Sunday, December 25, 2011

Merry Christmas and Happy Holidays!

Campello 2011 Christmas card

Saturday, December 24, 2011

Home Cooking

Home cooking

Since tonight is Nochebuena, and per request,I've been preparing the classic Nochebuena Cuban feast for the night.

The fare for tonight:

Cuban Roasted Pork
Mariquitas with Mojo Sauce for Dipping
Sweet Corn Tamales
Broiled Yucca with Garlic Mojo
Broiled Ňame with Olive Oil
Moros y Cristianos (Rice and Black Bean Soup)
Cuban Nochebuena Salad

And from our family to all: a Merry Christmas, Happy Holidays and a Terrific 2012 to all!

Friday, December 23, 2011

Just looking...

Anderson Campello at Parkway Deli, 2011

Thursday, December 22, 2011

Artists and Art Fairs (Part II)

On Tuesday I related how almost a decade ago, the founders and organizer of a European art fair called Art Basel (which of course, takes place in Basel, Switzerland), decided to try an American version of their successful European model and started an art fair in the Miami Beach Convention Center and they called it Art Basel Miami Beach or ABMB for short.

And I told you how that one mega art fair spawned a few satellite art fairs in Miami at the same time and how by now there are over two dozen art fairs going on around the Greater Miami area and art collectors, artists, gallerists, dealers, curators and all the symbiots of the art world descent on America’s coolest hot city in December and art rules the area.

I also pointed out, that if you are a visual artist in 2011 and are not aware of these events, and are not trying to get there (get your artwork there is what I mean), then something really big is missing from your artistic arsenal (unless you’re happy just painting or drawing or photographing or sculpting, etc. and could care less who sees and possibly acquires your work – if that’s the case, then skip the rest of this post and more power to you!).

But, if like some of us, the commodification of your artwork doesn’t bother you, and the fact that when you or your gallery sell one of your pieces, you feel honored and pleased that someone laid out their hard earned cash to simply add one of your creations to their home or collection, then Miami in December should be in your radar.

But how to get there? The fairs are mostly gallery-based – that means that galleries are invited or juried to exhibit; not usually individual artists --- more on that later – but there are some other ways to begin to crack the Miami art fair presence, and today I want to share some of my ideas.

Let’s start with gallery-based artists.

If you are already represented by a gallery, why not discuss Miami with them? The enormous expenses associated with the art fair scene are the main reason that most art galleries do not consider them. And this is a darn good reason, as most galleries are run by the skin of their teeth and the expense associated with doing an art fair are enormous and could wreck an entire financial plan in less than a week.

But, what does it hurt to bring it up to your gallerist? Who knows where that may lead?

I am still shocked at how many art dealers are not even aware of the potential financial and exposure rewards of doing an art fair.

Let me be clear: I don't want to hype this issue as a surefire path to moving artwork. But, this much I know… for roughly the same amount of money that a gallery spends on a full page ad in a national art magazine, you can get a small booth in some of the satellite fairs and the return on their investment has a lot more avenues than taking a chance with an ad.

Gathering information is the key thing… bring the subject up to your dealer, and if they want more info, have them email me… the best thing for art is more art.

How about if you are a cooperative gallery? Why not consider applying to one of the art fairs and spreading the cost of the booth amongst the exhibiting artists? A word of warning: the better fairs are juried and that means that someone gets always rejected. But the same key that allows cooperatives to survive for decades (spread the expenses) should and must be the key to give them a presence at the art fairs!

And many, many co-ops are routinely showing now at art fairs in Miami, NYC, LA, London, Madrid, etc. The fact that they are returning to the fairs means that they’re having a positive experience there.

The look and feel of the fairs is different as well. Many of them are booth fairs – that means that a white cube booth of plain white walls, ready to be drilled and hung with art, is the main model.

Fairs such as the original Art Basel Miami Beach, Pulse, Red Dot, Scope, Art Miami, etc. are on this model. At least one of them (Red Dot) in 2011 allowed individual artists to apply for the first time and had quite a few artists’ booth in their huge tent in Wynwood District, right next to the Scope Art Fair and across the street from Art Miami (these latter two only accept galleries).

There are also hotel fairs. These are fairs that essentially take place in a local hotel, where the room is often emptied out and turned into a temporary gallery by the out of town galleries. The best hotel art fair in the world, according to many, is the Aqua Art Fair, held at the Aqua Hotel in Miami Beach, and having just participated in it, add my name to the list of people who thinks that this is the best hotel art fair on the planet. And at Aqua I saw at least two cooperative galleries…

There are also individual artists-based fairs – after all, with 22-25 art fairs around the area, new models are apt to develop – and they have! The Pool Art Fair is one of these, focusing on unrepresented artists. They had a bit of a drama this year in Miami, as the fair was shut down by Miami police due to "lack of a permit", but this fair has been around for seven years, so I'm sure they'll be back next year with all the right paperwork.

