In case you missed it, the Post's Sunday Arts had a wonderful orgy of coverage about the restoration of Verrocchio's David.

Articles by Blake Gopnik, whose doctoral thesis was on ideas of realism in Renaissance Italy, and who as usual manages to shoot a few arrows into the genre of realism (he once described realism as a "vampire that refuses to die" at a Corcoran lecture on realism), plus articles by Nicolas Penny, who is a is curator of sculpture at the National Gallery of Art; an article by Mary D. Garrard, professor emerita at American University; and a somewhat suspicious piece (that I think Camille Paglia would have fun with) by James M. Saslow, a professor of art history and theater at Queens College and the Graduate Center, City University of New York, and the author of "Pictures and Passion: A History of Homosexuality in the Visual Arts."