Tuesday, October 21, 2008

Hizzoner Responds

Last June I posted about the subject of the new DC Art Commission leadership and the selection process.

It must have been brought up to the attention of Mayor Fenty, as he responds below in an email that I received today:

Dear Mr. Campello,

Thank you for your suggestions in regards to the leadership of the DC Commission of Arts and Humanities. Please be assured that all DC government leadership is chosen by qualiifications.

Lionell Thomas, formerly the deputy director of the DC Commission on the Arts and Humanities, has been named the Interim Director.

Lionell held a host of other responsibilities prior to being named the deputy director for the DC Arts Commission such as the legislative and grants manager, grants assistant, mailing list coordinator, program officer for media, music, visual arts and craft, and literature grant programs and program coordinator for a number of special projects and initiatives such as the Customer Service, Risk Management, Washington Writers' Week/Larry Neal Writers' Awards Program, Mayor's Arts Awards, and Arts Resource Fair. He also founded the DC Advocates for the Arts, a network of local artists, arts professionals and arts representatives and patrons that support the ongoing development arts and culture in Washington, DC.

Thank you for your comments. They are greatly appreciated. Thank you for writing me.

Sincerely,
Adrian M. Fenty,
Mayor
Lionell Thomas is not only a superbly qualified Interim Director, but he has my vote for the permanent assignment as he would make a very good leader for the Commission.

Update: OK... I'm officially confused! As Paul Ruppert noted here and as I noted here, Gloria Nauden has been appointed as the new Executive Director of the Arts and Humanities Commission.

I've emailed the Mayor to ask for clarification.

Awarded

Last weekend I was down in Norfolk for the Stockley Gardens Fine Arts Show, where I was selling my own work.

And I for the second year in a row I was honored with an award, as the juror awarded me the Edward G. Carson Memorial Award, which I am told is given to honor a strong supporter of artists in the Norfolk area.

I am honored by the award and happy to have received it!

Monday, October 20, 2008

Mary Early opens in DC

Mary Early

Baker Awards for Baltimore Artists

This is one spectacular opportunity for Baltimore artists.

The Baker Awards, funded by The Baker Foundation, in conjunction with the Baltimore City Department of Promotion and the Arts, is awarding three (yes three!) $20,000 prizes to Baltimore artists annually.

Although only Baltimore artists are eligible, anyone can sign up and vote.

Do it!

Details here.

Torture in Art

There's an interesting panel discussion coming up exploring how we represent victims of torture – in art, in the courtroom, in our foreign policy, etc. – and the issues involved in accurately conveying their experiences without dehumanizing or re-victimizing them.

The panel is from 2-4pm on October 25th at the Katzen Arts Center in Washington DC (presented along with the Close Encounters exhibit and where Director Jack Rasmussen continues to make the other DC area museums look bad), and is sponsored by Foreign Policy In Focus and DC's Provisions Library.

Daniel Heyman, an artist whose work I have mentioned several times before in this blog, is one of the panelists, and is going to give a presentation about his work. The other two panelists are Julie Mertus, a professor of Ethics, Peace, & Global Affairs at American University, and Katherine Gallagher, a staff attorney at the Center for Constitutional Rights.

More details here.

Personally, I have always been curious as to why artists and politicians and academics seem to pay more attention to the "easy" targets of torture, such as our horrible excesses in Iraq a few years ago, while ignoring the decades-long brutalities of nations like China, South Korea and Cuba.

Evidence submitted below, including a priest tortured for hiding a political prisoner in his Church:












Sunday, October 19, 2008

Art Without Frontiers



A few months ago Joan Belmar and a group of friends got together and decided to help a small organization called The Family Place.

The mission of Family Place is to work with mothers and children, prevent domestic violence, and provide healthy meals to children and parents. Now he has curated an art exhibition, Art Without Frontiers, put together to raise funds for The Family Place.

