Wednesday, November 22, 2006

Lucien Freud Rules in YBAland

German-born British representational painter Lucien Freud has been voted as Britain's favorite artist "in a survey of the UK artistic community."

According to the BBC story:
"He beat the likes of Rembrandt and Van Gogh - who also made the top ten - to become the artists' favourite artist.

Other modern day giants such as Howard Hodgkin and David Hockney also featured in the poll, carried out by The Great Art Fair.

But so-called Young British Artists such as Tracey Emin, Chris Ofili and Damien Hirst were overlooked.

Hirst, who won the Turner Prize in 1995, garnered only one vote from the 500 artists polled, while Emin and Ofili failed to get a single nod, although 70% of the top ten artists are still alive."
How else does one say to those YBA's: "You are so yesterday!"

The Top 10 Artists, according to the survey were:

1. Lucien Freud
2. Howard Hodgkin
3. David Hockney
4. JMW Turner
5. Antoni Tapies
6. Rembrandt
7. Jack Vettriano
8. Barbara Rae
9. Frank Auerbach
10. Van Gogh

The real bad boy of British art, the plebian ex-miner and self-taught Scottish painter Jack Vettriano (apparently the world's best selling artist), who is both despised and ignored by the British art establishment while he laughs all the way to the bank and gets great publicity for his work as a result of their dislike of him and his work, made the list once again, this time as the 7th place artist.

Vettriano might as well not exist in the eyes of British museums and the hot curators of the upper crust of the British arts cabal, and yet this somewhat harsh man seems to have touched not only the nerve of the British art establishment, but also the pocketbooks of both art collectors and poster-buyers all over the world, including the US.
Jack Vettriano
I think of Vettriano as the planet's counterbalance to Thomas Kinkaid. They are both hugely popular with the public, but while Kinkaid delivers saccharine scenery ad nauseum, Vettriano delivers an immense range of work that has proven to be both popular and often edgy, as his darkly sexual work testifies.

If an American museum curator had the balls to give the world's best selling artist his first museum show, it would not only be immensely popular, but also create an amazing storm of publicity, arguing and debate as American elitists join forces with their Brit counterparts, while the public votes with their attendance records. It would also plant the opinion that museum are public spaces, not the playground of the rich and snobby.

I can almost smell the gunpowder of debate between those who say that he's nothing but a glorified illustrator, and those who say that he's a sexist pig, and those who say that he's a "fill in the lines" painter, and those who say he's just an ex-miner who has never been educated, and those who pay millions for his paintings at auction, and the Hollywood illuminati, who curiously enough, are some of his biggest defenders and collectors.

But I daydream, as I know not of a single museum director, or curator, who even looks in the direction of where the Vettrianos of this world exist.

The Great Art Fair, the UK's largest art show, will be held at London's Alexandra Palace from 30 November to 3 December, 2006.

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