Be aware of this asswipe trying to scam artists:
From: Scott Carson -- scottcarson2906@gmail.com --
Hello,I came across your profile on my feeds and I must say you're such a talented artist and I'll like to support you by purchasing some of your arts digitally, honestly this is so great and I'm really impressed with your kind of art 🎨
Today I visited The Writer’s Center in Bethesda, Maryland to see “You Don’t Know Me,” a solo exhibition of photographs and stories by DC photographer, Beatrice Hamblett. The exhibition opened March 6 and will be on view until April 18 with an Artist Talk on March 27 from 6:30-8:30 p.m. in the Joram Piatigorsky Gallery at the Center.
Ready for this? I was floored by this exhibition! In fact, this is easily one of the top, if not the best photography show that I have seen in a loooong time.
We are told that:
“You Don’t Know Me,” introduces viewers to a cross-section of people— fisherman, hunters, church-goers, people living in small towns and “hollers—who reflect the spirit of Appalachia. With this five-year project, Hamblett hopes to bridge the gap between urban and rural people at a time when division runs deep throughout the US.
This show does that and more. The images are all memorable, and are all eye-opening to not only Americans, but to anyone who has never set foot in Appalachia and relies on Hollywood and politicians to describe a region and a people who are close to the heart beat of our nation.
In the show, Hamblett not only showcases her photographic skills - she's a darkroom photographer who flexes her old-school skills and displays that enviable geekyness of the silver gelatin crowd when she tells me that "all photos are silver gelatin prints, developed and printed in my own darkroom. Film: Ilford HP 5 120 shot with a Hasselblad 501 CM camera. Paper: Ilford Multigrade Fiber-based paper," but she also exposes her equally enviable ability to capture the essence and soul and presence of a special and important segment of our people in this great nation.
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| Andi Looks Up, Huttonsville, WV |
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| Helping Hands, Squire, WV |
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| One of the walls at The Writer's Center |
From Yelp:
We're officially hiring a new community intern for later 2025 when Riley's time comes to an unwanted end, and we're on the hunt for another perfect fit. As Elites, you know a ton of talented people so we're tapping on you to help us spread the word on this five-star opportunity. If you know someone that is the best at throwing parties, loves all things local, and has brand social media experience, have them apply at the link below.
In that way, Art for Everybody makes the implicit argument that you can either make art that will win over the establishment or that will win over the greater population, but you can’t make both...
Read the most excellent ‘A modern-day Greek tragedy’: the life and death of artist Thomas Kinkade by Veronica Esposito here.
Suzanne Yurdin, me, and Steve Wanna posing in front of the booth - missing from pic is the amazing Jeannette Herrera, who was helping out early in the week.
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| Suzanne Yurdin, Lenny Campello and Steve Wanna at the 2025 Affordable Art Fair NYC |
The spectacular new work by Jeannette Herrera in full splendor at the Affordable Art Fair New York!
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| Jeannette Herrera art at Affordable Art Fair NYC |
01:30 AM - Wide awake on my bed, thinking about the always dicey unload operations when we arrive at the Metropolitan Pavilion in NYC later in the morning.
04:00 AM - Out of bed, teeth brushed, coffee made and awaiting for Steve Wanna to arrive.
04:20 AM - Steve Wanna arrives, we load his artwork into my van - somehow it fits.
04:35 AM - We depart and head north on I-95 to NYC.
06:30 AM - Speed camera flashes somewhere in Delaware.
07:45 AM - We're within 14 miles of the Holland Tunnel - about 90 minutes later we enter NYC.
09:15AM - We arrive at the Met Pavilion, check in and then meet artist Jeannette Herrera and her friend Abby, who are going to help us unload.
10:00 AM - Art is unloaded into the booth and the hanging process begins as the empty boxes are re-loaded into the van
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| Steve Wanna installing at Alida Anderson Art Projects' booth at the Affordable Art Fair NY |
10:30 AM - I drive and leave van in parking garage on 19th Street and walk back to Met Pavilion to continue hanging the work.
3:00 PM - I notice that artist Suzanne Yurdin's work is not lit properly and spring an extra light at $105!
4:15 PM - I walk over to the Chelsea International Hostel, check in and go to my room, unpack and walk out to the shared bathroom, shower and shave, get dressed and walk back to the fair.
