Superheroes book out

The True History of the Superheroes book is finally out from Editorial RM.

52 pages with 20 gorgeous photographs by Dulce Pinzon.

Available in both Spanish and English.

Order it here.

The Beginner's Guide to Art Investments

First and foremost, be sure that the art is something that you genuinely enjoy. The price of art is relatively unpredictable and is heavily based on developing trends; there’s no guarantee that it will have appreciated in value (or even maintained its value) over time, so you may be stuck with the piece for the long haul. Another helpful tip is to always learn the artist’s backstory, as it has a fair amount of weight in the resale value of a piece. Those with interesting stories behind their life or how they got into art tend to have higher values on their pieces; knowing the story behind a piece can be a major selling point for collectors.

Read the whole article here.

I kid thee not...

The theft of the painting was first discovered in late 2002, when the Contemporary Art Museum of Caracas was contacted by a Miami gallery owner saying that someone had offered to sell it to him. 

Experts at the museum inspected the likeness and were shocked to find that it was a fake, and not a very good one, at that. Someone had removed the original painting from its frame and put the fake in its place, leaving it to be exhibited as if it were the real thing. And no one noticed.

Read the full article here.

Was the nude too crude for beach?

Here we go again...

HAMPTON — A sand sculpture of a naked woman has some in the Hampton Beach Village Precinct calling on organizers of the popular annual competition to ask master sculptors to use more discretion next year in their artwork.

Resident Tim Jones called the sculpture "pornographic." The event organizer calls it an issue of artistic freedom.

Read the whole article here.

Anderson sez...

"I push it!"

Airborne

The kid is heading to the Left Coast for a week in San Diego... more later!

Airborne

Heading back home today from Montreal and then heading back out tomorrow morning, this time heading out to the Left Coast (San Diego)...

In Atlanta Airport's cool tunnel of colors between terminals...

Bad taste or offensive?

Ad column in Montreal

I think both...but free countries are free countries for a good set of reasons, some good and some not so easy to understand.

From American Airlines

And airlines wonder why people have low opinions of them... this recently received from American Airlines:

In order to streamline our program, we are announcing a change to AAdvantage miles earned before July 1, 1989, also called Miles With No Expiration.

Starting November 1, 2012, these miles will automatically be converted to Miles Subject to Expiration...

(e)merge announces...

News release from the (e)merge art fair:

(e)merge art fair, created to advance emerging art, returns to Washington, DC this fall. (e)merge welcomes back galleries from across the US and Europe including: BROTkunsthalle, Vienna, Austria; Amstel Gallery, Amsterdam, The Netherlands; Aureus Contemporary, Basel, Switzerland and Providence, USA; G Fine Art, Washington, DC, USA; Goya Contemporary, Baltimore, USA; and NOMAD, Brussels, Belgium. Among the galleries newly joining the fair are: Bäckerstrasse 4, Vienna, Austria; Flying Rooster Contemporary Projects, Montreal, Canada; Galería Servando, Havana, Cuba; Trailer Park Proyects, Guyanabo, Puerto Rico; Contemporary Wing, Washington, DC, Mixed Greens, New York, USA; LYNCHTHAM, New York; and Project 4 Gallery, Washington, DC, USA. A complete list of gallery and artist exhibitors will be available soon.

(e)merge is honored to have the support of the members of its inaugural Host Committee: Jane and Calvin Cafritz, Carol Feld and David Levy, Izette and Neal Folger, Janice Kim and Tony Otten, Alexia and Roderick Von Lipsey, Kim and Patrick Nettles, Rose Nosseir and Paul Carter, Frederick Ognibene, Lorie Peters, Robert Shapiro, Sid Stoltz and David Hatfield, and Daren Thomas.

“DC is one of the fastest-growing and most prosperous areas in the country, and Washington’s business, tech and collecting communities have rallied to support (e)merge and its exhibitors. With its entrepreneurial spirit and creative energy, this fair can become a model for promoting emerging art and artists everywhere."
- Robert Shapiro, Chairman of Sonecon, LLC
(e)merge is proud to partner with UBS and excited by the support of our sponsors: ESL Group, LivingSocial, HapstackDemetriou, Kaze Design, Vivid Solutions, the DC Commission on the Arts and Humanities, Exhibit-E, Industry Gallery DC, and Whiteford, Taylor, & Preston; and media sponsors: The Art Dossier, The Art Newspaper, BrightestYoungThings, DC Modern Luxury, Gallerist, and the Pinkline Project.

