Congratulations
To Scott Brooks whose work graces the cover of Direct Art magazine, as well as an indepth interview and several illustrations of Brooks' uniquely disturbing and highly intelligent art.
Warehouse Art Fundraiser
When: Saturday, May 14, 2005
Starting at 7pm at the Warehouse Theatre and Gallery. Free parking available - email Molly to reserve spot: ruppertm@erols.com.
Warehouse hosts an eat, drink, look at art, go home with art, fun fundraiser. $150 includes art and evening festivities - bring a friend for $50 for evening festivities. Caricature Artist Andy Scott will draw the crowd - find your face on the wall of "party pics"!
Over 100 pieces of artwork donated by area artists is being displayed at Warehouse beginning Tuesday May 10th 3-10pm; Come and rate your favorites.
The party is at Warehouse, located at 1021 7th Street, NW, on Saturday May 14t.
Call: 202/783-3933 or call Molly at 301/654-2580 or visit www.warehousetheater.com.
Sponsor: $150 (includes art) - bring a friend $50; All tickets include: dinner, drinks, live/silent auction. Note: Tickets will be held at the door.
Storker Project
Street artists are beginning to bloom around the DC area. Today is the not only the first day that we can see Melissa Ichiuji at her Stripped non performance in front of the Corcoran, but also Mark Jenkins has quietly been doing his Storker Project all over the city!
Jenkins on Gopnik's Idea
Mark Jenkins checks in with some thoughts on Gopnik's Corcoran idea:
Thomas Paine vs. Blake Gopnik
By Mark Jenkins
I admit I didn't make it through Gopnik's whole read.
I kept thinking of what a "common sense" decision it was for the Corcoran to do such a thing. And that got me to thinking about Thomas Paine's Common Sense: "these are the times that try men's souls..." the impassioned pamphlet (or memo if you will) that helped ignite the American Revolution.
And then I saw the irony since Gopnik has talked this same talk: "With so much courtly dissolution on show in art these days, you have to wonder if a revolution isn't due. And if it comes, will Whitmore put his classy talents at the service of the rebels?"
This is from Ian Whitmore's review at the Fusebox. Another review I read of his talked about awaiting the next artquake and I sent him a link to Banksy's pranks in NYC. No reply.
What I have noticed is that the Corcoran is doing art out on the street. I saw a chalk drawing on the sidewalk by a student, and this upcoming piece Stripped, ditto.
Instead of getting a Gehry addition (zzzz....) the Corcoran might do better to take the top off the museum, pave a road through it and let the students do street art. I'm sure the students would perk up at the idea.
Really, DC has enough museums; It is a museum Mecca.
And they're all conveniently located on the National Mall so that tourists never have to set foot outside it. If it wasn't for the National Zoo tourists probably wouldnt travel further North than the White House.
That being the case, even if the Corcoran gets hyper trendy with photography, gets a Gehry piece, it may still atrophy just because its just a few feet too far removed from the Mall and you have to pay to get in.
Mostly for me though, the Corcoran is known for their revolutionary school, and so to me its a school first and a museum second. Corcoran is also the only museum where a local artist has a shot at getting works on display. Turn it into a photography museum and await an Ansel Adam's show? Well, the Corcoran might hang on and survive but I don't think it will be birthing any "artquakes." But I don't think Gopnik looks to DC to do anything for the art world, but instead sees it as a container to showcase it. And if the Corcoran takes his advice I think he may be right.
Bailey on Gopnik's Corcoran Idea (and on Levy's response)
Ask and ye shall receive; From J.W. Bailey:
Memo to: Blake Gopnik
Re: I'm a local photographer and I don't do prints!
Blake Gopnik's wickedly cynical and sarcastic memo to the Corcoran Gallery of Art, in which he boldly goes where no man has gone before and outlines its science fiction titanium-clad Frank O. Gehry-future as a tourist-friendly blue-collar-fanfare-for-the-common-man low-art-literate repository of the questionable high art practices of "accessible" photography, almost rises to the level of a comedic masterpiece.
But Gopnik’s clear distaste for throw away representational photography as a legitimate form of high art is glaringly transparent and he’s no doubt very serious; Therefore, the understory of his mildly insulting views about the saccharine appeal of Kodak-moment photos to the non-MFA card carrying uneducated masses are enough to compel a local photographer to respond.
Gopnik says "Because most photographs exist in multiple prints, getting the images you need doesn’t put you at the mercy of a single collection that happens not to lend."
Really?
