Thursday, July 15, 2010

Book Questions

The very tall John Anderson asks me a few questions about the "100 Washington Artists" book. Read them in the Pinkline Project here.

Wednesday, July 14, 2010

Leslie Swching at CHAW

Bruce McKaig reviews the solo exhibition by Baltimore artist Leslie Swching opening this coming Saturday at the Capitol Hill Arts Workshop. The show is July 17 through August and the Opening Reception is Saturday July 17th 5 – 7 pm.

By Bruce McKaig

A sensation, a memory, a small…a feeling on the back of your neck, something tells you that you are in touch with the long thought.

There is no clash between the urban and the rural in Schwing’s work, both serve equally as backdrops for her observations and subsequent depictions of fractal patterns. With materials as diverse as watercolor, pastel, and scratch boards, Schwing meanders a path that starts near her home in Baltimore, twists through a system of patterns molded by the materials she uses, and ends at an internal place that was calling her from the start. Starting in an alleyway or a field, she begins en plein aire, but buildings or trees become spotted with, or overtaken by, glyph-like patterns emerging over an evolution from external observation to internal contemplation. In works where the patterns have overtaken their makers, the abstracted result is an encrypted narrative, a story that does not translate as much as resonate.

Lost in the woods, you’ve been there before, everything has overgrown and become unrecognizable, but you get active, you pick up a scent, you find yourself back on the path.

Castles, tree (scratch board)In working with diverse materials, Schwing has given her visual language various accents. Her own vision persists across the materials, perhaps because she does not seem to fight with them, instead letting each one take her exploration into its own material specificity.

It doesn’t matter if you are working blindly so long as you stick with it until you are back on the path.

Schwing’s work and life have evolved to include collaborations with other artists. Her past projects include Road Kill Resurrection, which began as a date with Greg Fletcher, also a Baltimore artist and her partner for 15 years. “We realized that we could work together because the work would not be competitive.” That project lasted three years and eventually involved other participants.

For all the diversity in content – rural vs urban vs abstract – and the diversity in materials – watercolor, pastel, scratchboard – what stands out most in surveying these collected works is Schwing’s persistent visual language, built around the word harmony. The images are charged and active, but the activity is sans stress. Buildings and trees establish a space that Swching populates with fractal patterns that add a temporal dynamic, a reference to cycles and change. “I’m not trying to replicate a scene, but to catch its scent.”

If I now where I am going, I get bored.

All quotes in italics by Leslie Schwing 2010

For more information on Leslie Schwing, click here.

For more information about CHAW and opening, click here.

For more information about the author, click here.

Tuesday, July 13, 2010

Anniversary of a Massacre

Lest we forget:

"In the early morning hours of July 13, 1994, three boats belonging to the Cuban State and equipped with water hoses attacked an old tugboat that was fleeing Cuba with 72 people on board. The incident occurred seven miles off the Cuban coast, outside the port of Havana. The Cuban State boats attacked the tugboat with their prows, while at the same time spraying everyone on the deck of the boat, including women and children, with pressurized water. The pleas to stop the attack were in vain, and the old boat-named the '13 of March' - sank, with a toll of 41 deaths, including ten children."

-- Ted Koppel, ABC's Nightline, July 1994.
These were the victims of that brutal massacre by the Castro regime:

