Ashley Peel Pinkham's Fave Artwork

Ashley Peel Pinkham is the Asst. Director at Philly's acclaimed Print Center and she responds to my request for readers' favorite artworks. Ashley writes:

My pick would be Philadelphia artist Matthew Suib’s video Heston, 2004, from his solo exhibition, ReVisionist Cinema/Triple Feature that was on view at the Philadelphia Art Alliance from May 18 to August 8, 2004. Suib spliced video from the Hollywood Bible epic The Ten Commandments and created an awkwardly non-verbal, anti-climatic video of Moses parting the Red Sea. It kept you on the edge of your seat waiting for something to happen in some kind of oddly looped dimension.

Here’s the official blurb on the piece with installation image:

Heston, Matthew Suib, 2004 (from the ReVisionist Cinema series) Color video w/ Dolby Digital 5.1 surround audio on DVD for projection Running time: 11:00

Comprised of silent, interstitial moments from Demille’s The Ten Commandments (1956)--extended through subtle looping and matting--Heston critiques Judeo-Christian mythology’s claim of divine origin/inspiration. Building on concepts from Thomas Paine’s infamous 1794 tract The Age of Reason: Being an Investigation of Both True and Fabulous Theology, both “the words” and “The Word” have been excised from Demille’s epic, stranding American icon Charleston Heston (Moses) amidst the grandiose artifice of theology and Hollywood splendor. The awkward tension of these altered scenes makes mockery of the inherent profanity of theological portrayals and the conceit of the self-righteous.

Installation view of Matthew Suib’s exhibition ReVisionist Cinema/Triple Feature