Seven Opens Tonight

What: Seven, an exhibition of 67 WPA/C artists curated by me.

When: Opens tonight with a catered reception for the artists starting at 6PM. Work on exhibition until Sept. 9, 2005.

Where: The seven spaces that make up the Warehouse Theatre and Galleries complex. Located at 1021 7th Street, NW, across from the new Washington Convention Center.

See ya there!

This offensive new Mexican stamp is causing all kinds of highly deserved uproar, and once again proves the enormous power of the visual image, especially (and unfortunately) when coupled with deeply offensive messages such as this one is.

Read the WaPo story here.

Little Queen of Spades

By Robert Johnson

Now, she is a little queen of spades
and the men will not let her be
Mmm mmm mmm, she is the little queen of spades
and the men will not let her be
Everytime she makes a spread
hoo, fair brown, cold chill just runs all over me

I'm gon' get me a gamblin' woman
if the last thing that I do
Eee hee ee, gon' get me a gamblin' woman
if it's the last thing that I do
Well, a man don't need a woman
hoo, fair brown, that he got to give all his money to

Everybody say she got a mojo
now, she's been usin' that stuff
Mmm mmm mmm, 'verybody says she got a mojo
'cause she been usin' that stuff
But she got a way trimmin' down
hoo, fair brown, and I mean it's most too tough

Now little girl, since I am the King
baby, and you is a queen
Ooo hoo eee, since I am the King
baby, and you is a queen
Le's us put our heads together
hoo, fair brown, then we can make our money green

Calm (NOT) Before the Storm

I am so tired! Early wake-ups all this week; plus late nights at Warehouse for the hanging of Seven.

A couple of small disasters today: One of Rebecca Cross' delicate ceramic pieces fell off the wall and broke; time to scramble and see if Rebecca can replace it with another work.

Then a major piece by a very good artist could not be hung due to weight and size, and now we are left scrambling trying to figure out what to do; things will resolve themselves by tomorrow.

And then there's the artist who wanted his work "hung just so," and so we reserved a very special place for this person, and so far the artist has not delivered any work or returned several messages. Where are you?

And (as anyone who has ever curated a show from slides knows), there's the "surprise."

The "surprise" is that piece of artwork that looks great in a slide, but that once you see it, it... well, uh... disappoints.

Oh well.... one surprise from 67 artists is not bad.

On the pleasant side, Alessandra Torres continues to astound me on the good side; seldom have a seen a young artist be so full of energy and zeal and talent. I predict good things for her.

And Kathryn Cornelius damned near made me a convert to video art; wait until you see her video piece (Titled "Resolve" and being projected on opening night at the top floor - all by herself - and later on a flatscreen in the second floor gallery).

And I predict that Scott Brooks and Samantha Wolov are going to raise some eyebrows (and maybe other body parts on Wolov's case).

The opening is tomorrow, Thursday June 30 at 6PM.

See ya there!

Distracted Driving

About 90% of the works have been delivered to Seven, and the show is shaping up nicely.

Today Graham Caldwell installed a spectacular set of glass pieces on the second floor gallery walls.

As I was leaving the gallery, my cell phone rang and as I answered it, the cop car next to me at the stop light waved (I thought so anyway), so I waved back as I talked on the phone. He turned his lights on and pointed for me to pull over.

Mmmm....

So the cop comes over (after about an uncomfortable five minute wait, while -- I guess -- they're checking in their computer to make sure that I am not a wanted ax murderer or a dead beat Dad).

"Hang on a sec," I say to the person with whom I am talking on the phone. "What's the problem officer?" I ask in my best Hank Hill voice.

"Driver's license and registration please," the cop says curtly. He's a little, wiry, short guy.

"What did I do?" I say putting the cell phone down and reaching down for my wallet while in my mind Richard Pryor says silently: "I AM REACHING INTO MY WALLET FOR MY LICENSE! - 'CUZ I DON'T WANNA BE IN NO MOTHERF&*%^ ACCIDENT!"

He ignores me.

"What did I do?" I say again, my voice a little louder.

"I'll tell you in a minute," he says gruffly looking at my license and registration.

"You were using your cell phone," he accuses.

I look baffled.

"You WERE using your cell phone," he almost shouts as he walks away.

"Aw, crap." I say to myself... "this is DC and it is illegal to use your cell phone while driving."

Summary: $100 fine for Distracted Driving (Cell Phone).

Congratulations

To Tracy Lee, whose work has been included in The Mammoth Book of Illustrated Erotic Women.

