Tim Tate opens in London


At London's Steps Gallery with a public openings 17th October - 26th October 2008. You all know what I have been preaching about Tate for years...

Mellema on Glass and Photos

Kevin Mellema over at the Falls Church News Press reviews the current three person show at Maurine Littleton and also Frank Day at Addison Ripley Fine Art.

Read the reviews here.

Tim Tate opens in LA today

Tim Tate: A Look Into a Video Mind opens at Billy Shire Fine Arts with an opening reception on Saturday, October 11th, from 7-10 pm.

This will be Tate's solo debut in Los Angeles. You can see some of the videos online here.

Lecturing today

As I noted before, last week I juried the current show at the Capitol Hill Arts Workshop in DC, where I looked at about 100 works of art and selected 35 for exhibition and handed out six awards (three honorable mentions).

The opening is today, Saturday, Oct. 11 from 5-7PM.

I'll be there giving out the awards and also doing a talk with tips to artists on how to improve their chances of getting accepted into juried competitions. The opening and my talk is free and open to the public, so come by and say hi.

The Capitol Hill Arts Workshop is located at 545 7th Street, S.E. Washington DC, 20003 (the corner of 7th and G Streets, SE). If you take the Metro, they are two blocks south of the Eastern Market metro plaza, which is on the orange and blue lines. After exiting the metro stop, walk down 7th Street (there’s a CVS on the corner) two blocks, away from Pennsylvania Ave. The Arts Workshop is located at the corners of 7th and G Streets, SE, entrance on 7th Street.

Driving directions here.

The power of art

Powerful art elicits powerful emotions, and when those emotions are tied to strong political sentiment, it is even more powerful and sometimes dangerous.

Heather Goss over at DCist relates the story of DC area artist Dana Ellyn and what happened when some of her anti Sarah Palin artwork got exposed to political sentiment in a DC area store. Read it here.

Winston Churchill once said that "any man who is under 30, and is not a liberal, has no heart; and any man who is over 30, and is not a conservative, has no brains."

Having been both a very dangerous leftwing nut in my young years, and a complacent conservative in my middle years, I am now very happy in my current incarnation as a happy independent, and I am now always puzzled by people who (on both sides of the political spectrum) try to muzzle or interrupt the other side's opinion, such as the idiots in this DCist story or the jerks who crash the other party's convention, or heckle the other politician's rallies, etc.

Nations where only one side of the political spectrum is allowed to express their views are called dictatorships: Cuba, North Korea, China, Iran, etc. and more and more Russia and Venezuela.

Artists: keep painting all the anti-Palin, and anti-McCain, and anti-Obama (is Joe Biden even in the news?) art that you want, for art is a powerful tool of political expression. And never forget that an anti-Castro painting in Cuba gets you 20 years in the Isle of Youth, and you'd probably get whacked in North Korea if you did an anti-Elvis painting there...

Alden Mason, the movie

Seattle's Regina Hackett is always one of my favorite reads and she brings up a new movie about one of my old art school professors. Read it here.

In my senior year at Washington, I worked with a lady named Dianne Berge and helped to organize a new art gallery just for student artwork. As I recall it opened in either late 1980 or early 1981, and was located on the street behind and underneath the Pike Place Market. It was called the Arts Northwest Student Gallery, and right about the same time Mason moved into the then new condo complex across the street and often came to the gallery's openings and poetry readings.

I recall once doing a poetry reading myself and forcing people to listen to the below harsh poem by Robert E. Howard:

The Song Of A Mad Minstrel
by Robert E. Howard

I am the thorn in the foot, I am the blur in the sight;
I am the worm at the root, I am the thief in the night.
I am the rat in the wall, the leper that leers at the gate;
I am the ghost in the hall, herald of horror and hate.

I am the rust on the corn, I am the smut on the wheat,
Laughing man's labor to scorn, weaving a web for his feet.
I am canker and mildew and blight, danger and death and decay;
The rot of the rain by night, the blast of the sun by day.