Abreu Ruíz, Angel René. Age: 3.
Alcalde Puig, Rosa María. Age: 47.
Almanza Romero, Pilar. Age: 31.
Alvarez Guerra, Lissett María. Age: 24.
Anaya Carrasco, Yaltamira. Age: 22.
Balmaseda Castillo, Jorge Gregorio. Age: 24.
Borges Alvarez, Giselle. Age: 4.
Borges Briel, Lázaro Enrique. Age: 34.
Carrasco Sanabria, Martha Mirilla. Age: 45.
Cayol, Manuel. Age: 56.
Enríquez Carrazana, Luliana. Age: 22.
Fernández Rodríguez, María Miralis. Age: 27.
Feu González Rigoberto. Age: 31
García Suárez, Joel. Age: 20.
Góngora, Leonardo Notario. Age: 28.
González Raices, Amado. Age: 50.
Guerra Martínez, Augusto Guillermo. Age: 45.
Gutiérrez García, Juan Mario. Age: 10.
Levrígido Flores, Jorge Arquímedes. Age: 28.
Leyva Tacoronte, Caridad. Age: 5.
Loureiro, Ernesto Alfonso. Age: 25
Marrero Alamo, Reynaldo Joaquín. Age: 48.
Martínez Enriquez, Hellen. Age: 5 Months.
Méndez Tacoronte, Mayulis. Age: 17.
Muñoz García, Odalys. Age: 21.
Nicle Anaya, José Carlos. Age: 3.
Pérez Tacoronte, Yousell Eugenio. Age: 11.
Perodín Almanza, Yasser. Age: 11.
Prieto Hernández, Fidencio Ramel. Age: 51.
Rodríguez Fernández, Xicdy. Age: 2.
Rodríguez Suárez, Omar. Age: 33.
Ruíz Blanco, Julia Caridad. Age: 35.
Sanabria Leal, Miladys. Age: 19.
Suárez Esquivel, Eduardo. Age: 38.
Suárez Esquivel, Estrella. Age: 48.
Suárez Plasencia, Eliécer. Age: 12.
Tacoronte Vega, Martha Caridad. Age: 35

And 4 more that still remain unidentified. They will never be forgotten and one day soon justice will be served and those who ordered the massacre and those who executed it will be brought to justice.

Lists, lists, lists

Lists are always so much fun and so good for debate; and judging from the number of emails that I've already received, quite a few of you have your own opinions as to the 100 DC Artists list for the first volume of the art books about the DC visual art scene.

And now the Washington City Paper wants to hear your opinions. Read and then comment here.

MOCA DC closing party

MOCA DC is being kicked out of their spaces in Canal Square in Georgetown and they are having a Super Closing Party Artists & Models Ball. Make your plans now

July 30 - Friday Night - 6 pm to Midnight - $5 entry fee - includes raffle ticket for 3 major art pieces - do not have to be present to win

6 pm - doors open

7 pm - models for artists to draw - $20 all night

7 pm - photography models to shoot $25 all night

8 pm - Body Painting - Free all night

Models will be paid from fees charged

For more info check out www.MOCADC.org.

David Quammen's closing remarks:

Well, it has really been a fine experience to play host to the things that have gone on at MOCA DC over the 5 and a half years that I have managed it. It builds on the foundation laid by founder, Michael V. Clark, now Clark V. Fox,who created it about 20 years ago.

And who can forget Felicity Hogan, Clark's wife of about 8 years. She played a significant role in the gallery's evolution, which is now going into another phase.

All things considered, I believe that MOCA DC has chartered new grounds in DC's art scene through each of its iterations, always gutsy enough to take a cue from Gene Roddenberry and "boldly go where no man has gone before."

Our new web site will have an Archives section - I invite past and present members to contribute to a history of the gallery from start to finish. It will most certainly be one of the most interesting reads you can find.

Monday, July 12, 2010

Coverage at artDC Gallery

artdc Gallery presents a group exhibition of works that "explore coverage with relationship to the body, geography, and memory. Accumulating gestures and layers, while referencing the passage of time, these artists present works of sculpture, painting, printmaking and drawing. Sabeth Jackson’s work chronicles domestic themes and uses archetypal and culturally charged imagery to communicate emotions and stories. Megan Mueller finds inspiration in the architecture of tents and the lifestyles of the transient to investigate the idea of permission. Samuel Scharf explores the physicality of movement, collection and deconstruction."

July 17, 2010 - August 14, 2010
Opening Reception: July 17, 2010 - 6pm - 8pm
Artist Lecture: July 24, 2010 - 6pm - 8pm

Congratulations

To Ryan Hackett on being the first DC-area artist to win the Sondheim Prize!

