Monday, July 20, 2015

Elissa Farrow-Savos at SOFA Chicago

You can get this wonderful piece by Elissa Farrow-Savos now instead of waiting for it to be exhibited at SOFA Chicago later this year. Send us a note.


To hell and Back, 2015 by Elissa Farrow-Savos at Alida Anderson Art Projects
"to hell and back"
c. 2015  Elissa Farrow-Savos
22 x 10 x 12
 

Sunday, July 19, 2015

Bicycle Stories Collaboration Project

From artspace:
Dear Artists,

artspace is collaborating with Richmond Young Writers in a project called "Bicycle Stories." artspace is pairing professional artists with young writers to illustrate their short written pieces about bicycles.

The stories and artwork will be displayed in the Plant Zero Hallways Project Space from September 18 through October 18, 2015. The opening will correspond with a closing event for the August/September artspace gallery exhibitions and is the day before the World Bike Races will begin in Richmond.

We are planning a meet up with the Young Writers on Saturday, August 8, 2015 to determine which artist will illustrate which written piece.

If this sounds interesting to you, please contact the gallery by email: artspaceorg@gmail.com or call (804) 232-6464. Feel free to share with other local artists you think might want to participate.

Thank you,
Dana Frostick
artspace President

Saturday, July 18, 2015

The curious case of Vocal Fry

A while back I wrote about the hypnotizing voice of the new NPR ads voice over person, and even postulated what the owner of that melodious voice would be like (somewhat like Parmigianino's Madonna dal Collo Lungo).

Of course, several of you constant readers researched the issue and identified the voice in question, and not surprising (at least to me), she is almost exactly as I described her, based on her voice. She is also a vastly talented actress, by the way.

Case closed; listen to her amazing voice here.

However, in the process of obtaining that last unrequested bit of information, I've also discovered the uniquely young American female phenomenon of "vocal fry", and now I'm afraid that my radio listening habits have been profoundly affected.

If you don't know what vocal fry is, I would recommend that you avoid finding out. If you can't resist, then click here.

Now I hear it everywhere! Especially with younger NPR female correspondents, and it has somewhat affected my listening ear, as I tune to detect it.

Another interesting voice in the air is that of WMAL's Maria Leaf. While the NPR ad voice over person is generally anonymous and her voice is a like a drink of 100 year old port, Maria Leaf's recognizable 150 MPH voice is like a high dose of caffeine mixed with a lot of enthusiasm for the job!

Her voice wakes you up! The manner in which she drags the "L" in the station's call letters (WMAL) at the end of her reports is a thing of beauty, as is when she pronounces the name of traffic guy Matt DeFazio... she drags "De Faaaaazio" as a sport announcer would describe an amazing B-ball three-pointer!

Listen to Maria here.

If you can't resist the vocal fry challenge, then see the below video.


Friday, July 17, 2015

SOFA Chicago

The biggest thing in the 3D art fair world is SOFA... they're the ABMB of the art object universe... and in 2015 they've decided to take on the big boys and girls of the art fair circuit and "add" 2D art to their offerings.

And guess who is a "plank owner" in the first SOFA Chicago that allows paintings and photographs and prints and such other 2D work?

We are!

See ya at SOFA Chicago!

Thursday, July 16, 2015

New Hamiltonian Fellows

From Hamiltonian:

As we conclude our seventh year of artist-centric programming, Hamiltonian is proud to announce the five new, distinguished 2015 Hamiltonian Fellows to join our five existing fellows.  We are thrilled to introduce:
The 2015 Hamiltonian Fellows were selected from a pool of 144 very promising artists. The External Review Panel, comprised of seven acclaimed art professionals, caucused together and evaluated every application based on criteria regarding artistic merit and relevance to today's art world.  We would like to express our sincere gratitude to the panelists for their generosity and enthusiastic support of this endeavor:
Artwork by all five new fellows will be on view in the debut group exhibition new.now., opening at Hamiltonian Gallery on Saturday, September 19th from 7-9 pm.  

