Thursday, July 11, 2013
The Talking Walls of Buenos Aires
graffitimundo presents the group exhibition "The Talking Walls of Buenos Aires" Opening Saturday, July 13th at The Fridge in Washington DC. This will be the first time Argentina's unique urban art culture has been presented in the US.Artists
Urban art in Buenos Aires reflects the city's turbulent history and rich cultural heritage. Throughout the last century the city walls have been extensively painted by artists, activists, political groups and the public and have become an established and dynamic channel for expression.
During the last two decades several different artistic styles have developed. The devastating Argentine economic crisis of 2001 created a generation of young artists determined to take to the streets and reclaim their city. As they collaborated in a spirit of solidarity a new and distinctive visual language began to emerge.
"The Talking Walls of Buenos Aires" features mural art and original artworks from leading Argentine artists and art collectives, as well as video works and historical and contemporary photography portraying the urban landscape of Buenos Aires and seminal moments in the country's history.
The exhibition celebrates a form of expression rooted in activism and a desire to transform public space, and in the process challenges conventional views on what graffiti is, what street art represents, who creates it, and why.
Buenos Aires Stencil / Cabaio / Chu / Defi / DobleG / Ever / Fede Minuchin
Gualicho / Jaz / Malatesta / Mart / Pastel / Pedro Perelman / Poeta / Pum Pum / Roma
Sam / Sonni / Stencil Land / Tec / Tester
Event information
The “Talking Walls of Buenos Aires” will open at 6pm on July 13th 2013 at TheFridge, 516 1/2 8th Street SE, Washington, DC 20003
Wanna show at the (e)merge art fair?
Call for Submissions: WPA Member Work on Paper
Deadline: Monday, September 2, 2013 at 5pm
Work Drop-Off: September 16 - 20, 2013, 10am-6pm
Deadline: Monday, September 2, 2013 at 5pm
Work Drop-Off: September 16 - 20, 2013, 10am-6pm
Work Pick-Up: November 5 - 8, 2013 10am-6pm
Drop-off and Pick-Up Location: WPA Office, Capitol Skyline Hotel, Suite 434, 10 I (eye) Street, SW, Washington, DC
Exhibition Dates: September 27 - October 27, 2013
Exhibition Location: Capitol Skyline Hotel Lounge, 10 I (eye) Street, SW, Washington, DC
Contact: Blair Murphy, Program Director, 202-234-7103 x 1 or bmurphy@wpadc.org ONLINE REGISTRATION
Drop-off and Pick-Up Location: WPA Office, Capitol Skyline Hotel, Suite 434, 10 I (eye) Street, SW, Washington, DC
Exhibition Dates: September 27 - October 27, 2013
Exhibition Location: Capitol Skyline Hotel Lounge, 10 I (eye) Street, SW, Washington, DC
Contact: Blair Murphy, Program Director, 202-234-7103 x 1 or bmurphy@wpadc.org ONLINE REGISTRATION
Washington
Project for the Arts is pleased to announce a call for 8" x 8" works on
paper by WPA Member Artists to be on view and for sale as part of WPA's
Hothouse series during the (e)merge art fair.
Work will be exhibited in the Capitol Skyline Hotel Lounge from
September 27 - October 27, 2013. All current WPA members are invited to
submit one 8" x 8" work on paper. Work submitted MUST be
8" x 8" and must be delivered without a mat or frame. If a member
artist wishes to submit a work that is smaller than 8" x 8", it must be
submitted mounted to an 8" x 8" sheet of paper. WORK THAT IS LARGER THAN 8" X 8" WILL NOT BE ACCEPTED.
Work
will be installed on the wall using removable adhesive mounting
squares. When not displayed on the wall, work will be stored in acid
free, archival sleeves and must fit into one of these sleeves. For heavy works or works on especially delicate or unusual paper, artists must provide an appropriate display mechanism.
These could include adhesive squares or a display hook or gator clip
attached to the back of the work. If you have any questions regarding
this requirement, please contact Blair Murphy, Program Director, at
202-234-7103 x 1 or bmurphy@wpadc.org.
Registration, Drop-off and Pick-up
Current WPA member artists who wish to participate must register online by September 2, 2013 at 5pm by submitting their contact info, cv, work details, and one image of the work they would like to include through this online form. Artists must be current WPA members in order to participate. You can join or renew your membership on the WPA website.