MOCA DC in trouble

Georgetown has never been known for its eroticism. But in the brick courtyard of Canal Square—an upscale piece of real estate nestled between M Street NW and the C&O Canal—gallery owner David Quammen, 70, has carved out a space for the risqué. Since 2005, Quammen’s MOCA DC has exposed Georgetown passersby to paintings of childbirth, photographs of Playboy Bunnies, and sketches of Quammen’s own nude body, all via the gallery’s 12-foot-long front window.

But next month, the gallery may very well shutter its doors over a pair of nipple pasties. Why now? The modesty-preserving devices appeared on the breasts of a live woman, not in a work of art. “I think that having live nudity at an opening reception is akin to having it on the wall,” Quammen says. “But a lot of people don’t like what I do.”
On June 24, the landlord gave MOCA DC a notice to vacate the premises by July 31. Read the City Paper article by Amanda Hess here.

Enhorabuena!

Congratulations to La Furia (Spain), who yesterday won the world's most coveted sports trophy by beating Holland and winning the Jules Rimet World Cup for soccer/football/futbol for the first time in the history of the Kingdom of Spain.

The Spaniards came in as the favorites (they're the current European champions), and after a shocking start (they lost to Switzerland in their opener), moved forward and ended up as the champs.

Next cup is in 2014 in Brazil. Five gets you ten that either Brazil or Argentina will win that one.

Sunday, July 11, 2010

FotoWeek DC call for entries

The 2010 FotoWeek DC International Awards Competition has just launched and is looking for your best work!

Entries may be made in 12 different photography categories, for both Single Image and Series, with 1st, 2nd and 3rd cash prizes being awarded. In addition, there is a special category called Spirit of Washington, with a cash prize of $5,000, which recognizes images that capture the essence of Washington in all its forms.

As there was last year, the competition also includes a category for the best Multimedia work incorporating stills, video, sound and text, and this year a new category has been added, which is the Mobile Phone category. Send them your amazing iPhone shots and you could win $500, $250 or $100!

Entry fees start as low as $4.95 for Mobile Phone entries and there are volume discounts for multiple submissions. If you enter before July 31, 2010, there is an additional 20% off Early Bird discount and, if you really act fast, you could be among the first 100 entrants to receive a free FotoPage online portfolio site, valued at $49. More to come on that in the coming weeks.

To enter, click HERE to submit your images today.

Bonus: If you are a Facebook member and can get your friends involved, you could also walk away with the People's Choice award, which is given to the highest vote-getter.

The final deadline is on September 20, 2010 and the work will then be viewed by our incredible panel of judges, including Jean-Francois Leroy, Founder of the Visa Pour L'Image photojournalism festival in Perpignan, France, David Scull of the New York Times, Nick Nichols of National Geographic and Jose Azel of Aurora Images, just to name a few.

Winners will be honored at an invitation-only awards ceremony on November 5, 2010 at the Corcoran Gallery of Art and the Corcoran College of Art + Design, where the work will be on display throughout the FotoWeek DC festival, which runs from November 6-13, 2010.

Saturday, July 10, 2010

The 100 DC Artists in the book

Here are the 100 DC area artists whose work will be highlighted, discussed and illustrated in the forthcoming book (tentative title) 100 Washington Artists. Putting this list together was a joint effort between me, several key DC area collectors, a few gallerists and a couple of museum curators. There are three key names missing from the list, all of whom are most deserving of being highlighted anytime that anyone discusses artists from the capital region. Two did not want to be in the book; the other one I wasn't able to contact through email, phone messages and even snail mail (in fact I'm a little worried about her).

In the end, it was a slightly joint effort by about a dozen people, and we all had agendas, and we are were nepotistas and we all had our favorites. In the end, I think that it is a pretty good list that includes the best artists working and living around the capital region (minus the three discussed above) plus a pretty good set of emerging young stars plus a good number of artists who deserve a lot more attention.

