Washington, DC Art News

Here's the short version: Eye Level investigates American art—its history, evolution, and currents. The hope is that this blog hosts a vital conversation among artists, curators, collectors, and enthusiasts on a broad range of subjects related to American art. It's the kind of conversation you have in a museum—that unique social space that a museum provides—that Eye Level would like to bring to the blogosphere.

In his third solo exhibit at Fraser Gallery in Bethesda, artist Tim Tate shows new work with exciting explorations of subject matter and materials. "Caged by History" is tightly themed with a marked unity of form and content. The show’s title refers to the myriad ways our histories direct our futures, the carrying of memory and the persistent effects of choices and events of the past.

Tate’s work also references the great unseen forces of nature that inexorably shape and direct our lives. The latter is especially well represented in works that include iron filings held captive by earth magnets. A fine example is the formally elegant "Sacred Cone of Magnetism," with its echoing shapes and etched formulas for magnetic forces.

The brilliance of Tate’s work is in the way it fuses expression of ideas such as these with a deeply personal iconography about taking control of fate, healing and the will to live. "Positive Reliquaries, No. 1-3" are three blown-glass spheres topped with large red cast-glass crosses. They are also plus signs. Inside each is a cast glass nest, each with three spotted glass eggs. All around the exterior of the spheres the artist has etched a handwritten narrative relating his reaction to being diagnosed HIV-positive 20 years ago, and of the process this fact provoked. It was then that he decided to become an artist and then that the whole array of life affirming, healing imagery he uses began to come into focus.

Much of this imagery has a distinctly Catholic feeling. For example, the spheres topped by crosses unavoidably look like the orbs often held by Christ in medieval and renaissance art. The hot-glass flaming hearts – here in strong reds and blues, traditionally colors of divine and human love — are distinctly reminiscent of votive objects. Nevertheless, these works have a fascinating polyvalence, a sense of layered history that draws the viewer close and rewards attention with a rich variety of allusive meaning.

Tate has long used steel as a corollary to fragile glass in his work, which also frequently contains found objects. Recently, he has experimented with concrete as a sculptural medium with varied results. One of the most powerful works in this exhibit, however, is "Heart of St. Sebastian," a concrete heart with a neck, like a vessel, topped with a dark red cast-glass flame. By shaking the concrete in the rubber mold, Tate caused a skin to separate from the heart form into which he has cut a large plus sign — an equal armed cross. In the neck is a tiny biohazard symbol. The work explores a number of iconographies including an identification with St. Sebastian, martyred by arrows, and the sense of being targeted as a biohazard when one is HIV-positive. A consciousness of death produces no pathos here, rather life-affirming strength, hard and resistant as the Sacrete Concrete mix with which the work is made.

"The secret to creativity, is knowing how to hide your sources."
-Albert Einstein

"leading book title devoted to showcasing the finest character creations from digital artists worldwide. Exotique presents 228 examples of exceptional character artwork by 113 artists from 37 countries presented over 192 pages of the highest quality production. In addition to exhilarating character artwork, Exotique features the profiles of eight prominent character artists working within the digital arts community.

"Few regional papers, after all, can afford to hire more than a handful of arts staffers, and even fewer editors know enough about the arts to make informed hiring decisions, much less intelligently oversee the writers they do hire."

"Albocracy – imbued with the hope of colorless rule. How quickly it flips, with the blink of one pink eye, to a white ruling class. Purity becomes purification. In the moment in between, there is a pale-skinned pink-eyed fragile beauty. White wig and glove, pearls and lace, a flawless virtue, until she is made to rule."