Tuesday, October 29, 2019

Opportunity for Artists

Calamity

Deadline: November 25, 2019. 


The Moon Gallery at Berry College welcomes up to three submissions to be considered for inclusion in Calamity, a juried exhibition with work that references the history and legacy of the Holocaust. Artists working with drawing, ceramics, painting, sculpture, printmaking, photography, or mixed media are encouraged to apply with work that reflects on how the Holocaust is remembered 70+ years later; responds to the current era of ignorance and denial of the Holocaust; confronts the rise of antisemitism; or counters manifestations of hate and intolerance by providing solace to the suffering. 

The Moon Gallery at Berry College performs a unique role in the region—located halfway between Atlanta and Chattanooga—by providing innovative exhibitions and programming that often responds to the pressing issues we face today. With exhibitions like Calamity, students taking classes in the Art Program are supported and the local community is enriched. 

There is no fee to enter. 

Additional information and a link to submit work can be found here: https://www.berry.edu/juriedexhibition Contact Brad Adams with questions at: badams@berry.edu 

Free Bootcamp for Artists this Saturday!

As many of you know, for over a decade or so I have been teaching a course for artists and arts professional, that course, for the last few years has been known as “Boot Camp for Artists.”

That six hour seminar, which has been taken by over 2,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

In the past, I’ve also discussed the importance of artists having their work at the various art fairs held around the world, most notably during Art Basel Miami Beach (ABMB) week in the Greater Miami area.

Presentation is a huge part of an artist’s professional life, and more often than it should be, presentation is a detractor and takes away from the artwork.

Why am I discussing that here? Because before you start exploring the various ways to get your artwork invited to the “big dance” during ABMB week, as an artist you should be ready to play with the big dogs when it comes to all the tools of the trade needed to set foot in a world-class art fair.

It is not unusual for me to step foot in a gallery and see artwork which (at least from a presentation point of view) is “not ready” for primetime… this is getting to be rarer and rarer as galleries struggle to survive, but still there.

The seminar will be offered this coming Saturday, November 2 at Harmony Hall, 10701 Livingston Road, Fort Washington, MD 20744 - courtesy of PG County and fully free to all artists - and lunch is included!

In its six hour format, the seminar covers a wide range of structured issues, including the below list, but essentially artists should at least be aware and explore:

1. Materials – Buying materials and strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume – Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider’s view and strategy to get in the competitions.

5. How to take images of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Fine Art Fairs – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources – Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing – Cable TV, Local media

17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.