A little Googlin’ of Miami art fairs (or just art fairs in general) will reveal just how many fairs there are and where.

The key thought to leave you with: think art fairs and think Miami, New York, LA, Chicago... and think of a way to get there.

Wednesday, December 21, 2011

Opportunity for Figurative Artists

Deadline: February 6, 2012

First juried show at established Washington DC gallery located in Georgetown. Theme: You, Me and Everybody Else. Artists are encouraged to consider broad contemporary interpretation of the figure.

Fee: $15 FOR 3 IMAGES. For details and entry form go to UP FRONT page on this website. Juror and curator is artist and writer Lilianne Milgrom. Questions? Email upfront@mocadc.org with a subject line You, Me and Everybody Else

Tuesday, December 20, 2011

Artists and art fairs

If you are a visual artist or art dealer/gallerist in today’s ever changing visual art world, and you’re not aware or know about the Miami art fairs that take place each year-end and are clustered around Miami and Miami Beach, then you have a problem that needs urgent attention.

Almost a decade ago, the founders and organizers of a European art fair called Art Basel (which of course, takes place in Basel, Switzerland), decided to try an American version of their successful European model and started an art fair in the Miami Beach Convention Center and they called it Art Basel Miami Beach or ABMB for short.

This was nothing new in the American art fair scene, as even in Miami art fairs such as Art Miami had been going on for years. But whatever right timing and combination of European flavoring added to Miami's Cubanized international art scene did was spectacular and ABMB took off like Meat Loaf's second album's title.

In the halcyon days of the healthy economy of those days, the art fair proved to be a spectacular success, with millions of dollars of artwork by the blue chip names of the art world exchanging hands at ABMB as collectors from all over the world congregated in Miami’s balmy December to be seen at the sharp point of the spear of the contemporary art world.

ABMB’s success soon spawned other art fairs, which are called “satellite fairs”, since they all revolve around ABMB’s dates and presence on America’s coolest and most international beach city. The evolution of these satellite fairs was fed by the fact that ABMB focused almost exclusively on European galleries and a handful of the top tier American New York galleries.

In those days, even if you were the best gallery in Chicago, or LA or Miami itself, you had zero chance to be invited to ABMB.

room 218 at Aqua Art fair 2011And thus satellite art fairs with names like Scope, Red Dot, Bridge, Pulse, NADA and others began to appear around Miami at the same time as ABMB. Soon, someone came up with the novel idea that these art fairs could also take place in hotel rooms, and the “hotel fair” was born. Many of these also began to appear, none better than the Aqua Art Fair, now called “the best hotel art fair in the world.” Having just done Aqua, I can testify brother, that the Aqua organizers have it down, and in my limited opinion, this is indeed the best hotel art fair in the world.

Back to my story... by 2010, even with the economy in the doldrums that refuse to go away, there were 25 art fairs going on around Miami starting roughly around November 28 through the first Sunday of December.

Yes dear readers, 25 art fairs at once! Some developed a tight focus, such as for Asian art or photography, others tried to establish an artist-oriented focus, but in general, all recognized that something special happens each December in Miami.

By now the figures are mind blowing: I am told by Miami journalists from Rumor Control that during that week of the ABMB art fairs, roughly 20% of all the art work sold in the world exchanges hands in Miami.

Furthermore, as the magnitude of the event grew, so did the attendance by both the “need to be seen” crowd and by even more worldwide collectors and, just as importantly, the press.

Thus now the news media not only discusses what’s new or who’s hot in the art world, but also they let us know who Sly Stallone or other Hollywood stars of all magnitude are acquiring. It has become cool for Hollywood stars and wannabes to collect art, which in most Einsteinian dimensions is a good thing.

The concentrated press reporting has also made celebrities out of mega collectors, such as the Miami based Rubell or DeLaCruz families.

Most of the art fairs are gallery-focused; that means that it is art galleries, as opposed to individual artists, who exhibit artwork. The prices for the booths are spectacularly expensive, and generally, a small 200 sq. ft. booth can start at $10,000 or more, and a large booth can run as high as $100,000. And this is before a gallery adds other associated costs such as shipping costs of the artwork, transportation to/from Miami, customs, food, car rental, hotel and salaries.

For most galleries around the world it is a daunting economic investment, which can turn into a financial disaster if sales fail to materialize.

