Lest we forget

"Their struggle is your struggle," he told the ballroom crowd of former Marines and local business people. "If anyone thinks you can somehow thank them for their service, and not support the cause for which they fight - our country - these people are lying to themselves. . . . More important, they are slighting our warriors and mocking their commitment to this nation."

Kelly is the most senior U.S. military officer to lose a son or daughter in Iraq or Afghanistan. He was giving voice to a growing concern among soldiers and Marines: The American public is largely unaware of the price its military pays to fight the United States' distant conflicts. Less than 1 percent of the population serves in uniform at a time when the country is engaged in one of the longest periods of sustained combat in its history.

Read this moving piece by Greg Jaffe in the WaPo.

DC Art Map

I just checked the DC Art Map over at artdc.org and it keeps growing by leaps and bounds.

Check it out here and add your info to it.

Wave of arrests

With an eye on what's going on in the Islamic nations, and the oncoming demise of the Great Socialist People's Libyan Arab Jamahiriya's (Lybia's full name) nasty dictator, the nasty dictators in our own continent are not taking any chances.

According to the Cuban Commission for Human Rights, more than 390 pro-democracy activists were arrested by the bloody Castro regime in February 2011.

In other words, 390 arrests were identified and documented in one-month alone. There may have been many more unknown arrests.

It's clear the Castro brothers are not taking any chances that this spark of rebellion against heavy-handed governments may spread to their 52-year-old reign in Cuba.

DeBerardinis Shoes

Visual artist and sometimes contributor Rosetta DeBerardinis will launch her first line of hand-painted shoes and accessories on April 15th at Lucinda Gallery in Federal Hill in Baltimore.

We wish Rosetta much success with her new line.

Lucinda Gallery is located at:

929 South Charles Street
Baltimore, MD 21230-4037
(410) 727-2782

Erotica 2011

Wanna do something different tonight? Here is the schedule of activities for MOCADC's Erotica 2011 show.

Fri Mar 4 Opening Reception (6 pm to to whenever)
- Live Tattoos by Artist Redz
- Tattoo & Piercing Contest
- Body Painting - Audience Participation

Fri Mar 18 Galleries 1054 Open House 6 to 10 pm

Fri Mar 25 DMV Nude (Sponsored by DMVIFF)
- Call to reserve space 202.342.6230

Fri Apr 1 Closing Party - 6 pm to whenever
- Body Painting Demo - 2 models - 6:30
- Models Perform Geture Poses on stage under Blacklight - 7:30
- Body Painting - Audience Participation

Tonight in Philly: Little Treasures – Big Rewards

The role of small works of art has, in modern culture, been delegated to the “minor works” category. They become overlooked, poorly appreciated and frequently labeled as good choices for a holiday show to generate a few sales. They have also been the subject of shows where size is all that matters, i.e. all works will be postcard size, measure 12”x12”, etc. Historically, the role of small works has been very different. The Mona Lisa is perfectly sized for a good holiday show, as is Edvard Munch’s “The Scream.” Many of Rembrandt’s great portraits would also qualify, and the finest works ever done by Rubens would neatly fit into a child’s knapsack. The creation of small works for many artists has been a device where the improbable becomes possible, an idea is tried or a risk is easily taken.

“Little Treasures – Big Rewards”assembles a group of artists all deliberately working in the small format. For Elizabeth Bisbing, the diminutive scale is her forte, where her collages take on the grandeur of Renaissance masters. For others, such as Vivian Wolovitz, whose large works easily command the viewer in any gallery space, in recent time she has found a rich and varied voice in the pocket size, creating a deep space for the gravity of her painted atmosphere. Alex Queral continues to push the envelope incorporating recycled phone books. Ross Bonfanti utilizes concrete to warm the heart and surprise the senses. Susan B. Howard combines the political with the fanciful, sending a powerful message in a seemingly sweet package. Craig Cully reminds us of the Dutch master Franz Hals with his dazzling Hershey candies, while Caleb Weintraub demonstrates that the sweet world of contemporary children is a troubled place due to the modern obsession with war game technology. Frank Hyder demonstrates the experimental arena of the small works with examples from his perdido and rhythm series. F. Lennox Campello brings us his relentless salsa seasoned social commentaries, invigorating pencil and paper into a sword and shield bent on righting injustice wherever it is found.

