If there was ever a perfect alignment of critic and show to review, I think that it is my good friend's Jeffry Cudlin's interest in theory and his superb CP review of Dada at the NGA.
The key to his review and to the show itself:
"More important, the number of seemingly Duchampian objects produced by the artist’s contemporaries begins to dull any sense of Duchamp as a solitary genius who single-handedly changed the course of modern art."Nail has been hit dead-on the head, sir...
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