Around the DMV, only a handful of local area galleries took the risk over the last few years. Spaces such as Conner Contemporary, Civilian Art Projects, Hamiltonian Gallery, Fraser Gallery, Irvine Contemporary, and a precious few others, took the venture out to Miami. One local dealer, Art Whino, began its own model and sets up its own ABMB space in Miami during that week.

“I meet more art collectors that week in Miami than the entire year in DC,” related one local art dealer.

“Over the years,” added another, “about 80% of my sales take place at, or because of art fairs in Miami, New York, LA, etc.”

The opportunity to actually sell art is a powerful magnet to tempt art dealers to take the economic plunge. “My openings in Norfolk are always packed, and the shows get good press coverage here,” notes Norfolk’s Mayer Fine Art’s director Sheila Giolitti, who has been also going to Miami for the last few years (disclosure: she represents my work), “And yet, the Norfolk area has a very limited market for contemporary art. If it wasn’t for the art fairs, keeping a gallery in this area would not be a viable option.”

Read: "Because of Miami and other art fairs, I wouldn't be able to have a gallery in Norfolk." Norfolk should be grateful to Miami...

Individual artists have also begun to use the Miami opportunity to showcase their own approaches. None of these have been as cool or successful as Calder Brannock’s Camper Contemporary.

Camper Contemporary is a mobile gallery created and curated by Calder Brannock. According to the artist, “It is a fully functional art gallery set up inside an altered 1967 Yellowstone camper. Camper Contemporary gallery poses a solution for many problems a gallery faces in the modern art market. It allows the gallerist to showcase work in a clean controlled gallery environment without being tethered to rents or a geographic location. The mobile gallery model allows the gallerist to maintain a physical space where work can be displayed with all the benefits and gravitas of a traditional gallery while easily reaching collectors at art fairs and other large art markets.”

So how does an artist get to Miami if he/she is not represented by a gallery, or their gallery doesn’t do art fairs or chooses not to bring your work to the party?

Some ideas next later...

Monday, December 19, 2011

Opportunity for Collage Artists

Deadline: December 31, 11.

2012 marks the centennial of the inception of collage in the field of painting. Strange Glue - Collage is 100 is a three-part exhibition series that will open in September of 2012 and run through June of 2013. Collage is ubiquitous in contemporary culture and it is arguably the most democratic of artistic processes. The exhibition series aims to explore the current status of collage methodology within contemporary art practices as much as it endeavors to examine the conceptual and political manifestations of this evolving artistic strategy. To apply, please visit the Thompson Gallery website for a prospectus and/or follow this link.

Sunday, December 18, 2011

Opportunity for Artists of the Nude

Deadline: January 27, 2012

CIAO Gallery of Jackson, Wyoming is pleased to offer the opportunity to participate in their 5th annual "Naturally Nude", an exhibition of exceptional nudes. This show is open to all artists in any medium, traditional renderings as well as unique interpretations. Work must be original and ready to be displayed, clearly labeled with the artists name and contact information. No substitutions of accepted work. Art work must be for sale. This exhibition opening takes place on Valentine's Day evening and has become one of our most popular events for the gallery. $45 entry fee. Visit website for prospectus, or send a SASE to:

PO Box 1274
Jackson WY 83001

Questions? Contact Michele Walters at ciaogallery@yahoo.com or call (307) 733-7833.

Saturday, December 17, 2011

Hand woes

Yesterday I was packing some Xmas presents and when I was taping up the shipping box, somehow my right hand slipped while I was cutting the tape and as a result I embedded the entire blade of the Exacto knife into the meaty portion of my left palm.

Sis in law drove me to emergency, where after a few lost hours I exited with a wounded hand hopefully on the way to recovery and one really gross image (taken while I was bored waiting for the doc in one of the emergency room cubicles) of what a very deep entry wound looks like.

Friday, December 16, 2011

New Xmas Song

Thursday, December 15, 2011

Keep buying!!

Campello Pinot GrigioCampello Pinot Grigio is available practically everywhere, most notably at Trader Joe's in those non fascist states where supermarkets can sell wine.

Reviews and comments here. For around six or seven bucks it has been getting rave reviews!

Keep buying!

Wednesday, December 14, 2011

Statement by the President on the Legacy of Laura Pollán

Today, as the National Endowment for Democracy awards the Democracy Service Medal posthumously to Laura Pollán, the founder of Las Damas de Blanco, we honor and celebrate her life by recognizing her significant contributions to the struggle to defend human rights in Cuba.