Wednesday, July 15, 2015

Artists: Wanna tour the new Artomatic building?

Wanted to share with you the news about the New Carrollton site for Artomatic 2015 partnership with the Maryland National Capital Parks and Planning targeted for October.

AOM has some tours of the building coming up this Thursday, Saturday and Sunday. The tours are an opportunity to see the space "before" it is turned into a full blown Artomatic which is planned for this October.

Location
8100 Corporate Drive, Hyattsville, MD 20785 
10 minutes walk from the New Carrollton Metro
Lots of parking 

Dates and Times
Thursday the 16th ­ 6 to 7 pm 
Saturday the 18th ­ 10 11 am 
Sunday the 19th ­ 10 ­ 11 am

Tuesday, July 14, 2015

Lisa Gold to depart from WPA

Letter from the WPA's Lisa Gold:
7.14.15
 
Dear Friends,
 
I want to share with you the bittersweet news that I will be leaving WPA in a few weeks.  
 
Over the past 6 years, I've had the great fortune to meet and work with so many talented and generous people. WPA has been such an important part of the contemporary art landscape in DC and you have all contributed in myriad ways to its success. I'm very proud of what we've accomplished and the course we've set for the organization. I know you'll join me in ensuring that WPA's growth continues well into the future with your ongoing support and participation.
 
At the end of August, I will take on a new challenge as the Director of Public Engagement at the Hirshhorn Museum and Sculpture Garden. You can be assured that I will be a fixture at WPA events and I hope you will visit me at the Hirshhorn in the fall.
 
For now, please join me for one last hurrah on August 15 to watch one of my favorite WPA events--the SynchroSwim. Come say goodbye at the Capitol Skyline Hotel pool on Saturday, August 15 at 5:00 and enjoy some of DC's most entertaining performance art then stick around to celebrate this fantastic adventure with me.
 
I thank you all for the incredible experiences that WPA has given me over the years. I look forward to witnessing the next chapter in WPA's storied history.
 
Sincerely,


 
 
 
 
 
 
Lisa Gold
Executive Director
 

Porn in Word Girl?

There we were, my son and I watching one of his favorite PBS cartoons - Word Girl - when the opening credits showed up...


WTF? Is it me, or is the "World's Best Dad" sporting a world class boner?

Monday, July 13, 2015

Mock theft

Cleveland artist Frank Oriti said the National Portrait Gallery in London, England, has assured him that a painting he submitted for an exhibition is safe and in good condition after having been subjected to a mock theft by protesters on Sunday.
 Read the story here.

Sunday, July 12, 2015

Art Scam Alert!

Beware of this mutant!
Date: Sun, 12 Jul 2015 08:08:15 -0700
From: mrsmichaelanderson@zoho.com
Subject: Order enquiry


Hi there,
During the last exhibition campaign /competition, I'm just wondering if your gallery would be able to ship to my Country In Europe?And shipping costs shouldn't be  prohibitive for sending paintings overseas
Kindly get back to me with your online portfolio for more information about your available works and price guide list.

Yours sincerely.
Stari Grad, Zelene beretke 
15A Sarajevo
71141 Sarajevo
Bosnia and Herzegovina

Saturday, July 11, 2015

Hypocritical art or political art?

Gone are the days when modern art used sex to earn your embarrassed attention. The latest Venice Biennale shows that to get international visibility these days, contemporary art must play with something much hotter: politics.
 Hypocritical art or political art? Details here.

Friday, July 10, 2015

Stolen Rodin recovered in NYC

From the folks at Art Recovery Group:
LONDON, 9 JULY 2015 – A version of Auguste Rodin’s ‘Young Girl with Serpent’ stolen 24 years ago has been recovered in New York.

In 1991, thieves stole artwork valued at over $1 million USD in a series of raids on a private residence in Beverly Hills whilst the owners were out of town. Among a number of high-value works of fine art stolen during the robberies was an edition of ‘Young Girl with Serpent’ by esteemed French sculptor Auguste Rodin (1840-1917).

