Friday, February 18, 2011

Back to oils

When I was a student at the University of Washington School of Art in Seattle, most of my "training" was focused on painting, and for the first decade or so after I graduated I concentrated on painting.

Most of those paintings were sold while I lived in Europe, and when I returned to the USA in 1992, I stopped painting and focused strictly on drawing. The only works on canvas that I've done during those years didn't really involve the use of the brush, as these pieces were and are mostly an intensive amount of taping and paint application.

I recently received a complimentary try-out set of Cobra Water Mixable Oil paints, with a note from Royal Talens, the manufacturer, asking me to try them out for them. I put it off for a while, but after scoring some amazing prices in a variety of substrates at Plaza, I took brush back to hand and painted my first new representational paintings in years.

These Cobra paints are amazing by the way; the facility with which one can mix them with water, and the resulting ease of not having to have mineral spirits around is worth a try alone, and I highly recommend them and intend to get a full set of them soonest.

I was stunned as to how much I had forgotten in the intervening non-brush-painting years, and it will certainly be an interesting road to regain the facility that I once had with the brush. In any event, below are my first three finished new oil paintings. They are all oil on masonite. The imagery is familiar in two of them, and returns to my Eve and The Lilith themes.


Persephone
Persephone. Oil on masonite. 7 x 5 inches, c. 2011
Eve
Eve Running Away from Eden. Oil on Masonite. 5 x 5 inches, c. 2011.
Lilith
The Lilith Running Away from Eden. Oil on Masonite. 7 x 5 inches, c. 2011.

Tonight: Rosemary Feit Covey at MFA

"Death of the Fine Art Print" is this brilliant printmaker's exploration of the theme "When is an image no longer art?"

February 18 - March 9, 2011
Morton Fine Art
Opening Reception: Friday, February 18, 6:00 - 8:00 pm

Morton Fine Art
1781 Florida Ave NW
Washington, DC 20009

Thursday, February 17, 2011

Little Treasures – Big Rewards

The role of small works of art has, in modern culture, been delegated to the “minor works” category. They become overlooked, poorly appreciated and frequently labeled as good choices for a holiday show to generate a few sales. They have also been the subject of shows where size is all that matters, i.e. all works will be postcard size, measure 12”x12”, etc. Historically, the role of small works has been very different. The Mona Lisa is perfectly sized for a good holiday show, as is Edvard Munch’s “The Scream.” Many of Rembrandt’s great portraits would also qualify, and the finest works ever done by Rubens would neatly fit into a child’s knapsack. The creation of small works for many artists has been a device where the improbable becomes possible, an idea is tried or a risk is easily taken.

“Little Treasures – Big Rewards”assembles a group of artists all deliberately working in the small format. For Elizabeth Bisbing, the diminutive scale is her forte, where her collages take on the grandeur of Renaissance masters. For others, such as Vivian Wolovitz, whose large works easily command the viewer in any gallery space, in recent time she has found a rich and varied voice in the pocket size, creating a deep space for the gravity of her painted atmosphere. Alex Queral continues to push the envelope incorporating recycled phone books. Ross Bonfanti utilizes concrete to warm the heart and surprise the senses. Susan B. Howard combines the political with the fanciful, sending a powerful message in a seemingly sweet package. Craig Cully reminds us of the Dutch master Franz Hals with his dazzling Hershey candies, while Caleb Weintraub demonstrates that the sweet world of contemporary children is a troubled place due to the modern obsession with war game technology. Frank Hyder demonstrates the experimental arena of the small works with examples from his perdido and rhythm series. F. Lennox Campello brings us his relentless salsa seasoned social commentaries, invigorating pencil and paper into a sword and shield bent on righting injustice wherever it is found.

In “Little Treasures – Big Rewards,”Projects introduces Canadian realist, Matthew Schofield, working in a diminutive scale using images from his childhood experiences. Zoe Spiliotis makes a debut with a formal spin on geometric linear explosive abstractions. Debra Van Tuinen from Portland, Oregon, serves up sensuous sky-like images made in encaustic that appear to be mixed with air. Projects also introduces Marcelo Suaznabar, a Bolivian artist currently living in Toronto, whose surrealistic vision presents a world where nothing is as it should be but often is more appealing than how things are. Amy Orr arrives for the first time at Projects with her imaginative up-cycled transformations, while E. Sherman Hayman returns with selections from her coffin series, loaded with meaning and too good to bury. This group exhibition puts the emphasis on the rewards, not the ruler, and packs a real punch.
“Little Treasures – Big Rewards”will be on display at Projects Gallery in Philadelphia from March 4 - 26, 2011. There will also be an artist’s reception First Friday March 4th from 5 - 9 p.m. The reception is free and open to the public.

