Victoria F. Gaitán at Conner
With 35 new images from one of the most talented new artists around, this is sure to be a mind-popping exhibition - plan to be there!
Exhibition Dates: November 5 - December 17, 2011
Opening Reception: November 5th @ 6 - 8pm
Exhibition / Opening Location:
Conner Contemporary Art
1358 Florida Ave, NE
Washington, DC 20002
Phone: 202/588 - 8750
info@connercontemporary.com
Thursday, October 27, 2011
Wednesday, October 26, 2011
Tuesday, October 25, 2011
He sez it may be Karma
What happened to my good bud John Anderson has to be on your reading list - so read it here.
Wake effects
When a ship moves across the water, depending on a variety of factors, it leaves a wake that can be discernible, in some manner or form, for a very long time and through a very long distance.
Doing an art fair is the same, and art fair wake effects can sometimes take over a year to settle down.
At the recent (e)merge art fair, my Virginia dealer, Mayer Fine Art (who did really well at the fair), sold my top piece in the room - an embedded video piece - to a very well-known DMV area art collector couple.
The wake effect from that sale just reached me, as I am now in the process of closing a sale with another art collecting couple (not a DMV area collector), who saw that work at the home of the buyers, inquired about it, got a glowing recommendation and now I am about to be acquired by someone on the list of the top 200 art collectors in the world.
In case you are wondering: yes... I am bragging and thanks USS (e)merge!
Monday, October 24, 2011
Alexandra Silverthorne
For the past three years, my good friend Alexandra Silverthorne has been working on MidNights, a series of nocturnal photographs exploring ideas around space, landscape, and proprioception. In November, she will be exhibiting a selection of these photographs at harmon art lab (HAL) in Washington, DC. This exhibition will coincide with a book launch of MidNights: photographs + writings.
The Exhibition
Opening Reception: Friday, November 11, 6pm-9pm
Artist Talk: Saturday, November 19, 2pm-3pm
Book Launch: Wednesday, November 30, 7pm
The exhibition will run from November 11-December 3. MidNights will be exhibited in the solo space while installation artist/architect Ira Tattelman will be taking over HAL's project space.
The Book
This 76-page book presents the complete collection of the 41 MidNights photographs along with the series of short writings. The writings are based on personal experiences and touch upon the different ideas that fueled the project. The book also includes an introductory essay by Jayme McLellan as well as a conversation with Rebecca Duclos.
The book can be previewed and purchased online here or at harmon art lab in Washington, DC during the run of the exhibition.
Sunday, October 23, 2011
Calling all curators
This is an opportunity to submit a group proposal for exhibition, workshops, programs, and lectures at the Howard County Center for the Arts in Ellicott City, Maryland.
Here are the submission details for the galleries and black box theatre. They are especially interested in multi-cultural themes that would appeal to the diverse and global community in Howard County, Maryland.
Additional inquiries can also be directed to Coleen West, Executive Director Howard County Arts Council/Howard County Center for the Arts. email: coleen@hocoarts.org and phone: (410) 313-ARTS. They are always open to collaborative programming and partnership relationships as well at the Howard County Arts Council.
FotoWeek DC = Free Corcoran
In association with FotoWeek DC, the Corcoran Gallery of Art will be offering free admission, and will remain open on Monday, Nov. 7 and Tuesday, Nov 8 from 10 a.m. - 5 p.m. - usually the Corc would be closed those days.
The Corcoran will also host two of the FotoWeek launch parties. FotoWeek itself begins at 5 p.m. at 1800 L Street and then moves on to the Corcoran at 8:30 p.m., with a cocktails, food, and music party.
For photographers who would like a professional commentary of their work, Portfolio Review Sessions will be held at the Corcoran on Nov. 12 between 10 a.m. - 1 p.m. and 2 p.m.- 5 p.m. The reviews will be done by curators, professional photographers, and photo editors, each taking 20-minute sessions to review individual portfolios.
More info on the reviews here.
Tickets for the Portfolio Review Session are $75 (student discounts available)and tickets to the launch party are $55 and include admission to both the opening parties at FotoWeek Central and the Corcoran.