The residence was left unoccupied for several weeks, allowing multiple visits by thieves whose access had been arranged by the victims’ trusted housekeeper. It is understood that the individual in whose care the residence was regularly left had bragged about his employers’ wealth at a local bar and was convinced to sell a duplicate of the house keys for $5,000 when propositioned by criminals.

Upon their return, the victims described their home as looking as though it ‘had been hit by an earthquake’ and, with no sign of their housekeeper, they immediately informed the Beverly Hills Police Department of his assumed involvement in the crime. A police search identified the existence of a previously-unknown arrest warrant for the housekeeper, issued in his native Switzerland. He was subsequently tracked to a Miami hotel and arrested whilst sunbathing by the pool.

The location of all stolen items remained unknown until Rodin’s ‘Young Girl with Serpent’ was identified when consigned for sale at Christie’s in New York.  Art Recovery Group was appointed by the insurer and led the negotiations with the consignor’s legal representative. With title to the work unconditionally relinquished by the consignor, the sculpture has been offered back to the theft victims in line with the benefits of their insurance policy.

Speaking this morning, Christopher A. Marinello, CEO of Art Recovery Group, said:

“This case was a perfect example of public and private sector collaboration. We are extremely grateful for the steadfast determination of the Beverly Hills Police Department, and in particular the perseverance of Detective Michael Corren, in keeping this case open for 24 years and seeing through its resolution."

Additional artworks taken in the raid remain unaccounted for but the outstanding losses have been recorded on the ArtClaim Database. The last time the Rodin was offered for sale at Christie’s, its value was estimated at around $100,000.

In accordance with the confidential resolution agreed between the loss victim and their insurance company, this work will now be consigned for sale later this year.

Artist's Talk

My good friend Philip Brookman (former Corcoran photog curator, current NGA) has a new book combining his photos and a novella. 

He's speaking at the new Takoma Busboy on July 21st in the reading room named after Communist poet (and suffocater of Cuban voices while he was the President of the National Cuban Writers' Union), Nicolás Guillén.

Brookman will be in conversation with Henry Allen, a former WaPo journalist, poet, and novelist. He won the Pulitzer Prize for criticism in 2000.
  Details here.

Thursday, July 09, 2015

Goslee and Carlson at the Athenaeum

The Northern Virginia Fine Arts Association (NVFAA) has announced exhibitions by David Carlson and Pat Goslee, in the Athenaeum Gallery. Carlson and Goslee are abstract artists whose works "explore the fields of energy and consciousness inherent in their creative process."

Opening Reception: Sunday, July 26, 4:00 — 6:00, FREE

Carlson’s paintings, video and performance pieces have been exhibited in galleries and museums around the world including the Pretoria Art Museum, Wichita Falls Museum of Art, Ludwig Forum, John Cabot University, Korean Embassy Cultural Service, Yacine Art Gallery, Asilah Arts Festival, Musee Des Tapisseries, Tutun Deposu, Arlington Arts Center, McLean for the Arts, and the Washington Project for the Arts. His paintings are represented in numerous collections both private and corporate, national and international. He has taught design, drawing and painting for 25 years at Marymount University and has participated in artist exchanges with Central Asia, West Africa, and North Africa and Europe.

Goslee’s work is included in the permanent collections of the National Institutes of Health, the Children’s National Medical Center, the US Embassy in Ethiopia, the US Embassy in Nepal, the Wilson Building (DC City Hall), the Washington Post, the DC Commission on the Arts and Humanities, the University of Georgia as well as in many private collections. She has served on the Board of Directors for the Washington Arts Museum (WAM) and the DC Arts Center (DCAC), and the Advisory Committee for International Arts & Artists’ Hillyer Art Space. She received a BFA in graphic design from the University of Georgia and an MFA in painting from Catholic University. She has been a visiting artist lecturer at local institutions including American University and the Corcoran College of Art + Design.
 