Perhaps if Gopnik spent more time with his eyes and ears attuned to local photographers (as well as their collectors) he would know that many of us aren’t into the mass-production multiple print aesthetic that he seems to loathe and actually do create one of a kind photographic works of art. But where Gopnik really gets going in his subtle ploy in support of the exhausted arguments declaring the weaknesses of photography as a legitimate art form is having Sarah Greenough, Curator of Photography at the National Gallery of Art, confirm that "casual visitors seem to find photography more ‘approachable’ than more esoteric, and explicitly artistic, media."
From the grassy knoll Gopnik attempts to triangulate the assassination of the legitimacy of photography as a high art form by having Malcolm Daniel of the Met echo that "People don’t feel they need to take an art history course to appreciate photography."
Translation of the above curatorial/art critic conspiratorial drivel: Although the American masses are intellectually incapable of understanding and appreciating the serious challenges of critically celebrated postmodern fine art painting, even the most uneducated illiterate backwoods hard core anti-postmodern-art-hating hillbilly tourist from the most culturally deprived area of the most remote coal mining country of West Virginia can at least enjoy and appreciate looking at a nicely framed photograph of a rock in Yosemite National Park shot by Ansel Adams Рin fact, these d̩class̩ trash de blanc Disney World-Florida-vacation-dreaming fools may even be willing to pull cash out of their Wal-Mart purchased Harley-Davidson motorcycle chain wallets to pay for an admittance ticket for the privilege of stepping inside a chrome plated Gehry building so they can drool all over easily accessible patriotic representational photographs of American flags flapping in the breeze over Arlington Cemetery, snap-shot panoramic impressions of purple mountains majesty, and digitally enhanced scenes of mallard ducks floating on a pond in which the polluted waters have been scrubbed blue through the magic of Abode Photoshop, as well as old photographs of just about anything remotely Americana.
This is priceless!
Here we are several years into the 21st Century and the Chief Art Critic from the Washington Post is still questioning the place of photography in the pantheon of great art. It makes me mad enough to want to burn my camera, as well as my film and prints!
But the real joke with Gopnik’s silly proposition is that his opinion is not the one that counts. Frank O. Gehry is the one who signed on to design a new addition to the Corcoran Gallery of Art, not Gopnik. And you can bet the last worthless multiple print in your museum-worthy donor-friendly photographic collection culled from the discount bins of Salvation Army Thrift Stores that Gehry did not sign on to design a tourist-friendly holding area for low brow photographs.
All one has to do is take a very close look at Gehry’s body of architectural work, as well as his definition of art – save yourself a lot of research and understand that Gehry and Gopnik worship at the same high-tech high art painting church - to see whether or not he would ever agree to this photographic scheme.
To Gopnik’s credit, he opens his ridiculously funny piece by informing all what is common knowledge to everyone in the art world, and especially in Washington, D.C.: that being that the Corcoran Gallery of Art has deep problems at every level.
What a shame Gopnik wasted so much space on his trivial vision for the rehabilitation of the prestige of the Corcoran Gallery of Art, rather than detailing the true extent of the Corcoran’s problems and suggesting real solutions.
Gopnik is a creative art critic/writer and can no doubt produce multiple print solutions for the Corcoran all day long – perhaps when he gets serious, he’ll come up with a creative one of a kind photographic image of a solution that everybody will agree is a work of art.
Sincerely,
James W. Bailey
P.S.
Memo to: Dr. David Levy
RE: Corcoran BS Detector – Would You Care to Tell Us What Frank Really Thinks about Blake’s Idea?
Dr. David Levy, President and Director of the Corcoran Gallery of Art, has weighed in with his polite corporate art speak Letter to the Editor to the Washington Post responding to Gopnik’s idea. I’ll weigh in with my Corcoran BS detector and offer the following translation of Levy’s letter, paragraph by paragraph:
We are grateful to Blake Gopnik for his interesting May 1 think piece, "Memo to: The Corcoran; Re: Sharpening Your Focus." His timing is apposite. Over the past few months, task forces composed of our Trustees, Boards of Overseers and staff have been assigned to think creatively about our institution's future.
Translation: We appreciate you attempting to embarrass us with your lame proposal, but as powerful a member of the DC art elite that you are, much more powerful powers (and certainly much bigger donors than you) are calling future programmatic shots right now in order to secure the needed additional funding to get this Gehry thing to the ground breaking stage.
We find Gopnik's suggestion to focus more sharply on a single programmatic area -- in this case, photography -- to be a provocative and interesting idea. And we agree that such an approach could help us strengthen our identity in a city that sometimes seems to have more museums than residents. After all, the Corcoran has a long history of distinguished photography exhibitions and a pioneering tradition of photographic education at its College of Art + Design.