I warp and wither with drouth, I work in the swamp's foul yeast;
I bring the black plague from the south and the leprosy in from the east.
I rend from the hemlock boughs wine steeped in the petals of dooms;
Where the fat black serpents drowse I gather the Upas' blooms.

I have plumbed the northern ice for a spell like frozen lead;
In lost grey fields of rice, I learned from Mongol dead.
Where a bleak black mountain stands I have looted grisly caves;
I have digged in the desert sands to plunder terrible graves.

Never the sun goes forth, never the moon glows red,
But out of the south or the north, I come with the slavering dead.
I come with hideous spells, black charms and ghastly tunes;
I have looted the hidden hells and plundered the lost black moons.

There was never a king or priest to cheer me by word or look,
There was never a man or beast in the blood-black ways I took.
There were crimson gulfs unplumbed, there were black wings over a sea;
There were pits where mad things drummed, and foaming blasphemy.

There were vast ungodly tombs where slimy monsters dreamed,
There were clouds like blood-drenched plumes where unborn demons screamed.
There were ages dead to Time, and lands lost out of Space;
There were adders in the slime, and a dim unholy Face.

Oh, the heart in my breast turned stone, and the brain froze in my skull-
But I won through, I alone, and I poured my chalice full
Of horrors and dooms and spells, black buds and bitter roots-
From the hells beneath the hells, I bring you my deathly fruits.

Somewhere in my studio's flat files I have one or two of his paintings, still unstretched from my moves in the 80s.

Our Lady of Loretto

My old neighborhood church in Brooklyn, Our Lady of Loretto is apparently being slated for demolition, as the Roman Catholic Diocese of Brooklyn has decided that Our Lady of Loretto is no longer worthy of remaining open and will surrender the property to the City of New York which has plans to demolish the church.

You can help by signing a petition here to declare Loretto a historical landmark; please sign it here.

The church was built originally by Italian immigrants who lived in the neighborhood, not by the Catholic Church.

Check out these mugs and see if you can find me in the class of 1970.

New Baltimore Gallery

Baltimore Gallery 321 in Mount Vernon will have their Grand Opening Gallery Exhibition, 3,2,1...Blast Off! open with a reception on Saturday, October 11th, from 6pm-10pm.

Join them for this inaugural event, featuring art work of all media from local Baltimore artists Greg Minah, Micah Cash, Carol Bold, Emily Michaels, Bruno Baran, Caitlyn Rok, Alex De'Costa, Benedetta Bozzo, Rebecca Waring, Katelyn Woodward and Monica M. Wiedel-Lubinski.

Baltimore Gallery 321 is located at 321 West Madison Avenue, Baltimore, MD. 21201

Breasts and Letters

Artist Ed Stross faces a 30-day stint in jail unless the American Civil Liberties Union manages to overturn his conviction for painting the word "love" on his mural in this Detroit suburb.

Stross's long-running dispute with local officials is over his addition of the word to his mural in 1997 in memory of Princess Diana. The painting on the building housing his studio is based on Michelangelo's Creation of Man.

Roseville, Mich., officials say using letters in the mural violates a sign ordinance.

They also objected to Eve's bare breast in the painting.

Read the article here.

Conant at Multiple Exposures

One of the DC area's most talented and innovative photographers, Danny Conant, opens at Alexandria's Multiple Explosures Gallery, with a reception October 12 from 2-4PM.

Shinji Turner-Yamamoto at GRACE

The GRACE main gallery stands at the corner of a busy intersection in Reston Town Center. Its storefront windows open to sidewalk and street traffic passing day and night. In contrast to this bustling cityscape, from October 11 through November 14, 2008 Shinji Turner-Yamamoto transforms the GRACE interior gallery into a quiet, meditative space by introducing a natural element - a large dead dogwood tree, lying on its side across the room as though asleep. Along its trunk and branches, the artist will plant tiny fern seedlings which will grow and carpet the dead tree with lush, new foliage.