Wanna go to a DC opening tonight?

Longview Gallery will be showcasing the works of several standout new artists showing with Long View Gallery including Ryan McCoy, Shaun Richards, Jordan Bruns, Zach Sherif, Tom Burkett, Amy Genser, Shawna Moore, Michelle Peterson-Albandoz, and Clyde Fowler. In addition to highlighting the work by each of these new artists, several of Long View Gallery’s favorites will be showing as well.

Opening Reception: Thursday, February 17th, 6:30 - 8:30pm
Show Dates: February 17, 2011 - March 13, 2011

Look for Ryan McCoy to steal the show here as well...

Wednesday, February 16, 2011

President Obama Proposes Deep Cut to NEA in FY 2012 Budget‏

From Americans for the Arts:

The Obama Administration released today the FY 2012 budget request to Congress which includes the nation's cultural agencies and programs, including the National Endowment for the Arts (NEA), Institute for Museums and Library Services (IMLS), and the Department of Education's Arts in Education program.

As Americans for the Arts President & CEO Robert Lynch noted in a press statement:

"The administration request of $146 million for the National Endowment for the Arts is a decrease of $21 million from the $167.5 million that Congress appropriated last year."
Details here.

Wanna go to an artist talk tonight?

Jessika Tarr: Monstrous, Wednesday, February 16th at Hillyer Art Space.

Time: 7-7:30pm

Tuesday, February 15, 2011

Torpedo Factory Art Center Visiting Artist Program

Deadline: February 28, 2011.

The Torpedo Factory Art Center invites emerging and experienced artists to apply for one, two, or three-month residencies between June 1 and August 31, 2011.

The Torpedo Factory Art Center (www.torpedofactory.org) in Alexandria, Virginia is home to more than 140 visual artists working in 82 studios. Artists create in a wide variety of media including painting, fiber, jewelry, ceramics, printmaking, cast and stained glass, and sculpture. The Torpedo Factory is open to the public every day; visitors are invited and welcomed into studios to watch artists at work, ask questions, and purchase original art – allowing the public an opportunity to share in the excitement and fascination of the creative process.

The projects undertaken by Visiting Artists for this self-directed, creative residency must be compatible with available working studio spaces and facilities.

Visiting Artists will be provided with studio space and will be able to display and sell original work.

Finalists will be selected by yours truly. There is no application fee.

Download the Prospectus and Application Form from www.torpedofactory.org/vap.

Select


The Washington Project for the Arts (WPA), the mid-Atlantic's premier alternative arts organization, has announced the dates for its Annual Art Auction Exhibition and Gala, SELECT. The curated exhibition will be on view Saturday, February 19 through Saturday, March 12, 2011.

Saturday, March 12, 2011 marks the 30th anniversary of the organization's well-known arts gala that includes a curated silent auction of more than 100 contemporary works by top contemporary artists, formal dinner, and performance art. Tickets to the auction gala start at $300. I have been selected to participate in this auction for the second year in a row.

The event will be held at 700 Sixth Street, an Akridge-managed property, in northwest Washington; it is expected to draw over 500 art enthusiasts.

In advance of the March 12 event, WPA will host an exhibition opening reception on February 19 from 6:00 to 9:00 pm and Curators' View on March 1 from 6:30 pm to 9:00 pm. These two events are free and open to the public. At the Curators' View, each Select curator will present and discuss their exhibition selections. In addition, WPA's prized Alice Denney Award will be presented by Robert Lehrman to Washington-based artist William Christenberry for his support of WPA and sustained commitment to the DC arts community.

The SELECT exhibition will be on view 11:00 am to 6:00 pm, Wednesdays-Saturdays, through March 12th. For a complete list of participating artists or images, please contact Kristen DeMarco at auction@wpadc.org.

DC's hidden gems
From the SI archives:

To commemorate the centennial of Washington's birth in 1832, Congress commissioned Greenough to create a statue to be displayed in the Capitol Rotunda. As soon as the marble statue arrived in the capital city in 1841, however, it attracted controversy and criticism.

Greenough had modeled his figure of Washington on a classical Greek statue of Zeus, but many Americans found the sight of a half-naked Washington offensive, even comical.

