Who parts with that much cash for the work of a new, not exactly critically acclaimed, painter? We may never know. Hunter’s new career raises obvious ethical issues for his father and, in an attempt to avoid accusations of influence peddling, the Biden administration has asked the gallerist to keep all information about the buyers and prices of Hunter’s work confidential. The gallery has also agreed to reject offers that seem suspiciously generous.
Even without those safeguards in place, I highly doubt Biden’s policies would be affected by sales of his son’s terrible paintings. (The New York Times generously described them as “leaning towards the surreal”, which is a polite way of saying: “Looks a bit like a Covid-stricken Mr Blobby vomited on a canvas.”)
Read the article by Arwa Mahdawi here.
