Friday, February 26, 2010

I have a question

I'm always amazed by the size, the huge size, of thighs in the ice speed skating world. The size on Apolo Ohno and those Koreans and northern European men and women is something to behold.

It is clear to me that those monster thighs can't fit your standard "off the rack" pants when the skaters go mufti and discard those alien sex suits that they skate with.

And nu... so my question is: what do they wear when they're out and about in civilian clothes?

Stretchy stuff (like Haggars)? Big baggy pants? Jodhpurs?

Speaking of thighs... chickens have some really huge thighs too, don't they? I have always wondered about "boneless chicken thighs."

My interest is that I am curious about the process of how they get rid of the bone. Work with me here... a boneless breast is easy to visualize the process of removing the bone.

But the bone in the chicken's thigh is in the middle of the thigh (I think). So how come I can walk into my supermarket and buy plump, full, boneless chicken thighs?

Man I'd love to see the machine that does that bone-removing process...

I don't even want to think about "boneless chicken wings."

That would make my head hurt.


The DC Commission on the Arts and Humanities (DCCAH), in partnership with the DC Office of Cable Television (OCT), announces the premiere of Art (202) TV, an innovative one-hour television segment that showcases the diverse talents of the District’s art scene. Art (202) TV will be featured on TV-16 of the District’s cable system on Fridays at 9 pm and Saturdays at 11 pm.
Details here.

Hotel Art Intervention Project A few years ago I told you about my "hotel art intervention project" where, starting in the late 70's and through the early 2000's, it was my usual practice, as sort of a personal artistic jihad, to take down the framed "art" in hotel rooms, take the frame apart, and remove the usual poster or reproduction that was the art, turn it around, and draw (and once in a while actually paint) a "new" original work on the verso of the poster. It was usually a simple, figurative line drawing, more often than not done while watching TV, and often inspired by the TV show itself. Some were more elaborate than others, and every once in a while a really involved drawing would emerge. Once finished, I would re-frame the new work, and re-hang it on the wall. Sometimes I would add touches to an existing piece. I especially loved those mass produced oil paintings of beaches and huts and glorious sunsets. To the beaches I would "add" other elements, such as footprints spelling out messages, discarded syringes, a dead octopus, etc. To the glorious sunsets perhaps an UFO or the odd-looking airplane, or even Superman flying around. Between the late 1970s and up to maybe 2002-3 I did this probably around 200 times in hotel rooms in Europe, Canada, Mexico and all over the United States. A few weeks ago I visited the Left Coast and stayed in a hotel that I had previously been in many times. It has been refurbished recently and all the rooms were nice and clean. My room was decorated with some acceptable "wall decor" of flower prints (see the images below). hotel flower print And then, to my utter surprise I discovered a piece of artwork hanging in this room which was one of the works that I had "improved" upon a few years ago! I recognized it instantly! Hotel Art Intervention Project 2002

Here's the "improved" print hanging on the hotel room wall today
What are the chances that from all the rooms in that hotel I would end up in the one where my intervention was hanging? Or better put re-hung. Hotel Art Intervention Project 2002
Here's another shot of the piece in the corner of the room
I documented most of the earlier hotel work via slides (remember slides?) - the vast majority of which were lost in the mid 90s when the storage facility where I had a lot of books, tons of art slides and other stuff was flooded. But this latter "intervention" documentation survives thanks to digital cameras, as it is one of the later ones, from around 2002. So I went back through a couple of old PCs that I need to throw away as soon as I copy everything that's in the C drive, and found some vintage digital images of the original process. Hotel Art Intervention Project 2002
This is the original flower poster, image taken in 2002 before I "improved" the wall decor
What I did in this particular case, was to create a furious battle scene going on the flower itself. From a distance it looks like the flower is being invaded by bugs, but once we get close, we see a barbaric battle going on, as Cimmerians attack the flower, being defended well by armed guards. What movie was I watching at the time in that hotel room in 2002? A TV re-run of Conan The Barbarian! Hotel Art Intervention Project 2002
Here's the piece back in 2002, unframed on my hotel bed and ready to be improved
Hotel Art Intervention Project 2002
Here's a close up of the "improved" flower poster
Hotel Art Intervention Project 2002
Here's a close up of one of the bulbs showing the furious action going on
Then, I re-discovered that in this particular instance I had done a second drawing on the back of the frame. I used the nice masonite backing to do a quick charcoal and conte drawing: two for the price of one! Hotel Art Intervention Project 2002
Here's the "extra" piece of art done on the back of the frame
I never did check when I was in the room to see if that drawing is still on the back of the frame. It is probably impossible to do so anyway, as the wall decor in most hotels these days are anchored to the wall in such a way that it takes a concentrated effort to get them off the wall (as if anyone would steal it?). Hotel Art Intervention Project 2002
Here's a close up of the drawing on the back of the frame
I'm not saying anything, but I feel the jihad rekindling!

  Hotel Art Intervention Project 2002
And here's the room, in case you ever happen to be out West

These days I am doing a similar, but modified project - which I will call my "art deployment" project, where I get and use frames from area thrift shops, remove the cheap reproductions (usually) that are in these frames, replace them with my own artwork -- usually art school era vintage "real" prints such as etchings, linocuts, lithos, etc. and even some original work -- and then "sneak" it back into the thrift shop for some lucky and sharp-eyed person to acquire and "boom" a Campello gets into another collection.