The Athenaeum Gallery, 201 Prince Street, Alexandria, VA  22314  703 548 0035   nvfaa.org

Wednesday, July 08, 2015

Campello at Auction

This art school drawing of mine somehow made its way to an European auction house and will be at auction July 16.

"Bailarina" c. 1977-1980 by F. Lennox Campello


Check it out here - going for a good price.

VMFA FELLOWSHIP PROGRAM

VMFA is committed to supporting professional artists and art students who demonstrate exceptional creative ability in their chosen discipline and, as such has awarded more than $5 million to Virginia's artists since the program's creation. This year marks the 75th anniversary of VMFA's Fellowship Program. 

A dedicated microsite and documentary to the 75-year history of the program is at http://vmfa.museum/programs/75th-anniversary/.
 
VMFA offers $8,000 awards to professional artists, $6,000 awards to graduate students, and $4,000 awards to undergraduate students.  Applicants may apply in the disciplines of Crafts, Drawing, Film/Video, Mixed Media, New/Emerging Media, Painting, Photography, Printmaking, Sculpture, and Art History (graduate students only).  All applicants must be legal residents of Virginia and student applicants must be enrolled full-time in degree-seeking programs. Applicants' works are reviewed anonymously by distinguished jurors and awards are made based on artistic merit.  
 
The deadline for Fellowship applications is Friday, November 6, 2015. Full eligibility criteria can be found at www.VMFA.museum/fellowships.  

Tuesday, July 07, 2015

Artomatic baby!

Stop the press!  Artomatic is moving ahead in its efforts to arrange for a 90,000 square foot space in Prince Georges County in partnership with the Maryland National Capital Park and Planning Commission (MNCPP), who are our hosts.
 
MNCPP Tours - want to see the space? You're invited to check it out!
 
LOCATION:
8100 Corporate Drive
Hyattsville, MD 20785
 
The site is a 10 minute walk from the New Carrollton Metro station, and there is lots of parking at 8100 Corporate Drive.
 
Thursday July 9th - 6 - 7 pm
Saturday July 11th - 10 - 11 am
 
Got questions? 
Call George Koch at 202-607-0879 or email him at george.koch@artomatic.org

Opportunities for Howard County artists

The Howard County Arts Council is now accepting submissions for Art Howard County 2015.

If you are a visual artist, 18 years of age or older, who lives, works or studies in Howard County, MD, you are eligible to apply to this biennial, juried exhibit. 

The juror for Art Howard County 2015 will be Paula L. Phillips, Community Artist and Professor at Maryland Institute College of Art. Details for entry are included in the prospectus and entry form, available for download on the ‘Exhibits’ page of the Arts Council website, for pick-up at the Howard County Center for the Arts, or by mail by calling 410-313-2787 or emailing info@hocoarts.org. The deadline for submissions is 11:59p.m. on Monday, August 31, 2015.
 
Art Howard County 2015 will be on display in Gallery I at the Howard County Center for the Arts from October 30 through December 11, 2015. A free public reception on November 6 from 6-8 p.m. will include juror remarks as well as the presentation of a minimum of $500 in juror awards. 
 
Gallery hours are Monday through Friday 10AM - 8PM, Saturday 10AM - 4PM, and Sunday 12 - 4PM.  To learn more about HCAC programs and exhibits, call 410-313-ARTS (2787) or visit www.hocoarts.org.  

Monday, July 06, 2015

Studio gallery's 50th!

Congratulations to Studio Gallery, which is celebrating its 50th anniversary! In gallery years that's longer than the Roman Empire!


More details here.

Sunday, July 05, 2015

AAFNYC

We will be at the Fall Affordable Art Fair in NYC next September! 9th year in a row.

Showcasing work by Anne Cherubim, Ned Martin and Sang Joon Park!