More later on the brutal lessons learned in dealing with 100 creative minds and an iron clad deadline. Congratulations to all the 100 folks below, and my apologies to the 1,000 others who deserve to be in this volume. I say "this volume" because the good news is that I have been retained to deliver a second, and possibly a third volume.

Ken Ashton
Joseph Barbaccia
m. gert barkovic
Holly Bass
John Blee
Margaret Boozer
Adam Bradley
Scott G. Brooks
Lisa Montag Brotman
iona rozeal brown
Wayne Edson Bryan
Renee Butler
Judy Byron
Colby Caldwell
Rafael J. Cañizares-Yunez
Chan Chao
Zoe Charlton
William Christenberry
Manon Cleary
Mary Coble
Danny Conant
Kathryn Cornelius
Rosemary Feit Covey
Jeffry Cudlin
Richard Dana
Adam de Boer
Rosetta DeBerardinis
David D’Orio
John Dreyfuss
William Dunlap
Mary Early
Victor Ekpuk
Dana Ellyn
Fred Folsom
Helen Frederick
Rik Freeman
Chawky Frenn
Victoria F. Gaitán
Carol Brown Goldberg
Janis Goodman
Pat Goslee
Muriel Hasbun
Linda Hesh
Jason Horowitz
James Huckenpahler
Melissa Ichiuji
Martha Jackson Jarvis
Michael Janis
Judy Jashinsky
Mark Jenkins
Margarida Kendall Hull
Craig Kraft
Sidney Lawrence
Amy Lin
Barbara Liotta
Malik Lloyd
Laurel Lukaszewski
Maxwell MacKenzie
Akemi Maegawa
James W. Mahoney
Isabel Manalo
Percy Martin
Carolina Mayorga
J.J. McCracken
Donna McCullough
Patrick McDonough
Alexa Meade
Linn Meyers
Maggie Michael
A.B. Miner
Brandon Morse
Lida Moser
Cory Oberndorfer
Byron Peck
Jefferson Pinder
Michael B. Platt
Susana Raab
W.C. Richardson
Marie Ringwald
Nate Rogers
Robin Rose
Erik Sandberg
Matt Sesow
Foom V. Sham
Joe Shannon
Jeff Spaulding
Molly Springfield
Dan Steinhilber
Lou Stovall
Tim Tate
Lisa Marie Thalhammer
Erwin Timmers
Ben Tolman
Kelly Towles
Novie Trump
Frank Warren
Joe White
John Winslow
Colin Winterbottom
Andrew Wodzianski

Friday, July 09, 2010

Jessica Picks Adam

Who is this guy who was born Adam Griffiths but goes by Adam Dwight? He doesn't cotton to artistic branding, so his nom d'art isn't much of a concern. He'll likely adopt a new alias soon, so don't get attached to this one.
Jessica Dawson scores another goal in picking Adam Griffiths for the Real Art D.C. series she's doing for the WaPo and it's a brilliant pick. Check out the article here.

100 Washington Artists or DC artists?

Tomorrow I will release the list of the 100 DMV artists whom I have selected and handpicked for the art book "100 Washington Artists" that I am about to finish in a day or two. It will be released next Spring by Schiffer Books.

Question for the masses: Should the title be "100 Washington Artists" or "100 Washington, DC Artists" or "100 Washington, DC Area Artists"?

I vote for "100 Washington Artists." Screw the "other" Washington [state].

Comments?

Tau Delta Phi-Delta Gamma Theta Nix Flag

An artwork involving an American flag was abruptly rejected this week from a benefit show at Gallery House, a collective exhibition space in Clinton Hill, Brooklyn. The work, by the artist known as Clark Clark, was a flag printed with the word "Evolve" in large block letters. Titled "Evolve America," it was intended for the gallery's forthcoming show, "Reclaiming Space," in which pieces will be raffled off to benefit the environmental volunteer organization Green Edge Collaborative.

On July 2, Mr. Clark said, he installed the piece with the help of fellow artist Jonathan Levy, who serves as the director of Gallery House. Said Mr. Clark: "He saw it when I brought it. He complimented it."

