Wednesday, December 05, 2007

Miami Day One

As the entire human art universe is now focused on Miami, I thought that it might be fun and interesting to have an artist's viewpoint reporting from Miami.

Each day I will publish the District's uberartist Tim Tate's experiences from Miami. Here's the first installment:

A day by day impression of ArtBasel from the perspective of an artist showing there for the first time. Call it my mini blog for just these few days. One artist's journey through the most complex art maze on Earth.

The weather here is spectacular... about 75 degrees yesterday and cool and breezy. I cabbed in from the airport to my hotel (which is a totally adorable guesthouse in South Beach) then went to see my gallery space at the Flow Art Fair.

FLOW is one of the spin off shows from ArtBasel Miami Beach and is right next to Bridge and Aqua (two other art fair spin offs). And all are right next to "the" ArtBasel MB.

I arrived in late afternoon.... this is just set-up day. Wednesday is press preview at noon and the actual opening is Thursday night.

FLOW is being held at the Dorset Hotel. When I arrived it was a little underwhelming. It seems that each gallery that is participating in FLOW gets a hotel room.

FLOW is considered one of the best off shoot fairs as it's an invitation only show, which means that a gallery has to be invited to show there - in other words, a gallery can't apply to the show, it has to be invited.

I am showing here with a gallery with an incredible reputation, and they are totally featuring me. I can't quite believe it.

And a hotel room is what you get... a small hotel room.... about 15 x 20 feet.

It's all so odd. They have covered the toilet with fabric and it is its now a pedestal for a sculpture. They have covered the sink with a black disc and it is now another pedestal. Thank God that they also covered the flocked brocade wall paper that dominated the room!

It totally reminds me of just starting out in my art career when we would take over a friend's apartment for a home show.

So finally I am being represented at the largest art show in the world, and it feels just like I'm starting all over again. Just like Annie Adjchavanich's $100 art sales used to be in the District years ago!

But maybe that's the point: I am starting over. Just on an international level.

I am told that this is the way its done and so I am hopping on board for this ride. For better or worse, I will report it all to you.

Last night they threw a welcoming party for us on the roof of the Dorset Hotel. Tons of liquor and sushi; it was very nice. George Hemphill of DC's Hemphill Fine Arts, came over to me and said hi and welcomed me to FLOW (he is showing here too).

At the same time, right across the street was a huge VIP opening for the super-swells... klieglights... limos... furs... very fancy (I think Lenny was there).

And as I stood on this roof deck... klieg lights dancing across the buildings, George Hemphill saying hi... everyone coming up to me telling me how blown away they are by my video pieces... I thought: "maybe I have arrived."

But as my life has taught me... my hubris in these situations is always quickly corrected by the Universe... we will see as the days unfold down here.

More tomorrow...

Tim

New Hands

The District's Aaron Gallery has been around for a long time. Recently the director and owner passed away, and now the gallery is in the hands of the talented Sabrina Cabada and she's slowly but surely re-inventing the gallery, one step at a time.

And something new already!

They're having an art exhibition by gallery artists - as opposed to the same work hanging all the time as they used to be.

Join the gallery and artists on Friday, December 7th for an opening reception at 1717 Connecticut Avenue, NW, Washington DC at 6:30 to 8:30 pm. Contact info@aarongallerydc.com for further details.

Work by Chico Hardraker, Chris Milk Hulburt, Francine Shore, J. Aaron Alderman, John Blee, Mary Jennings, Matt Sesow, Rebecca D’Angelo and Sabrina Cabada.

New Director at the Phillips

Dorothy Kosinski
Dorothy Kosinski, Senior Curator of Painting and Sculpture at the Dallas Museum of Art, has been selected as The Phillips Collection's new director.

"I am thrilled to have been selected as the next director of The Phillips Collection," says Dr. Kosinski. "I have long admired Duncan Phillips’s extraordinary record as a collector of modern art and his deep commitment to contemporary artists."

Dr. Kosinski will assume her post next Spring and succeeds Jay Gates, who announced his retirement in June 2007. Read the WaPo's Jackie Trescott's article on the subject here.

Welcome to the DC area!