"Bread and Butterfly"
Oil on Aluminum by Ned Martin
24x24 inches, circa 2014


Excitable Cells 
Acrylic on canvas by Anne Cherubim
20x20 inches, circa 2013


Untitled
Ceramics by Sang Joon Park
Dimensions variable, circa 2014

Saturday, July 04, 2015

Happy Fourth!


Friday, July 03, 2015

Blue Mountain Family Restaurant

We usually drive from DC to the Poconos via I-81, but as there was construction going on... this time we took I-78 and discovered this great family owned restaurant... From now on we will be taking this route just to eat at this joint; If I could give them 100 stars I would!

The Blue Mountain Family Restaurant in Shartlesville, PA.

Super friendly staff to start with... they employ an army of people, so there's always someone within eyesight! When we got there around fivish, the place was fairly empty; by the time we left around six, it was packed to the gills.

We had the buffet, which was spectacular. The salad bar was well stacked and included two kinds of cole slaw - both delicious and fresh cut up fruit and several kinds of rolls... Also hot bacon dressing, which must be some kind of Amish or German delicacy, but I passed on that.

At the buffet, everything looked home made... The oven baked fish plate was excellent, there was a ham carving station and a stack of the largest ribs that's I've seen in ages. 


There was also a sweet potato mash to die for... Just good old comfort food! 

Also a large variety of desserts, with two kinds of German chocolate cake!

Bottom line: If you're driving on I-78, stop for chow at the Blue Mountain in Shartlesville, PA!

Thursday, July 02, 2015

How to eat a mango

For TBT: Originally published in 2011:

Here's another peek at some of the writing that I've been doing about my early childhood in Guantanamo, Cuba. This particular chapter has a section which deals with the art of mango-eating which I think you may find of interest.

The chapter in question essentially describes my neighborhood and the below segment picks up on a house up the street from my grandparents' house which had a huge mango tree:
Next to Mongo’s house was another walled house where Enrique “El Manco” lived. His nickname was slang for someone missing a hand, although Enrique had both hands, but was missing several fingers from one of them. His front yard boasted a huge mango tree. It was easily the largest tree for blocks around, and during mango season, the huge branches, loaded with fruit, that hung above the street were an unending supply source of mangos for everyone with a good aim to knock some of them off with rocks and then pick them off the street.

But soon all the mangos from the branches that over hanged onto the streets were gone, and then we had to actually sneak into the walled garden and climb the tree and knock some mangos to the ground, climb down, grab them and scram back to the street before anyone in the house noticed the intrusion. This was nearly impossible, as it seemed that every member of Enrique’s family was always on the lookout for mango thieves, as the mango tree was a source of income, since they sold them by the bag-full from the side of their house.

The art of eating a mango deserves some attention.

There are several ways. The first one, and the most easy to perform by amateur mango eaters, is simply to take the mango, cut into it with a knife and slice off the meaty parts, peel the skin off and eat the hard slices.

Seldom did a mango knocked off Enrique’s tree make it to any house to be eaten this way.

Once you knocked off a mango, and provided that no one grabbed it before you got to it – as there was always a group of mango rock throwers, and anytime a mango came down, it was always a debate as to exactly whose rock had brought the fruit down. Cubans love to debate just about anything, and the mango debates provided very good training on this art. Anyway, once you had a mango, then you ran to either the shade of my grandparents' house’s portico or the bakery’s veranda to enjoy the fruit.

Here’s the proper way to eat a mango.

First roll it back and forth on the ground, a tiled floor is perfect, to mush up the inside of the mango. Then, using you fingertips, really liquefy the mango pulp by gently squeezing the mango over and over. Once that pulp is almost nothing but juice, with your teeth puncture a small hole at the tip of the mango.

You can now squeeze the mango and suck the juice through that hole. It’s sort of a nature-made box drink!

Once all the mango juice is all gone, now comes the messy part. No one, not even the British, has ever discovered a way to eat a mango without making a mess.