Current WPA member artists who wish to participate must register online by September 2, 2013 at 5pm by submitting their contact info, cv, work details, and one image of the work they would like to include through this online form. Artists must be current WPA members in order to participate. You can join or renew your membership on the WPA website.
All
work must be dropped off at the WPA office at the Capitol Skyline
Hotel, 10 I (eye) Street SW, Suite 434 between September 16 and
September 20, from 10am to 6pm. You will be notified via email by
November 1 if your work has sold. Unsold work must be picked up at the
WPA office between November 5 and 8, from 10am to 6pm.
If
you are unable to drop your work off in person, but would still like to
participate or have any other questions regarding the submissions
process, please contact Blair Murphy, Program Director, at 202-234-7103 x
1 or bmurphy@wpadc.org.
Artist Agreement
WPA Member Artists who participate must agree to the following term.
WPA Member Artists who participate must agree to the following term.
By
submitting to WPA's Member Work on Paper Exhibition, you agree to the
following conditions: All work included in WPA's Member Works on Paper
Exhibition must be for sale. Work that is sold will be given to patrons
to take with them upon purchase. Washington Project for the Arts will
take a 30% commission on works that are sold. Work will be insured by
WPA while it is in WPA's possession. Unsold work must be picked up at
the WPA office by November 8, 2013. WPA will not be held responsible for
the work after that date. I hereby release the WPA, its Directors,
employees and volunteers and agree to indemnify and hold them harmless
against all claims arising out of damage to my artwork arising in
connection with my participation in the WPA Member Work on Paper
Exhibition.
About Hothouse
Hothouse
is a new series of exhibitions, installations, and events organized by
Washington Project for the Arts that takes place in the Capitol Skyline
Hotel Lounge. Created as a way to provide new opportunities for WPA
member artists and forge new connections within DC's creative
communities, Hothouse will present member-initiated programming on a
regular basis.
Wednesday, July 10, 2013
Need Studio Space?
Studio Space is Available in AAC's Artist Residency Program!
Application Deadline: Received by August 1, 2013Notification Date: August 12, 2013
Studio available for move-in September 1, 2013
The Arlington Arts Center (AAC) invites Washington-area visual artists to apply for this prestigious six-year residency program, which supports artists by providing spacious and light-filled studios, subsidized rent, and a creative community of emerging artists working in diverse media. In addition to well-appointed spaces, studio artists enjoy tremendous exposure and the opportunity to exhibit their work biennially in AAC's Wyatt Gallery. The available space is within our group studio, to be shared with two other artists.
Why AAC?
- Beautiful studios with high ceilings, natural light, and sinks, and access to generous common areas, including an artists lounge and shower facilities, and a lovely park with tennis courts on the grounds
- Wyatt Gallery devoted to exhibitions of Resident Artist work
- Great location one block to the metro at Virginia Square with cafes and shops, right between Clarendon and Ballston -- two vibrant Arlington neighborhoods
- Responsive staff eager to promote your career
- Proximity to other emerging artists in AAC studios and in the community, and to exhibiting artists from the mid-Atlantic region and beyond
To apply:
Visit AAC's website at www.arlingtonartscenter.org/studios to learn more about the program, click here for a description of the Residency Program, and download an application here to get started!
What past Resident Artists have to say:
"As
a Resident Artist, I have had an extraordinary space in which to work,
explore new materials, develop ideas and exhibit my work. And over
time, the high-ceiling studio space influenced the scale of my work,
spurring the creation of more sculptural room-size interior textiles.
Exhibitions and open studios stimulated dialogue with the public and
other artists about the creative process. And I made an invaluable
gallery connection, thanks to an independent curator who came to
opening receptions. AAC supporters, staff and board members have
provided great environment in which to grow as an artist." - Paula Bryan
"My residency here at AAC has been an extremely rewarding and inspirational experience. To be constantly submerged in a center that explores and presents contemporary art and to witness the effects it generates within a community is a once-in-a-lifetime experience that I treasure." - Gilbert Trent
Academy 2013 and (e)merge pre-fair party
CONNERSMITH has announced ACADEMY 2013, the 13th annual invitational
survey of outstanding work by MFA/BFA students in the
Washington/Baltimore area.