“As our culture evolves, moment by moment, the emergence of new ideas about architecture, design and art are changing and enhancing our daily lives. Giving an experience to this evolution is what our partnership with (e)merge is all about.”
- Peter Hapstak & Olvia Demetriou, Principals, HapstakDemetriou
This year the fair looks forward to another series of educational events in October with our cultural partners – The Corcoran Gallery of Art, the Hirshhorn Museum and Sculpture Garden, the National Gallery of Art, the Phillips Collection, and the National Museum of Women in the Arts.

(e)merge art fair
Thursday, October 4 through Sunday, October 7, 2012
Washington, DC
www.emergeartfair.com

I used to say neigh

Stories like this one used to spin me up... now I just say: Hey! What the heck... there's plenty of room for all of us in the art world.

After Artomatic

The most common criticism levied upon Artomatic, is that because it is lacking the dictatorial. yet benevolent hand of the curator, it is a jumbled universe of so much art and so many artists, that art critics and other art world symbiots soon run out of brain storage and processing power and all they see is kitsch and trash and dreck.

For the past several years, some enterprising independent commercial art galleries from the region have staged their "after" AOM shows, where they have usually showcased the gallery owner's selection of what artists he or she were the top picks of that particular AOM. That's how PostSecret's Frank Warren and WGS' Tim Tate got their first commercial gallery shows.

Some galleries have also taken my AOM selections and organized post-AOM shows based on my picks, the most recent of which you can read here.

And I can tell you that in that post AOM tradition, next month I will be curating a post AOM exhibition at The Edison Place Art Gallery in Washington, DC.  Then the critics can take their critical pot shots at me, the vastly experienced, highly respected, immensely virile and good looking curator, rather than shoot empty, lazy negative word bullets at a show in general.

More news later as I ramp up for putting this show together in record time.

Montrealing

Bus touring around the Montreal Gay Village

Touristin' in Montreal... can you see me?

Little Junes doesn't want to miss a thing!

Montreal, Canada

We're in Montreal, Canada, where the Professor is lecturing at a conference and I'm gallery hopping in order to write some impressions of Montreal art galleries, as well as meeting and delivering a commissioned piece to a local art collector.

We're staying in the old city, which is a great venue for walking with a stroller, although Little Junes' mom just informed him that she's weaning him out of the stroller pretty soon.

This is a great walking area, packed with tourists, entertainers and lots of people walking around with official-looking badges.

But first things first, and first of all is some good Canadian suds at a local joint off Rue de la Commune accompanied by a nice salad with smoked salmon.

 Tan is compliments of all the time outdoors in the last few days checking out the hole in the roof and clearing out fallen branches from the back yard.

Of course, while waiting I did some sketches on the paper provided... in the end we ended with a set of sketches of Anderson as :

• himself wearing his favorite orange Dolphins ball cap (gift from his padrino Jorge); 
• Junes as a bird; 
• Junes as a bicycle; 
• Junes as a pepper shaker.

Sorry about all the food stains.

Heh, heh...

Airborne

Flying out tonight and heading to Montreal, Canada for a week... no more storms while I'm gone.... please!

Uninformed art critic turns into misinformed opinionist

As someone who resolutely avoids the commercial side of the art world whenever possible and prefers to focus on the artwork itself, my impression of art fairs comes largely from written accounts. Fairs in places like Basel, Switzerland, Miami Beach and New York City have been represented as typically glitzy affairs in which most of the best work sells out during exclusive previews and to which the unwashed public is invited as a kind of afterthought. The idea of bringing this kind of art culture to Buffalo initially struck me, to put it nicely, as unexciting.

But judging only by a walk-through of the fair and of Larkinville Saturday morning, this sort of elitist vibe does not surface in Echo in any way. And while a typical complaint from attendees and exhibitors at other fairs is that they do not provide an ideal place to see or understand work, I found Echo to be a pretty extraordinary one.

This sort of initial misinformation/impressions - largely driven by ignorance - astounds me... how can someone be the art critic for a major city newspaper (we're talking Buffalo here; the second largest city in New York state!) and still has not been to an art fair in 2012!

He lives in New York state! A few hours away from the second largest epicenter of art fairs on the planet!