Laura Pollán and the quiet dignity of the Ladies in White have courageously voiced the core desire of the Cuban people and of people everywhere to live in liberty. Taking to the streets in peaceful protest to draw attention to the plight of those unjustly held in Cuba’s prisons, Laura Pollán and the Ladies in White have stood bravely against Cuban authorities who unleash mobs, and resort to house arrest, and temporary detention in a failed attempt to silence them. Through Laura Pollán’s and the Damas’ brave actions, the world bore witness to the repressive actions of Cuban authorities, eventually leading to the release of political prisoners wrongly jailed in the Spring of 2003.

Though Laura is not with us today, her bravery in the face of repression and her selfless commitment to democracy and human rights in Cuba, offer a living legacy that inspires us to keep moving forward. To Las Damas de Blanco who will watch or listen to today’s ceremony, you have our utmost respect for your efforts to stand up for the rights of the Cuban people even in the face of this weekend’s crackdown directed at you and we honor each of you as well.

The United States is steadfast in supporting the simple desire of the Cuban people to freely determine their future and to enjoy the rights and freedoms that define the Americas, and that should be universal to all human beings. I remain committed to supporting civil society in Cuba, including by protecting the ability of Cuban Americans to support their families in Cuba through unrestricted family visits and remittances.
The Castro brothers' criminal dictatorship will come to an end one day soon, and justice will touch the Castros and their fellow criminals who have brutalized the Cuban people for so many years.

It is a lesson in human will to see these brutal dictators throw the entire power of their 53-year-old repressive state machine at a bunch of valiant old women and have the Ladies in White show the Cuban police state what human will power and love for freedom is all about.

Laura Pollán, you will not be forgotten.

You won't believe this...

Hardworking Norfolk art dealer Sheila Giolitti is the owner of Norfolk-based gallery Mayer Fine Art.

MFA is not only Norfolk's best art gallery (in my biased opinion since they represent me), but also the only Norfolk-based gallery and one of 2-3 Virginia art galleries that does art fairs around the US and overseas.

This morning Giolitti woke up to the news that her gallery website had been hacked into by an extremist Muslim group who filled her website with anti Jewish, hate-filled slogans, causing her account to be suspended.

Who knows why the website was targeted, unless some idiot thought that the "Mayer" in Mayer Fine Art means that it is a Jewish-owned gallery, which it isn't.

I don't know if there's a relationship, but I am also aware of the fact that several artists' email accounts around the Tidewater area have been recently hacked into and hate-filled emails sent out, and this morning my own personal account had been shut down (for unknown reasons so far) and I had to go through a laborious process to restore it and hope that it was all a precautionary step from MS.

One word to those whose heart and actions are filled with hate: you reap what you sow.

Tuesday, December 13, 2011

Hizzoner's Weird Xmas Pic

"Mayor Jorge Santini of San Juan landed himself a spot in the famed Awkward Family Photo blog with his 2011 Christmas picture which depicts his family huddling around a taxidermied killing scene. As a leopard sinks its teeth into a poor creature’s throat, a little girl strikes a very sassy pose."
Read the whole thing online here.

Hockney Atop The Brits

A recent poll conducted by 'The Other Art Fair' asked thousands of artists of all ages who they thought was the most influential artist in the UK. The winner was David Hockney, leading many to ask: "really?" Hockney, known for his modern-pop appropriations of the traditional landscape, won a surprising victory over such giants as J.M.W. Turner, Francis Bacon and Thomas Gainsborough. Banksy made the shortlist, but influential Young British Artists (YBAs) Damien Hirst and Tracey Emin didn't even even make the top 10.
Read it online here.

Monday, December 12, 2011

Another loss to the DMV visual arts community

(Via)


Nicole Puzan
1983-2011
Studio Coordinator, Glass Artist, Friend

I am sorry to report that the Washington Glass School's much loved glass studio coordinator passed away yesterday morning. Only 28 years old, Nicole succumbed to a very aggressive ovarian cancer. Our Nicole was a trooper to the end, and we understand that she seemed comfortable as she passed.


Nicole was integral to the Prince George's County Courthouse public artwork sculpture.


Nicole coordinated many art projects while working in the Washington Glass Studio. Here, Nicole is cleaning a just annealed glass casting that was part of the Vanderbilt University Critical Care Tower.

Nicole celebrating the arrival of Margaret Boozer's baby in 2009 with the Dutch sweet "beschuit met muisies".

Nicole shown here plugged through the messy part of studio work.

Nicole was an instructor of classes at the Washington Glass School. Nicole is hown here with artists Cheryl Derricotte and Dave Cook.

A mural based on Nicole's tattoo was painted at the Fridge Gallery in Washington, DC. in 2010.

Services will be held Saturday at 11 am at the Oakton Unitarian Universalist.

