13th at Spectrum Gallery, 1132 29th Street, N.W.; 202-333-0954.

Modigliani: Beyond the Myth

By Rosetta DeBerardinis

Modigliani: Beyond the Myth opening Saturday, February 26th at the Phillips Collection is worth the price of admission. The show originated at the Jewish Museum in New York; however, the Phillips added twenty-five works to its show. It features about 100 paintings, drawings and sculptures by the artist.

The third floor of the new renovated annex has been transformed from a sterile museum atmosphere into a lovely warm gallery with soft colored walls, arches and columns. The five galleries have interesting lighting and the installation is excellent.

Now, I am not a fan of Modigliani, but I could not resist embracing his work during this exhibition. It includes much more than his women with the skinny necks. In the first gallery there are beautiful sculptures lined up on a platform and lots of crayon and pencil sketches. In galleries three and four are his controversial nudes and the last gallery has a powerful presentation of his famous signature paintings of women with the skinny necks.

The Phillips Collection, 1600 21St., N.W. $14 for general admission, $12 for seniors and students, no charge for persons under eighteen. Show runs through May 29th. (202)387-2151.

And at the WaPo' new Entertainment BLOG, Maura McCarthy has a second mini review of the Modigliani show, which includes a link to great images of the show.

Boot Camp for Artists

Tomorrow we will be doing the "Success as an Artist" seminar that was postponed from last week.

Pics

Just back from San Diego, just for the weekend and then fly back there on Monday. There has been a lot of rain in SoCal and everything around is either sliding or very green.

View from my hotel room's window

Anyway, when I arrived on Tuesday night, it was still raining here, and the next morning there was still rain and some rare skies around there (clouds).


San Diego Wednesday Morning Clouds

But by noon, the ocean that Balboa discovered was once again spectacular. The below photo was taken from around the area where that Spaniard is believed to have stood when he focused the first set of Caucasian eyes to see the ocean that he then named Pacific.


The Pacific Ocean on Wednesday afternoon

And by the time the sun was sinking down later that day, one of the great joys of living next to the ocean was about to happen: the green flash. The pic below is a few minutes before the sun sinks into the horizon and Nature takes your breath away with the color green.


The Ocean a few minutes before the green flash

On the flight back I had a plane change in San Francisco, and I discovered this almost representational version of Airportism (which is what I dubbed a few years ago the sort of artwork that gets selected for exhibition as "public art" in American airports).

Below is a huge William Wiley piece near gate 85 at the airport. Typical airportism...


Void by William Wiley

Airborne today

I am flying back today as I have to get back to DC to help with the Success as an Artist seminar that was postponed last Sunday because of the threat of snow. Then I have to fly back to San Diego to finish my business here.

While in San Diego I met with a couple of TV-type dudes, as I now have two television programs floating around and in the works, with pilots out, and both thanks to the interest in DC area visual arts generated by this savory BLOG; is that cool or what?

Talking about savory, last night I went to Ortega's for my poblano mole fix. And Sr. Ortega came out and although I've only been here a few times, he came and thanked me for mentioning his savory restaurant in DC Art News.

To say that I was dumbfounded is an understatement. I guess that I didn't expect this brilliant Mexican country cook to gather enough input and feedback to deduce and put together all the facts that grouped together equals me + DC Art News + Ortega's.

So I asked him, and he told me that over the last few weeks he's had DC area visitors who have told him that they went to Ortega's because of DC Art News. And since he knew my name (we usually talk quite a bit when I come to visit, and once he even showed me how he mixes his mole sauce), he put two and two together and.... there you have it!

Is that COOL or what!

Ahhhhhh! The power of the web.

Anyway... on the way back I have two books to read: The Family of Pascual Duarte by Camilo Jose Cela and then The Curious Incident of the Dog in the Night-Time by Mark Haddon.

The Thursday Reviews

It appears more and more that the WaPo has essentially turned its corporate back, under its new Style editor, on area galleries, and we will just have to live with a couple dozen reviews a year.

Today there are several theatre reviews, and several music reviews, and a nice profile on a New York City ballet choreographer, but other than this nice review of the "Asian Games: The Art of Contest," which will open Saturday on the Mall at the Arthur M. Sackler Gallery, there's zip once again on the day facetiously dedicated by the Style section to "Galleries and Arts News."

Thanks to the Web Gods that now other venues exist to write intelligent words about art and artists besides a reluctant newspaper that probably wishes that it could drop visual arts coverage all together. And stepping up to the plate is Kriston over at grammar.police with a super review of Robert Olsen's "Elements, Particular" show at G Fine Art and this BLOG cop does another superb job.

And at Thinking About Art Kirkland comes through again with an early look at the WPA/C Auction; super job JT.

Which reminds me... in the past I've offered, and now I renew my offer: Please email me your reviews and impressions of any visual art shows that you have visited and I will publish them here; nothing anon please, lest I be accused of being flavorless by easily bruised egos.

P.S. WCP what happened this week? No reviews? But I gotta give big props for the piece on Frank Warren and his Art Secrets.

Sunny and pleasant

Here.

I understand that DC is under the white stuff; I suppose that means that all that's scheduled around the city today, such as this panel has been cancelled.

