Another vintage 1983 US Navy cartoon that I did when I was in the Navy. Being offered on Ebay with ALL proceeds going to charity. Bid for it here.
The New Ensign Vintage 1983 Navy cartoon by Campello |
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Another vintage 1983 US Navy cartoon that I did when I was in the Navy. Being offered on Ebay with ALL proceeds going to charity. Bid for it here.
The New Ensign Vintage 1983 Navy cartoon by Campello |
The original owners of this original drawing bought from me at the Pike Place Market in Seattle back in 1981. It was recently resold in the secondary market, and the new owner has just gifted it to the great Stephen King!
How super cool is that!
The drawing was done as as assignment at the University of Washington School of Art - The assignment was to create a work in “response to a book or literary figure.”
A woman scared by Stephen King's books 1981 charcoal and conte on paper by Florencio Lennox Campello |
I was looking for an etching of Andy Warhol that I did in art school for portrait class... instead I found this 1981 piece on Frida Kahlo. I'll take it to NYC in March to sell it!
Adah Rose Gallery in Kensington is one of the hardest working independent fine arts galleries in the DMV.
This coming Saturday they have an opening for Jacqui Crocetta and Kyujin Lee (two Solo Shows running Jan 26-Feb 28).
Vernissage with the Artists, Saturday January 28 5-7 pm
Northern National Art Competition
The 36th Northern National Art Competition is a juried art exhibition in Rhinelander, Wisconsin, co-sponsored by Nicolet College and the Northern Arts Council. The Northern National Art Competition (NNAC) began in 1987 with a mere 37 entries. Today, the show attracts the work of artists from all across the United States with hundreds of entries as diverse as the artists themselves, and showcases a wide array of contemporary art in a variety of two-dimensional mediums.
MORE THAN $8,500 AWARDED WITH THREE $1,000 AWARDS OF EXCELLENCE
CALENDAR 2023
- Monday, January : Registration opens via CaFÉ
- (Call for Entry) online registration system
- Friday, March 24: Registration deadline
- Friday, April 21: Acceptance notification
- Friday, May 12: Hand delivery by appointment
- Monday, May 15: All shipped work due
- Thursday, June 15: Opening Reception
- Thursday, July 28: Show Closes
- Friday, July 29: Pick up hand delivered work by appointment
A group of artists — Sarah Andersen, Kelly McKernan, and Karla Ortiz — have filed a class-action lawsuit against Midjourney and Stability AI, companies behind AI art tools Midjourney and Stable Diffusion, and DeviantArt, which recently launched its own artificial intelligence art generator, DreamUp.
The suit alleges that these companies “violated the rights of millions of artists” by using billions of internet images to use train its AI art tool without the “consent of artists and without compensating any of those artists.” These companies “benefit commercially and profit richly from the use of copyrighted images,” the suit alleges. “The harm to artists is not hypothetical,” the suit says, noting that works created by generative AI art are “already sold on the internet, siphoning commissions from the artists themselves.”
As I noted earlier this week, this March, we will return to our 17th year in a row (less the year of the attack of the Covidian monster) to the Affordable Art Fair in New York City, we're bringing in a whole new group of artists from the DMV, most of whom I first met via their artwork when I juried the 2022 Paint the Town event in the pretty area of downtown Kensington, Maryland.
Let me repeat myself: jurying any art show always exposes the juror to new talent, and when I juried this show, as 2022 Paint the Town I often do, I selected some of my fave artists to bring to NYC for an art fair. In my mind we wanted to "curate" a booth for the fair that showcased realist work at its best. Booth curation is a somewhat subjective process (pun intended).
And one of my prizewinners (in fact the Best in Show winner!) Dora Patin is coming to NYC with us in booth D-10 at the fair!
I think that Patin is a painting prodigy. She has only been painting for a handful of years, and yet her trompe l'oeil paintings are breathtaking in their ability to fool the eye. She's yet another great testimony to the teaching skills of Glen Kessler at The Compass Atelier.
Note the facility in delivering one of the hardest subjects to fool the eye: paper.