Once the juice is gone, then you bite the skin, strip it away from the seed, lick it clean and then begin to bite away all the strands of mango fiber still attached to the seed. By the time a good mango eater is done with a mango, the mango seed looks like a yellowish bar of used soap, slick and fiber-less.

Of course, your face and chest area are now completely covered in dried up, sticky mango juice, so then you'd usually head back home to clean up with the garden hose and drink water to quell the thirst that the mango sugar causes.

That’s how one eats a mango – at least in my childhood neighborhood.

Tuesday, June 30, 2015

The Cuban dictatorship

If you think that the Castro brothers and their band of criminals will ever let loose their strangle hold on the Cuban people's neck, then as Dostoevsky so elegantly puts it in The House of the Dead:
Tyranny...finally develops into a disease. The habit can...coarsen the very best man to the level of a beast. Blood and power intoxicate...the return to human dignity, to repentance, to regeneration, becomes almost impossible.

Monday, June 29, 2015

Warrant arrest for Shepard Fairey

And then there was this:
Detroit police have issued an arrest warrant for the artist who created the famous "Hope" poster in support of President Obama during the 2008 election, it was revealed Wednesday. 
The Detroit Free Press reported that Shepard Fairey faces two felony counts of malicious destruction of property.... In an interview with Esquire magazine published last month, Fairey said Obama had not lived up to the expectations he had when supported his campaign.
 All the details here.

Homage to a beautiful voice

The other day I was driving around the DMV listening to NPR when the voice of the new lady who does the credits for NPR came on. I reached for the knob and turned the volume up just to hear her voice.

It wasn't the first time that I had done that in the last few weeks, but this time my brain became aware of what I was doing: I was turning the volume up on the radio just to hear the voice of an unknown person... just to hear her voice... and she was essentially doing an ad!

What the heck? That's a little weird, right?

But then the sound waves of her hypnotizing voice flowed over the 88.5 WAMU airwaves, and it captured me once again. This time, aware of what I was doing, I awaited the tiny "ehh" sound that she makes as she skillfully breathes in between long sentences, as words, like tiny silk webs, flow out of her throat. That little "ehh" somehow was able to make me smile.

I don't know who the anonymous voice over for NPR's funding credits is, but I do know that she has the most beautiful voice on the planet. I would bet that she is somewhat tall (a voice like that needs an appropriate vehicle) and I just know that she has a long, elegant neck. Not as long as Parmigianino's Madonna dal Collo Lungo (Madonna with Long Neck), but she'd make a perfect model for a contemporary interpretation of that Mannerist masterpiece. It takes a breath-taking neck like that to deliver the melody that is her voice.

Whoever and wherever you are: thank you for giving me such a wonderful and unexpected pleasure on a daily basis.

Sunday, June 28, 2015

Opportunity for female Artists

Call For Entry: CREATING CONNECTIONS
A Commission & Print Replication Project

Application Deadline: Saturday, August 1, 2015

MAP, in partnership with CyberPoint International is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPRINT Project, MAP is working with CyberPoint to offer a unique opportunity to female visual artists of the greater Baltimore metropolitan area. Collectively, MAP and CyberPoint wish to commission and license the image of a new work of art. The image of that artwork will be reproduced in a limited edition and presented to the guests of CyberPoint’s Women in Cyber Security reception on November 19, 2015.

The selected artist will receive a $750 Cash Award, increased visibility of artist’s name and artwork through press announcements and be highlighted on MAP and Cyberpoint's websites. Print production sponsored by CyberPoint.
Download the full application and guidelines here.
 

Saturday, June 27, 2015

Friday, June 26, 2015

Gallery B call for artists

The Bethesda Arts & Entertainment District and Bethesda Urban Partnership are accepting applications for Gallery B 2016 exhibitions.

This gallery (the former Fraser Gallery), located at 7700 Wisconsin Avenue, Suite E in downtown Bethesda, is available to interested artists and arts organizations for one-month rentals. All media including, but not limited to, painting, photography and sculpture is eligible to use the space. Gallery B does not take a commission on any artwork sold during the exhibition.  
 