5:00 PM - VIP Night starts and the aisleas are packed!
10:00 PM - Head back to the hostel - over 2300 people attended the VIP night... multiple sales of Bisque pieces and a nice painting by Anne Cherubim.
11:00 PM - Out for the night.
The VIP opening is in about 30 minutes... huge line outside at the 2025 Affordable Art Fair NYC in the Metropolitan Pavilion in Chelsea!
The halcyon years of the Washington Color School, over half a century ago, still represent the deepest fine arts footprint ever made by our (then) regional artists, elevating most of them to (now) a global presence.
There's currently a terrific show at Hemphill showcasing the works of two immensely talented artists: Leon Berkowitz and Wayson Jones.
Jones' work first came to my attention via my good friend Lou Stovall, when Stovall selected Jones in 2010 for the October Members Show in Hillyer Art Space.
I've been following Jones' work for many years, and in 2018 I wrote about his participation in that year's Superfine Art Fair and highlighted the "refined works of Wayson R. Jones, whose technique and presentation just keeps getting better and sharper! This is a key DMV artist deserving of more attention by the curatorial cabal of our area." And two years ago I was in the audience when Jones, who in 2022 was Montgomery College’s Visual and Performing Arts Department's Artist in Residence, presented a really good Artist Talk one September day.
It has been said that "Leon was a character, a character that stood alone..."
In "An Interview with Gene Davis" by Walter Hopps, we learn that the The Washington Color School "members" did not feel much camaraderie, with each other, and perhaps even a sense of jealousy? George Hemphill notes that:
There are stories of Davis' extreme annoyance at the Corcoran students gathering in groups and sitting before Berkowitz's paintings while leaving his work absent of attention. Berkowitz's paintings sold as well, possibly better than others. His peers' work may garner greater investment returns today, but none have as much universal and growing appeal.
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| Leon Berkowitz (Photo by Paul Feinberg - Courtesy of Hemphill) |
This is an important show which deserves attention not only because of the historical importance of Berkowitz, but also and equally important, a new and powerful footprint by a superbly talented contemporary artist who clearly represents a 21st century extension of those halcyon days.
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| Leon Berkowitz in his studio (Photo by Paul Feinberg - Courtesy of Hemphill) |
The show runs through April 26, 2025.
H E M P H I L L
434 K Street NW
Washington DC 20001
202.234.5601
SELECT | ERIK THOR SANDBERG: GATHER |
March April 2025 |
CONNERSMITH is presenting an online view of "Gather" by American surrealist Erik Thor Sandberg, who is easily one of my favorite painters on this planet.
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| GATHER by Erik Thor Sandberg |
This major work features a thoughtful gathering of multiple human figures and a profusion of hybrid animals within a detailed landscape. Though unsettling, and equally grotesque as Hieronymus Bosch’s demons, Sandberg’s fantastical creatures seem vulnerable, perhaps even endearing. “I didn’t want to make them too scary,” the artist elucidates. “I think people conceived of demons as scapegoats for human failings. My creatures aren’t evil; they represent experiences, feelings, motivations - aspects of life that shape us for good or bad. Life throws everything at you. Some things can damn near cripple you; some make you stronger, some make you laugh. They are all important.”Two standing women dominate the scene. One figure appears astonishingly translucent. The other holds a woven strand of creatures that are being either drawn into, or expelled from, the see-through torso of her companion. “I often present the human form as a vessel for various things,” Sandberg relates. “These creatures fill the figure with aspects of humanity.” The person who facilitates the process has an aspect of resolution, as someone who has already undergone something similar. This scenario evolved from earlier works where Sandberg depicted vessels as biological cells, clumps of earth, watery spheres, or skulls containing multiple figures, each person symbolizing a different aspect of the self. Composite forms are important in the artist’s work, as he explains, “I don’t think anyone is completely good or completely evil. Myriad experiences define intricate layers that make us who we are. I create aggregates to express this complexity.”
The assembly in “Gather” is bracketed between a cat, who watches from the foreground, and a seated woman, who peers out from behind the standing technician. “In some paintings I include one or more figures that I call witnesses,” Sandberg imparts. “They do not participate. They do not interfere. They, like the viewer, are just trying to understand everything that is happening.” Sandberg describes the woman staring out from the background as a companion to the crowned skeleton/death figure on the other side of the technician. He elaborates, “I imagine her whispering without words to the woman standing in front of her.” The theme of watching is amplified by eyes and eyeballs integrated throughout the scene. “Eyes imbue life and spirit into my images,” Sandberg reflects. “After all, seeing and being seen is a basic human desire.”
