Artist Opportunities
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Since 2003... the 11th highest ranked art blog on the planet! And with over SEVEN million visitors, F. Lennox Campello's art news, information, gallery openings, commentary, criticism, happenings, opportunities, and everything associated with the global visual arts scene with a special focus on the Greater Washington, DC area.
The four artists’ letter comes just two days after Artforum published an essay by Hannah Black, Ciarán Finlayson, and Tobi Haslett titled “The Tear Gas Biennial,” in which they called out the artists in the biennial for not boycotting the exhibition over Kanders’s presence on the museum’s board.What this really means: We (anyone) can now start going throught the boards of all museums, and universities, and 503(c) and whatever, and if we don't like what one of the trustees or board members does for a living, of where his/her samolians are invested in, we can now demand that artist do not show in those museums or organizations!*
He has examined insular communities from the Galician Massif to the Hasid in Brooklyn, incorporated the Mexican artist Frieda Kahlo into his work (just before a movie about her life took the world by storm) and depicted Che Guevera, the controversial, and revolutionary, physician, author, activist, guerrilla leader and diplomat who, Campello labeled somewhat dismissively in his show as “T-shirt man” because of his unlikely pop-icon status. Fantasy, reality, romanticism and realism — Campello centers his art deeply in context, whether it’s special lighting, revealing code or multimedia interactive experience.
“The main piece in this show is, at least for me, my up-to-date culmination of the incorporation of technology,” he said. “What you see is the back of a woman in a museum, looking at two pieces of artwork on the wall — every five seconds a new portrait pops up — famous artists, politicians— and hidden in the middle of the piece is a spy camera, so as you approach the work, you staring at it becomes part of that portrait gallery. You now are the artwork.”Read the whole cool piece by Chris Slattery here.
Portrait présumé de Gabrielle d'Estrées et de sa sur la duchesse de Villars (Gabrielle d'Estrées and One of Her Sisters), 16th century, Musée du Louvre |
Despite what it might look like to the contemporary viewer, a purely queer reading of the work would be misguided. Rather than a depiction of lesbian foreplay, most art historians interpret the painting as an announcement that Gabrielle is pregnant with the King’s illegitimate son. It’s her sister who is signaling this to the audience, not her lover. The fingers wrapped around Gabrielle’s nipple symbolizes the latter’s fertility, an allusion emphasized by the presence of the figure sewing baby’s clothes in the back of the painting.Read the whole fascinating article here.
Leonardo da Vinci’s Mona Lisa (ca. 1503–19), the most popular attraction at the Louvre—which itself is consistently the world’s most visited museum—will be relocating for the summer. Though the painting will remain in its air-conditioned and bulletproof encasement, it will be moved on the evening of July 16th from the huge concrete wall on which it has hung for the last 14 years. It will be relocated into its summer home in the Louvre’s Medici Gallery, some “100 paces” away, as the museum’s director Jean-Luc Martinez told the AFP.Read the whole story here.
Hatred is the central element of our struggle! Hatred that is intransigent...hatred so violent that it propels a human being beyond his natural limitations, making him violent and cold- blooded killing machine...We reject any peaceful approach. Violence is inevitable. To establish Socialism rivers of blood must flow! The imperialist enemy must feel like a hunted animal wherever he moves. Thus we’ll destroy him! These hyenas are fit only for extermination. We must keep our hatred alive and fan it to paroxysm! The victory of Socialism is well worth millions of atomic victims!
North Atlantic Mermaid (Syreni Caledonii) Watercolor on Paper, circa 2019 12x36 inches |
"Your portrait in a gallery of portraits" Charcoal and Conte, Electronic Components, appropriated digital portrait images, miniature spy camera, c. 2017. 40 x 60 inches |
Supergirl Flying Naked Charcoal and color pencils on broken unfired Bisque, circa 2019 |
Daphne Charcoal and conte on Paper, circa 2019 |
T- Shirt God (This is Che) Charcoal and conte with embedded electronics on paper, circa 2014 |
Suddenly, There was no fear Charcoal and conte on unfired Bisque, 14 inches diameter, circa 2019 |
The Morrigan Charcoal and conte on unfired Bisque, circa 2019 |
Gym Rat Charcoal and conte on unfired Bisque, circa 2019 |
Eve, Running Away from Eden Charcoal and conte on unfired Bisque, circa 2019 |
Woman Falling from the Sky Charcoal and conte on unfired Bisque, circa 2019 |
Eve, Running Away from Eden Charcoal and conte on unfired Bisque, circa 2019 |
An unmarried man begging his cat for forgiveness Charcoal and conte on unfired Bisque, circa 2019 In a private property in Virginia |
Suddenly the answer came to her Charcoal and conte on unfired Bisque, circa 2019 |
President Obama Charcoal and conte on borken Bisque, 5x4 inches, c. 2019. |
How Do I Love Thee? Sonnets to the Portuguese Homage to E.B.B. Charcoal on broken Bisque 4x3 inches, c.2019 |
An unmarried woman Charcoal and conte on broken unfired Bisque, circa 2019 |
Frida Kahlo in a Cross of Clouds (Version I) Charcoal, conte, mixed media on Unfired Bisque 7x7x3, circa 1980-2017 |
Four versus One Charcoal and conte on broken unfired Bisque, circa 2019 |
La Frida Charcoal, mixed media on Unfired Bisque 3.5 round x 4 inches, circa 1997-2017 |
Che Guevara (Castrum Canis) Charcoal, conte, mixed media on Unfired Bisque 4.5x3.25 inches, circa 2017 |
Obama Laughing Charcoal, conte, mixed media on Unfired Bisque 5x3 inches, circa 2017 |
Two American Sailors Charcoal and conte on paper, circa 2019 |
A Contemporary Woman in a Gallery of Past Icons Charcoal and conte on paper, circa 2018 |
“It’s a bold and very positive step for us,” Nick Korniloff, Art Miami’s director, who owns the company with two partners, tells artnet News of the sale. During his years with the business, he has grown the fair empire to include CONTEXT, Aqua Art Miami, Art Wynwood, Palm Beach Modern + Contemporary, and Art New York. Over the past year, those fairs have drawn in some 400 dealers and overall attendance of more than 300,000 people.
"Picasso, El Terrible" 1994 by F. Lennox Campello |