The opening reception is Oct. 30th from 6:30 - 9:30PM at the beautiful Cultural Institute of Mexico in DC. Details here and RSVP required to lfleitas@thefamilyplace.org.

Artists include Sondra Arkin, Joseph Barbaccia, Constance Bergfors, Salvados Casco, Nina Falk, Carles Guasch, Willem De Looper, Adrienne Moumin, Linn Meyers, Martha Jackson-Jarvis, Minna N. Nathanson, Kevin Postupack, Katya Romero, Raimundo Rubio and I am proud to also be part of this effort.

See ya at the opening!

Saturday, October 18, 2008

Arlington Open Studios Tomorrow

The public is invited to visit and celebrate the artwork of 14 greater Washington, DC-area artists working at Reeb Hall Studios from 1-4 p.m. on Sunday, Oct. 19. The artists will meet the public in their studios and discuss their work.

The artists, many of whom have been exhibiting in the Washington area for more than 20 years, include Shahla Arbabi, Anne McGurk, Cynthia Young, Alice Whealin, Lee Vaughan, Carol Lopatin, Kebedech Tekleab, Phil Loiterstein, Rick Weaver, Bruce Williams, Beverly Chello-Donnenfeld, Linn Woloshin, Jessica van Brakle and Mark Giaimo.

what: Reeb Hall Artists Open Studio Event
who: Artists of the D.C. metro region
when: Sunday, October 19, 2008, 1 to 4 p.m.
where: Reeb Hall, 4451 First Place South, Arlington, VA 22204

For further directions and parking information please call 202-280-8267. This event is free and open to the public.

Friday, October 17, 2008

Neptune reopens in Bethesda, MD

David Wallace at Neptune

Gallery Neptune will reopen October 22nd in the brand new PeriPoint Building in downtown Bethesda, Maryland. PeriPoint has applied to become Bethesda’s first Silver Leadership in Energy and Environmental Design building as certified by the US Green Council. It is designed by award winning architect Michael Belisle AIA. PeriPoint is located at 5001 Wilson Lane, at the busy crossroads of Wilson Lane, Old Georgetown Road, Arlington Rd. and St. Elmo Avenue.

The corner site has been a landmark in Bethesda since 1927, serving first as the Sanitary Grocery store, later as USO Headquarters during World War II, and most recently as a vacuum repair shop. Today, the 80-year-old structure has been renewed, embracing the 21st century while maintaining the defining geometry of the building’s early 20th century shell.

Opening Exhibition: “David Wallace: Begging the Question”
October 22 – November 15, 2008
Reception for the artist: November 1, 7 PM
Also open for the Bethesda Art Walk, November 14, 6-9 PM

This is funny...

Post debate moment...

Post Debate Moment, unknown source

But this is not...


There's a local fuss in Philly because when Gov. Sarah Palin recently showed up, protesters wearing "Sarah Palin is a Cunt" T-Shirts also showed up to greet her. The guy who makes these was on a Philly talk show yesterday and is apparently making a mint selling them.

Sarah Palin protesters in Philly, source unknown

Thursday, October 16, 2008

Early Warning

I'm getting some insider info on the possibility of a major DC area art gallery which may be about to close.

More later (if anything happens)...

Bankable Art

Actually, no one quite knows what Lehman Brothers, the financial services firm that filed for bankruptcy protection on Sept. 15, will do with its 3,500-piece art collection, but with works by such bankable artists as Jasper Johns and Andreas Gurky, it is likely to be on sale at a major auction house near you.
Read the WSJ report here.

Sausage Art

I'm getting pretty suspicious as to what Jeffry Cudlin has been reading lately, but I couldn't pass on relaying the following:


"The sausage art is now popular in Russia. They have made some major masterpieces out of sausages and wurst and put on display so that anyone can eat them."
Read all about it here

Wednesday, October 15, 2008

Prices

Artprice, an auction database, says unsold works at auctions held since September 1 this year rose to 39.2 percent against 36.8 percent last year in the same period. On October 1, prices had slipped 4.45 percent in a year and there were 20.5 percent less auctions in the last six weeks.