You can see some of Tracy's very moist work in Seven.

Kriston on Kirkland

G.P. reviews J.T. Kirkland.

Read it here.

Seven: Installation Day One

As with any large, multi-gallery exhibition, there were some hiccups on the first day of Seven's installation, which forced the move of a very visible spot to another area (thank God for a very flexible artist); plus the mysterious move of some artwork from one area to another; and the selected artist whom we all forgot to add to the master list; and the usual last minute broken glass...

Sarah Wegner installing her cement furniture and kissing tea set

And Mark Jenkins' tape sculptures have somehow moved from the tree in front of the buildings to the building itself!
Mark Jenkins' Tape Sculptures on the facade of the building
I like the guy looking down from the corner of the building

And below is Kelly Towles painting a wall in the second floor gallery...

Contact your Senator

I have just learned that Senator Tom Coburn will likely offer a floor amendment in the Senate that would cut funding for the National Endowment for the Arts (NEA) by $5 million in FY 2006. I ask that you take a minute to contact your Senators and urge them to vote against this amendment.

As you may recall, the Senate Appropriations Committee on June 9 passed an amendment that increased FY 2006 funding for the NEA by $5 million.

However, Senator Coburn's floor amendment would remove this increase, thereby flat-funding the agency at this year's level.

We expect that Sen. Coburn will offer his amendment later today. The full Senate will likely vote on the amendment tomorrow morning. Please send a message to your Senators by 11 a.m. EDT on Tuesday, June 28, to ensure that they vote against this decrease in arts funding.

Contact your Senator here.

Early starts for Seven


Mark Jenkins installation for Seven, titled "Tres Marias," has already been installed in the trees outside the Warehouse Theatre and Galleries; inside Kelly Towles is already laboring on a wall, and Alessandra Torres will soon start on transforming a room.

Seven's opening is this Thursday starting at 6PM.

Art Critic Bingo

Here's how you start your Monday morning: Art Critic Bingo!

P.S. Thanks James!

Opportunity for Artists

Deadline June 30, 2005.

The Bethesda Artist Market, featuring fine art and crafts for display and sale, is accepting submissions for Sep 11 and Oct 9, from 10am-5pm. Participating artists are selected by members of the Bethesda Arts & Entertainment District Advisory Committee.

The Bethesda Artist Market is held in the Bethesda Plaza, 7700 Wisconsin Avenue in downtown Bethesda. Artists must be 18 years of age or older. All fine art and fine crafts are accepted including, but not limited to, painting, drawing, photography, sculpture, fiber art, digital, mixed media, clay, wearable fiber, furniture, glass, jewelry, leather, metal, paper, ceramics and wood.

Application form is on www.bethesda.org or send a SASE to:
Bethesda Artist Market
c/o the Bethesda Arts & Entertainment District
7700 Old Georgetown Road
Bethesda, MD 20814

Or call: 301-215-6660.

The Seven Chosen

Artists selected for SEVEN are listed below; about a third of them are completely new to me. The rest I either knew their work, or who they were in some way or form. I think it is a powerful lesson on the importance of keeping your work "out there," no matter where "there" is, so that the work is "seen."

There are some well-known, experienced and recognized names on this list, people like Manon Cleary, Chan Chao and Sam Gilliam, as well as hot, young new artists like Lisa Bertnick, John Lehr and Kelly Towles.

Also young emerging artists like Alessandra Torres, Ben Tolman and Susan Jamison (who's in the current issue of New American Painting and also hangs in the Strictly Painting V exhibition at McLean). And also artists whose work I've rarely seen anywhere around our area, such as Gary Medovich, Rebecca D’Angelo, Sonia Jones, Lou Gagnon and Fae Gertsch.

This exhibition, having been curated by a gallerist, defines a show from the perspective of a curatorial eye aimed at perspective of intelligent, strong and visually powerful art and art ideas; this is my view from the ground-level; not the 10,000 foot level of a museum office.

As such, it is very painting-centric show at at time when painting (in spite of the constant attack from academia and the written word) seems to have regained center stage in the international art arena.

It is not a competition between the genres, and because of the agenda, prejudices and humanity of my selection process, in the end, Seven somewhat places painting at the center of attention, although I suspect that a strong showing by WPA/C photographers and what I expect to be a very memorable performance by Kathryn Cornelius, and an arresting installation by Alessandra Torres, will definately gather a big share of the public and media attention as well.