In this new series focusing on cards, Patin flexes her painting skills to deliver superb work that not only fools the eye, but also subtly reminds us that it is a painting. These are opposite goals on the horizon of an artist as he/she commences a new work, and yet, in these works she accomplishes both of them easily. This is sooooo hard to do, and yet she accomplishes it with deceptive ease.
The Optimist by Dora Patin c. 2023, 5x7 inches, oil on panel |
Monarch by Dora Patin 5x7 inches - Oil on Panel c. 2023 |
Luck or Skill? by Dora Patin c. 2023, 12x12 inches, oil on panel |
As I noted earlier, this March, we will return to our 17th year in a row (less the year of the attack of the Covidian monster) to the Affordable Art Fair in New York City, we're bringing in a whole new group of artists from the DMV, most of whom I first met via their artwork when I juried the 2022 Paint the Town event in the pretty area of downtown Kensington, Maryland.
Let me repeat myself: jurying any art show always exposes the juror to new talent, and when I juried this show, as I often do, I selected some of my fave artists to bring to NYC for an art fair. In my mind I wanted to "curate" a booth for the fair that showcased realist work at its best. Booth curation is a somewhat subjective process (pun intended).
And one of my prizewinners is coming to NYC: Jennifer Kahn Barlow! She is "an oil painter inspired by food. She is stirred by vibrant, texturally dynamic, and unique cuisine, which leads much of her subject matter to be of confectionary, the gooier and more colorful the better."
She is that... but what Kahn Barlow truly is goes beyond that - she's a master artist who elevates and transforms the visual aspect of food to the visual beauty of food as only a well-executed work of art can do.
Blossom Stack by Jennifer Kahn Barlow |
I was at Strathmore yesterday to review the Compass Atelier show on the second floor - amazing show. The review will be in the next issue (February) of the Crier Media Newspapers.
I first came across Jennifer Lynn Beaudet’s work at the Paint the Town event last year which was my honor to jury -- as I recall she was an honorable mention winner at that show.
Her work at Strathmore is amongst the best in a show where there is not a single bad painting.
This artist has that hard-to-describe ability to capture the human essence of her subjects in paint.
Connections - 24x24 oil on canvas by Jennifer Lynn Beaudet |
That sentence is so easy to write and so immensely difficult to deliver on canvas. Her human subjects in two dimensions of paint are able to transmit visual clues and nuances that help to decipher and understand something individual about them.
This is an exceptional gift that few artists have in such abundance as this artist does, and she flexes this gift via her artistic muscles in nearly every work in this show!
I was at Strathmore today to review the Compass Atelier show on the second floor. On the main floor, the O Street Studios artists had their own show, and this terrific print by Kimberly King caught my eye.
Kimberly King - Big Warrior Goddess |
I was at Strathmore today to review the Compass Atelier show on the second floor. On the main floor, the O Street Studios artists had their own show, and this this wall of striking abstract work by Cianne Fragione caught my eye.
Cianne Fragione at Strathmore |
The Compass Atelier has what I consider the best artist schooling in the DMV -- better in fact that all the major Universities in our area. That's a big statement to make, but it comes from me, and thus I am ready to back it up as needed.
Want proof? Then go tonight to the opening of the first of two thesis exhibitions at the beautiful Strathmore Mansion galleries on Rockville Pike.
I plan to visit the show and write about it. The Mansion's galleries are at 10701 Rockville Pike in North Bethesda/Rockville, MD 20852 within walking distance of the Metro stop by the same name and with plenty of free parking.
MASTER ARTIST PROGRAM - THESIS EXHIBITIONS (GROUP 1)
JANUARY 14-FEBRUARY 11, 2023
ARTISTS RECEPTION: THURS, JAN 19 7-10PM
SUZI BALAMACI
JENNIFER LYNN BEAUDET
ANNE BROONER
SHEILA HADLEY
KARA LIN
CHRISTINE MERRY
ROB PEARLMAN
DEBORAH POLLACK
SAMEER SHARMA
MICHAEL SCHOPPMAN
SOPHIE SPENCER
DIANNE STEWART
ANDREA VAN DEN HEEVER
This March, as we return to our 17th year in a row (less the year of the attack of the Covidian monster) to the Affordable Art Fair in New York City, we're bringing in a whole new group of artists from the DMV, most of whom I first met via their artwork when I juried the 2022 Paint the Town event in the pretty area of downtown Kensington, Maryland.