And auctions early this month in Asia and London were "disappointing", with more than half of works up for sale left unsold at times, according to specialist insider newsletter The Baer Faxt.

"Masterpieces," said Curiel of Christie's, "are seeing excellent prices, but sales will be more difficult for less exceptional works or those believed to be over-rated. Before this summer, it was never a problem to issue a high or very high estimate. But now it is."
Read all about it here.

Opportunity for Artists

The DC Commission on the Arts and Humanities (DCCAH), in collaboration with the Department of Transportation (DDOT) and the Adams Morgan community, is looking for an artist or artist team to design, create and install a permanent outdoor installation at the corner of 18th Street and Columbia Road, NW, Washington D.C.

The objective of this project is to create a "distinctive art piece that communicates the history and current character of the surrounding community and commercial district. The work will reflect the cultural diversity of the neighborhood and enhance the pedestrian experience."

To download the prospectus please visit, www.dcarts.dc.gov or for further questions contact Deirdre Ehlen at 202-724-5613 or by email Deirdre.Ehlen@dc.gov.

Cudlin on Gopkinism

Blake Gopnik’s remarks were interesting (yes, I’ll stick with interesting). He claimed that the problem with painting now is that painters don’t address their work directly to art critics. This is an odd thing to say, but it's pretty much in sync with other sorts of observations Blake likes to make about the art world. Like, for example, when he asserted that art is better when developments in the market aren’t leading or influencing museums—and museums can be left to do their job in peace.

At the time, I thought this was simply a bizarre misunderstanding on Blake’s part. But Blake is a smart guy, and hearing this new curious notion has made me realize that he has a remarkably consistent viewpoint — albeit one not even remotely grounded in reality. He seems to be wandering through a utopian socialist shadow art world, one in which painters don’t try to sell their works, and collectors are shooed away from the boardrooms of institutions, or from contact with curators.
Read the whole Jeffry Cudlin post here.

A History of Dogs And Witches

New work by Laurel Hausler opens Thursday October 16, 2008 from 6-9 pm in DC's Nevin Kelly Gallery.

Gallery Nights in Philly

Philly's Center City District will be having one of their fun Gallery Nights this coming Friday, Oct. 17 with 15+ art galleries and art venues hosting events.

I'm particularly interested in the Galleries at Moore College of Art and Design where there's currently a terrific show of drawings by 20th century icon Alice Neel, a Philadelphia native and alumna of Moore College of Art & Design, and a brilliant artist who bucked the abstract trends of her time and established herself as one of the top American artists of the century. And today, Wednesday, October 15, starting at 11:15AM, author and art historian, Sarah Powers, discusses the complexity of artist Alice Neel’s life and process in her drawings and painting.

CHAW Video


Tuesday, October 14, 2008

True Believer

True Believer by F. Lennox Campello


"True Believer." Charcoal on Paper. c. 2008, framed to 24x18 inches.
By F. Lennox Campello

You can buy this drawing from Projects Gallery in Philadelphia, where it will be part of that Northern Liberties gallery's "Paper" show coming up soon. The show will run from Nov. 19 through Dec. 20 with an opening reception on Friday, Dec. 5, 2008.

Monday, October 13, 2008

Seen on the drive from Norfolk

As you drive up from Norfolk to the Philly area, you drive through the Coastal Highway up through Virginia's eastern shores and into Maryland's eastern shore. And just before you cross the state border into Maryland, the below sign warns you that:

The South Ends Here
On the other side of the road, as you enter Virginia from Maryland, the same signs tells you that "The South Begins Here."

They should put some signs halfway through all the bridges and tunnels leaving Manhattan saying "The Artworld Ends Here." At least according to Newyorkistas...