Taking a tree out of its natural context –the forest floor – and placing it on the gallery floor, Turner-Yamamoto hopes that viewers experience nature in a novel and surprising way. His intention is to make the connections and similarities between plant life and humanity visible, emphasizing the interconnectedness of all life.

In an adjacent gallery, Turner-Yamamoto exhibits preparatory drawings, photographs, and a series of works developed in Finland during a residency preceding the exhibition. These two and three dimensional works incorporate the dogwood tree’s seeds, leaves, and twigs; red clay from around its roots is used as pigment. After the gallery exhibition, the tree will be moved to a woodland setting to continue its natural evolution.

Sleeping Tree is part of Turner-Yamamoto’s ongoing Global Tree Project, a series of site-specific installations mounted in India, Ireland, Japan, and now Virginia. Through these varied projects, the artist offers viewers a new way to see trees by illuminating the similarities in our life cycles as entities that grow, flourish, and leave the world enhanced for the next generation.

The Greater Reston Art Center's fascinating new exhibit opens with a reception on Saturday, October 11 from 5-7PM.

Art and the women of this year's election

By Annie Whitmore

Searching for inspiration for an upcoming exhibit, Chicago fetish painter Katie Cain, aka Kate Tastrophe, found it in a forwarded email about the women of this year's election.

"As a general rule I paint sexy, sadistic women," she says. "This email comes in, bashing the women who have been in the political spotlight this year, and I knew I had it."

"I think I had the most fun with 'Hillary Clinton as Lizzie Borden', I was cracking up the whole time I was painting it. She has this great cartoon supervillan thing going on, those crazy eyes and those wacko expressions on her face. The funny thing is, I didn't have to alter her expression one bit to turn her from exuberant campaigner into psychotic Victorian axe murderess, I only changed the context," Kate explained.

"'Michelle Obama as Marie Antoinette' wasn't much of a stretch, really." She continues. "A wealthy, pampered, social climbing elitist who thinks her own countrymen are disgusting little parasites. Do I mean Obama or Antoinette? Hard to tell the difference. I was looking at this photo of her and I just imagined her in the White House sneering 'Let them eat cake!'"

But the Dems aren't the only ones on the business end of the brush. "Oh, I'm an equal opportunity hater," Kate laughs, "The Republicans irritate me, too. Sarah Palin would say something completely frightening and everyone would go, "Yeah, but she's a total MILF." For those of you who are unfamiliar, the meaning of "MILF" is not fit to print. "So, even though she is this sadistic, nasty woman, people keep going bats over her looks. So I painted her as this sadistic, nasty soul-sucker, and that little pit bull remark she made stuck in my head, there's her Hound Of Hell at her side."

The works are not yet on Kate's website at www.nastyrubber.com, but they will be publicly unveiled at the Annual Halloween Art Exhibit in Chicago at the St. Paul Cultural Center, 2215 W. North Avenue on October 18th. Kate assured us she will be there in person. "I'm anxious to see what people say about this stuff," she says. "So far, the response has been positive. But the people who know me expect this sort of thing out of me. I love to cause trouble."

--Annie Whitmore
News On The Fringe

Winning Piece


Yesterday I told you about my jury duty at CHAW, and the winning piece by Nancy Donnelly... it is titled "Tall Blue Dress." It is steel and glass.

And yet another piece of evidence of the terrific new glass revolution taking place in the nation's capital greater area.

Someone should go and buy this piece; the opening reception is Oct. 11 from 5-7PM.

Firstborn

I'm always telling you about my daughter Elise's successes in the theater, but my eldest daughter Vanessa is no slouch.

A while back she was in a singing competition where the competitors had to sing songs picked by the jurors. Vanessa ended up with the highest difficulty song in the entire competition: Whitney Houston's "I will always love you."