Translation: Some members of the Corcoran’s staff have children; and just like most kids, we also think photographs can be fun, enjoyable and accessible and wouldn’t necessarily object to having more child-like residents of DC walk into our museum to see more accessible photographs, as long as these children can afford to live in the area of the city where museums do indeed out number residents. It might be problematic for us to have certain problematic residents from certain problematic areas of the city that have no museums to flock en mass to the Corcoran to see overly accessible photographs; so, for security reasons we, would naturally under your proposal have to temper that potential problem by keeping the photographic exhibitions accessible, but not too accessible – for example, we probably would not entertain a photography exhibit titled, "The Massacre," that examines a day in the thug life of 50 Cent. We strive to be ‘bout it ‘bout it, as much as possible in a predominately African-American city such as Washington, D.C., but please give us a break and let’s get our board more diversified first. Once we have a board that truly reflects the demographics of Washington, D.C., then we’ll see what we can do increase visitation to the museum among the young DC resident African-American youth members of 50 Cent’s posse and fan club. Although we briefly flirted with the OPTIONS 05 concept of providing a credible exhibition opportunity for area minority and marginalized artists whose works touch on radical, provocative and disturbing themes, concepts and philosophies through the curatorial direction of Philip Barlow, fortunately cooler heads prevailed in the interests of not rocking the DC government approved TIF (Tax Increment Financing) district for the Gehry project (I think we fired his ass), and, although we know it’s a cop out, we’ll all now look forward to the new OPTIONS 05 curator Libby Lumpkin’s safe choices of predominately white MFA graduate students who are recycling ad infinitum non-confrontational imagery served up by the more easily digestible forms of minimalism that are perfectly suited for display in museums like the Corcoran, but also in the marble foyers of McMansions in Northern Virginia.
In fact, there was an effort some five years ago to establish a National Museum of Photography on the old convention center site, based on the great photography collection amassed by Howard Gilman. When this plan did not materialize, we proposed that the Gilman Foundation join us in the creation of a National Photography Center at the Corcoran, housed in our new Frank Gehry building. Although ultimately this idea did not work out, it would have built on the strength of our important photographic holdings and would have been very much in keeping with the spirit of Gopnik's ideas. Faced with another such opportunity, we would enthusiastically explore it.
Translation: Oh know you didn’t, dog! Props up, bro! You ain’t the first, Blake, to suggest this wonderful idea so don’t go gettin’ all high and mighty and actin’ a fool up in here like you did – uh, actually, I tried and, yes, I do admit that I failed. If somebody wants to pick up the ball and kick it around this time, I might be interested, but I would have to vet the idea, again, with Frank…and I think we all know where that will go, again.
Taken in its entirety, Gopnik's proposal might be hard to reconcile with our continuing mission to present the Corcoran's choice collection of American art (of particular resonance in this capital city) or with its very strong educational and community orientation. Still, he suggests a promising direction, not just for this museum but for our city and our national patrimony.
Translation: Look, man, all of us at the Corcoran know we have problems (and, by the way, I would like to personally thank you and the editorial staff of the Washington Post very much for not going into too much detail about all that history), but, as you know, we’re really all about real high art at the Corcoran, not exhibiting multiple prints or scavenging around in abandoned attics looking for old historic photographic stuff to display. Although there’s no chance in hell we (Frank) will every go along with your scheme, we do appreciate you taking the time to devote a full page to your ego and its idea, rather than excoriating us in painful detail over other serious matters. The potential commercial success of your brilliant concept would probably be much better realized through a for profit corporate enterprise like that which built the International Spy Museum. I personally know the folks over there and would be happy to set you up for a lunch date with them. You can reach me anytime on my Blackberry.
J.W. Bailey
A BLOG Revolution?
"The hype comes from unemployed or partially employed marketing professionals and people who never made it as journalists wanting to believe," he said. "They want to believe there's going to be this new revolution and their lives are going to be changed."Read the New York Times story here.
Levy on Gopnik
Dr. David Levy, Director of the Corcoran, responds today in the WaPo to Blake Gopnik's interesting and provocative idea (from last week) that the Corcoran ought to establish a separate identity by focusing (no pun intended) on photography.
Blake here and Levy's response here.
I am curious what people think about Gopnik's idea. I think that it has some merit and I agree that Philip Brookman has done an extraordinary job as the Corcoran's photography curator. And Gopnik is right in the fact that there are some excellent photography collections, both public and private, in our area; why not have a museum for the genre?
From a commercial perspective it makes sense too; at least half of our shows for the last couple of years have been photography shows. In fact this year, we probably had more like 75% photography shows. Our sales have consistently been at least 50% photography.
