The collector's mind
Edward Sozanski, the Philly Inky's art critic has an interesting article titled Art: What motivates big collectors to do what they do?
The Cone sisters of Baltimore, Claribel and Etta, might have seemed eccentric to some of their contemporaries, not only because they continued to dress like staid and proper Victorians well into the 20th century but also because they collected avant-garde art.Read the article here.
Anyone who has seen the Matisse-rich Cone collection at the Baltimore Museum of Art will realize that the sisters - who otherwise lived the most conventional of spinster lives - were more aesthetically adventurous than 99 percent of Americans who witnessed the birth of the modern world.
Like Albert C. Barnes, a contemporary of younger sister Etta, they enthusiastically patronized the two most prominent European modernists, Picasso and Matisse, along with other progressive artists such as Cezanne and Gauguin.
Mainly, though, they concentrated on Matisse. Of the approximately 3,000 objects in the Cone collection in Baltimore, about 500 are by him, the largest group of Matisse works anywhere.
Even since I first visited the collection years ago, I've wondered how and why two Victorian spinsters from a wealthy but nonartistic mercantile family made such an astonishing conceptual leap. The question of what ignites such a passion for collecting art never fails to fascinate.