But on July 4, Mr. Levy called Mr. Clark to inform him that "Evolve America" had to be removed and replaced. Mr. Clark says Mr. Levy bowed to legal pressure from the owner of the building, but Mr. Levy says the decision was his—though it was informed by a collaborative discussion. According to property records, the building owner is the Tau Delta Phi-Delta Gamma Theta Alumni Association, an organization for alumni of a Pratt Institute fraternity. Neither the national chapter of Tau Delta Phi nor the Pratt Alumni office could be reached for comment.
Read the WSJ story by Pia Catton here.

Thursday, July 08, 2010

Arts on N Street

An exciting new outdoor arts market brought to you by the Walter E. Washington Convention Center and the DC Commission on the Arts and Humanities.

They are looking for DC artists to help activate the Shaw neighborhood for two weekends in August (7th & 8th and 14th & 15th). They are thus looking for artists and crafters based in DC to sell their works and wares. Looking for 22 vendors for each day (it is not required to do all four days. They are happy to let people chose their level of participation). Space is FREE.

In addition to the craft fair, there will be an affordable art fair called Paper Pushers where they are looking for artists to sell original works on paper (size restrictions do apply- no bigger than 20" in any one dimension and nothing priced above $200) where people can buy the artwork right there and go. Artists will receive full sale price of artwork less any processing fees that may occur.

They are also looking for people who would be interested in leading workshops with kids- live painting, decorating your own skate deck, bike repair, juggling, dj-ing… this would also be a paid position.

Other ideas are forming and their ears are open! If you have something you're itching to try out, don't hold back- let Beth Baldwin know! If you have an idea or would like to apply, please contact Beth Baldwin at gobethgo@gmail.com to participate.

Wednesday, July 07, 2010

Trawick Prize Finalists

Eleven artists have been selected as finalists for the eighth annual Trawick Prize: Bethesda Contemporary Art Awards, easily the DMV's premier arts award.

The work of the finalists will be on display from September 1 – 25, 2010 in downtown Bethesda at 4728 Hampden Lane.

The prize winners will be announced on Wednesday, September 1st at a special press event at the space. The Best in Show winner will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000. A “Young Artist” whose birth date is after April 9, 1980 will also be awarded $1,000.

The artists selected as finalists are:

Barbara Bernstein, Amherst, VA
Milana Braslavsky, Reisterstown, MD
Ellen Burchenal, Baltimore, MD
Anne Chan, Silver Spring, MD
Kathryn Cornelius, Washington, D.C.
Adam Davies, Washington, D.C.
Bernhard Hildebrandt, Baltimore, MD
Magnolia Laurie, Baltimore, MD
Sara Pomerance, Washington, D.C.
Ding Ren, Washington, D.C.
Dan Steinhilber, Washington, D.C.

A public reception will be held on Friday, September 10, 2010 from 6-9pm in conjunction with the Bethesda Art Walk. The Gallery hours are Wednesday - Saturday from 12-6pm.

Entries were juried by Harry Cooper, Curator of Modern and Contemporary Art, National Gallery of Art in Washington, D.C.; Robert Haywood, Deputy Director, Contemporary Museum in Baltimore, MD and Emily Smith, Curatorial Fellow in Modern and Contemporary Art, Virginia Museum of Fine Arts.

Established by my good friend Carol Trawick in 2003, The Trawick Prize honors the work of local artists and establishes a foundation for a solid arts community in downtown Bethesda. Founder Carol Trawick has served as a community activist for more than 25 years in downtown Bethesda; including working on legislation to designate communities in Maryland as Arts & Entertainment Districts. She is past Chair of the Bethesda Arts & Entertainment District, past Chair of the Bethesda Urban Partnership, current Chair of Strathmore, and Founder of The Jim and Carol Trawick Foundation and the Bethesda Painting Awards.