They are seeking applications from local artists and arts organizations for month-long exhibitions in 2016. Gallery B has approximately 1,500 sq. feet of available exhibition space. The deadline for submission is August 3, 2015.

To be considered for a solo or group exhibition, and to review the gallery requirements, please
complete this application.
 
Questions?  Please send them an email to artist@bethesda.org.

Thursday, June 25, 2015

And then it hit artwork

This is what happens when a battle over a piece of cloth with complicated interpretations and emotional responses, filters down towards artwork.

Make sure that you read the comments, so that you can see how angry our fellow citizens are.

Hubris Ate Nemesis .... Sigh...

Wednesday, June 24, 2015

Paintings of the Fraser Gallery... I mean Gallery B


The below gorgeous painting by Cathy Abramson  will be on display at the the Hill Center Galleries Regional Juried Exhibition.

It is one of the series by Abramson titled "Gallery After Hours" depicting the interesting reflections on the windows of Bethesda's iconic Fraser Gallery Gallery B.

The other two paintings are also part of the series.

Details about the exhibition itself are on the invite to the left. The opening reception is Thursday, June 25, 6-8 PM.
Galleries After Hours III
24 x 36 inches


Galleries After Hours III
24 x 48 inches

Galleries After Hours III
24 x 36 inches
 

Tuesday, June 23, 2015

Update on Alper Initiative

You can refresh on the terrific Alper Inititiave and the spectacular impact that it will have on DMV artists here. Then for an update:
The new home of the Alper Initiative will be:
  • 2,000 square foot space
  • 5 exhibitions of Washington art per year
  • 1 common gathering area for events and film screenings
  • DC's only museum space dedicated to the display, research, and encouragement of the region’s art 
The construction begins on August 1st, 2015, and the new space will open in January of 2016. 

In order to learn more about the project please check out their Facebook page, or this recent article.  They are also in the process of building their webpage.

Monday, June 22, 2015

The curious case of the media ignoring Rachel Dolezal's art lies

It has been said that the real power of the mainstream media is to "ignore." That is, to pick and choose what "they" want to publish and "make known"; the latter usually something that fits the particular agenda of the individual news organization.

The comments for some of DC Art News' posts on Rachel Dolezal abound with recommendations from DC Art News readers encouraging Dave Castillo and I to go to the mainstream press outlets with the various artistic deceptions and outright lies that Dolezal has purposefully committed throughout her artistic life.


Movie Still from the film Pariah
 "Alike's World" "Painting" from Dolezal's blog
And I have! I have contacted dozens and dozens of editors, writers, newsrooms about the expose that shines a light on her lies and fabrications when it comes to her art life.

So far, the response has been mostly zero.

Why would the media ignore the fact that Rachel Dolezal may have fabricated her art CV? Why would they ignore that she most likely lied (or vastly exaggerated) about her art sales while in the DMV?

While would they ignore the fact that she appears to be selling photo reproductions on canvas as original paintings?

Could it be because these discoveries fall "outside" of her race change storyline and expose the fact that her entire persona, including her production as an artist, is built on lies?

Many good people, who are not aware of Dolezal's artistic deceptions, have been otherwise very accepting of Dolezal's racial lie. After all, she was one with the "cause", blah, blah, blah, goes the "accepting" narrative.

Were they to discover that Dolezal not only created a mountain of lies in order to provide a base for her racial lie, and her life as a victim, etc. but also mimicked that performance for her persona as an artist, then they might repudiate her -- as a person -- rather than accept her, as a "sister."
Dolezal Name Meaning: Czech and Slovak (Doležal): nickname for a lazy man, from the past participle of doležit ‘to lie down.’

