Congratulations

To our own Tim Tate, whose "Positive Reliquaries" series of three glass sculptures has been acquired by The Mint Museum of Art in Charlotte, North Carolina.

"Positive Reliquaries" consists of a set of three hand blown domes with spun glass nests and dotted eggs inside. The eggs in the nests are dotted to mimic the dots on dice, and signify the gamble of Tate's daily challenge with being HIV positive; the nests themselves are a recurring theme in his work representing rebirth and hope. The crown of each dome is topped with a red cast glass "positive" (+) symbol.

Etched onto the surface of each reliquary is the story in three parts of Tate's discovery of his HIV status 20 years ago and how he emerged from that reborn into a new identity. These words create a cage which surrounds the entire piece... forever freezing them in that history. It was the first and only time that the artist has ever recorded the events leading to his discovery of being HIV positive in 1984. It ends with the line "This is the only record."

This is one of Tate's most personal and painful pieces. It speaks not of sorrow, but rejoices in rebirth. Most of Tate's works deals with healing in this manner: employing difficult moments in his life and using them to springboard into the future.

"Positive Reliquaries" is one of his finest examples of his content driven glass as Tate continues to drag glass away from the vessel and into the narrative context. Tate's current solo show at our Fraser Gallery Bethesda ends this coming Wednesday.