After the statue was relocated to the east lawn of the Capitol in 1843, some joked that Washington was desperately reaching for his clothes, on exhibit at the Patent Office several blocks to the north.

In 1908 Greenough's statue finally came in from the cold: Congress transferred it to the Smithsonian. It remained at the Castle until 1964, when it was moved to the new Museum of History and Technology (now the National Museum of American History). The marble Washington has held court on the second floor ever since.

Seventh Annual Bethesda Painting Awards

Deadline: Friday, February 25, 2011

The Bethesda Arts & Entertainment District is currently accepting applications for the seventh annual Bethesda Painting Awards, a juried competition honoring four selected painters with $14,000 in prize monies. Deadline for submission is February 25, 2011. Up to nine finalists will be invited to display their work at a Bethesda gallery.

The competition will be juried this year by Philip Geiger, an art instructor at the University of Virginia; Evelyn Hankins, associate curator at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. and Jinchul Kim, a painting professor at Salisbury University.

The first place winner will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000. A “young” artist whose birth date is after February 25, 1981 may also be awarded $1,000.

Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C. All original 2-D painting including oil, acrylic, watercolor, gouache, encaustic and mixed media will be accepted. No reproductions.

Each artist must submit five digital files or slides, application and a non-refundable entry fee of $25.

Applications are available online at www.bethesda.org.

The Bethesda Painting Awards were established by my good friend and Bethesda philanthropist, art collector and community activist Carol Trawick in 2005.

Monday, February 14, 2011

Torpedo Factory Art Center Visiting Artist Program

Deadline: February 28, 2011.

The Torpedo Factory Art Center (TFAC) invites emerging and experienced artists to apply for one, two, or three-month residencies (June, July and/or August, 2011). The TFAC (www.torpedofactory.org) in Alexandria VA is home to more than 140 visual artists working in 82 studios. Artists create in a wide variety of media including painting, fiber, jewelry, ceramics, printmaking, and sculpture. The TFAC is open to the public every day; visitors are invited and welcomed into studios to watch artists at work, ask questions, and purchase original art.

Visiting artists will be provided with studio space and will be able to display and sell original work. Finalists will be selected by yours truly.

There is no application fee.

Download the Prospectus and Application Form from www.torpedofactory.org/vap. Send questions to: vap@torpedofactory.org.

The House of Batiatus

I can't believe that the new (well prequel to the last season, which was the first) Spartacus episodes have been on for four weeks and I didn't know!

Time to DVR some repeats and catch up with the bacchanalian excesses of the House of Batiatus! (... really, any excuse to watch Xena).

Rosemary Feit Covey at MFA

"Death of the Fine Art Print" is this brilliant printmaker's exploration of the theme "When is an image no longer art?"

February 18 - March 9, 2011
Morton Fine Art
Opening Reception: Friday, February 18, 6:00 - 8:00 pm

Morton Fine Art
1781 Florida Ave NW
Washington, DC 20009

Sunday, February 13, 2011

Las Tapas in Old Town

I've been to Las Tapas in Old Town Alexandria many times in the past, and until last Saturday I had never been disappointed.

Perhaps it was the fact that it was crowded and the cooks were concentrating on the "set menus" for couples, but the tapas - almost all of them - that we ordered a la carte were not very good.

The pinchitos are some of my favorite tapas on the planet. When I lived in Spain, they were usually served using ex bicycle wheel spokes as the skewers. The ones that we got last night at Las Tapas were tasteless - they certainly didn't have that pinchito-unique flavor - and they were lukewarm, and they were tiny! They should be called tapitas, not tapas.

The Calamares Rellenos En Salsa De Tomate looked great, but when I went to cut into one of them, the stuffing popped out all in one lump, as it was also lukewarm and the dish had been allowed to settle back and separate, thus allowing the stuffing to congeal into one lumpy mass.

The Pulpo A La Gallega was acceptable, but once again, it was lukewarm and the thinly sliced octopus would have probably tasted a lot better if it had been hotter in temperature.

The Mejillones Al Vapor were hot and delicious; no complaint there. The Pa Amb Oli, one of the priciest tapas on the menu, was also good.

I had a half jar of Sangria and this is where La Tasca really failed. This was by far the worst Sangria that I have ever tasted in a restaurant, Spanish or not.

It was essentially made up of Triple Sec and wine, with the Triple Sec overpowering all the other stuff which is supposed to be in a true Spanish sangria and which I think was missing from this "sangria."