Beware of this scam pretending to come from the well-known auction house:
From: Clientservicesnewyorkphillips - clientservicesnewyorkphillips@gmail.com -
Subject: PHILLIPS AUCTION PROPOSAL
Greetings! We hope this message finds you well. This is the Phillips Auction Team reaching out to express our admiration for your exceptional artwork. Over time, we have closely followed your creative journey and have been thoroughly impressed by the depth and quality of your work.
After careful consideration, we are excited to extend an invitation to collaborate with you. We believe your unique artistic vision aligns seamlessly with our mission to showcase and celebrate outstanding talent.
To learn more about Phillips Auction House, please visit our website [https://www.phillips.com/
You may also explore our social media pages for further insights into our initiatives and community. Once you’ve had the opportunity to review our platform, we would be delighted to hear your thoughts and discuss how we can work together.
We look forward to your response and the possibility of collaborating with you.
[Phillips Auction Team]
The Chronicles of Anderdingus dropped in today!
You can listen to all the tracks in Youtube here. My fave is Cubani Fiesta!
You can also listen on Spotify here.
Come out to see photographs taken by Maryanne Pollock at the Flamenco Festival in Córdoba, Spain, on view to the public for the first time, along with some of her small works on paper. The opening for “Electrico Magnifico Flamenco” will take place at Tiny Vinyl Shop in Adams Morgan on Thursday, March 13 from 6:00 p.m. – 8:00 p.m. Enjoy some Spanish wine and snacks as you listen to the sound of Flamenco music on vinyl for a more sensory and immersive experience. All works are available for purchase and on view from March 13, 2025 – April 10, 2025.
About the Artist: Though photography has been a daily practice of Pollock’s since age three, she is known for her paintings. This show represents an exciting new step for the artist — the first exhibit featuring her photography. Maryanne Pollock received her BFA from Tyler School of Art in Philadelphia and also spent time studying in Rome, Italy. She continued pursuing her passion for creating art at the Pennsylvania Academy of Fine Arts, the Corcoran College of Art and Design and American University in Washington, DC. Her love of travel, art and culture have taken her to many places overseas and she has spent time living abroad in Egypt, Italy and Spain. Her work has been exhibited internationally in Venice, Paris, Glasgow, Basel, and Cairo. Most recently her works have been on view at Gallery 2112, Equity Gallery, the Kreeger Museum, the Phillips Collection, Bridgette Mayer Gallery and the Mclean Project for the Arts.
Gallery Hours:
Monday – Thursday 4:00 p.m.- 7:00 p.m.
Friday & Saturday Noon – 8:00 p.m.
Sunday Noon – 6:00 p.m. or by appointment
Contact Ty Cumbie at (347) 425-2044 or email tcumbie62@gmail.com
Tiny Vinyl Shop
2501 Champlain St NW
Washington, DC 20009
Artist Website for Maryanne Pollock: https://www.obeliskgallery.com/about-the-artist
Opening Night Event details:
10th Anniversary Exhibition!
Otis Street Arts Project celebrates its 10th anniversary with an exhibition featuring 10 of their favorite artists.
OSAP started when glass artist Sean Hennessey first met sculptor David Mordini and decided to open an art space based on a handshake and good vibes.
A decade later, OSAP remains dedicated to fostering a creative community, warm and welcoming for our in-house artists and one that showcases exceptional artists from the DMV. Over these ten years, OSAP has hosted performance art, exhibitions, small theater, meetings, public critiques and served as a gathering space for the greater art community. We have worked with hundreds of artists and have invited 10 artists to help celebrate this major milestone.
Artists:
Robin Bell, Lorenzo Cardim, Cheryl Edwards, Heloisa Escudero, Adam Griffiths, Sean Hennessy, James Huckenpahler, Zofie King, Carolina Mayorga, Mercedes
Exhibition: March 22–May 3, 2024
Hours during exhibition: Sat 12–4PM and also by appointment
Opening reception: March 22, 6-9PM
The Chronicles of Anderdingus drop on March 11, 2025 - really new young rap with excellent, intelligent lyrics!