Exhibition founder and curator, Dr. Jamie Smith invited 20 artists to participate from the region's arts institutions including American University, Corcoran College of Art and Design, Gallaudet University, George Mason University, George Washington University, Maryland Institute College of Art, and University of Maryland.
Artists: Ryan Carr Johnson, Larry Cook, Di Fang, Kyle Hackett, Annie Hanson, Jay Hendrick, Jeremiah Holland, Rachel Hrbek, Vincent Hui, Nathan Loda, Armando Lopez-Bircann, Kellie Martin, Ryan McCoy, Pat McGowan, Joan Oh, Laura Payne, Mihaela Savu, Rahshia Sawyer, Steven Skowron, and Jason Edward Tucker.
There will be an opening night reception at CONNERSMITH., Saturday, July 13th from 6 to 9pm with artists in attendance. In conjunction with ACADEMY 2013 opening, a pre-fair party celebrating the 3rd edition of (e)merge will be held.
Look for Ryan McCoy to steal this show...
Exhibition founder and curator, Dr. Jamie Smith invited 20 artists to participate from the region's arts institutions including American University, Corcoran College of Art and Design, Gallaudet University, George Mason University, George Washington University, Maryland Institute College of Art, and University of Maryland.
Artists: Ryan Carr Johnson, Larry Cook, Di Fang, Kyle Hackett, Annie Hanson, Jay Hendrick, Jeremiah Holland, Rachel Hrbek, Vincent Hui, Nathan Loda, Armando Lopez-Bircann, Kellie Martin, Ryan McCoy, Pat McGowan, Joan Oh, Laura Payne, Mihaela Savu, Rahshia Sawyer, Steven Skowron, and Jason Edward Tucker.
There will be an opening night reception at CONNERSMITH., Saturday, July 13th from 6 to 9pm with artists in attendance. In conjunction with ACADEMY 2013 opening, a pre-fair party celebrating the 3rd edition of (e)merge will be held.
Look for Ryan McCoy to steal this show...
Tuesday, July 09, 2013
Congrats to DCCAH!
My congrats to all!The DC Commission on the Arts and Humanities (DCCAH) is pleased to announce three DCCAH commissioned public art projects from the inaugural 5x5 public art biennale have been selected by the Americans for the Arts (AFTA) Public Art Network's Year in Review Top 50 Projects of 2013. The AFTA Year in Review is the only national program that specifically recognizes public art projects. The honor couldn't have come at a better time as DCCAH is simultaneously promoting the 2014 Call to Curators for 5x5.The award-winning projects: Home Mender by Monica Canilao (curated by Justine Topher), Henry "Box" Brown: FOREVER by Wilmer Wilson (curated by Laura Roulet), and The Polygonal Address System by Steve Badgett and Deborah Stratman (curated by Steve Rowell), were presented by the Year in Review jurors at the June 2013 AFTA - Public Art Preconference."We are very excited to be recognized for public art," said Judith Terra, Chair of the DC Commission on the Arts and Humanities. "This honor represents a growing arts scene in Washington, DC.""We expect that the 5x5 project in 2014 will be as exciting as the previous one," said Lionell Thomas, Executive Director of the DC Commission on the Arts and Humanities. "Plans are already underway to build on the previous success with new and dynamic offerings."
Monday, July 08, 2013
Norm Parish
I am sad to report that Norm Parish, my neighbor for almost 10 years in Georgetown, a good friend, a talented artist, a constant supporter, and one of the key people in the DMV art scene for almost a quarter of a century, passed away today at 6:45PM.
My sincere hugs to Gwen, his partner and wife for the last 25 years.
The DMV has lost a giant; we will miss you Norm, but we also know that you're somewhere in the Universe doing what artists do best: creating!
Fair winds and following seas my friend!
Update: Please join Gwen Parish and the Family for Norm Parish's final farewell to all of us at his funeral at Unity Church of Germantown, July 13, 2013.
My sincere hugs to Gwen, his partner and wife for the last 25 years.
The DMV has lost a giant; we will miss you Norm, but we also know that you're somewhere in the Universe doing what artists do best: creating!
Fair winds and following seas my friend!
Update: Please join Gwen Parish and the Family for Norm Parish's final farewell to all of us at his funeral at Unity Church of Germantown, July 13, 2013.
