This is "Dalhousie Arch, Edzell, Angus, Scotland."
It's from around 1990 and one of the many ink drawings of the arch that I did while stationed at NSGA Edzell.
It has been part of the US Navy art collection since then.
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| "Dalhousie Arch, Edzell, Angus, Scotland" |
After the base closed, it hung at the old CNSG... it is now hanging at Fleet Cyber Command/US TENTH Fleet in Fort Meade.
Ubertalented Adam Griffiths recently opened a new Comics and Cartooning Arts arts compound / workshop / gallery in downtown Silver Spring called DWIGHTMESS.
Here's the info about the show:
D W I G H T MESS
Cartooning & Comic Arts Compound
Upcoming exhibition: Art Hondros: CHIMERA POLITICK - examines creativity through the symbolic language of #comics and #cartooning when the same artist makes both political and surreal narratives for publication.
When: NEXT FRIDAY the 13th at the gallery in Silver Spring, 6-8pm, light refreshments [Address listed on map, entrance on Ripley St.]. :: IG: @dwightmess
Eight years ago my father died on this day... here's my eulogy from that date:
"Hoy se ha caido otro roble en la selva del amargo exilio" is how I always thought that my father's eulogy would begin once he died."Today another oak falls in the jungle of bitter exile," began the eulogy for the man whose bloodlines my children and I carry on.Florencio Campello Alonso died today at age 90 in Miami, the heart of the bitter Cuban Diaspora. Like many Cubans of his generation, he was the son of European immigrants to Cuba. His Galician parents left the scraggy mountains of northern Spain's ancient Celtic kingdom and in the first decade of the 1900s migrated to the new nation of Cuba upon its liberation from Spain.Galicians have always been uneasy subjects of the Spanish crown, stubbornly hanging on to their ancient Celtic traditions, to their own language and to their bagpipes, so it is no historical surprise that they left their mountain homelands en-masse and headed to the new tropical paradise of Cuba, free from the heavy hand of the Spanish monarchy.
And thus it was never a surprise to me that my father was both a fighter against heavy-handed rulers, a lover of freedom, and one who was never afraid to re-start a life for the better, even if it involved discarding the old.
My father could have been one of the privileged few who currently rule atop the food chain of Cuba's Workers' Paradise. But instead of accepting the benefits of oppression, this most valiant of men chose the harsh path of right over wrong.
And he paid for it dearly (he spent years in Concentration Camps), but when he died, his soul was clean.In his youth, my dad worked the brutal hours of the son of an immigrant who was slowly building a small financial empire in eastern Cuba. My father was pulled from school as soon as he learned to read and write, and like his two other brothers and eight sisters, he was expected to work and contribute to building a familial empire.
And he did, as my mother relates the stories of my father's childhood in the fields of eastern Cuba, a blond creole in a land of jingoist natives... he trying to out-Cuban the "real Cubans"... how he organized a labor union of the exploited Haitians who worked almost as slaves at the Los Canos Sugar Mill, how he joined a group of bearded rebels in the mountains of the Sierra Maestra in the fight against a tyrant, how he ran for the leadership of the Sugar Workers' Union and beat the Communists to the post, and how he spent years in a Castro Concentration Camp, jailed for the crime of refusing to join the Party, because he believed in Democracy and not Communism.
And because of that stubbornness, in the 1960s he was offered the bitter pill of exile, and this brave man decided to choose family... and left his birth place, and thus became another immigrant within two familial generations and brought his wife and child to another new land.
And it is to him that I owe the greatest gift that a father can give a son: the opportunity to grow in freedom in the greatest nation in the history of this planet.
It is because of my father's courage that I was raised in this country and not in a land bloodied by brutality and oppression.
It is because of my father's teachings that I was raised with the conviction that freedom is not free and never to be taken for granted; after all, he fought for freedom and then Castro, the man who inspired the fight, ended up being a worse dictator, eventually destroying all notions of freedom for all of his people.
It is because of my father that I was taught that every citizen owes his nation some form of service, and that's the main reason that I signed (at age 17) to serve in the US Navy.