Listen to it in YouTube here.
Saturday, March 8 from 10:30 - 11:30am
Click HERE for more info on Cory Oberndorfer and link to the talk!
Join us on Saturday using the following Art Clinic Online (ACO) meeting zoom link:
https://us02web.zoom.us/j/84149389951?pwd
QkNqUU1ZMFJ5SXpSU1dFOVFTeXZZZz09
Meeting ID: 841 4938 9951
Passcode: 593923
Zenith Gallery's 47th "Amethyst" Anniversary
in Honor of Women's History Month
A Group Exhibition | March 7 - April 19, 2025
MEET THE ARTISTS RECEPTIONS: Sat, March 8, 2-6 pm
ARTIST TALKS: Saturdays in March & April at 2:00 pm (More to be announced)
March 15- Richard Binder, Mihira Karra, Carol Newmyer, Patrick Smith, and Luther Wright
March 22- Julee Dickerson-Thompson, David Glick, Marcie Wolf-Hubbard, and David Hubbard
March 29- Lynda Smith-Bugge, Meredith Osterman. April 5- Katherine Owens
April 12- Anne Calamuci (with Kim Reyes), Cheryl Edwards, Anne Marchand, and Christopher Wagner
At 1429 Iris Street NW, Washington, DC 20012 | 202-783-2963
Tonight I will be at Artists & Makers in Rockville, which will celebrate 10 years of being one of the key parts of the visual arts tapestries of the DMV!
Let me repeat: Art galleries are labors of love and often run by the skin of the teeth of the owners! 10 year anniversary for art spaces is like 100 years for any other business!
Celebrations are today Friday, March 7, 2025 from 5:00PM - 8:00PM at Artists & Makers Studios, 11810 Parklawn Drive, Suite 210 in Rockville, MD 20852.
The event runs from 5-8pm, with remarks by various folks, including me, starting at 7pm.
A sparkling cider toast to the artists will follow. There are open studios throughout the 13,000 sq ft, five gallery exhibits that include a children’s exhibit in studio 11 (their large classroom) for Bethesda Bannockburn Elementary students, the Women’s Caucus for Art – DC exhibit, the 19 member Gallery 209, the Resident Artist “Best of” exhibit, and a mini-solo show for Resident Artist Kate Bramante.
Two shows, One night! Contemporary art + Comics!
NOIR TOUR
March 7-April 30, 2025
Opening Reception: March 7, 2025, 7-9PM
Celebrate contemporary art created by artists from the Washington, DC region (and also from California!) in this exhibition that meditates on darkness by way of saturation, illumination, and invitation to contemplation. Selection of artworks ranging from painting, to photography, & new media.
Artworks by Chris Combs, Edie Fake, Victoria F. Gaítan, Erick Jackson & Theo Morrow!
ALSO, a comics show in the secret/tiny gallery upstairs!!
Intimate Jam
March 7-April 20, 2025
Opening Reception: March 7, 2025, 7-9PM, 2nd Fl.
JAM/Index, an AutoBio collective sponsored by Dwightmess this year, offers a peek at their intimates, exploring the personal, the fantastic, and the poetic in adult comics and artworks.
Max Barnewitz, John Borstel & Athena Naylor
Location: DWIGHTMESS
805 Silver Spring Ave, Silver Spring, MD 20910
This event is free and open to the public.
Light refreshments & beverages served.
Gallery Hours: By Event & Appointment
Inquiries: adam@dwightmess.com
Saturday, March 8 from 10:30 - 11:30am
Click HERE for more info on Cory Oberndorfer and link to the talk!
Join us on Saturday using the following Art Clinic Online (ACO) meeting zoom link:
https://us02web.zoom.us/j/84149389951?pwd
QkNqUU1ZMFJ5SXpSU1dFOVFTeXZZZz09
Meeting ID: 841 4938 9951
Passcode: 593923
Exhibition: "Big Color" at Jo Fleming Contemporary Art
A Celebration of Color and Movement
Barbara Januszkiewicz is no stranger to the transformative power of color. As a contemporary artist deeply influenced by the Washington Color School, her work expands the conversation of color abstraction, layering rich, translucent hues to create movement, depth, and emotion on canvas.
