Wednesday, August 20, 2008

2008 Lucelia Artist Award Nominees

The Smithsonian American Art Museum announced a few days ago the nominees for the museum's 2008 Lucelia Artist Award.

The 15 nominees are Doug Aitken, Jennifer Allora and Guillermo Calzadilla, Slater Bradley, Matthew Buckingham, Mark Dion, Keith Edmier, Spencer Finch, Harrell Fletcher, Mark Grotjahn, Trenton Doyle Hancock, Rachel Harrison, Zoe Leonard, Suzanne McClelland, Wangechi Mutu and Dana Schutz.

Nominated artists work in a diverse range of media including film, installation, mixed media, painting, photography, sculpture and video.

The one artist in this list that continues to be a question mark for me is Dana Schutz.

OAS Show

OAS

Artsy Raincoats

Campello & Anderson
Ahhh... the glamorous life of an art dealer...

Earlier this year we peddling art at a New York art fair, and when the fair ended one day, at the end of the day all the gallerists marched out as the building closed.

Except that it was raining out like a Florida rain; buckets and buckets of water. The sidewalks were like rivers, with at least a couple of inches of running, dirty New York City sidewalk water covering shoes and sandals.

You don't want your feet soaked in NYC sidewalk dirty water.

So everyone had to wait until the monsoon ended, and slowed down to a trickle. Since we didn't have umbrellas or raincoats, a little tape and bubbling wrap and voila!

Art on Trial

Souheil Chemaly turns us all onto Art on Trial.

Developed in part to increase public awareness of such restrictions, Art on Trial is a virtual exhibit of artworks that were once at the center of actual courtroom battles.

Check it out here.

The collector's mind

Edward Sozanski, the Philly Inky's art critic has an interesting article titled Art: What motivates big collectors to do what they do?

The Cone sisters of Baltimore, Claribel and Etta, might have seemed eccentric to some of their contemporaries, not only because they continued to dress like staid and proper Victorians well into the 20th century but also because they collected avant-garde art.
Anyone who has seen the Matisse-rich Cone collection at the Baltimore Museum of Art will realize that the sisters - who otherwise lived the most conventional of spinster lives - were more aesthetically adventurous than 99 percent of Americans who witnessed the birth of the modern world.

Like Albert C. Barnes, a contemporary of younger sister Etta, they enthusiastically patronized the two most prominent European modernists, Picasso and Matisse, along with other progressive artists such as Cezanne and Gauguin.

Mainly, though, they concentrated on Matisse. Of the approximately 3,000 objects in the Cone collection in Baltimore, about 500 are by him, the largest group of Matisse works anywhere.

Even since I first visited the collection years ago, I've wondered how and why two Victorian spinsters from a wealthy but nonartistic mercantile family made such an astonishing conceptual leap. The question of what ignites such a passion for collecting art never fails to fascinate.
Read the article here.

Tuesday, August 19, 2008

China detains American artist

An American artist who planned to use laser beams to flash "free Tibet" on buildings in downtown Beijing was detained Tuesday, according to a colleague and a pro-Tibet group.

James Powderly, co-founder of Graffiti Research Lab in New York, was detained before dawn as he prepared to use a handheld green laser to project messages on prominent structures in Beijing, according to Students for a Free Tibet.

Powderly's colleague, Nathan Dorjee, said in New York that he received a text message from the artist which said he had been detained around 3 a.m. by police.

Officials at Beijing's Municipal Publicity Security Bureau did not answer phone calls Tuesday night. His whereabouts remained unknown, the group said.
Read the AP story here.

New Drawing

World History: A drawing by F. Lennox Campello


"World History." Charcoal on paper, c. 2008. 20 x 16 inches
By F. Lennox Campello

Has been decided already

Didn't we already have this "controversy" a few decades ago with Sally Mann's photos of her children? And didn't we all decide back then that it was art and not pornography?

So why is it an issue with photographer Betsy Schneider?

Opportunity for Artists

Deadline: September 1, 2008

1708 Gallery is seeking exhibition proposals from artists and curators for its 2010 exhibition season. 1708 Gallery is a non-profit space for new art committed to expanding the understanding, development and appreciation of contemporary art. The Gallery provides public exposure and opportunity to emerging and established artists internationally. By showing art that questions, challenges, and redefines the social and aesthetic boundaries of the visual arts, 1708 Gallery offers an opportunity for the public to investigate, discover and be inspired by the most recent developments of contemporary art. Artists and curators may submit proposals for single or group shows of all media. For an exhibition proposal form, please visit their website at www.1708gallery.org (under exhibitions and proposals).

Next deadline is September 1, 2008. For more information, please contact: Tatjana Beylotte at tbeylotte@1708gallery.org or 804/643-1708.

Two ops for photographers

Deadline: postmarked by August 29.

Washington School of Photography is seeking submissions for a juried show in their gallery to take place October 10, 2008. This is a national photography exhibit, which will coincide with their annual silent auction and is a venue on the Bethesda, MD ArtWalk. Fee to enter: $25/4, $5/addtl, slides or CD. More information and forms at www.wsp-photo.com or SASE to: WSP, 4850 Rugby Avenue, Bethesda, MD, 20814.



Deadline: postmarked by September 29.

Washington School of Photography is seeking submissions for a juried show in their gallery to take place November 14, 2008. This is a regional photography exhibit open to camera club members residing in Maryland, DC, and Virginia, which will coincide with FotoWeek DC and is a venue on the Bethesda, MD ArtWalk. Fee to enter: $25/4, $5/addtl, slides or CD. More information and forms at www.wsp-photo.com or SASE to: WSP, 4850 Rugby Avenue, Bethesda, MD, 20814.