The Trawick Prize is one of the first regional competitions and largest prizes to annually honor visual artists. To date, The Trawick Prize has awarded over $98,000 in prize monies and has exhibited the work of 83 regional artists. Best in Show recipients include: Richard Clever, Baltimore MD (2003); David Page, Baltimore, MD (2004); Jiha Moon, Annandale, VA (2005); James Rieck, Baltimore, MD (2006); Jo Smail, Baltimore, MD (2007); Maggie Michael, Washington, D.C. (2008); and Rene Trevino, Baltimore, MD (2009).

Who will win this year? It depends who is the real HMFIC out of the three judges. Five will get you ten that Steinhilber is being pushed by Cooper, Burchenal or Hildebrandt by Haywood, and Bernstein by Smith. Since Bernstein is the only VA artist in the mix, I suspect that Smith was the quiet one in the junta of jurors, and since 6 of the 11 artists are DMV, that Cooper was the lead general of the junta.

So, since Steinhilber has been a finalist before, and since I suspect that Cooper is the arm twister in the group, I bet that Dan will be the winner of the 2010 Trawick Prize. If he wins it will be well-deserved and bring the prize to one of the DMV's local art stars.

Tuesday, July 06, 2010

Heard on Univision

Earlier today, towards the end of the World Cup game between Holland and Uruguay, as it seemed certain that the last Latin American team in the running was about to be eliminated (they almost tied it in the last few seconds), the commentators had a really interesting discussion in Spanish.

They were wondering if they should root for Spain in tomorrow's game between La Furia (Spain) and Germany. One of the commentators was making the case that they should root for Spain, simply based on the commonality of language. One of the two other commentators, who was a former player himself, was against that, claiming that the Spaniards were very racist and discriminated against South Americans, so why should they (all three commentators were apparently South American), root for Spain?

He expanded on that point by giving as evidence the fact that when he played for several years in the Spanish soccer leagues (which means he must have been very good, as they are the highest paid ones in Europe), he was constantly under the pressure of discrimination from the Spanish teams.

I found this very interesting, and thought to myself how comments like this, say on ESPN, would cause a maelstrom of controversy in this nation.

Update: The commentator who made the comment was José Luis Chilavert, a former goalkeeper from Paraguay, and considered one of the the 10 best goalies in soccer history; and Univision's "futbol" forums are buzzing with comments about his comments.

City Gallery First Annual Regional Juried Competition

Time is running out to submit for the First Annual City Gallery Regional Juried Competition. The show will be judged by Washington artist and gallerist and my good amigo, Jack Rasmussen. Rasmussen is currently Director and Curator of the American University Museum.

Accepted work will be exhibited at City Gallery located in the heart of the Atlas Arts District from August 7-28. There will be an opening reception on August7 from 6-9pm.

To download a complete prospectus and entry form go to www.citygallerydc.com or email info@citygallerydc.com.

All entries must be postmarked by midnight July 12.

Fridaphiles of the world: Unite!

Check out Google today to see how the celebrate Frida Kahlo's birthday today. Below is a huge Frida Kahlo collage that I did in art school in the 80s.

Frida Kahlo by Campello

Free: Opportunity for Artists

Deadline: July 19, 2010.

Location: Landslide Gallery, Chicago (July 23-31). The Foster Collective, a Chicago based artist collective, seeks visual and written responses to the Gulf oil disaster. All entries must be on gas station paper towels. You can draw, paint, collage or write directly on the towel. Or, you can glue/tape artwork to the towel. Paper towels can be any color or texture. They are usually kept in the same container as the windshield squeegee. Requirements: -Leave 1" margin at the top for hanging. -Please submit the whole paper towel. Do not cut or add to the dimensions, which are typically 9 1/8 x 10 1/8 inches. -Write your name, email address, and location on the back. If you want your piece returned, include SASE. We are currently exploring venues for future exhibitions in other cities. NO FEE... let me say that again: NO FEE!

Send to:

The Foster Collective
C/O A. Watters
2531 N Talman, 1E
Chicago 60647

More info: fostercollective@gmail.com