Her latest exhibition, "Big Color," opening at Jo Fleming Contemporary Art, is a bold statement in large-scale abstraction. Through fluid, luminous compositions, Barbara merges color fields with gestural forms, creating an immersive experience that invites viewers to feel color in a way that goes beyond traditional painting.
Color as a Language
Barbara’s technique involves staining unprimed canvas, allowing color to soak deep into the fibers, much like watercolor on paper—creating a luminous, almost ethereal effect. Her paintings breathe and flow, echoing the rhythms of nature, music, and emotion.
Her work has been featured in museums, embassies, and private collections, and this new body of work continues her lifelong dialogue with color, light, and form.
Why You Should See "Big Color"
For collectors, art lovers, and those who simply appreciate the emotional impact of color, this is an exhibition not to be missed. The artist reception on March 8 will provide a unique opportunity to hear Barbara speak about her work, her influences, and how she continues to push the boundaries of abstraction.
More Info: https://www.joflemingcontemporaryart.com/exhibitions
Beware of this mutant trying to rip off artists!
Alexandra - alexandra345654@gmail.com
Hello,
I discovered your artwork on artbuy and I'm impressed by your talent. I'm currently curating pieces for a project and would like to inquire about the availability and pricing of certain works from your portfolio. I eagerly await your response.
Thank you.
Coming to Links Bridge Vineyards:
Arlington abstract painter and instructor Bryan Jernigan came to the DMV from rural Oklahoma more than 35 years ago and his upcoming solo show called “Sound of Line” will debut at Links Bridge Vineyards in Thurmont, MD on Saturday, April 5, 2025.
“When I came to Washington, D.C. to live, it wasn’t my first time, but I had only visited once before,” Jernigan said. “Like most young people, I planned to make my name professionally and move on or move back to where I was raised. But D.C. had other plans for me, I guess. Instead, I saw most of my friends peel off and return home, taking back a little piece of urbanity with them. Unlike them, I absorbed the realities of living here – internalizing the highs and lows, taking in the triumphs and suffering through the realities of living the city life, digging in and getting to learn about cultures separate and apart from my own and enduring the everyday realities of things as mundane as seemingly unending traffic commutes.”
Jernigan said coming from the country but choosing to live a city life shaped how he sees the world and how he responds to it in his art.
“In this series – that comprises more than 50 original works on paper and wood panel – the things I noticed most were lines; how they keep us connected, but at the same time how tenuous they are,” he said. “They are less about real things and more about my responses to the things I see - power lines that carry communications from all who use them or lines in pavement that show the age of some parts of the city. The pieces have a gritty feel to them, which is another aspect of living in the city, this juxtaposition between the dirty and the pristine.”
The pieces that span from 12-inch to 3-feet squares include expanses of vibrating actions, scratchy marks and calm respites of undulating non-colors punctuated by bold vibrancy.
“Living in a city is often chaotic, but we do our best to control that craziness in our daily lives. I want the pieces to feel like the embodiment of city living. An homage, so to speak,” Jernigan said. “I hope they are exciting and make viewers feel something akin to a car crash on an otherwise uneventful commute. They are real and they are palpable, and I hope they will resonate with others who live here. We are all different – different backgrounds, different ethnicities – but we all share the same experience of living here and navigating it and getting by.”
Jernigan’s pieces have already received critical acclaim. One of them was chosen by juror Jeffrey W. Allison, the Paul Mellon Collection Educator and Director, Statewide Programs and Exhibitions at the Virginia Museum of Fine Arts (VMFA) for the McGuffey Art Center’s Mid Atlantic Juried Exhibition in Charlottesville.
“I’d say one of the artist’s worst fears is that they will muster up the courage to be vulnerable enough to create a body of work and then it gets a bad reception,” the artist said. “So, I entered a show with one of them who offered a well-regarded juror I knew it would be a good test. Happily, I was rewarded by having him choose my piece to include in the show. That little test helped me realize I was on the right track with this series.”
Links Bridge Vineyards will host an opening reception with an artist talk between 1 and 3PM on Saturday, April 5 and the show runs until Friday, April 27. See all the works online at www.bryanjernigan.com.
Found these old photos -- this is USS Saratoga (CV-60) doing flight ops somewhere in the Med in 1975!
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| USS Saratoga (CV-60) flight ops in Med in 1975 |
Beware of this scammer trying to rip off artists!