It is because of my father that I despise anyone who hides behind the mask of victimism to excuse failures and shortcomings.
When our family arrived in New York in the 1960s, my father began to work in a factory three days after he landed at the airport; my mother (who came from a privileged Cuban family and had never worked a day in her life) found a job as a seamstress five days later. That pattern was repeated for decades as they worked their way in a new nation.
"We thought we'd be back within a few years," was the answer given to me when I once asked the question about leaving their birthplace. When that didn't materialize, they became fierce Americans in the "United States of Americans" sense... these were the "America None Better!" set of immigrants, and in my Dad's case, you better be ready to fight if you dissed the USA.
"Americans"!
Always a fighter he was... and always for the right reasons.
Cubans are archaic immigrants... we love this great nation because we recognize its singular and unique greatness; perhaps it is because our forebears had the same chance at greatness and blew it.
And my Dad loved this nation even more than he once loved Cuba... perhaps it is the genetic disposition of the serial immigrant. After all, his father had left his own ancient Celtic lands and kin for a new land... which he learned to love dearly.
My father always wanted to make sure that I knew that I was an "Americano" and not another forced-on label.
"Labels," he'd say, "are just a way to separate people."
By labels he meant "Hispanic" or "Latino" or anything with a "-" between two ethnic words.
I also remember as a kid in New York, when he bought a huge Hi-Fi record player-color-TV console... that thing was enormous. He bought it "lay-away" and he'd pay $10 a week to the store and him and I would walk all the way from our house on Sackman Street to the store on Pitkin Avenue to make the payments every Saturday - he never missed a single payment, and that taught me a lesson.It was soon playing my Dad's favorite music, which oddly enough was Mexican music (Cuban music was a close second)... and he knew all the words to every charro song.Guadalajara en un llano, Mejico en una laguna...
Guadalajara en un llano, Mejico en una laguna...Me he de comer esa tuna
Me he de comer esa tuna.... aunque me espine la mano.That Jorge Negrete song... being shouted often on weekends at the top of his lungs from our apartment in a mostly Italian neighborhood in East New York in Brooklyn must have raised some eyebrows.
My dad and I watched Neil Armstrong land on the moon on that TV set... we also watched loads of Mets games... and in 1969 and 1972 went to Shea Stadium to see the Mets win in '69 and lose in '72. He really loved baseball and he really loved those Mets!
When I joined the Navy at age 17, my first duty station was USS SARATOGA, which at the time was stationed in Mayport in Florida, so my Dad decided to migrate south to Florida and moved to Miami... just to be close to me.
He and my mother spent the next 40 years in the same apartment while I was stationed all over the world.
When I visited him today in Miami, he looked good and freshly shaven... this is a good thing, as my father was a freak about hygiene... and that's a common "creole" trait.
The Hospice nurse almost teared up when I told her that my parents have been married for 60 years.
I looked at this old "gallego"... his skin as white as paper, his eyes as blue as the sky, and his head (once full of blond hair) as bald and shiny as the old Cuban sing song ("Mira la Luna, mira al Sol... mira la calva de ese.....") and I saw the generations of Neanderthals, Denisovans and Gallego Homo Sapiens that led to my bloodlines... the generations of fighters, of strugglers, and of tough guys who didn't take no for an answer and who made a better place for others.
And I felt at peace and grateful.
And as my father died tonight, after an extubation, all that I can think to say to him is "Thank you for your courage... from me, and from my children... and soon from their children. You opened a whole new world for them."
I love you Dad... Un Abrazo Fuerte! Thank you for your gifts to me and my children and it is no coincidence that you died on El Dia de Los Reyes.
Winter exhibitions at American University Museum at the Katzen Arts Center will open Feb. 4, 2023. Exhibits include Madayin, the first major exhibition of Aboriginal Australian bark painting to tour the U.S., photojournalism from World War II, and The Trawick Prize for Contemporary Art.