In “Little Treasures – Big Rewards,”Projects introduces Canadian realist, Matthew Schofield, working in a diminutive scale using images from his childhood experiences. Zoe Spiliotis makes a debut with a formal spin on geometric linear explosive abstractions. Debra Van Tuinen from Portland, Oregon, serves up sensuous sky-like images made in encaustic that appear to be mixed with air. Projects also introduces Marcelo Suaznabar, a Bolivian artist currently living in Toronto, whose surrealistic vision presents a world where nothing is as it should be but often is more appealing than how things are. Amy Orr arrives for the first time at Projects with her imaginative up-cycled transformations, while E. Sherman Hayman returns with selections from her coffin series, loaded with meaning and too good to bury. This group exhibition puts the emphasis on the rewards, not the ruler, and packs a real punch.

“Little Treasures – Big Rewards”will be on display at Projects Gallery in Philadelphia from March 4 - 26, 2011. There will also be an artist’s reception First Friday March 4th from 5 - 9 p.m. The reception is free and open to the public.

Geez

Just found out that there is a "Real Housewives of Miami" show now... and that the three Cuban ladies in the cast are already making my peeps look bad.

That's Alexia Echevarria, one of the Cubans in the TV show and (I'm told) known in Miami as the Cuban Barbie.

Ay Dios Mio!

Ruth Trevarrow this Sunday

Painter Ruth Trevarrow "dares us to see the lush beauty in bare bones, with a collection of powerful shapes and lines distilled from skeletal remains."

Please join her at the beautiful Athenaeum in Old Town Alexandria for the opening reception on Sunday, March 6 from 4 to 6 pm.


On Sunday, March 20 at 4 pm, Trevarrow will be joined by scientists from the Smithsonian Institution to discuss the relationship between her art and the bone collections that inspired the works in the exhibit.

I think that this artist is one of great "undiscovered" jewels in the DMV. Don't miss this show.

Major DMV Gallery to close

Have heard from a couple of artists that a major DMV area gallery, which has been around for almost two decades has announced to them that it will close its physical location.

As this gallery is one of the few DMV galleries that does the major art fairs, I suspect that they will now just become an online dealer and simply continue to do the art fairs.

Update: I think that I broke this story, but Lou Jacobson confirms it in the Washington City Paper... Fraser Gallery will close.

Update 2: Heather over at DCist gets the credit for breaking the story... see it here.

Update 3: artdc has an interesting string of artists' comments about Fraser closing; read them here.

Opportunity for Artists

APPLICATION DEADLINE: May 2, 2011
NOTIFICATION DATE: May 23, 2011
EXHIBITION DATES: June 22, 2011 - August 21, 2011
OPENING RECEPTION: June 24, 2011, 6 to 9 PM

PLANNING PROCESS: Drawings and Finished Works at Arlington Arts Center.

Juror: Helen Allen, former creator and Executive Director of PULSE Art Fairs, former Executive Director of Ramsay Art Fairs, and current partner for the upcoming (e)merge art fair in Washington DC.

PLANNING PROCESS is a juried drawing show with a difference: All of the drawings selected for inclusion must be studies created in preparation for finished artworks.

Winning studies will be shown alongside finished pieces in a variety of media: A sculptor or a painter could show sketches alongside finished objects . . . a video artist could show storyboards alongside video . . . an installation artist could show plans alongside photos documenting a finished project--or a recreation of that project onsite.

Artists can submit images of up to three projects, and four preparatory drawings per finished project. The juror will pick as many projects from a given artist as she likes, and as few or as many studies connected to each project that she would like to feature.

BOTTOM LINE:

- This show is open to cutting edge contemporary artists working in any/all media, and who live or work in Virginia, Washington DC, Maryland, West Virginia, Delaware, or Pennsylvania.
- You may submit images of up to THREE PROJECTS: Up to four images of preparatory drawings may be submitted for each project; submit one JPEG of each finished 2-D work; up to TWO JPEGs of 3-D works; and MPEGs no longer than five minutes for video works.

Application here.

Armory Week in NYC

The Armory fair starts tomorrow in NYC, and this year an ever growing number of satellite fairs tag along, including a first for Brooklyn!

It's a little puzzling to some why it seems like (in the US) art fairs only tend to be successful in Miami and New York - and the best evidence of that is the growing number of satellite fairs which tag along Art Basel Miami Beach in Florida and Armory in NYC.