Wanna see some new artwork?

"Elegant Violence" (who picked that title?) runs until the 27th, and features the work of the BFA Senior Thesis artists exhibiting at the Hemicycle at the Corcoran and thus the shape of things to come (Fabian apologies to H.G. Wells).

This is one of the best venues to see and experience what the new crop of artists are creating... As I am in sunny (yep right!) California, I would love for someone to go and see this show and then email me a review or impression for publication in DC ART NEWS.

"The principle which gives support to a work of art is not necessarily contemporary with it. It is quite capable of slipping back into the past or forward into the future. The artist inhabits a time which is by no means necessarily the history of his own time."

Henri Focillon (1881-1943), French art historian.

I bet that Focillon is not in Oxford's art history curricullum.

Underwear

Life has a subtle way of putting one's arrogance back into place every once in a while. It's now almost 7AM Pacific Time and this "seasoned traveler" has just discovered that he forgot to pack all his undershirts and thus (at least today) will have to "freestyle" his dress shirts.

Oh well... everyone in Europe does it.

Oh God!

Raining in San Diego

Not an usual thing to happen here, but raining nonetheless when I arrived tonite. The flight here was a small miracle: a direct, non stop flight from DC to San Diego. Sweet! But when I checked in, I noticed that my seats had been changed, and instead of my usual aisle seat, I'm in the middle!

And since the plane was sold out, it was time to pour the charm to get the seating arrangement re-done. The trick? They usually leave the row with the emergency exits open to the last minute, so that the agent can eyeball the person and decide that he/she can physically take that small door off and allow the passangers to escape via that row (as if).

So I smiled, and said to the jaded airline lady: "I will gladly sit in the exit row, and can physically do the task, if needed." She eyeballed me carefully, realizing that she was dealing with a seasoned traveler. I blinded her with a smile and to make a long story short I ended in the sweet, extra space exit row.

Time permitting, I will try to keep up with the posting.

And I was able to re-discover Emily Dickinson on the flight here. I think that I last read her in college, and I had forgotten how sensually surprising she could be:

Wild nights! Wild nights!
Were I with thee,
Wild nights should be
Our luxury!

Futile the winds
To a heart in port,—
Done with the compass,
Done with the chart.

Rowing in Eden!
Ah! the sea!
Might I but moor
To-night in thee!

Synergy Deadline Extended

Evolving Perceptions has extended the deadline for their Call for Art for SYNERGY until March 15, 2005.

Per the hardworking organizers: "SYNERGY is a new movement in creative energy. The artists of the Washington D.C. metropolitan area are engaging in a project that is bringing the artistic community together in a powerfully innovative way. Evolving Perceptions (EP) is making SYNERGY their gift to the aesthetic energy of our Nation’s Capital. Through the synergy of the artists, community, supporters and media, the SYNERGY project will empower, articulate and educate the communities of the Metropolitan Washington D.C. area about the arts with a totally new paradigm. We are forming 6 teams of 3-4 artists in collaboration to create works that will be exhibited, voted on by the public and auctioned. There is a $3,000 stipend per artist. Visit EP's website for details on the call and to download an entry form.

For more questions please email Marsha Stein, SYNERGY COORDINATOR, marshasart@aol.com or call at 301-564-0707.

Tuesday Arts Agenda

DCist's Tuesday Arts Agenda is packed full of great visual arts stuff going on this week in DC.

The opening and show not to miss this week is Mexican Report: Contemporary Mexican Art, opening Thursday, Feb. 24 at the Cultural Institute of Mexico and two other local venues. The opening at the Cultural Institute of Mexico starts at 6:30PM.

If you haven't been to this beautiful building and gallery space, be prepared for one of DC's best-kept secrets: It is both a marvel of architecture and visual arts all rolled into one, and under Alejandro Negrin's leadership has really taken off as one of the key art venues in our city that truly adds a powerful international footprint to our art scene!

While there, visit Marta Maria Perez Bravo's huge digital photographs One Soul I and One Soul II.

Marta Maria is Cuban, but currently resides in Mexico, and we represent her work locally.

Exhibition details here. As I am heading to San Diego, I will miss the opening (bummer).

Airborne today

Last night's opening of Drawing II was very pleasant!

Today I am airborne and heading to the Left Coast again and returning on Friday. I am on a poetry reading mood, so on the way there I'm going to re-read The Complete Poems of Emily Dickinson and also mix it up with some Yeats.

Talking about Yeats, herewith my favorite Yeats' poem of all time:

"Her Triumph"

I did the dragon's will until you came
Because I had fancied love a casual
Improvisation, or a settled game
That followed if I let the kerchief fall:
Those deeds were best that gave the minute wings
And heavenly music if they gave it wit;
And then you stood among the dragon-rings.
I mocked, being crazy, but you mastered it
And broke the chain and set my ankles free,
Saint George or else a pagan Perseus;
And now we stare astonished at the sea,
And a miraculous strange bird shrieks at us.

Mary Lang

J.T. Kirkland at Thinking About Art has an interesting review of Mary Lang's debut show in our Georgetown gallery.

More images by Lang here.