Have you ever noticed that anybody driving slower than you is an idiot, and anyone going faster than you is a maniac?
-- George Carlin
Since 2003... the 11th highest ranked art blog on the planet! And with over SEVEN million visitors, F. Lennox Campello's art news, information, gallery openings, commentary, criticism, happenings, opportunities, and everything associated with the global visual arts scene with a special focus on the Greater Washington, DC area.
Have you ever noticed that anybody driving slower than you is an idiot, and anyone going faster than you is a maniac?
-- George Carlin
These four prints of mine are on a GREAT sale price on Ebay - no idea who is selling them and how they got them! Two of them are from the 1980s, one from 1990s and the Obama one from 2007 from a series that I did on new Senators.
"Isla Roja Bajo Rejas en un Mar Verde Olivo" (Red Island Behind Bars in an Olive Green Sea), c. 1980, oil on canvas with wood dowels... poor Cuba... while the world world, and the Pope, and the United Nations... all look the other way.
"Isla Roja Bajo Rejas en un Mar Verde Olivo" (Red Island Behind Bars in an Olive Green Sea) c. 1980, oil on canvas with wood dowels by F. Lennox Campello |
This 1980 work is being offered at auction on behalf of the original buyer, who acquired it from me in 1980 at the Pike Place Market in Seattle while I was a student at the University of Washington School of Art.
"Isla Encarcelada - Isla Golpeada y Prisionera" (Jailed Island - Beaten and Captive Island) is an original hand-colored monoprint mixed media on paper from my "Cuba" series, which I started in the 1970s and which continues to this day.
"Isla Encarcelada - Isla Golpeada y Prisionera" (Jailed Island - Beaten and Captive Island) 1980 F. Lennox Campello |
From Margery Goldberg...
Nancy Frankel (1929-2021)
Mother, Grandmother, artist, sculptor, teacher, friend, mentor, and extraordinary person who never said a unkind word about anyone.
It was my pleasure meeting Nancy at the Katzen Center opening of her exhibition, Nancy at Ninety, a retrospective of seven decades of work as Nancy celebrated her ninetieth birthday in 2019. Later that year Zenith Gallery held an exhibition at 1111 Pennsylvania Ave NW called Organic, showing Nancy's sculpture with another Zenith Gallery artist, Anne Marchand. Nancy was a complete delight to work with and had so many of her friends and admirers come to her opening.In 2020 we sold her largest sculpture called “The Conversation” to the University of Durham in Durham England.
I am so thrilled by the outpouring of love and support from around the country for Nancy. She will be sincerely missed by everyone who knew her.
We are blessed that her art will live on for centuries if not millenniums.
Nancy said of her work, "I use organic geometry to give form to my love of nature and architecture. My work as been one long meditation, an effort to get past the surface aspects of reality to find deeper meaning.
Over the years I have worked with a variety of materials, according to the needs of my particular focus at the time. In turn, these different materials have their own demands, often causing me to think and work in new ways.
My sculptures come in many sizes for both interior and exterior environments.
Whether large or small, dynamic or serene, an explosion of forms, or a gentle curve answering another within a single piece, I hope my work communicates a sense of joy and wonder."
Earlier this month, the White House reportedly reached an agreement with Hunter Biden’s art dealer stipulating that all information related to the sale of the First Son’s artwork—including prices and the names of buyers—would be kept confidential.
It was said that the agreement would prevent bad actors from buying works of art as a way to curry favor with the president. But the move quickly proved to be controversial, with skeptics fearing that the lack of transparency could actually encourage lobbyists, foreign officials, and others to clandestinely exert influence. (The day after news of the agreement broke, a conspiracy theorist vandalized Biden’s gallery.)
Now, a Republican member of the House of Representatives is aiming to do away with the secrecy surrounding Hunter Biden’s burgeoning art career for good. Florida Congressman Mike Waltz introduced a new bill today that would require current and future presidents (and vice presidents) to disclose their adult children’s finances. Its not-so-subtle name is the Preventing Anonymous Income by Necessitating Transparency of Executive Relatives—or PAINTER—Act.
Read the article in artnet here.
I love to re-review shows and see if I agree or disagree with their choices. Art is a very subjective thing and artists must all have thick skins.
Dailén Ramírez Quintana from Santiago de Cuba was arrested during the historic Cuban uprising. She will not be forgotten! |
Daimelin Abreu Rodríguez from Matanzas was arrested during the historic Cuban uprising. She will not be forgotten! |
A nice lady from Washington state sent me these photos of a "Mujertrees" print that she bought out there at an auction - a lesson here for conservation framing! Lack thereof!
I most likely sold this work at the Pike Place Market in Seattle between 1977-1981 - since this is a 1979 print... most likely a "market" print.
Deysi Del Cueto from Havana was arrested during the historic Cuban uprising. She will not be forgotten! |
About 1,300 works of art were submitted for review for the ongoing Phillips Collection invitational show Inside Outside, Upside Down, and about seventy works were chosen by the jurors, Elsa Smithgall (Senior Curator, The Phillips Collection), Renée Stout (DC artist and guest curator of the exhibition), Phil Hutinet (publisher of the local news source East City Art), and Abigail McEwan (Associate Professor of Latin American Art at the University of Maryland). I am proud and honored to have been one of the chosen artists – thank you to the jurors.
The jurors awarded the First Prize to Dominick Rabrun’s work titled Dr. LaSalle, The Spider Queen, and Me, a 2021 digital mixed-media video installation. The Second Prize went to Kristina Penhoet’s installation fiber piece titled How Many More? and Honorable Mentions went to Desmond Beach’s fabric and paper work titled #SayTheirNames 2, to Marta Pérez García’s Your Hand, a molded cotton handmade paper and stitching work with yarn, and to Richard L. Williams’ touching photograph titled Claudette, Roman and Rashard – February 2021.
Constant readers know something about me and jurors -- I love to re-review shows and see if I agree or disagree with their choices. Art is a very subjective thing and artists must all have thick skins.
My choice for Best in Show – not just First Prize – would have been Werllayne Nunes’ gigantic oil on panel painting titled Us. The work vibrates with happiness and power and reaches deep into every child’s memories as well as delivering a powerful social message.
Werllayne Nunes, US, 2021, Oil on linen panel, 30 × 60 × 2 1/2 in |
Second Prize goes to Carol Antezana’s sensitive portrait photograph titled Las Gringas. She writes about this work:
“Las Gringas is a photographic self-portrait analyzing the balance between being both Bolivian and a first-generation American amid political turmoil and uprisings in both countries. Disagreements about politics have been a specter for many families and the differences are ones of morality, core values, and character, creating tension and division. I was always taunted by my family for being “una gringa” because I cannot speak Spanish perfectly, yet there was no importance in keeping our Indigenous language, Quechua, alive. As a child of immigrant parents, the act of balancing, adopting, and assimilating cultures can be daunting; there are deeply rooted racial double standards in both countries. Through redefining my identity, I am striving to decolonize my mind—my attempt at breaking the intergenerational trauma in my family.”
Carol Antezana - Las Gringas |
Honorable Mention goes to Cathy Abramson’s oil painting titled Waiting for Takeout (to go), another cool work which captured the Covidian Age perfectly!
Cathy Abramson - Waiting for Takeout (to go) |
I also like Aaron Maier-Carretero’s somewhat disturbing enormous painting titled not in front of the kids. The palpable, hidden violence is terrifying in the work.
Aaron Maier-Carretero - not in front of the kids |
Congrats to all the prizewinners! And to my prizewinners!