Friday, June 06, 2025

An eulogy to a strong woman

Nine years ago my courageous mother died... this is my eulogy from that day:

When my father died last year, I began his eulogy by noting that another oak had fallen.

This morning, around 1:25AM, Ana Olivia Cruzata Marrero de Campello, his wife of over 60 years, and my beloved mother, passed on on the day of her 97th birthday.

If my father was an oak, then my mother was an equally strong, but also very pliable, and elegant tree.  When hurricanes attack the main lands of the world, the strong tall trees often fall, but the pliable ones, like plantain trees, always give with the wind, and survive the storms, and thrive in the drenching rains.

My mother was like a an aged plantain tree, not only immensely strong and pliable, but also giving and nurturing.

Like many Cuban women of her generation and her social-economic background, she had never worked for a living in Cuba, and yet within a few days of our arrival in New York in the 1960s, she was working long hours in a sewing factory, putting her formidable seamstress skills, honed in the social sewing and embroidery gathering of young Cuban girls, to use in the "piece work" process of the New York sewing factories.

As soon as we saved the money, one of the first things that my mother bought was an electric sewing machine - a novelty to her, as she had always used one of the those ancient Singer machines with a foot pedal.

I remember as a child in Brooklyn, that women used to bring her fabric and a page from a magazine with a woman wearing a dress. Without the benefit of a sewing pattern, my mother would whip up a copy of the dress that was more often than not probably better made than the original. As the word of her skills spread, so did her customers and soon she was making more money working at home than at the factory - but she kept both jobs.

I once noted to her that I admired the courage that it must have taken  her to leave her family and immigrate to the United States. "We didn't come here as immigrants," she corrected me. "We came as political refugees, and I initially thought that we'd be back in Cuba within a few years at the most."

When the brutal Castro dictatorship refused to loosen its stranglehold on her birth place, she became an immigrant, and from there on an American citizen from her white-streaked hair down to her heel bone (that's a Cuban saying). Like my father, she loved her adopted country with a ferocity, that I sometimes feel that only people who have been bloodied by Communism can feel for a new, free homeland.

As as I've noted before, Cubans are archaic immigrants... we love this great nation because we recognize its singular and unique greatness; perhaps it is because our forebears had the same chance at greatness and blew it.


I remember as a teenager, once I started going out to parties and things at night on my own (around age 16 or so), that my mother would wait up for me, sitting by the third floor window of our Brooklyn apartment, where she could survey the whole neighborhood and see as far as the elevated LL subway station a few blocks away, to watch me descend the station stairs and trace my way home.

My mother was always fit and, as once described by my father, "flaca como un fusil" (as slim as a rifle). She was strong and fast. She was also quiet, but never silenced, and when needed, could and would command attention.

My mother was always well dressed and superbly coiffed. When we'd go to parties and events, women would always ask her where she'd gotten that dress! The answer was always the same: she'd made it!

At least once a week, to my father's dismay, and in spite of his demands that my mother stop it, she'd get her hair done at the nearby peluqueria (hair dresser).

My dad knew, and respected his limits with my mother. 

I remember one time that my father and I were returning from shopping at the supermarket, dragging one of those wheeled folding carts that could carry four full paper grocery bags. It had been snowing, so the Brooklyn streets were wet and muddy.

When we got to our apartment my father opened the door. He then stood there.

"Go in!" I demanded.

"We'll have to wait," he said gloomily, "Your mother mopped the floor and it's still wet." This giant, tough, street-brawling Galician then looked at me sheepishly, "I'd rather walk through a mine field than step on your mother's wet floor."

I learned a lesson there.

She used to delight in telling stories how, as a child, she would often win the horse races that kids staged around the small country towns where she was raised in Oriente province, where her father was a Mayoral.
 

"I almost always won," she'd say, and then would add: "Even though I was a skinny girl."

Once, in her seventies, back in the days where you could actually accompany people to the departing gates at airports, we were escorting my oldest daughter Vanessa, who had come to visit, and we were running late. As we got to the airport, we ran to the gate, and to everyone's surprise, Abuela got there first. I still remember how delighted my daughter was that her grandmother could still run like a gazelle.