Monday, August 18, 2008

 Marlboro Gallery National Juried Sculpture Exhibition

The Marlboro Gallery National Juried Sculpture Exhibition at Prince George's Community College features 21 artists from around the country (including one of DC's top creative sculptors: Adam Bradley).

My good friend Kristen Hileman, Associate Curator at the Hirshhorn Museum and Sculpture Garden juried the show and will present awards during the reception on my birthday, September 6th, 4 – 7pm. The exhibition and cash prizes totaling $3500, including the $2000 Kari Beims Sculpture Award for Best in Show, was made possible through a generous donation from an anonymous patron of the arts.

I hear that Kristen put together a really interesting show and sounds like a really exciting even because the venue has been able to give sculptors place where they can show some substantially large work, and give away some significant monetary prizes.

Only Women Bleed

One of the judges of Australia's top religious art competition has resigned in vehement objection to a work that has been included in the finalists' short list.

Australian art critic and historian Christopher Allen resigned from the panel of judges after Adam Cullen's triptych Corpus Christi made the short list for the $20,000 Blake Prize for Religious Art.

Corpus Christi depicts Jesus on the cross with the inscription, "Only women bleed," a line from a song by rocker Alice Cooper.

Allen told ABC Radio that he did not like the painting, which he said "has a kind of deliberate ugliness that has been exploited as a gimmick."

Adam Cullen's triptych Corpus Christi
Read the CBC News story here.

Man's got his woman to take his seed
He's got the power - oh
She's got the need
She spends her life through pleasing up her man
She feeds him dinner or anything she can

She cries alone at night too often
He smokes and drinks and don't come home at all
Only women bleed
Only women bleed
Only women bleed

Man makes your hair gray
He's your life's mistake
All you're really lookin' for is an even break

He lies right at you
You know you hate this game
He slaps you once in a while and you live and love in pain

She cries alone at night too often
He smokes and drinks and don't come home at all
Only women bleed
Only women bleed
Only women bleed

Black eyes all of the time
Don't spend a dime
Clean up this grime
And you there down on your knees begging me please come
Watch me bleed

Only women bleed
Only women bleed
Only women bleed
Only women bleed
Only women bleed
Only women bleed
Only women bleed

Art fairing

Art fairs have already proliferated to such an extent worldwide in recent years that they have begun to kill one another off.
Read the SF Chronicle story here.

Add a little more booze...

A new trend in the art business is flourishing at a moment when the economy is tight and sales are slow at galleries around town. What's the idea? Add a bar.
Read the Seattle Times story here.

Friday, August 15, 2008

Calling all Fridas!

Audition for Frida Kahlo look alikes at SFMOMA..

photo from calling all Fridas casting call at SFMOMA
Details here... and there’s a third audition coming up this Saturday, August 16th!

My thoughts on...

Cooperative Galleries.

Vanity Galleries.

Commercial Galleries.

Made in China

DC painters Matt Seesow and Dana Ellyn spent most of July traveling throughout a huge chunk of China and they painted every chance they had, using supplies they bought there, with the results going on display this Saturday night at Longview Gallery in DC.

The free opening reception kicks off at 6 PM and is scheduled to go until 9PM.

Matt says that they "hit much of the 'must see' attractions while in China, so our work reflects a lot of that experience: Shanghai acrobats, pandas, Mao, Tiananmen Square, chickens, kitties, and all kinds of Communists. We missed the Olympics, bummer... no badminton or skeet shooting paintings... sorry."

Longview Gallery is at 1302 9th street, NW ... near the Convention Center/Gallery Place metro stops. The show runs through September 20th.

SAAM Acquires new Christo

The Smithsonian American Art Museum in DC has acquired "Running Fence, Sonoma and Marin Counties, California, 1972-76, A Documentation Exhibition," the definitive record of the major early work by Christo and Jeanne-Claude.

The Christo and Jeanne-Claude's epic project consisted of the installation of the "Running Fence" (1972-1976), a white fabric and steel-pole fence, 24 1/2 miles long and 18 feet high, across the properties of 59 ranchers in Sonoma and Marin Counties north of San Francisco. The "Running Fence" existed for only two weeks; it survives today as a memory and through the artwork and documentation by the artists.

This is the first major Christo and Jeanne-Claude complete project archive to be acquired by a museum. It includes more than 350 individual items. With this acquisition, the museum has obtained nearly 50 original preparatory works by Christo, including 11 large-scale drawings — each eight-feet wide — and 35 additional drawings and collages he made in preparation for the final installation. The archive also includes a 68-foot long scale model, more than 240 documentary photographs by Wolfgang Volz in color and black-and-white, a film by filmmakers David Maysles, Charlotte Zwerin and Albert Maysles, documents, 324 color slides and one nylon fabric panel and steel pole.

The artists will be at the museum to discuss the project on my birthday, Saturday, Sept. 6, following a screening of the award winning film "Running Fence" (1978), directed by the Maysles who have documented six of Christo and Jeanne-Claude's major projects.

Thursday, August 14, 2008

Dark Clouds

In the last 2-3 weeks I've received at least half a dozen calls and emails from Miami art fairs whose deadline for application has passed, inviting us to apply to their fairs. That can only mean one thing: gallery applications are down.

Another possible sign of a slow down in the art fair market?

I'll skip Miami this year and look forward to a better 2009.

New Drawing

Rear Nude by F. Lennox Campello


"Rear Nude"
Matted and Framed to 12.5 x 12.5 inches. Charcoal on Paper, C. 2008 by F. Lennox Campello