From: Dorothy Ortiz - dorothyortiz864@gmail.com -
I recently found your work, and I’m beyond impressed by your artistry. I’d love to inquire about available pieces for my collection.
Let me know if we can discuss further—I’d be delighted to connect!
Best wishes.
Behold "Sugar Cane", a wondrous mixed media work that allows Lesser to showcase her artistic super powers - it will be part of the Women Artists of the DMV survey show coming to eight venues around the DMV this Fall!"
The Chronicles of Anderdingus will drop on March 11, 2025 - really new young rap with excellent, intelligent lyrics!
Danielle Mckinney’s ladies are in a permanent state of relaxation.
They lounge alone on couches or in bed. They sleep. Some are playful — toying with a butterfly or eying a praying mantis. Others are naked and seemingly unaware of the viewer, cigarettes in hand and gazes soft.
The 44-year-old artist has been painting these women her whole life, she said. As a little girl, she painted little girls, too, but her subjects have aged as she has. In conversation, Mckinney refers to them singularly as her “lady,” and, taken together, the moody portraits reflect intimate moments of solitude and repose.
For years, however, these works were private endeavors by an artist who formally trained as a photographer and only painted on the side. They were never meant to see the world.
Now, a little over four years after first publicly posting her portraits on social media, Mckinney has become one of the art world’s buzziest painters.
For the record: "prints" of a painting are "reproductions", not "prints" - cough... cough...
Beware of the below asswipe trying to rip off artists!
From: Lisa Martinez -- martinezlisa269@gmail.com --
Hello,
I discovered your artwork on artbuy and I'm impressed by your talent. I'm currently curating pieces for a project and would like to inquire about the availability and pricing of certain works from your portfolio. I eagerly await your response.
Thank you.
Beware of this asswipe trying to rip off artists:
From: ministerpeg@mail.com
Hello there.
I came across some of your art piece online and I feel in love with your work and talent. You deserve to be seen and known on a global level, and I can help your with that.
But first i would love to purchase some of your art work on behalf of my clients. I have notable art lovers and collectors like Steve Cohen on my clients list.
My clients are always willing to pay a fortune for an art piece that resonate with them and some of your art work fit into the kind of art work my client likes.
So kindly send some of your available art work or a link to a website so I can see more of your work and have them sent to my clients.
kindly reach me with the details below
Email: art_piece@collector.org
Phone: +13105644618(text only)
I will be looking forward to a response from you.
Best regards.
Another updated list of the DMV area female artists who have agreed to participate so far in the 2025 "Women Artists of the DMV" survey show!
Before I forget: If I've invited you to the show and you've agreed to participate, but you're not listed below, please email me (lennycampello@hotmail.com) and let me know... or if I've misspelled your name :-)
I've received nearly 4,000 emails, DMs, Facebooks, texts, etc. from female artists interested in being considered for the show. Granted, there are a LOT of emails from artists living waaaay far from the Greater DC area who are not eligible, but still...
Deadline to apply: April 30, 2025
I have eight venues lined up, and at best I will be able to physically exhibit 240+ artists... but all applicants who meet the "DMV criteria" will be surveyed and catalogued for the SI American Art Archives, as I've contacted the Smithsonian American Art Archives with a proposal to document and archive ALL artists - of them - see that here.
I am also contacting ALL local universities/colleges and ALL of the DMV art commissions to ask them to buy one work by one alumni or county resident for their permanent collections. I can use some help with that if you know board members, big donors, etc.
I need your help with the various DMV Art commissions/councils from the counties surrounding the DMV (Montgomery, Prince George's, Fairfax, Prince William, Loudoun, Arlington, etc. See this letter/email as an example - feel free to copy and adapt and send to your council members, county executive, art commission, etc.
And the "in the show" list so far...