Looking for Tim Tate at the Venice Biennale?
Some
of you have been traveling to Venice for the Bienale and looking for Tim Tate's sculpture on exhibit at the Venice
Bienale (thru November 24, 2013) - As the Bienale has evolved into what I call "Distributed Art" you can findTim Tate's work is on exhibit at the Palazzo Bembo.
Directions here... bring your James Bond accent...
Directions here... bring your James Bond accent...
Artomatic coming back to Frederick
Just heard that Artomatic@Frederick will return and it will be located at the building located at115 E. Church Street as well as next door at 117 E. Church Street in Frederick, Maryland.
Dates: September 4th, – October 5th, 2013
Hours:
Wednesdays 3 pm - 9 pm
Thursdays 3 pm - 9 pm
Fridays 12 pm - 11 pm Live Music (Various Genres)
Saturdays 9 am - 11 pm Live Music (Various Genres)
Sundays 12 pm - 5 pm
For more details visit http://www.artomaticfrederick.org
Dates: September 4th, – October 5th, 2013
Hours:
Wednesdays 3 pm - 9 pm
Thursdays 3 pm - 9 pm
Fridays 12 pm - 11 pm Live Music (Various Genres)
Saturdays 9 am - 11 pm Live Music (Various Genres)
Sundays 12 pm - 5 pm
For more details visit http://www.artomaticfrederick.org
Registration for the Frederick Artomatic starts at midnight on July 15
Who owns the photos you take at museums?
"A question came up today as I was walking around the Metropolitan Museum of Art in New York City. People were snapping pictures; others were buying books and posters, T-shirts and all sorts of merchandising. A friend asked me if they took a picture of a Renoir, a painting that is no longer under copyright, and started selling posters, would they be violating any copyright or other rules? For that matter, would I have a copyright on that image? This actually brings up a few legal issues. So let’s take them step by step."
Read the article here.
Sunday, July 07, 2013
Is it legal to photograph people on the beach?
"Most photographers don’t often consider the legal implications of their shoots because, as is human nature, we tend to make assumptions based on the actions of our peers. We see people doing it all the time; we figure we can do the same thing. Add to that, being a foreigner like Antoine, because he is not used to U.S. law at all. Pile on the fact that most laws on the subject are different in every state to some degree and there is often no clear bright line to follow. We hear stories constantly in the photography world about people being arrested for taking pictures in public spaces like subways. (in general, it is OK, despite what police may say)."Read this very cool and educational article in art law journal here.
Saturday, July 06, 2013
Quammen says...
From David Quammen at MOCA:
A recent article in the Washington Post cites a study by the National Endowment for the Arts' "'National Statistics about Working Artists' taken from US Census Data for 2006 to 2010 show that the District has more working artists per capita than any state in the nation." Of course, it's not a fair comparison to make with our (DC) small population vs. all the 50 states. But comparison of city-by-city the region still ranks among the top 10 among U.S. cities.
So what, you say? D.C. is consistently lambasted as a lousy town for the arts, but here's something not many people know: There are 21 Arts Organizations, including Art League and other community based centers, in the region; 5 community colleges, 2 of which have 3 and 4 separate locations; 2-4 year colleges; 13 universities, several with multiple locations; 3 schools; and about 2 dozen or more groups that meet weekly in the name of art. That doesn't count the number of galleries, many of which host artsy-type events every week.
Speaking of art galleries, P & C Art on M Street is gone - no more art at the Georgetown location but they have another facility nearby. And a sad day for Parish Gallery, who's founder is suffering from cancer - the last exhibit is up now, and a For Lease sign is in the window. But property owner Richard Bernstein has told them they can keep the exhibit up - or put up another one - so long as there is no tenant in the offing. Based on the situation in Georgetown businesses, that may be anywhere from a few weeks to several months. In the meantime, our hearts go out to Norm, his wife, Gwen, and the passing of a legendary gallery he founded and she keeps it going for now. God bless.
Meanwhile, Moca's prognosis is good, other than being persistently late on rent. But that should change soon - we hope. Activities include an Open Drawing Session next Wednesday, July 10 - 7 to 10 pm - model is Ramsey, a new-to-the-scene female who also teaches art for Uncork'd Art, the mainstay for Moca at the moment.