Here's the list:

Virginia Arrisueño
James W. Bailey
Joseph Barbaccia
Lisa Bertnick
Margaret Boozer
Mark Cameron Boyd
Adam Bradley
Scott Brooks
Lisa Brotman
Jonathan Bucci
Diane Bugash
Graham Caldwell
Chan Chao
Manon Cleary
Kathryn Cornelius
Rebecca Cross
Richard Dana
Rebecca D’Angelo
Margaret Dowell
Mary Early
Chris Edmunds
Victor Ekpuk
Michael Fitts
Adam Fowler
Lou Gagnon
Fae Gertsch
Sam Gilliam
Matthew Girard
Pat Goslee
Kristin Helgadottir
Linda Hesh
Maremi Hooff
Michal Hunter
Scott Hutchison
Melissa Ichiuji
Susan Jamison
Michael Janis
Mark Jenkins
Sonia Jones
David Jung
J.T. Kirkland
Sonya Lawyer
Tracy Lee
John Lehr
Joey Manlapaz
Matthew Mann
Amy Marx
Jeanette May
Maxwell McKenzie
Gary Medovich
Adrianne Mills
Allison Miner
Peter Photikoe
Sara Pomerance
Marie Ringwald
Molly Springfield
Tim Tate
Erwin Timmers
Ben Tolman
Alessandra Torres
Kelly Towles
Rick Wall
Frank Warren
Sarah Wegner
Andrew Wodzianski
Denise Wolff
Samantha Wolov

Painting Here... Painting There

The WaPo's Michael O'Sullivan does a nice job of jointly reviewing our current show at Bethesda (The Bethesda Painting Awards) and the "Strictly Painting V" exhibition at the McLean Project for the Arts.

Read the Washington Post review here.

I went to the "Strictly Painting V" opening last night (more on that later), but in my opinion, Nora Sturges stole that show! Her work is absolutely amazing.

Wanna go to an Opening Tonight?

Traveling With Gulliver, featuring Karen Joan Topping, Ian Jehle, Alan B. Callander, Ben Claassen III, and Peter V. Donovan at the District of Columbia Arts Center (DCAC).

The artists' collaborative KIOSKdc (Karen Joan Topping, Ian Jehle, Alan Callander) and "Dirtfarm" cartoonist Ben Claassen III present an exhibition titled Traveling with Gulliver which uses the four lands visited by Gulliver to showcase four original works of drawing, video, installation and cartoon by the artists.

The opening reception is from 7-9PM. Read the WCP review here.

Padget on Knitting

The WaPo's Jonathan Padget has an excellent blow by blow account in today's Arts Beat column about the "Not the Knitting You Know" Sculptural Knitting and Crochet exhibition controversy first reported here a few days ago.

Read it here.

Congratulations

Jack Rasmussen has chosen the following artists to exhibit in the upcoming Ninth Annual Georgetown Fine Arts International Competition, which we've been hosting since 1997:

Verena Appel, Munich, Germany
Corey Baker, Medina, OH
Robert Cantor, Annandale, VA
Ione Citrin, Los Angeles, CA
Bart Dluhy, Richmond, VA
Marty Edmunds, Boalsburg, PA
Bruce Erikson, Pittsburgh, PA
Diane Feissel, Oakland, CA
Mark Fernkas, New York, NY
Freya Grand, Washington, DC
Roberta Goschke, Waldoboro, ME
Stevan Hall, Rockport, ME
Bruce Johnson, Dublin, OH
Michael Kagan, New York, NY
Jinchul Kim, Salisbury, MD
Eric Lopresti, Brooklyn, NY
Sharon Moody, McLean, VA
Jennifer O'Connell, Pittsburgh, PA
Sarah Savier Pike, Williamstown, MA
Marybeth Rothman, Tenalfy, NY
Andrea Sauer, Abingdon, MD
Gwyneth Scally, Tucson, AZ
Kristy Simmons, Bethesda, MD
Ellen Winkler, Kensington, MD

Waste of Time

Since we opened our first gallery in 1996, we have rarely worked with "art consultants" or "interior decorators."

Overall, the experience (in the very few times that we've worked with them) has been quite a waste of time (such as the time that we wasted months dealing with Sen. Hillary Clinton's Georgetown-based interior designers to select a work by New York painter David FeBland.

Because the focus of our galleries is contemporary representational work ("realism with a bite"), it seldom agrees with the bland, "cannot afford to insult anyone," art selection process of most major corporate and business buyers (and public art projects).