The opening reception, free and open to all, takes place from 6 p.m. to 9 p.m. on Feb. 4. Please refer to the museum’s website for the most up-to-date information on museum events and visiting the museum.
The Trawick Prize: 20th Anniversary Emerald Award celebrates the impact of The Trawick Prize for Contemporary Arts, a visual arts prize that honors artists from Maryland, Washington, D.C., and Virginia in an annual juried competition.
Now in its 20th year, the prize was established by Bethesda, Md.-based community activist and philanthropist Carol Trawick in 2002. To date, The Trawick Prize has awarded over $300,00 to local contemporary artists and has exhibited the work of more than 200 artists who reached the level of finalists in each year’s competition.
This exhibition presents the work of artists who were awarded the “Best in Show” in the competition over the last 20 years, and features contemporary paintings, sculptures, film, mixed media, and many others.
This year, the juried competition will result in selecting “the best of the best” over the past 20 years, awarding the artist with The Trawick Prize Emerald Award. On view through March 19.
The exhibition features artists working in a variety of media including sculpture, painting, mixed media, film, and more. Works from artists such as Neil Feather, Jiha Moon, Jo Smail, and many others will be displayed in the galleries. Themes span a range of concepts important to each artist from race, oppression, and genealogy to culture, humanity, and emotion to name a few.
In the words of Carol Trawick “there is no need to travel to see great art, there are numerous talented artists right in our backyard!”
Featured artists:
Lauren Adams
WonJung Choi
Richard Cleaver
Larry Cook
Oletha Devane
Neil Feather
Mia Feuer
Caroline Hatfield
Lillian Hoover
Gary Kachadourian
Cecilia Kim
Maggie Michael
Jonathan Monaghan
Jiha Moon
David Page
James Rieck
Jo Smail
Lomax & Wickerham
WPG has exciting news! Their gallery is moving to a larger space at 1675 Wisconsin Ave NW, Washington DC, a short walk from their old space!
The opening date for the new space is Friday, January 6, 2023.
With over thirty years in the greater DC metro area as a primary source for contemporary fine art prints and photographs, WPG also contributes to the Washington DC community via teaching, internships, lectures, and the promotion of public art shows. We plan to expand in many ways: not only will our large gallery will let us show more artwork, but we will also initiate a new membership drive – we wish to accept eight to ten new full members. For information on applying, click here.
WPG will also be offering more classes and workshops in a dedicated space for learning: printmaking and photography techniques, three dimensional works on paper, art-related lectures and more. Check our calendar for listings.
The new gallery includes an open air patio in addition to two gallery spaces, and we invite local businesses to hold events amongst our lively artworks. We look forward to seeing you in our new space.
Northern National Art Competition
The 36th Northern National Art Competition is a juried art exhibition in Rhinelander, Wisconsin, co-sponsored by Nicolet College and the Northern Arts Council. The Northern National Art Competition (NNAC) began in 1987 with a mere 37 entries. Today, the show attracts the work of artists from all across the United States with hundreds of entries as diverse as the artists themselves, and showcases a wide array of contemporary art in a variety of two-dimensional mediums.
MORE THAN $8,500 AWARDED WITH THREE $1,000 AWARDS OF EXCELLENCE
CALENDAR 2023
- Monday, January : Registration opens via CaFÉ
- (Call for Entry) online registration system
- Friday, March 24: Registration deadline
- Friday, April 21: Acceptance notification
- Friday, May 12: Hand delivery by appointment
- Monday, May 15: All shipped work due
- Thursday, June 15: Opening Reception
- Thursday, July 28: Show Closes
- Friday, July 29: Pick up hand delivered work by appointment
Northern National Art Competition
The 36th Northern National Art Competition is a juried art exhibition in Rhinelander, Wisconsin, co-sponsored by Nicolet College and the Northern Arts Council. The Northern National Art Competition (NNAC) began in 1987 with a mere 37 entries. Today, the show attracts the work of artists from all across the United States with hundreds of entries as diverse as the artists themselves, and showcases a wide array of contemporary art in a variety of two-dimensional mediums.