Moving Image, a fair dedicated to video, makes its debut this year, and it is offering free admission! The fair is co-founded by Edward Winkelman of Winkleman Gallery and Penny Pilkington and Wendy Olsoff of PPOW Gallery, continuing the trend of gallerists starting their own art fairs.

DMV galleries are mostly staying home this year, but Conner Contemporary is at the Armory show itself, and Civilian is at Scope, while Richmond's ADA and Norfolk's Mayer Fine Arts are in other satellite fairs.

Deborah Kahn at the WSS

The Washington Studio School will present a drawing exhibition of work by Deborah Kahn. The show will be on view March 21 to April 23.

Join them Friday, March 25 for Events with the Artist:

Workshop*: 2pm-4pm

Slide Lecture: 5pm-6pm

Reception: 6pm-8pm

Registration is required for workshop ($55). Register here. Space is limited, sign-up early! Slide lecture and reception are FREE.

RSVP kindly appreciated to 202-234-3030 or admin@washingtonstudioschool.org. Deborah Kahn's paintings will be also on view this spring at the Bowery Gallery in NYC from April 26 through May 21.

DC artist John Grazier pops in

 Hello,

I just experimented with a new marketing tool:  two youtube videos.  One, to sell a 40"X60" painting of an apple, "Big Apple," the 'hook' of the video being photos of New York and a soundtrack of music from the 1940s and 1960s, -- and as you must know, New York being called the big apple.  This video is about five minutes long, "Big Apple, New York, New York."

http://www.youtube.com/watch?v=JrJnzEo7Pik

The second is a video montage of about twenty drawings and paintings, with a chamber music soundtrack, "Years of Dreams in Minutes," less than two minutes long.

http://www.youtube.com/watch?v=kKQZ5dMY0dA

I am sending this email to all recipients in my list of contacts.  If you receive a duplicate of an earlier email, I apologize.

I have posted two videos about my paintings on youtube.

It is best to click on the hyperlinks instead of the youtube icons at the bottom of the page; then select full screen

Also, if you don't already know, I have a new website, www.grazierart.com.

John

John is one of the most talented artists in our region - a true master of drawing and painting! 

On Strike from the Huffington Post

Just received the below from Bill Lasarow, Publisher and Editor of ArtScene / Visual Art Source

When ArtScene and Visual Art Source was invited to become a Huffington Post blogger last year I, as publisher and editor of both publications, understood that the company paid nothing. We surveyed our writers’ reactions to assess their willingness to have their material reposted there for no additional pay. Visual Art Source, ArtScene and art ltd. (http://www.visualartsource.com) form an umbrella art publishing company that is actually quite large by the standards of our very specialized field. The tens of thousands of readers and online users that we boast, however, are miniscule compared to the 26 million visitors per month that the Huffington Post currently draws.

Yet we are now going on strike. For now, at least, no more content from us will appear on the Huffington Post.

And just like the corporate titans of the American Right, it would come as no surprise if Ms Huffington, whom I am certain has a good heart and only the best intentions, were to assume the obvious position: Who needs these people anyway? They are not even employees.

Nonetheless, we shall remain on strike until these two demands are met. First, a pay schedule must be proposed and steps initiated to implement it for all contributing writers and bloggers. Second, paid promotional material must no longer be posted alongside editorial content; a press release or exhibition catalogue essay is fundamentally different from editorial content and must be either segregated and indicated as such, or not published at all.

I am also calling upon all others now contributing free content, particularly original content to the Huffington Post to also join us in this strike.

We think it is incumbent upon the many writers and bloggers to form a negotiating partnership with Huffington/AOL in order to pursue these and other important matters so as to professionalize this relationship. It is not entirely Ms Huffington’s fault that so many talented professionals have been willing to accept the company’s terms on an “in kind” basis. Surely most do so in the hopes of achieving their own fame and fortune thanks to the great exposure that Huffington Post potentially offers. Unfortunately, such participants are only complicit in a relationship that fails the ethical smell test. And those who are already nationally known figures who will never need to be concerned about pay scales, shame on you, you should know better.

It is unethical to expect trained and qualified professionals to contribute quality content for nothing. It is unethical to cannibalize the investment of other organizations who bear the cost of compensation and other overhead without payment for the usage of their content. It is extremely unethical to not merely blur but eradicate the distinction between the independent and informed voice of news and opinion and the voice of a shill.

None of this is illegal, only unethical and oh so very hypocritical, so Ms Huffington if you insist do carry on, by all means. However we are taking this action, with the full knowledge of our contributing writers and editors, in the belief that your better angels will enable you to do the right thing. We stand ready to provide whatever helpful input we can.