Vintage Che

Che by KordaTo the left is the most reproduced photograph in human history. It's an image taken by Cuban photographer Korda (1928-2001) of Argentine mass-murdering guerrilla icon Ernesto Guevara de La Serna Lynch, known to most of the world as Che and to many Cubans as "El Chacal de La Cabana."

Che's photo has been reproduced in billions of T-Shirts, posters, postcards, cigar labels, vodka labels, etc. as the West's all-powerful ad machinery, driven mostly by an mystic love of all things Che by Italians and the French, has iconized this image beyond's Korda's wildest expectations (and until the very end of his life, he didn't get a penny for it, as in Castro's workers' paradise, the state, not Korda, had ownership of the image).

Would you be surprised to learn that the very first vintage photo of Che; the very first one; Korda's own personal print; the mother of all subsequent images of Che, has found a home in the DMV?

It does, living alongside 17 other vintage Korda photographs acquired directly from Korda's daughter soon after the legendary Cuban photographer died.

Sunday, December 11, 2011

Artists 62 and older...

The Research Center for Arts and Culture at the National Center for Creative Aging
(NYC & DC Metro Area ) --- ART CART: SAVING THE LEGACY (www.creativeaging.org/artcart) will select professional visual artists from the NYC and Washington DC Metro areas for a 9-month project (September 2012-May 2013) run by the Research Center for Arts and Culture at the National Center for Creative Aging to help organize and document the artists' work.

Artists receive honoraria for public forums. To receive more information please send your contact information to rcac@creativeaging.org or leave it at 202-895-9489. Info materials will be sent in January for a February deadline.

Website: http://www.creativeaging.org/artcart

Saturday, December 10, 2011

Graduate Arts Award

Deadline: 9 February 2012

The Graduate Arts Award - The Jack Kent Cooke Foundation Graduate Arts Award recognizes and rewards America's promising up-and-coming artists from lower-income backgrounds with the nation's leading graduate scholarships in the visual arts, performing arts, and creative writing.

The Graduate Arts Award enables students or recent alumni with exceptional artistic or creative promise and significant financial need to pursue up to three years of study at an accredited graduate institution in the US or abroad. Awards can be as much as $50,000 annually. In 2012, the Foundation will select up to 15 recipients for this award.

The award provides funding for tuition, room and board, required fees, and books. Scholarship amounts vary based on several factors, including cost at the institution each recipient attends and other grants and scholarships the student receives.

Students interested in the program must be nominated by the Jack Kent Cooke Foundation Faculty Representative at their school, and may not apply directly to the Foundation. Each college or university may nominate two students to be considered for this award.

SELECTION CRITERIA
A review panel of distinguished artists, arts faculty, and university administrators select Scholars using criteria including artistic or creative merit, academic achievement, financial need, will to succeed, and a breadth of interest and activities.

The online application is available now and the deadline for submission is February 9, 2012. For more information please visit the Jack Kent Cooke Foundation website.

Friday, December 09, 2011

Another Experiment: Frida After Frida

As I've discussed and reflected on this site many times, over the last year or so I have been experimenting with the marriage of technology and drawing. In the first trials, I have begun to embed a video player into drawings and use that technology to expand my interest in narrative art.

In preparation for the recent Aqua Art Fair in Miami during Art Basel Week, I also began to experiment with tiny LCD screens and software that would allow a Powerpoint-like presentation.

Studio
Here we see a shot of my studio with the first stage of a drawing of Frida Kahlo. I envisioned a Kahlo portrait that (like the Kahlo portrait with a small portrait of Diego Rivera on her forehead) that would amplify her obsession (and mine) with her own image.

Frida Kahlo - Full prior to hole
And thus, here is the drawing - prior to the addition of the electronic component.


And here is the 1.5 inch LCD screen and the motherboard with rechargeable lithium battery.


Here is the drawing with the window cut into her forehead.

Detail
And here's a detail showing the embedded electronic component playing a continuous loop of all of Kahlo's self portraits.

This piece is now in the De La Torre Collection in Miami Beach. The Aqua Art Fair was a spectacular success for these new pieces.

What's next?

About a decade ago I did a huge drawing entitled "Last Supper for Dictators." The piece was exhibited at one of my solos at the old Fraser Gallery in Georgetown, and subsequently sold to a New York collector via Sotheby's auction. It depicted a last supper scene with the principals being Latin American dictators. Che Guevara was The Christ, Fidel Castro was Judas Iscariot, Evita Peron was The Magdalene, etc.

I am going to revisit that theme again, and this time the video or Powerpoint component will amplify the presence of the dictators.