Shiri Achu
Esperanza Alzona
Maremi Andreozzi
Courtney Applequist
Sondra N. Arkin
Michele Banks
Marilyn Banner
Kate Barfield
Veronica Barker-Barzel
Jennifer Barlow
Denée Barr
Holly Bass
Lisa Battle
Jennifer Lynn Beaudet
Judith Benderson
Sarah Bentley
Anne Bouie
Karin Birch
Jennifer Bishop
Julia Bloom
Lori Boocks
Margaret Boozer
Vian Borchert
Claire Brandt
Laurie Breen
Lisa Brotman
Amy Bruce
Dianne Bugash
Shante Bullock
Melissa Burley
Judy Byron
Denise Calisti
Stephane Calvin
Rachel Carren
Elizabeth Casqueiro
Shanthi Chandrasekar
Mei Mei Chang
Hsin-Hsi Chen
Anne Cherubim
Irene Clouthier
Amanda Coelho
Diane Cooper Cabe
Ellen Cornett
Kathy Cornwell
Rosemary Feit Covey
Lea Craigie-Marshall
Sheila Crider
Jacqui Crocetta
Andrea Cullins
Andrea Cybyk
Joan Danziger
Delna Dastur
Anna U. Davis
Jenny Davis
Tanya Davis
Elizabeth Davison
Danni Dawson
Patricia de Poel Wilberg
Jen Droblyen
Mary Early
Susan Eder
Bria Edwards
Cheryl Edwards
Dana Ellyn
Rita Elsner
Hyunsuk Erickson
Cynthia Farrell Johnson
Felisa Federman Cogut
Sharon Fishel
Mary Annella Frank
Helen Frederick
Emily Fussner
Marie Gauthiez-Charpentier
Genie Ghim
Margery Goldberg
Susan Goldman
Janis Goodman
Pat Goslee
Freya Grand
Graciela Granek
Josephine Haden
Debra Halprin
Beatrice Hamblett
Elyse Harrison
Muriel Hasbun
Seemeen Hashem
Rania Hassan
Jennifer Hayes
Mira Hecht
Michelle Lisa Herman
Francie Hester
Ellen Hill
Pattee Hipschen
Leslie Holt
Susan Hostetler
Sarah J. Hull
Michal Hunter
Sadieh Ilchi
Martha Jackson Jarvis
Barbara Januszkiewicz
M. Jane Johnson
Jessica Kallista
Maria Karametou
Lori Katz
Sally Kauffman
Trish Kent
Megan King
Zofie King
Bridget Sue Lambert
Susan LaMont
Linda Lawler
Ngoc Le
Jun Lee
Kyujin Lee
Harriet Lesser
Carol Levin
Jennifer Lillis
Amy Lin
Kara Lin
Barbara Liotta
Kirsty Little
Taina Litwak
Shelley Lowenstein
Laurel Lukaszewski
Dalya Luttwak
Caroline MacKinnon
Akemi Maegawa
Susan Makara
Isabel Manalo
Sheryl Massaro
Katherine Mann
Anne Marchand
Lucinda Marshall
Isabella Martire
Amy Marx
Sheryl Massaro
J.J. McCracken
Sophia McCroklin
Donna McCullough
Anne Meagher-Cook
Maggie Michael
Regina Miele
Ramona Militaru
Marily Mojica
Michele Montalbano
E.J. Montgomery
Ally Morgan
Adrienne Moumin
Georgia Nassikas
Leslie Nolan
Claudia Olivos
Helena Gallegos O'Neill
Erica Orgen
Marian Osher
Betsy Packard
Dora Patin
Monica Perdomo
Sandra Pérez-Ramos
Anne Pham
Pearl Ping Shen
Patricia Edwine Poku-Speight
Susana Raab
Gail Rebhan
Carol Reed
Cindy K. Renteria
Marie Riccio
Lesley Riley
Marie Ringwald
Amber Robles-Gordon
Sarah Rodman
Alla Rogers
Roxana Rojas
Lisa K Rosenstein
Christine Ryan
Madalaine Sargent
Nancy Sausser
Karen Schmitz
Deanna Schwartzberg
Martina Sestakova
Lian Sever
Susan Shalowitz
Janathel Shaw
Gail Shaw-Clemons
April Shelford
Alison Sigethy
Elzbieta Sikorska
Alexandra Silverthorne
Pauline Siple
Judy Southerland
Pritha Srinivasan
Veronica Szalus
Zsudayka Nzinga Terrel
Kat Thompson
Patricia Underwood
Christine Uskievitch
Jessica Van Brakle
Gloria Vasquez
Rosa Inés Vera
Claudia Vess
Marite Vidales
Lori Walsh
Andrea Way
Ellyn Weiss
Joyce Wellman
Sharon Wolpoff
Helen Wood
Sue Wrbican
Shawn Yancy
Suzanne Yurdin
Paula Zeller
Barbara Ziselberger
Helen Zughaib