And don't forget our July exhibit, A Celebration of the Figure - now in its 10th or 11th year - I do need to learn how to count. We are still accepting art up to next Thursday, July 11. Then plan to make it for the Opening Reception on Friday, July 12th - complete with some brand new events in the Out.Back section of the gallery. Or to paraphrase an old tune, There'll be a Hot Time in the Out.Back that night!!!
Questions - contact Dave at 202.342.6230
Friday, July 05, 2013
Thursday, July 04, 2013
Wednesday, July 03, 2013
Tuesday, July 02, 2013
Silly Soviets...
I have this collector of my work who is very high up in the food chain over at Bacardi.
Most people don't know how HUGE this private company is, and how averse to publicity the Bacardi family is... but essentially Bacardi is a gargantuan octopus company - that is a company that owns a company, that owns a company, that owns a company and so on.
Anyway, when Stolichnaya (Russian: Столичная, also known as Stoli) was acquired by some group (Latvia or Russia) owned by someone, who is owned by someone, etc., one of the Western tricks that the new owners tried to teach the Stoli management was the trick of putting out the same product under a different label, but cheaper, and to do this whenever they needed a fast cash influx.
They were horrified when Stoli came out a little later with a few thousand cases of the iconic vodka with the same basic label, but with the name blacked out - sort of like what they used to do to porn pics in the 50s and 60s.
Cough, cough...
By the way, has anyone seen the latest Bacardi commercial?
Most people don't know how HUGE this private company is, and how averse to publicity the Bacardi family is... but essentially Bacardi is a gargantuan octopus company - that is a company that owns a company, that owns a company, that owns a company and so on.
Anyway, when Stolichnaya (Russian: Столичная, also known as Stoli) was acquired by some group (Latvia or Russia) owned by someone, who is owned by someone, etc., one of the Western tricks that the new owners tried to teach the Stoli management was the trick of putting out the same product under a different label, but cheaper, and to do this whenever they needed a fast cash influx.
They were horrified when Stoli came out a little later with a few thousand cases of the iconic vodka with the same basic label, but with the name blacked out - sort of like what they used to do to porn pics in the 50s and 60s.
Cough, cough...
By the way, has anyone seen the latest Bacardi commercial?
Monday, July 01, 2013
Sunday, June 30, 2013
And the idiot of the week is...
Read it and weep...
(CNN) -- Jennifer Lopez sang "Happy Birthday, Mr. President" on Saturday to a leader who has been characterized as one of the most repressive in the world.
"We wish you the very, very, happiest birthday," Lopez said to Turkmenistan President Gurbanguly Berdymukhamedov, and then she sang to him at a huge celebration at a resort in the central Asian country.
Details here. Who is next on the agenda for Jennie from the Bronx? Maybe Fidel Castro? That nut from North Korea? Tsk, tsk...
An Interview with Erwin Timmers
DC's seminal eco-artist (new fancy term for a green artists) is interviewed here.
Wanna go to an asskicking opening on Monday?
The Confidence Booster by Angelo Tirambulo
Dates: July 1 – Sunday, July 28, 2013
Location: Capitol Skyline Hotel Lounge, 10 I (eye) Street SW, Washington, DC 20024
Opening Reception: Monday, July 1, 2013, 6-8pm
Free and open to the public Monday through Sunday, noon to 9pm
WPA launches the installation and exhibition component of the Hothouse series at the Capitol Skyline Hotel with The Confidence Booster, an installation by artist Angelo Tirambulo.
Dates: July 1 – Sunday, July 28, 2013
Location: Capitol Skyline Hotel Lounge, 10 I (eye) Street SW, Washington, DC 20024
Opening Reception: Monday, July 1, 2013, 6-8pm
Free and open to the public Monday through Sunday, noon to 9pm
WPA launches the installation and exhibition component of the Hothouse series at the Capitol Skyline Hotel with The Confidence Booster, an installation by artist Angelo Tirambulo.
Consisting of wallpaper featuring flattering statements and a series of twelve mirrors containing lyrics from recent hip-hop music appropriated to directly compliment the viewers, the installation nods to our image-conscious culture. This wry presentation of soothing but ultimately superficial phrases gently satirizes its own source material, while subtly acknowledging its irresistible appeal.
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