Email me your thoughts and comments on this subject and I'll publish them here.
Stripped
The non performance, by Corcoran student, actress, former WPA/C intern and dancer Melissa Ichiuji, is titled Stripped and asks the question "How much would you loose to appreciate what you have?"
Stripped will take place May 10 starting at 6AM and finish May 11 at 6PM. More info here.
Artsy Friday
There are a ton of great art openings and art parties going on all over town tonight! If you've got nothing to do, then you haven't been paying attention!
I'll be at the Warehouse Gallery party for artists who donated works for their fundraiser.
See ya there!
The Thursday Reviews
In the City Paper, Louis Jacobson reviews William Christenberry at Adamson.
In the WaPo, Jessica Dawson's Galleries column reviews a museum show as she writes about Tim Rollins + K.O.S. show at the Kreeger Museum.
In the Gazette, Chris Slattery reviews Elisabeth Lescault at Creative Partners.
League of Reston Artists (LRA) Juried Show
I will be jurying the LRA Annual Juried Show this coming June. The deadline is May 31, 2005.
This annual Juried Exhibition will take place at the Reston Community Center at Lake Anne's Jo Ann Rose Gallery in Reston, Virginia from June 6 – July 4, 2005.
The competition is open to all Washington, D.C. Greater metropolitan area artists working in all media and there is a $500 Jo Ann Rose Award and $1,000 in Equal Merit Awards.
Details, entry forms, etc. here.
More Opportunities for Artists at the Arlington Arts Center
In addition to the great opportunity first posted here, the newly renovated Arlington Arts Center has a couple more excellent opportunities for artists:
Art from Arlington: July 19 - August 27, 2005. Application Deadline May 25, 2005. All artists living or working in Arlington, Virginia are invited to apply for this group exhibition of artworks in all media. Prospectus may be downloaded at AAC's website.
2005 M.F.A Graduates Exhibition: July 19 - August 27, 2005. Application Deadline May 25, 2005. Open to 2005 M.F.A. Graduates studying in Virginia, Washington DC and Maryland. Artworks in all media will be considered. Floor plans and prospectus may be downloaded on AAC's website or call 703.248.6800, ext 12.
Wen Ma Video
Shigeko Bork mu project will next showcase Jennifer Wen Ma's video installation and performance, "Flight and Cleansing Walk."
Wen Ma's work is like a one-person funerary procession. It is a quiet demonstration of loss and grief, and (at the same time), a personal ritualistic cleansing and purging. The opening reception for the artist will be on May 11 from 6 - 8pm.
The video installation will be on view from May 11 till May 27, 2005. Ms.Ma will perform "Cleansing Walk" in Washington, DC from May 6 - 9.
For the time and location of her performance, please call the gallery. Shigeko Bork mu project is located on 1521 Wisconsin Ave., N. W. No. 2, Washington, DC 20007. The phone number is 202.333.4119
Gallery Openings This Friday
This is the First Friday of the month... and of course that means that the galleries around the Dupont Circle area will have their extended openings. By the way... whoever maintains this website needs to really update it! Some of these galleries have closed while others have opened!
Anyway...Specially interesting will be the opening at Conner Contemporary, where Leigh will have Kehinde Wiley and Sabeen Raja. If you have time for only one show, go see this one.
Silverthorne Opening
Alexandra Silverthorne's photography exhibition "No More Hiroshimas! No more Nagasakis!" (which is co-organized by the Hiroshima/Nagasaki Peace Committee of the National Capital Area) opens this Thursday at the Martin Luther King, Jr. Library located at 901 G Street, NW in Washington. The opening reception is on the 2nd Floor, goes from 6:30 to 8PM and refreshments will be served.
The exhibition runs through May 29, 2005. For more information visit her website.
Opportunity for Artists
Solo Exhibitions for 2006 in Arlington Arts Center
Deadline: Friday, July 01, 2005
Ten to fifteen artists will be selected for solo exhibitions to take place in 2006 in one of Arlington Arts Center's newly renovated galleries.
All artists living or working in Virginia, Washington DC, Maryland, West Virginia, Delaware, and Pennsylvania are invited to submit slides. Artworks in all media will be considered.
For more info visit this website or contact them at:
Arlington Arts Center
3550 Wilson Blvd
Arlington, VA 22201
Walsh at Nevin Kelly
I've been hearing some very good things about the current exhibition of paintings by Thomas Walsh at Nevin Kelly Gallery.
Walsh's show runs through May 8, and I certainly hope to be able to drop by and take a look before it closes.