When I joined the Navy at age 17, my first duty station was USS SARATOGA, which at the time was stationed in Mayport in Florida, and thus my parents decided to migrate south to Florida and moved to Miami... just to be close to me.

They spent the next 40 years in the same apartment while I was stationed all over the world.

The mostly Cuban-American families that lived over the years in that apartment loved my mother, and would always tell me stories about my mother, ever the nurturer, bringing them food when she knew that they were going over tough times, or riding the buses with them, just to show them the routes.

This week, when I arrived in Miami, already somewhat knowing that this was approaching the end, I saw her with tubes coming out of her mouth and her eyes closed. When I spoke to her she opened her eyes, and in spite of the visuals that my eyes were seeing she somehow still managed to look strong. 

I showed her photos and movies of her grand children, and talked to her for a long time.

I thanked her for having the courage to leave her motherland and afford me the opportunity to grow as an American.

When she was being extubated, a young woman came into the room with a guitar and played and sang the haunting free prose of Guajira Guantanamera (The peasant girl from Guantanamo); a most fitting song, since my mother was from Guantanamo, and she came from strong Cuban peasant stock.

"Guajira pero fina (A peasant, but a very refined woman)", noted a neighbor and loving caretaker. 

The song, which can start with just about any prose, started with the Jose Marti poem:

 Yo quiero, cuando me muerasin patria, pero sin amo, tener en mi tumba un ramo de flores y una bandera
I want to, when I die, without my motherland, but without a master, to have on my tomb a bunch of flowers and a flag.
She died without a master, a strong and pliable woman who not only gave me the gift of life, but also the gift of freedom.

And as my mother died in her sleep in the early hours of the morning, in the capital city of the bitter Cuban Diaspora, all that I could gather to say to her was mostly the same that I said to my father when he passed last year: "Thank you for your courage... from me, and from my children... and soon from their children. You opened a whole new world for them."

I love you Mami... Un Abrazo Fuerte! Thank you for your gifts to me and my children, and happy birthday in Heaven!

Thursday, June 05, 2025

Women Artists of the DMV: Melissa Ichiuji Gallery

Excited to announce the Melissa Ichiuji Studio Gallery as the Shenandoah Valley Virginia venue for Women of DMV survey show and we have set their opening date at the gallery for Saturday, October 18, 2025.

Located in the heart of the Shenandoah Valley, on Main Street in downtown Front Royal, Virginia, Melissa Ichiuji Studio Gallery is a vibrant center of creativity serving as venue for creators to showcase their talents through exhibitions, concerts, lectures, and classes. 

We now have 13 venues! By far this is now the largest ever curated fine arts show in the US!

  • The Katzen at AU (opening 6 SEP)
  • The Athenaeum in Alexandria, VA  (opening 21 SEP)
  • The McLean Project for the Arts, in McLean, Virginia (opening 11 SEP)
  • Adah Rose Gallery in Rockville, MD (opening 7 SEP)
  • Artists & Makers Galleries in Rockville, MD (opening 4 SEP)
  • The Galleries at Strathmore Mansion, in Rockville, MD (opening 14 OCT)
  • Pyramid Atlantic Art Center in Hyattsville, MD
  • The Writer's Center in Bethesda, MD (opening 13 SEP)
  • Montpelier Arts Center in Laurel, MD (opening 11 SEP)
  • Maryland Hall in Annapolis, MD (opening 8 OCT)
  • Priddy Library at Universities of Shady Grove, Rockville, MD
  • University of Maryland Library in College Park, MD
  • Melissa Ichiuji Gallery in Front Royal, VA

Friday, May 30, 2025

Art Scam Alert!

Beware of this asswipe trying to rip off artists:

From: Lozano Kim - kimlozano576@gmail.com -

Hi there, I'm interested in buying some piece of your artwork. Could you please share some more information about them? I look forward to your response.

Thursday, May 29, 2025

New venue for Women Artists of the DMV survey show!

