Happy 2011 to all of you... and don't think that I've forgotten to gloat over the Washington Huskies super upset over Nebraska in the Holiday Bowl.
The publisher declined my suggestion of one art image on the cover and instead is opting for a collage of thumbnails of artists' portraits of their choosing.I had suggested to them that one strong art image on the cover would be best. They opted for the thumbnail collage because that has been the standard for other art books in this "100" series.
When the Multiple Exposures Gallery says it’s putting on a Small Works Show, they aren’t kidding. In an era when digital technology has pushed prints ever larger, none of the 39 photographic works in the show – curated by D.C art fixture F. Lennox Campello – is bigger than a breadbox, and some, like Karen Keating’s 1930s-snapshot-looking image of cabanas in Florida, are quite petite.The CP's Louis Jacobson reviews the show I curated at Alexandria's MEG.
The financially precarious Corcoran Gallery of Art in Washington, D.C., has retained an outside consultant group to determine how the institution can continue to survive, and whether its operation should remain linked to that of the Corcoran College of Art + Design. The gallery and college also plan to lease their adjacent parking lot to a local developer, who will erect an eight-story office building on the site, which was once slated for a Frank Gehry-designed expansion to the Corcoran. In a recent telephone interview, the Corcoran's director and CEO, Fred Bollerer, said that the deal will reap around $1 million per year in rent, but will not provide more space for the institution.Read the whole piece by Jason Edward Kaufman in artinfo.com here.
While Bollerer declined to identify the developer until a deal is signed, he said that the Corcoran has hired Toronto-based consultants Lord Cultural Resources to develop ideas for the institution's future. The college has been growing, but the museum operation is "unsustainable," he says, adding that while there is no plan to divest the collection it is not clear what form the museum will take in the future.
Then take the chicken out of the mojo bag and add and brown the chicken in the sofrito. 
No problem! Especially now that we have this little monster in the garage.
"Belén, Belén, Belén en dónde estabas metía,And Belén answers her mother:
que en todo Jesús María yo te busqué y no te encontré".
"Yo estaba en casa e MarianaThen, after that singers tend to improvise the lines...
Que ayer me mandó a buscar."
He’s an artist on his way to his second war, and he wants to make one thing perfectly clear: He is not a Marine who paints, but a painter who fights.Read this fascinating Michael Gordon article in The New York Times here.
A series of Lt. Col. David Richardson’s bold canvases, with their bright colors and geometric themes inspired by Homer’s “Iliad,” is on view in “Trojan War Years” at the Ralls Collection, a gallery in the Georgetown neighborhood here. The show, through Jan. 29, demonstrates his abstract style, emphasis on color and design, and the considerable influence of his tours of duty in Asia.
But for the last several months Colonel Richardson, 45, has been studying Pashto in preparation for his February deployment to Helmand Province in southern Afghanistan, where he will work with Afghan security forces.
"My move is now official: Come Jan. 15, I will be writing about art and visual and aesthetic culture for Tina Brown's 'new' Newsweek, and coordinating art coverage for her 'old' Daily Beast. I'm tremendously excited by the opportunities that presents...."We all wish the Gopnikmeister the best in his new NYC gig.
Walking into the art gallery at BlackRock Center for the Arts in Germantown feels almost like a breath of fresh air. The current exhibit features the large canvases of Carol Brown Goldberg, Sondra Arkin and Greg Minah.Read the review online here.
“I’m a natural blonde. But when I started acting, I would go to auditions and they didn’t know where to put me because I was voluptuous and had the accent - but I had blonde hair. It was ignorance: They thought every Latin person looks like Salma Hayek. The moment I dyed my hair dark, it was, ‘Oh, she’s the hot Latin girl.’ I loved it. I’d always felt a little ‘too much’ as a blonde, like a big-mouth version of Pamela Anderson. Being brunette toned me down a bit.”I'm just curious if now she also has to tan her skin a few shades in order to fit the way Hollywood wants her character to look like.