Saturday, October 22, 2011
Aqua Art Fair
Pretty psyched that my video drawings will be at the Aqua Art Fair in Miami Beach this coming December - almost right across the street from ABMB.
Anybody who will be in Miami for the art fairs and wants a free pass, please drop me an email.
Kristy Simmons at ACP
Artist Reception:
5:30pm - 7:30pm, Monday, November 7th
Artist Talk - 6:30pm, November 7th
Show ends May 4, 2012
See it live at show or order online:here.
American Center for Physics
One Physics Ellipse, College Park, MD 20740
Friday, October 21, 2011
Illustrators at Montgomery College: Brad Holland Talk!
Brad Holland is one of the most influential illustrators of the 20th Century. The New York Times, in nominating him for a Pulitzer Prize, wrote that his work goes "beyond the moment to illuminate a general condition universal in space and time. The images are sometimes brutal, but the feeling is almost always compassionate." The Washington Post has called him "an undisputed star of American Illustration," and the editors of RSVP, the artists' directory, voted him "the one artist, who in our opinion, has had the single greatest impact on the illustration field during the last twenty five years." Writing in Print magazine, critic Steven Heller concluded, "as [Jackson] Pollock redefined plastic art, Holland has radically changed the perception of illustration."
In recent years, Brad Holland has emerged as the seminal voice illuminating the complex and shifting business landscape for illustrators and their diminishing control over their copyrights and businesses. He is one of the founders of the Illustrators’ Partnership of America (IPA), the first organization in the history of American visual authorship to seek to implement a rational collective rights clearance administration for illustrators’ copyrights.
WHEN: THURSDAY, NOVEMBER 3, 2011, 8 - 9 p.m.
WHERE: Montgomery College School of Art + Design (Takoma Park Campus)
The Morris & Gwendolyn Cafritz Foundation Arts Center Auditorium
930 King Street, Silver Spring, MD 20910
Thursday, October 20, 2011
Tomorrow night: Percy Martin
Georgetown's Parish Gallery will showcase one of the DMV's most venerable and influential printmakers, Percy Martin, whose exhibition entitled “Bushmen Dreams” will open with a reception from 6:00 – 8:00 pm on Friday, October 21st and will run through November 15, 2011.
Percy Martin is a printmaker and teacher of art who has lived in the Washington, DC area since 1947. For over 25 years, he has been quietly working on a series of lush and technically complex prints detailing the daily lives and rituals of the Bushmen, a mythological people and culture born of Martin’s imagination. He studied printmaking and graphic design at the Corcoran Gallery of Art where he received a Ford Foundation Fellowship in 1966. In 1975 the National Endowment for the Arts awarded him with an Artist-in-Residence.There are a lot of DMV area artists, mostly those who were schooled around here, who received the spark of creativity from this talented artist, and I know that no art collection with any sort of focus on DMV artists, is complete without a Percy Martin in the collection.
Mr. Martin taught private classes in etching and has been the Director of the W.D. Printmaking Workshop in Washington, DC, since 1947. He taught at the New Thing Art and Architecture Center, University of Maryland, Corcoran School of Art, printmaking to inmates at Lorton Prison, the Duke Ellington School of the Arts and finally the Sidwell Friends School, from which he is now retired.
Mr. Martin has shown his work widely in the U.S., Russia, the Ukraine, and Africa. His works have been in traveling exhibitions of the Smithsonian Institution and are found in numerous private collections and the collections of the Washington Post, University of Maryland, and the National Collection of American Art.
Don't miss this show.
Postcards from the Edge
The 14th Annual Postcards from the Edge: A benefit for Visual AIDS
January 6-8, 2012
Hosted by Cheim & Read
PREVIEW PARTY: Friday, January 6, 2012 from 6:00 - 8:00 PM
The only opportunity to see the entire exhibition. No sales. $85 admission.
BENEFIT SALE: $85 each.
Saturday, January 7, 2012 from 10:00 - 6:00 (*Buy four and get a bonus fifth)
Sunday, January 8, 2012 from 12:00 - 4:00 (*Buy two and get a bonus thirdhttp://www.blogger.com/img/blank.gif)
Over 1500 anonymous displayed postcard-sized masterpieces.