For further information please contact Bill Lasarow, Publisher and Co-Editor of ArtScene / Visual Art Source, (213) 482-4724, artscene@artscenecal.com / billl@visualartsource.com

Tonight: Select's Curators Talk



Tonight is one of the The Washington Project for the Arts' (WPA) big events of the year, as their Annual Art Auction Exhibition and Gala, SELECT kicks into high gear tonight with the Curators' View event from 6:30 pm to 9:00 pm. The event is free and open to the public.

At the Curators' View, each Select curator will present and discuss their exhibition selections. In addition, WPA's prized Alice Denney Award will be presented by Robert Lehrman to Washington-based artist William Christenberry for his support of WPA and sustained commitment to the DC arts community.

Then Saturday, March 12, 2011 marks the 30th anniversary of the organization's well-known arts gala that includes a curated silent auction of more than 100 contemporary works by top contemporary artists, formal dinner, and performance art.

The events will be held at 700 Sixth Street, an Akridge-managed property, in northwest Washington on top of Chinatown; it is expected to draw over 500 art enthusiasts. You can see the selected works online here.

Meet Joel D’Orazio tomorrow

Art chairs, sculpture and abstract painting by architect turned painter/sculptor Joel D’Orazio. New as a Zenith Gallery artist, D’Orazio will be featured in a solo show, Listen to Me, at the Gallery at 1111 Pennsylvania Avenue NW, curated by Zenith Gallery.

The show opened on February 7 and will remain on display through May 13, with a “Meet the Artist” Reception on Wednesday, March 2, 5:30pm to 8:00pm.

Blake Gopnik busts the NYT!

Ahhh... did the grey old lady get caught ripping off an artist? .... and who may have caught the NYT?

Applause for the Gopnikmeister!

Read about it here.

But as Blake points out towards the end of the piece... there is no real copyright issue here... if you copy Dali's La persistència de la memòria then you have broken the law.

But if you paint your own melting watch, then you've just stood on the shoulders of a giant.

Still.... bravo Gopnik!

Sunday Funnies (ahem) Stamps


I know I'm gonna get killed for this, but here I discussed when I detected possible pornography in the American stamp issue of Sunday Funnies, and here I broke out one of the first two possibly sexualized panels (yay!) in our sexy nation's stamps history.

But as Tery Gilliam predicted in his groundbreaking film Brazil, all of you are too chicken to come forward (other than the dozen plus emails I've received... offline) to "see" the Onanist issue here.

Wait till tomorrow for me to tell you what Odie The Onanist is doing.

Antonia Ramis Miguel at Watergate

Spanish-born artist Antonia Ramis Miguel has a show coming (March 5th - April 2nd, 2011) at The Watergate Gallery in DC.

The Reception is this Saturday, March 5th 6-8pm and there's an Artist talk on Tuesday, March 15th at 6pm.

Antonia Ramis Miguel was born in Spain in 1963 and has been painting since childhood. She studied with Edgardo and Alceu Ribeiro, students of the renowned constructivist Joaquin Torres-Garcia. In this exhibition Antonia Ramis Miguel continues with her approach to Constructivist art. Her oil paintings combine the strength of structured line, color and abstraction creating a dramatic visual effect that arranges the parts of a subject into a whole. She spent several years studying the techniques of, among others, Rubens, Sargent, Velazquez and Vermeer. Miguel spent four years painting and teaching in Washington D.C. before moving to London where her palette was influenced by the greys of the sky and bricks of the buildings. The influence of her native Spain, particularly the use of saturated color, is however still visible in her work. She has shown her work in individual and collective exhibitions in her native Spain, the United Kingdom, Austria and the United States.

500 children, 500 cameras, 500 moments

Photojournalist Ramzi Haidar launched the project Glimpse (Lahza in Arabic) to bring together photographers, journalists and artists with children ages 5-12 in Palestinian refugee camps in Lebanon. The children worked with these volunteers for one year to learn the basics of photography. The images they produced with their cameras are entirely their own, giving them a power to reveal a reality rarely seen. Large scale photos and books about the project are on display at the Jerusalem Fund Gallery.

At the The Jerusalem Fund Gallery (2425 Virginia Ave. NW, Washington DC 20037). From March 11– April 8, 2011 with an Opening reception on Friday March 11, 6-8 PM.