MORE THAN $8,500 AWARDED WITH THREE $1,000 AWARDS OF EXCELLENCE
CALENDAR 2023
- Monday, January : Registration opens via CaFÉ
- (Call for Entry) online registration system
- Friday, March 24: Registration deadline
- Friday, April 21: Acceptance notification
- Friday, May 12: Hand delivery by appointment
- Monday, May 15: All shipped work due
- Thursday, June 15: Opening Reception
- Thursday, July 28: Show Closes
- Friday, July 29: Pick up hand delivered work by appointment
I'm always baffled by artists who destroy their own work because of "fill-in-the-blank" reason.
Deadline: January 10, 2023
This exhibition will feature 6" x 6" artwork displayed in a grid, and auctioned off of sale to raise funds for the Grants Pass Museum of Art. Display your work in the museum and support the arts in Southern Oregon during this fundraising exhibit. The Grants Pass Museum of Art is raising funds that provide free admission for museum visitors, affordable art classes, and amazing programs for kids. This will also be an online auction.
Original artwork(s) get mailed to:
Grants Pass Museum of Art
1630 Williams Hwy, PMB 501
Grants Pass, OR 97527
The artwork will be exhibited in the museum and online from January 20 - February 16, 2023. All accepted work will be exhibited. All work needs to be suitable for audience of all ages, and not infringe on copyright laws. Other than that it is up to you!
No application in advance required. Please fill out the entry form for each entry, and mail it with your work.
Anyone is eligible to submit artwork. Please be aware that unsold work may not be returned. 100% of the proceeds go to fund the Grants Pass Museum of Art in Southern Oregon.
Artists & Makers Studios on Parklawn Drive in Rockville starts the new year with Artist Pat Goslee and the exhibit “Patch” along with two additional exhibits and an Open Studio event. The January 6th First Friday evening opening will run from 5pm – 9pm. Enjoy “Open Window” with Resident Artists, and Gallery 209 Artists exhibiting their latest work. Pat Goslee’s arrangements in “Patch” bring hope and joy as patchy remarks on uneven inequalities of time. These are beauty-impregnated substrates operating as patches of visual code suggesting amelioration. A dream of water so clean it can’t be seen. Flora that references the healing powers found in the Peyer’s Patch. And the pleas of fauna for continued mending of ecosystems before more life is lost. In “Open Window” Resident Artists explore landscape from many varied perspectives and practices. The Members’ exhibit is always a visual treat in the long Gallery Hall.
“Patch” with Invited Artist Pat Goslee
“Open Window” with Resident Artists
The Artists of Gallery 209
Opening Reception
5:00 PM – 9:00 PM, Friday, January 6th, 2023
Meet the Artist - January 14th, 2-4pm
Artists & Makers Studios
11810 Parklawn Drive, Suite 210
Rockville, MD 20852
Exhibits for Pat Goslee, the Resident Artists, and Gallery 209 will run from January 4th through January 25th. Viewing hours are 10:00 AM – 4:00 PM, Monday-Saturday, and Sundays by chance or appointment.
Arts Capital Program Coordinator, Public Art Project Manager
Deadline to apply: January 13, 2023 at 4 p.m.
This position is primarily responsible for building the arts capital grant program outlined in Maryland SB323 (2021) and managing public art and projects for MSAC. Incumbent reports to the Executive Director of MSAC and works closely with the Public Art Program Director and with other staff in the management and administration of public art commissions through the Maryland Public Art Commission (MPAC). The focus will be on building an arts capital grant program that distributes $3 million annually to arts organizations and county arts agencies beginning in fiscal year 2024.
The duties for this position include: providing technical assistance, professional development and program evaluation, building the grant program to include researching existing programs in other state agencies and arts councils; facilitating constituent listening sessions; developing program rationale; establishing grant eligibility and criteria; building an application process, form, and rubric; developing applicant and grantee communication templates; establishing grantee reporting requirements; and developing program outcomes and a program evaluation framework. The position manages Commission projects of the Public Art Across Maryland program, assists in the artist selection process for artwork in new or renovated state buildings and public spaces throughout Maryland and works closely with state user agency partners and contracted artists.