Blake Gopnik has also informed us of his intention to try something new elsewhere. Blake has given ten years of his insight and his intellect to the readers of the Washington Post, and is now taking on a new opportunity in New York, the place he has long understood and explained but will now fully inhabit. We are sorry to lose his voice on the matters of aesthetics and politics that he has interpreted in Washington's fine arts centers, though he leaves us with one of his greatest journalistic moments, leading a team in Style who have reported on and challenged the Smithsonian's decision to remove a provocative work of art from a provocative exhibit. His columns decrying the removal of "A Fire in My Belly," the video piece by David Wojnarowicz, have earned national attention, and stand with the many adventurous uses of his platform, whether profiling Washington's homegrown enigmatic sculptor Jim Sanborn, championing the electric blue splash of Yves Klein, or challenging Facebook to give its 500 million users more of a visual eyeful. He has set the bar high for his successor and leaves Washington a different cultural place than when he arrived.O yeah... Robin Givhan is also leaving.
The Style section wishes the best to both of these exceptional colleagues as they leave the fourth floor. We will begin looking for new voices to join the collective of cultural critics who make Style a forum for breakthrough reporting and who will challenge the way we think, in the tradition that Robin, Blake and the entire team exemplify.Next I will tell you what happened the last time that this happened (when Blake was hired).
We can't wait to see your best images featuring local arts, music, food, sports and the unique culture of Washington, D.C. See the full rules here, then enter three photos for just a $5 application fee. Deadline is January 12, 2011.This event is one of the best things that has developed (pun intended) to the DMV art scene over the last few years, so I hope that you join me in ordering one of these books and also in checking out the show!
We also want to celebrate five awesome years of Exposed photography by creating a special edition magazine featuring the winners from the last four years, along with our soon-to-be announced 2011 winners. Read all about the project on DCist.
We need some help to get this project off the ground, so head over to Kickstarter -- we're offering tons of rewards for your support. You can essentially 'pre-order' your copy for $25, or for a few additional bucks, get an awesome 8x10 print of an Exposed winning photo, credit in the magazine, and more! We know a few people who've donated and are giving their copy and print as a holiday gift to family or friends -- we approve!
I have been invited to participate in the WPA SELECT 2011 WPA Art Auction Gala will take place on Saturday, March 12, 2011 at 6:30 PM at 700 Sixth Street, an Akridge property. Akridge is providing a unique, approximately 20,000 sq. ft. space to showcase all the wonderful artwork that has been selected, while also allowing for 500 dinner guests.
Next door at Scope, Civilian had sold out all six Trevor Young's brilliant paintings, so Scope has been good to all of them. I also saw some multiple red dots over at Hamiltonian's booth.
About 1% of all that will lead to actual sales later on in the "wake effect" of being at an art fair.
As I noted earlier, towards the end of the night I almost had my clock cleaned by an older British gent who was irate over my Guevara video drawing. A small crowd gathered as he threatened to hit me. Apparently his Cuban-born wife had been mistreated by Che in the early 60s in Cuba and also her brother had been executed by Guevara during his reign of terror as the chief executor of the Cuban Revolution.
One of the best set of works at Scope are the superb paintings by Rafel Bestard at Barcelona's Galeria Contrast. These gorgeous, sexy paintings are worth the trip to Scope alone!
Later that night, the crowd thickens and Lynnvale's Lou Gagnon's elegant landscapes start to get a lot of attention from the Wednesday night crowd. At some point after that, Andrew Wodzianski cracks the ice and one of his "Android Series" (Bad Hair Day II (Sue Richards)) pieces finds a home with a Miami collector.
By 4:00PM I'm in my hotel in Hollywood showering and putting on the uniform for tonight's festivities. Little Junes is sitting on a makeshift high chair in the hotel eating Cheerios and wondering why dad is running around the room all in a hurry.