I am super pumped to announce that the hardworking gallerist and one of the nicest persons on the planet, Adah Rose, has joined the other venues hosting the Women Artists of the DMV survey show that I am curating and which I now suspect will be the largest ever curated group show ever staged in the US! I am honored to add the Adah Rose Gallery to the list!


So far we have:
  • The Katzen Museum at AU (opening 6 SEP)
  • The Athenaeum in Alexandria, VA (opening 21 SEP)
  • The McLean Project for the Arts, in McLean, Virginia (opening 11 SEP)
  • Adah Rose Gallery in Rockville, MD (opening 7 SEP)
  • Artists & Makers Galleries in Rockville, MD (opening 4 SEP)
  • The Galleries at Strathmore Mansion, in Rockville, MD (opening14 OCT)
  • Pyramid Atlantic Art Center in Hyattsville, MD
  • The Writer's Center in Bethesda, MD (opening 13 SEP)
  • Montpelier Arts Center in Laurel, MD (opening 11 SEP)
  • Maryland Hall in Annapolis, MD (opening 8 OCT)
  • University of Maryland Library in College Park, MD
  • A soon to be announced venue in Maryland 
  • A soon to be announced gallery in Virginia 

Thursday, May 22, 2025

Art Scam Alert!

Beware of this asswipe trying to rip off artists:

From: Sarah SM McCain - mccainsarahsm@gmail.com - 

​Hello,I just want to reach out and let you know how much I admire your artworks ,I stumbled upon your online gallery and was immediately captivated by the beauty of your arts .

I would like to know if they are up for sales, I would love to purchase some

Monday, May 19, 2025

A special event featuring Philippa Pham Hughes

Montgomery Art Association is inviting you to a special event featuring Philippa Pham Hughes!

A guiding light, a power force of planetary proportions, one of the key leaders in the DMV area art scene, and the owner of the planet's most amazing smile, Philippa has selected and recommended local artwork and events for years -- first on the Pink Line Project and then on the TV program “Best Bets Around Town” on PBS.

In this Montgomery Art Association event, she will discuss the transformative power of art and relational thinking. Her work has been featured by artnet, CNN, NPR, PBS Newshour, CityLab, The Washington Post, and millions of time in this blog!

In addition, she has spoken widely, including at SXSW, Cato Institute, TEDxAmericanUniversity, Davidson College Center For Civic Engagement, University of Michigan's Penny Stamps Speaker Series, Art & Democracy Day at Hopkins Bloomberg  Center, Fort Worth Women's Policy Forum.

The special event is June 2, 7-8pm at the Kensington Park Library. The event is open for members, non-members and guests, so please invite your friends! There will be MAA sponsored door prizes as well!

Register and learn more here: Montgomery Art Association - Special Event: Talk with Philippa Pham Hughes.

Tuesday, May 06, 2025

At Foundry Gallery: All Members Group Exhibit

Foundry Gallery is one of the key members of the DMV art tapestry and they're having their Gallery All Members Group Exhibit right now and 0n display: 5/3/2025 - 6/1/2025!

Join us for our current “All Members Group Exhibit” featuring work from 12 of our members.  This group exhibition brings together artists working in different styles—abstract, contemporary, surreal, and photography. Each artist has a unique voice and medium that invites viewers to slow down and spend time with the art.  Even though the artwork may look very different from one piece to the next, some pieces use shapes, color, and texture instead of recognizable images to express emotion or movement.  Patsy Fleming and Hester Ohbi are displaying their abstract paintings that invite viewers to feel rather than interpret with bold and energetic colors.  Allen Hirsh has digitally altered images and distorted the image's colors with bright colors and amazing patterns. Sheila Blake and Tasha Fay’s realism paintings portray the world in an accurate, detailed, and beautiful way.  These works show great attention to detail reminding us of the power of observation and the quiet beauty in ordinary things.

Hours: Friday, Saturday, and Sunday (12-6 PM)

Foundry Gallery

2118 8th Street Northwest

Washington, DC, 20001