For more information and to apply, click here.
Day Eight is one of the really good art drivers in the the tapestry that makes up the DMV's art scene - Day Eight's accomplishments in 2022 include:
• They published six books of poetry:
• They hired six early-career arts writers who authored more than thirty articles through their arts journalism fellowship. They also hosted a conference on The Crisis in Book Review that featured Joyce Carol Oates, Brian Broome, and other literary luminaries, and they produced a week-long summer institute offering intensive training for professional arts writers, including faculty members Geoff Edgers (Washington Post), Emma Sarappo (the Atlantic), and more.
• They produced a group of opportunities for young writers, including an after school series for LGBT youth and allies, five weeks of summer writing camp, and a monthly writing club for girls.
If you support their work, thank you for considering an end of year donation to Day Eight. All contributions are tax deductible. Whether you donate $5 or $500, every little bit helps. Thank you for your support!
To donate on their Facebook fundraiser, click here.
To make a donation on their website, click here.
Sarah Cascone and others from ArtNet News pops in with their top bottom... cough... cough... artworks from around the world...
Who says criticism is dead? Sometimes, despite an artist’s best intentions, an artwork misses the mark—at least according to some opinions. Art is delightfully subjective, and we are sure that many people hold dear some of the art our editorial staff found, well, less than perfect.
It is with deep sadness that I share my father-in-law's passing on Christmas Eve, William H. Anderson (June 29, 1933 - December 24, 2022) - fair winds and following seas shipmate! RIP - we have the watch!
The Howard County Arts Council (HCAC) in Maryland manages two galleries at the Howard County Center for the Arts with over 21,000 square feet of exhibit space.
HCAC presents 11-12 exhibits per year of national, regional, and local artists, including two-person, small and large group, juried, curated, and community shows.Visit HCAC's application portal to apply.
As many of you know, when I was in the Navy I did loads of illustrations and cartoons for many newspapers (such as The Stars & Stripes and lots of base newspapers, etc.), and hundreds of sketches of my shipmates and other US Navy sailors in ports in the US and European ports.
Most of these drawings, cartoons, and paintings were given away to my shipmates over the years, but I also kept many of them, and I see them often being sold at auctions online and by galleries... this image was sent to me by someone who bought it at an auction in San Diego and it is part of this vintage group of Navy artwork! It is called "A Sailor and his date".
A Sailor and his date - 1980 drawing by Campello
Northern National Art Competition
The 36th Northern National Art Competition is a juried art exhibition in Rhinelander, Wisconsin, co-sponsored by Nicolet College and the Northern Arts Council. The Northern National Art Competition (NNAC) began in 1987 with a mere 37 entries. Today, the show attracts the work of artists from all across the United States with hundreds of entries as diverse as the artists themselves, and showcases a wide array of contemporary art in a variety of two-dimensional mediums.
MORE THAN $8,500 AWARDED WITH THREE $1,000 AWARDS OF EXCELLENCE
CALENDAR 2023
- Monday, January : Registration opens via CaFÉ
- (Call for Entry) online registration system
- Friday, March 24: Registration deadline
- Friday, April 21: Acceptance notification
- Friday, May 12: Hand delivery by appointment
- Monday, May 15: All shipped work due
- Thursday, June 15: Opening Reception
- Thursday, July 28: Show Closes
- Friday, July 29: Pick up hand delivered work by appointment
This article by Chris Cobb is a must read for everyone who has bought an original Frida Kahlo on Ebay for a few hundred bucks!
If you are in the business of selling fake art online, this is truly a golden age.
It’s especially true if you are selling images attributed to famous artists such as Andy Warhol, Keith Haring, or Jean-Michel Basquiat...
Application deadline: December 30Glen Echo Park Partnership Galleries invites artists to submit art that investigates the impact our environment has on identity and experiences. Themes can include place, identity, origins, routine, displacement, immigration, natural and manmade environments.Click here for more information and to apply.