I suspect that what happened was that they ran out of the pre-mixed Sangria (we were there at 8PM) and they were just dumping wine and triple Sec and cut up apples into the pitchers.

As many of you know, and anyone who went to a Fraser Gallery opening between 1996-2006 can testify to, I can make one really decent sangria, which follows a recipe that I learned while living in Spain. This perhaps makes me a tough juror for Sangria.

But if you are a Spanish restaurant, and your Sangria tastes like watered down Triple Sec, then you have a problem.

Fail!

Artisphere

Arlington's wonderful new Artisphere has three visual art galleries within it:

The Terrace Gallery is a 4000 square foot gallery that showcases international, national and regional artists in five annual exhibits. Curated exhibits often investigate trends in contemporary art.

The Mezz Gallery promotes the work of artists and curators who live, work, study or have a studio in Arlington, Virginia as well as artists from our Sister Cities program. Artists and curators may propose individual or group exhibits to be featured along the 140 running feet of wall space. Group shows may feature work from non-Arlington artists so long as the curator meets the requirements. Shows are scheduled one to two years in advance. Visit Artist Opportunities to learn more.

Works-In-Progress Gallery - The WIP (Works-in-Progress) Gallery is situated at the entrance to the Terrace Gallery. WIP exhibits cross multiple disciplines that are constantly changing, providing the public a window into the creative process and offering critique opportunities for artists as their work evolves.
At the Mezz Gallery they currently have Victoria F. Gaitán's photographic series of "flesh-and-blood still lifes visualize human subjects as meat puppets. The images are calling cards from the artist's explorations of internal worlds, illness, in-between states, shared delusions and hells, stillness, memory, interpretations of pain, private and public intimacies, trauma, beauty and conditioned responses." That exhibition is through March 12, 2010 and it is a "must see" for all DMV art aficionados.

An artist talk with Victoria F. Gaitán and Curator Al Miner is scheduled for Friday, February 25, at 6 pm. Also, the below video has Victoria talking about the exhibition:

VICTORIA F. GAITÁN from Arlington Arts on Vimeo.


Both Victoria and Al Miner are in my 100 Washington, DC Artists book. Check it out on Amazon here.

PS
- If you are an artist and you live or have a studio in Arlington, then see this.

Call for Artists: Bethesda Painting Awards

Deadline: Friday, February 25, 2011

Submissions must be received by Friday, February 25, 2011. The Bethesda Arts & Entertainment District is currently accepting applications for the sixth annual Bethesda Painting Awards. Up to nine finalists will be selected to display their work in an exhibition during the month of June in downtown Bethesda, and the top four winners will receive $14,000 in prize monies. Best in Show will be awarded $10,000; Second Place will be honored with $2,000 and Third Place will receive $1,000. Additionally, a “Young Artist” whose birthday is after February 20, 1981 may be awarded $1,000.

Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C. All original 2-D paintings including oil, acrylic, watercolor, gouache, encaustic and mixed media will be accepted. The maximum dimensions should not exceed 60 inches in width or 84 inches in height. No reproductions. Artwork must have been completed within the last two years and must be available for the duration of the exhibit. Each artist must submit 5 slides, application and a non-refundable fee of $25. Digital entries will be accepted on CD in JPG, GIF or PNG format. For a complete application, please send a self-addressed stamped envelope to the Bethesda Painting Awards, c/o Bethesda Arts & Entertainment District, 7700 Old Georgetown Road, Bethesda, MD 20814, visit www.bethesda.org for the downloadable version or call 301-215-6660 x17.

Opportunity for Artists with a disability

Deadline: March 11, 2011

VSA
, the international organization on arts and disability, announces Shift, an international call for art. Artists ages 18 and older who have a physical, cognitive, or mental disability are invited to apply. Artists are asked to submit up to four artworks of any media that address the theme of Shift – an investigation of a moment of change in one’s life that alters the direction of a person’s path. For more information about how to apply, visit www.vsarts.org/shift. The online application be found on CaFE, www.callforentry.org. Please contact Sonja Cendak, visual arts manager, scendak@vsarts.org with any questions. Selected artwork will be exhibited at the John F. Kennedy Center in Washington DC in June 2011.

Opportunities for Artists

Deadline: Before February 23, 2011

The new Touchstone Gallery has announced membership opportunities as they launch 2011 solos and member exhibitions in their new modern gallery at 901 New York Ave. NW. It's an attractive street-level space in the heart of Washington, DC. They are seeking "excellent artists with a contemporary vision who work in fiber, book as art, video, glass, interactive art and other media."