But yesterday I bit again, and delivered work by several of our artists that had been selected by a very major law firm's art consultant to possibly hang in their new meeting room in a beautiful building in downtown DC. Come in, get a badge, drive to the loading dock and start delivering work to the 9th floor. As soon as I got there I knew that our chances were slim to none, as I saw a lot of this stuff.

And the very nice and professional art consultant was horrified to see that I had brought this piece by artist Javier Gil.

"Get that out of here before anyone sees it," she advised. "Nothing like that can even be considered and it may poison their minds about the rest."

Her favorite from our four artist selection was the work of our best-selling artist David FeBland. I explained that David's works have been selling very well, especially since the Europeans have discovered his work. Since his prices have been skyrocketing (law of supply and demand), we both doubted that they'd be interested in his work, since he was by far the most expensive artist in what was being presented.

But I schlepped all the work over, including a massive, framed Maxwell MacKenzie photo.

After a few trips I return to the gallery van, which had been parked in the loading dock, as directed, to find it blocked by a truck delivering paper supplies. I ask the guy nicely if he can please move a foot so that I can leave. He cusses me out.

I then waste 10 minutes of cussing and yelling and threatening the very large truck driver, near to a fist fight with a guy who looks like George Foreman, before another huge guy comes in and breaks up the argument... all that before I can leave, now in a total black mood.

Return to DC around 3:30PM to pick up the work. Back up into the tiny loading dock, where I manage to put a huge gouge on the left side of the new gallery van (less than 800 miles on it). Then I get a large smear of grease from one of the dumpsters on the back of my new suit, which I had naturally just worn for the first time this morning. Things are going great uh?

Up to the 9th floor, which for some strange reason, in this building is actually a few steps below the 7th floor.

Not too surprisingly, none of our work had been picked. And what was picked can best be summarized as "big, bold, large abstract art," mostly by names I had never heard of.

I can't say that I blame corporate art buyers, especially in selecting work for their public meeting spaces. We're at a juncture in our history where anything that could remotely be offensive to anyone, is not part of the PC art process. When was it the last time that you saw a nude in an American airport?

On one of the trips I run into a very tall woman who had been (I think) the head of the "art pickers" from the law firm; she sees me packing the David FeBland. "That was our favorite among all the artists," she says.

"He's our best-selling painter," I replied, too tired to inquire as to why he wasn't selected (I already know: price). On the massive table I see the work selected; around 20-30 pieces of mostly abstract, large, work.

Waste of my time; scratch on my new van; possibly a ruined suit; and near fist fight with a huge burly truckdriver... another day in the life of an art dealer.

Seven (Done)

From the several thousand eligible artists (WPA/C members), I've chosen 66 67 for Seven. That number was closer to maybe 75 at one point, but several artists, for one reason or another, although invited could not participate.

Sometime next week I will take several of my fellow DC gallerists for a private view and tour of the show, hoping that they will discover some new talent (new to them) in the exhibition.

I also have several museum and a handful of independent curators (two from as far as Los Angeles and two from New York and one from the Midwest) in the process of being lined up to visit the show in the next few weeks. More on that when it happens.

And I will also take some well-known DC art collectors on a group tour sometime in the next couple of weeks; this is (after all) a fundraiser for the WPA/C.

The opening reception is Thursday, June 30th from 6 - 8:30PM.

Wanna go to an Opening?

This Thursday, June 23rd, the Salve Regina Gallery at Catholic University of America presents Assefa Yeshiwork: Selected Paintings 1998 - 2005.

The opening reception is from 6-9PM. Campus map here.

Or if you're hanging around Arlington on Thursday, the Empowered Women International Juried Invitational has an opening reception this Thursday, June 23, starting at 7 p.m. at the Arlington Arts Center.

And if you're in a McLean mood, then the McLean Project for the Arts has Strictly Painting V (which has been open since June 16 and to which I must go), curated by Jonathan Binstock, who writes:

If this story has a moral, it is that painting is here to stay because it is not only the domain of painters or paint. Painting has a spirit, a heart, a feeling or sensibility, but no real or measurable beginning or end.

The Reception is Thursday June 23, 7 - 9 PM. Juror's remarks at 8 PM.

I was selected by Dr. Binstock's predecessor at the Corcoran (Terrie Sultan) for Strictly Painting II or III a few years ago... read my odyssey here.

Anyway... see you at one of these three! More good stuff and openings at the DCist Arts Agenda.