Fierce Sonia at the Art League Gallery

The current “Paper Dolls” exhibition by photographer/model Fierce Sonia set all kinds of “new” for The Art League Gallery in Old Town Alexandria. For one thing, I am told that the opening reception and meet the artist function was one of the largest, if not the largest opening in the gallery’s long history.

And it wasn’t just the exceptional photography which caused all the “buzz” in the Greater DC arts community, but also the photographer herself (who is the subject of her own work), who contributed to the immense interest in this solo debut by one the area’s best known, drawn, photographed and painted art bodies. You see, Fierce Sonia is usually seen posing, rather than creating.

But a creator she is. Several years ago I came across her seminal photographic work, and even curated her into my WPA/Corcoran show "Seven", where her early photographs sold well. This new work, the first that I've seen since then, is a spectacular departure and growth from those early images of her nude body.


Ritual Repeat by Fierce Sonia
Her press release said it all:

“During her tenure as a figure model for The Art League School, Fierce Sonia quietly acquired a top-notch visual arts education. Motivated by the artwork she saw, she became eager to create her own work. She cabled her camera to her TV and released the shutter with an infrared remote. Sonia used herself as her own model, learning more about composition and technique based on what she saw on the screen.

Her figurative photography has evolved to a new and exciting place. The focus is on process. In Sonia’s latest series “Paper Dolls,” the same images reoccur with confident changes to the surface. Her work is no longer straight photography. With the integration of painting and collage into her images, Sonia’s work has reached a new level.

The black and white images of herself are often printed on paper that has been painted white, which creates a rich texture. Each piece is created in a unique way. Previous prints may be collaged to create depth. Multiple runs of the same print may be made on the same piece. More painting, layering might be necessary to create the desired effect. These alterations to the surface blur the identity of the original image, and make the series of work about the medium and the process, and not about the subject matter.

Sonia’s work has been exhibited and won accolades nationally. She is a professional art model and muse for artists and photographers and has worked with nationally and internationally known artists.”

And for years, this muse for artists has been absorbing, truly by osmosis, an art education that is truly remarkable.

For "Paper Dolls", Sonia used her camera like a weapon; trained it onto her own body, put a focused mind to work on the photographs, and created a memorable set of images that make her solo debut one of the best, if not the best, photography shows that I’ve ever seen at the Art League.

And Sonia doesn’t simply follow in the footsteps of those who have focused the camera to themselves; most notably Cindy Sherman and Nan Goldin. She does that and then twists the weapon a little deeper into our visual cortex: she manipulates the image, she manipulates the paper, she manipulates our most primeval erotic thoughts with images of her body and imagery of bones, and repetitive imagery of thoughts buried deep inside our moist hereditary memories.


Material Things 13x 29 inches.
This is an old soul being displayed on these 21st century images. We knew her in the caves of Altamira and Lascaux, and her image graced the walls of Egypt, Greece and Rome, and perhaps a standing stone or two in the ancient lands of the Picts.

But this new 21st century imagery has been now manipulated, twisted, tortured, reworked and updated by Sonia.

She brings it to a delicious 21st century dialogue where her image is no longer about herself. It is now about ideas, about texture, about layers, and about the sensually cognitive act of repetition. It is also most importantly about the harsh de-objectification of her own figure, or perhaps the attempt to do so, while leaving tantalizing remnants of her presence.

This is an artist who uses her body to make a living as a professional model. And in "Paper Dolls" she makes a bold statement about her own physical attributes that demystify that ancient quality that she possesses and re-invents her figure as part of the whole of her art, rather than the sole commodified subject of the art.

In refreshing this ancient imagery through a fresh set of eyes, Fierce Sonia accomplishment covers many roads and ideas, and seldom have they been traveled so successfully in a photographer’s solo debut.

The show is "Paper Dolls" and it is on through May 3rd at the Art League, inside the Torpedo Factory in Old Town Alexandria. Don't miss it.