New Members Benefits: a biennial solo show, one or more pieces on exhibit in each monthly member show, artist bins and gallery website artist pages.

To be considered for one of the limited membership’s available, contact Ksenia Grishkova, Gallery Director, now at info@touchstonegallery.com or 202 347-2787. She'll answer questions and explain their jury process. The next jury of actual works will take place on February 23, 2011.

Touchstone Gallery
901 New York Ave NW
Washington DC 20001
Tel: 202-347-2787
E-mail: info@touchstonegallery.com

Saturday, February 12, 2011

Modernizing Picasso

The Virginia Museum of Fine Arts and The Martin Agency announced yesterday a joint social media effort that brings to life the upcoming exhibition of 176 works from Picasso’s personal collection, Picasso: Masterpieces from the Musée National Picasso, Paris.

The only east coast venue for the exhibition’s seven-city international tour, VMFA partnered with The Martin Agency to develop a marketing campaign that Picasso fans can see from anywhere, using Facebook, QR codes and Layar applications to drive information about the exclusive exhibition.

The print and out-of-home elements use a portrait of Picasso made entirely of QR codes. When a phone scans the QR image, it is re-directed to a landing page featuring Picasso’s work and an invitation to buy tickets to the exhibition.

“To honor the progressive nature of Picasso’s work, we created art out of modern technology,” said Keith Cartwright, SVP/group creative director at Martin. “Just as Picasso once took found objects – bicycle handlebars, etc. — and brought them together to create works of art, we were able to take something technologically functional, QR codes, and use them as building blocks to create something arresting and beautiful.”

Social media supports the campaign by extending the marketing reach all along the east coast, where multiple out-of-home elements will raise awareness of the exhibition. On the corner of Grand and Wooster streets in New York City, a QR code portrait of Picasso will be painted on the side of a building. In a SoHo neighborhood, as well as in Richmond and Washington, D.C., 22 geo-coordinates will be activated for detection by Layar phone applications. When the Layar application detects the geo-coordinates, augmented reality images from Picasso’s collection will appear on surrounding buildings.

In Philadelphia, an entire storefront and empty store space have been designated as a virtual exhibit, using augmented reality. When scanned using a phone, the QR code on the storefront enables the device to display Picasso’s artwork on the walls inside the space, as if it were the museum itself.

Throughout Richmond, all 33 Starbucks locations will partner with VMFA to promote the exhibition. Each store will display the Picasso QR code on the storefront, and once inside the store, works of art will appear on the walls of Starbucks in a similar fashion to the Philadelphia virtual exhibit. Facebook.com/myVMFA goes live this week with a “Picasso” tab to serve as a home base for the social media technology. Here, art enthusiasts can view Picasso’s works, as well as a Google Map guide to the geo-coordinates laid out in New York, Richmond and D.C.

“The Virginia Museum’s Picasso exhibition is the most ambitious show in the 75-year history of our museum,” VMFA Director Alex Nyerges said. “The occasion of this landmark exhibition is an ideal time to deepen our presence throughout social media. The innovation of the Picasso QR campaign and augmented reality is in keeping with the innovative genius of this master artist and our quest to be on the leading edge of technology for art museums.”

Picasso: Masterpieces from the Musée National Picasso, Paris, will be on view from February 19 through May 15, 2011 and is co-organized by the Musée National Picasso, Paris and VMFA.

Go to this opening tonight

I'll be at Old Town Alexandria's Gallery West for its 14th Annual National Show, which was juried by yours truly.

The prizes will be presented to the winners at the Artists Reception and Awards Presentation, which is tonight, Saturday, February 12 from 5-8pm. Please join me there for a bite, a glass of wine and some excellent artwork from around the nation.

The prizewinners are:

1st Place - Eric Standley, "Poseidon"

2nd Place - Amy Swartele, "Breath"

3rd Place - Margaret Dowell, "Joseph and Naked Aggression"

Honorable Mentions:

Kimberley Bush, “Squatty Copperhead”

Francesca Creo, “Washed Up”

Annie Evans, “Masque”

Daniel Filippone, “American Kestrel”

Robert Madden, "Twisted Vision"

Drew Parris, "Tempest"

Nicole Santiago, "Anniversary Cake"

Fierce Sonia, "Material Things"

Tore Terrasi, "Grid Study (Gradient)"

See ya there!