Jurying any art show always exposes the juror to new talent, and when I juried this show, as I often do, I selected some of my fave artists to bring to NYC for an art fair. In my mind I wanted to "curate" a booth for the fair that showcased realist work at its best.
One of them is the superbly talented Amanda Coelho.
Coelho has only been painting since 2018, and thus in artistic developmental years, she's still a baby, but a baby with formidable crawling skills, and one who can already wield brush superpowers which emerge here and there in several of her works.
A Bear Necessity by Amanda Coelho |
See it again on another trivial subject, a chocolate kiss, now forever immortalized as a spectacular triumph of painting skills over subject matter.
A Kiss is just a Kiss by Amanda Coelho |
Medina, who is of Cuban ancestry will be the first Latina to serve as the national ambassador!
Congrats Meg!!!!
The more that I look at Ally Morgan's works, the more that I like the hints of narrative in these wonderful watercolors. We will be bringing some of these works to New York for the Spring version of the Affordable Art Fair.
The ones below are from my fave series from her current work. She calls these series Concerning the Divide.
"Among the Wolves" by Ally Morgan Watercolor on Paper, 30x22 c. 2020 |
"Girls" by Ally Morgan Watercolor on Paper, 19x12, c. 2016 |
Is there a point where animal ends and human begins? Western philosophy suggests that the being known as “Animal” is forever positioned on the complete opposite side of the divide; a divide that reassures “Man” as superior. But, is that divide permeable? I would say yes. Nonhuman animals, especially those species that interact with us transcend that divide on a daily basis. Not human yet not animal, these species occupy a new type of existence. They are instead referred to as “Other”.In my art, I explore the concept of the “Animal Other” as well as my relationship with them. Animals are not just beings of beauty and awe, but rather rich, complex, knowing individuals. As an artist, I feel compelled to reconstruct the human, nonhuman animal relationship as well explore our experiences with those of other species in order to examine the deep symbiotic relationship between all living creatures.
Ally Morgan's works will be in booth D-10 at the Affordable Art Fair New York City, March 22-26 in Chelsea.
I went to the Adam Bradley opening at the Stone Tower Gallery in Glen Echo - more on the spectcaular work by Bradley later - meanwhile that's me with Erik Sandberg and Adam Bradley... and yes, they're both pretending to be my height!
Erik Sandberg, Lenny Campello and Adam Bradley |
Adam Bradley is without a doubt one of the most talented sculptors in the DMV, and one who seems to be under the radar for many - NOT for me! This artist is easily one of the most creative manipulators of objects to deliver images that challenge the perceptions of sculpture.
If you go to an opening this year - come with me tonight to Bradley's solo show opening at Glen Echo's Stone Tower Gallery in historic Glen Echo Park... The exhibition is titled "Furies: Within the Wilderness" and it is from 6-8PM.
Adam Bradley
Within the Wildness | January 14 - February 19, 2023
Stone Tower Gallery Hours: Saturdays & Sundays, 12 pm – 6 pm
Opening Reception: Saturday, January 14, 6 - 8 pm
The Stone Tower Gallery presents Within the Wildness, a solo exhibition by sculptor Adam Bradley. Bradley's current body of work deals with the isolation of anxiety and the loneliness of grief. The characters struggle to maintain identity while trying to find reason in a world that no longer makes sense. Some cling desperately to a thread of self, while others have given in, letting go of logic to cope with a situation they cannot control. They are at the same time vulnerable and predatory, innocent and savage. Within the wildness, there is tender fragility, a sliver of hope so delicate it could crumble apart leaving nothing but fear and instinct.
7300 MacArthur Blvd.
Glen Echo, MD 20812
Phone: (301)634-2222
Closings: (301)320-2330