Postcards From the Edge is a Visual AIDS benefit show and sale of original, postcard-sized artworks by established and emerging artists. All artwork is exhibited anonymously. While buyers receive a list of all participating artists, they don't know who created which piece until after purchased. With the playing field leveled, all participants can take home a piece by a famous artist, or someone who is just making their debut. Nonetheless, collectors walk away with a piece of art they love, knowing that the money raised will support HIV prevention and AIDS awareness.
Click here for more info.
Visual AIDS invites artists to donate a 4" x 6" original work on paper for our Postcards From the Edge exhibition and benefit sale. Painting, drawing, photography, printmaking and mixed media are all welcome. Artists must be 18 years or older to participate. One entry per artist.
Click here for information how you can participate.
DEADLINE: Postmark Friday, December 9, 2011
Wednesday, October 19, 2011
At Gallery Har Shalom
Gallery Har Shalom announces the opening of the show titled "Abstract and Real, or Not." The show features the work of five artists--Felisa Federman, Potomac, MD; Amy Kincaid, Takoma Park, MD; Julia Latein-Kimmig, Potomac, MD; Nancy Pollack, Columbia, MD, and Joyce Zipperer, Springfield, VA.
The mixed media abstracts of Felisa Federman address the human struggle to understand the natural world around them. The work presents concepts including identity, classification and powerlessness. Her concern with “inventory control” of individuals resonates visibly throughout her work.For further information and directions, please call the synagogue office at 301-299-7087.
Collage abstracts created by Amy Kincaid are experiences in structured improvisation, influenced by and in the tradition of some forms of post-modern dance and performance. They also could be described as mixing or sampling, because they involve combining, reorienting, layering, and altering unrelated snips of existing images with paint and drawing, creating layers that are built, bit by bit, over time.
Julia Latein-Kimmig displays acrylic paintings that focus on a lively exchange of line and form, old and new, plain and color, starting off with a dialogue on canvas. She enjoys the process of introducing neglected, often discarded remnants of art and infusing them with new life by combining them with fresh new line work and brushstrokes.
Nancy Pollack crafts striking wearable necklaces with silver wire using crocheting and knitting techniques, including an antique tool for tube knitting. Her knitted wire work has been published in Belle Armoire magazine. Her current artistic challenge is to see how many different things she can make with a knitted wire tube.
As a sculptor, Joyce Zipperer presents work that focuses on women's shoes and adornments. Her work addresses how women, throughout history, have been lured and influenced by trends in fashion, often discounting comfort and health issues. Using metal to create the shoes underscores an uncomfortable fit of an alluring or humorous style that we simply must wear. The hats of metal and mixed media refer to styles from vintage to present day. Wearable they are not.
Gallery Har Shalom, Har Shalom Congregation, 11510 Falls Road, Potomac, MD.
Tuesday, October 18, 2011
Did anybody?
Did anybody happened to take any photos of the three people who were climbing the USAF Memorial today?
I was driving by when I noticed that there were two bodies near the top of one of the three spires. About an hour later, when I was driving by on the return leg, there was a third body and all three were on a different spire.
I assumed that they were either cleaning it or inspecting it for earthquake damage? In any event, it looked really surreal and I wished that I had a camera at the time.
Monday, October 17, 2011
Mark Jenkins
The last few weeks, at openings, at (e)merge and other artsy hangouts, I've noted that one interesting item of discussion has been the drastic and (I would add) positive change that Mark Jenkins' galleries writing in the Washington Post has brought to what had been not only mostly a negative view of nearly everything and anything that DMV galleries hung on their walls, but a very small universe of galleries covered by the former freelancer that used to write the Galleries column.
Jenkins has brought a refreshing set of new eyes (new but experienced, as this guy has been writing about DMV culture for years for the WCP) to the WaPo's visual arts coverage, and I for one, welcome this new byline to the Post's scant coverage of the DMV gallery scene.
And... this Mark Jenkins is not the same Mark Jenkins who is the famous street artist.
Sunday, October 16, 2011
Saturday, October 15, 2011
Subscribe to:
Posts (Atom)