But more importantly for his readers, how can someone be a newspaper's art critic and still "resolutely avoids the commercial side of the art world whenever possible."

Yikes! And all along here we thought that Blake Gopnik was the only art critic who did that!

And where does that "typical complaint" come from? First heard for me...

Nearly everyone there... was extremely approachable and willing to talk to visitors about their work. That's something you don't get in many galleries...

 What??? Where does this gent get those impressions from? The 1990s?

There's more intellectual disservice to this Buffalo News readers in this article by  Colin Dabkowski and zero actual art review/criticism in the column... maybe I'm missing something, but his title is "Art Critic."

Makes my head hurt... Buffalo News, please send this guy down to NYC or Miami for the next cycle of art fairs so that he can open his eyes a little wider shut.

Heading back

I hear that electricity is back on in my neighborhood, so we're heading back...

Civilian tries to find solutions to the Corcoran's problems

As you surely know, today the Corcoran is in serious trouble, and your help and support is needed at this extremely critical time.

A quorum (not all) of the Board voted on June 5th to price the historic Flagg building that houses both the Corcoran Gallery of Art and the Corcoran College of Art + Design. The process to sell the building is moving forward at an extremely rapid pace and the community still has not been invited into the conversation.

Like you, we believe that the Corcoran/Flagg building is an historic cultural icon, deeply tied to the history of Washington, D.C and the nation. Its proximity to the White House, Old Executive Building and National Mall is ideal placement for an art school and a museum, as the location is at the center of national activity and public discourse.

It would be detrimental for the Corcoran to be sold because it not only represents a very important part of this city and our country's history, but it also holds a significant place in current art dialogue. The Corcoran Flagg building (17th Street & New York Avenue, N.W.) is a National Historic Landmark, one of only 2,500 sites and buildings in the U.S. designated by the Secretary of the Interior, and it should be protected and preserved. We believe the solutions to keep the Corcoran where it is can be found within the community that admires, loves, utilizes, and needs it.

Please go here to sign the Change.org petition.

See the below articles:
Maintaining the Artistic Vision of the Corcoran
- June 14, 2012 (The Washington Postl)

Comments on the above

Corcoran Gallery Considers Selling Building, Moving Elsewhere
- June 4, 2012 (Washington City Paper)

Link to all Post articles

Developers cool on Corcoran Gallery of Art reuse
- June 5, 2012 (Washington Business Journal)

Ideas, solutions suggestions should be sent to: savethecorcoran@gmail.com

Twitter: savethecorcoran
Facebook: SaveTheCorcoran  
website: www.savethecorcoran.org

Irish Review

I'm currently in a show titled Eureka! at the Blue Leaf Gallery in Dublin, Ireland. The show focuses on artists whose work incorporates technology into their work.

Deirdre Mulrooney has a nice review of the show in Vulgo; read it here.

Opportunity for Artists

Deadline: July 27,  2012. 

The Cleveland County Arts Council is accepting two and three dimensional art for an upcoming competitive exhibition based on the theme of baseball. The exhibit coincides with the 2012 American Legion World Series in Shelby, August 17 – 21, 2012. Artwork must pertain to or depict baseball. 

The American Legion Baseball Commission will sponsor a $500 Purchase Award. The winning piece of artwork will be placed in the Keeter Stadium. The Cleveland County Arts Council invites artists 18 and older to submit work to the “Baseball as Art” Exhibit & Competition. Work must be original, created by the artist within the last two years and not previously entered in a competition at the Arts Center. 

All two dimensional entries must be ready to hang with picture wire on the back. No saw tooth hangers. The Arts Council reserves the right to reject any entry that requires special installation. Entries may be two and three dimensional but limited to paintings, drawings, sculpture, print-making, photography, and fine craft. There is a $25.00 non-refundable entry fee for up to three (3) entries. Additional entries $5 each (max. 5 entries). Make checks payable to the Cleveland County Arts Council. Shipping to and from the Arts Council is the responsibility of the artist. Deadline to receive accepted work at the Arts Center is July 27th, 2012 and must include a prepaid shipping label or a call tag, check or postage for return shipping. Please include any special packing and/or installation instructions. Any work arriving in packaging not sturdy enough to return/reuse will be returned COD. Cleveland County Arts Council, 111 S. Washington St., Shelby, NC 28150. For more information, visit: http://www.ccartscouncil.org