She delivered a power performance of one of the planet's most difficult songs to sing... see it below:

She finished second; behind her sister Elise!

Hamiltonian Gallery Opening Celebration‏

Awright DC... this is a big deal and let's all make sure that this endeavor succeeds!

DC's Hamiltonian Gallery will have its grand opening reception on Saturday, October 11, 7:00 - 10:00pm with an exhibition of new works by Nao Matsumoto, Bryan Rojsuontikul and Ian MacLean Davis.


Paul So's labor of love gallery has more than 2000 square feet of exhibition space with a prominent storefront on U Street NW between 13th and 14th Streets. The gallery is one of the first green contemporary art exhibition spaces in DC, and is mindfully designed to provide a professional exhibition space for artists working in a variety of media including painting, sculpture, photograph, video, audio, digital, and site-specific installation. Their first exhibition goes through November 2, 2008.

Grand Opening Reception: Saturday, October 11, 7:00 - 10:00pm
Music by DJ Gavin Holland

Jury Duty

Today I'm down South, but yesterday it was my honor to jury the next show at the Capitol Hill Arts Workshop in DC, where I looked at about 100 works of art and selected 35 for exhibition and handed out six awards (three honorable mentions).

Best in Show was a very cool glass and metal sculpture by Nancy Donelly, I hope to have an image of that soon...

The opening is this coming Saturday, Oct. 11 from 5-7PM. I'll be there giving out the awards and also passing tips to artists on how to improve their chances in juried competitions. Free and open to the public.

Paintings on the Ribbon Series

As some of you know, back in 1999 I started creating large scale paintings based on my medals and ribbons earned while I served in the US Navy. The story of how I got into that is here.

Then late last year I started "inventing" imaginary and future ribbons and medals to be awarded for imagined military and naval campaigns and wars and peacekeeping and humanitarian efforts.

I'm working on some new ones for an exhibition that I will have later this year in Richmond, Virginia (more on that later), but meanwhile here's what I've got so far (click on any of them for more individual info on that particular painting):

Wanna go to a Reston, VA opening tomorrow?

I'm a big fan of art shows in alternative art venues and one of the best is the Market Street Bar & Grill in the Reston Town Center in Reston, VA.

And on Monday October 6, from 5-7pm they'll be hosting an opening reception of dynamic new works by my good friend Marsha Staiger.

Aimé Maeght, master manipulator of the art market

If you thought that Charles Saatchi was the master inventor of artistic reputations, think again. Aimé Maeght (1906-81), the subject of a forthcoming exhibition at the Royal Academy in London, could show Saatchi a thing or two. While Saatchi tends to promote "discoveries" and then drop them, Aimé Maeght's empire was built upon enduring partnerships with artists including Joan Miró, Henri Matisse and Pierre Bonnard - but naturally enough, both dealers, past and present, have a keen interest in profits.

Read the New Statesman article by Robin Simon here.

"The response has been slow"

Joel Sternfeld's panoramic photos of Manhattan's High Line railway and Yellowstone National Park have been acquired by Morgan Stanley, Deutsche Bank AG and ING Belgium SA.

His new large-scale color prints capturing the seasonal changes of a field in central Massachusetts are having a tougher time finding buyers. The turmoil in the financial markets appears to be keeping clients from doling out $50,000 for Sternfeld's 5-foot-by-7-foot (1.5-by-2.1-meter) works exhibited at Luhring Augustine gallery in Chelsea, New York's hub for contemporary art.

"The response has been slow," says Natalia Sacasa, the gallery's senior director. Six out of 13 works have sold since the show opened on Sept. 6. "There isn't the frenzy we all have become accustomed to."

What? At $50K a pop, most gallerists would give their left nut for having a show that sells half the exhibition at those prices.

Perhaps a little insight into the differences between a power NYC gallery's expectations and view of the art world, and (ahem) the rest of the art world. Read the Bloomberg article here.