George Bernard Shaw schooled

"I am  enclosing two tickets to the first night of my new play;  bring a  friend, if you have one."     - George  Bernard Shaw to Winston Churchill

  "Cannot   possibly attend first night; will  attend second   ... If there  is one."  
  - Winston  Churchill, in response

Sunday, June 21, 2015

General Grievous

General Grievous  Graphite and Colored Pencils on Gessoed Masonite  Anderson Campello, c.2015  11x14 inches
General Grievous
Graphite and Colored Pencils on Gessoed Masonite
Anderson Campello, c.2015
11x14 inches

Saturday, June 20, 2015

Portrait of Lucifer

Satan wears many faces; this is one of them:


Censored painting now hangs in museum

While still in her 20s, Shapiro received a significant artistic nod with a solo show at the Whitney in 1973. It was the nascent days of feminism, and Shapiro’s work explored questions about what it meant to be female or male. But the topic of gender back then belonged in the realm of the avant garde, so much so that the museum censored two paintings out of Shapiro’s exhibit. That stunning experience sent Shapiro traveling an unexpected artistic path, a path that came full circle when SAM acquired her paintings.
Read about the interesting road that artist Ann Leda Shapiro's painting took to get into the permanent collection of the Seattle Art Museum. Details here.

These Mirrors are Not Boxes

Artists as Docents: Sunday, June 28, 2:00 p.m.
Join the artists featured in the VisArts exhibition, These Mirrors are Not Boxes,  for a tour through the gallery and a discussion of their artwork focused on the issue of identity.
Curated by VisArts’ first Emerging Curator, Kayleigh Bryant-Greenwell, These Mirrors are Not Boxes examines the complexities of contemporary identity through the work of six local female artists: Amy Hughes Braden, Milana Braslavsky, Anna U. Davis, Nora Howell, Annette Isham, and Lisa Noble.
The exhibition explores the surprising, alternative, even subversive means and ways identity is formed, presented, confronted, and challenged when marginalized personas are brought out of the fringes. The VisArts Emerging Curator Program offers a unique opportunity for an emerging curator to work with an experienced mentoring curator to develop and present an exhibition and to assist in the presentation of the mentor’s exhibition in the Kaplan Gallery at VisArts. This is the first year of this outstanding new program.
_____________________________________________________________________________
Exhibition Events & Programs:
Artists as Docents: Sunday, June 28, 2:00 p.m.
The artists featured in These Mirrors are Not Boxes will discuss their artwork and identity.
Events are free and open to the public.
 

Dolezal drawings hit payday

Two Rachel Dolezal small drawings done while she lived in the DC area just hit pay dirt in EBay.

Check out the selling prices here: http://www.ebay.com/sch/i.html?_armrs=1&_from=R40&_sacat=0&_nkw=rachel%20dolezal&LH_Complete=1&LH_Sold=1&rt=nc&_trksid=p2045573.m1684

Friday, June 19, 2015

(e)merge art fair news

From the (e)merge art fair folks:
The (e)merge art fair plans to expand into a larger venue in Washington, DC. Because we are currently focused on making the transition to a new event location, the next edition of the fair will take place in 2016. We eagerly anticipate announcing our new venue in the coming months.
 
Building on the success of (e)merge to date, we will enlarge our format to include a variety of booth options for gallerists while reinforcing the experimental spirit of the independent artist platform. We believe this is the best trajectory for effective growth as we plan the fifth edition of the fair.
 
DC leadership recognizes (e)merge’s role in the city’s cultural future: “With iconic arts institutions like the Smithsonian and the Kennedy Center, and exciting new initiatives like the (e)merge art fair…cultural tourism is one of the city’s growing sectors. As Mayor, Muriel Bowser will work with the arts and business communities to create the synergies needed to grow our creative economy to rival New York and Chicago.” - The Bowser Administration Transition Plan.
  
We would like to thank our gallery and artist exhibitors, host committee, vetting committees, cultural partners, sponsors, media partners, panelists, and attendees for supporting the first four editions of (e)merge. We look forward to keeping you updated as we fulfill our new vision and re(e)merge in our new venue!
 
Sincerely,
 
Jamie Smith + Leigh Conner