Norfolking...

Driving down to Norfolk in a few minutes for the opening of Havana-based Cuban artist Sandra Ramos, who is in many people's opinions (including mine), the leading contemporary Cuban artist in the world. The Ramos solo show, Exodus, runs from October 23 - December 27, and opens tonight in Norfolk's leading independently owned commercial fine arts gallery: Mayer Fine Art.

If you are a Norfolkian, come by and say hello.

In Norfolk tomorrow night

Havana-based Cuban artist Sandra Ramos is in many people's opinions, the leading contemporary Cuban artist in the world, and later this month, her solo exhibition titled Exodus, running from October 23 - December 27, opens in Norfolk's leading independently owned commercial fine arts gallery: Mayer Fine Art.

MFA, which also represents my work, is by far the top fine arts venue in the Tidewater area, and its hardworking owner, the talented Shiela Giolitti, daughter of the legendary comic book artist Alberto Giolitti has been preparing for this, Ramos' second ever solo show in the USA, for a long time.

Sandra Ramos. Flying to Miami. Charcoal and Acrylic on Digital Canvas Print. 130 x 90 cm. Circa 2010
The opening is Saturday, October 23rd from 6-9PM.

Additionally, Ramos will be leading a printmaking workshop at the Chrysler Museum on Oct 23 and 24th. You can register for that workshop here.

Then, on October 26th at 7PM, Sandra Ramos will present a lecture on contemporary Cuban art at the Baron and Ellin Art Galleries of Old Dominion University in Norfolk. Free and open to the public.

Ramos is in the permanent collection of MoMa, MFA Boston, Dallas Museum, Miami Art Museum and many other US, European and Latin American art museums.

I'm driving down for this opening; see ya there!

Sandra Ramos lecture at George Mason University

Thursday Oct 28th at 1:30 at the School of Art - Room 2001. The talk and slide lecture will discuss the state of contemporary Cuban art. It is free and open to the public.

Sandra Ramos groundbreaking work in the 1990s was amongst the first to challenge and expose the harsh realities of Cuban life. By addressing forbidden issues such as mass migration, the plight of Cuba’s raft people, racism in Cuban society and the inequalities of Cuban life, Ramos found a voice through her art that has brought her worldwide fame and inclusion in many private and museums' permanent collections, such as the Museum of Modern Art in New York, the Museum of Fine Arts in Boston, Dallas Art Museum, Miami Art Museum, Fuchu Art Museum in Japan, Thyssen Bornemisza in Vienna and regionally at the University of Virginia Art Museum.

Sandra Ramos resides in Havana, Cuba. Her work has also been showcased at Art Basel Switzerland, ARCO Madrid, Art Basel Miami Beach, multiple Biennials and many other worldwide art fairs.

Her second US solo show, "Exodus", showcasing her latest paintings, videos and etchings, opens this coming Saturday, Oct. 23rd at Norfolk's Mayer Fine Art Gallery.

Later this month: Sandra Ramos solo show in Norfolk

Havana-based Cuban artist Sandra Ramos is in many people's opinions, the leading contemporary Cuban artist in the world, and later this month, her solo exhibition titled Exodus, running from October 23 - December 27, opens in Norfolk's leading independently owned commercial fine arts gallery: Mayer Fine Art.

MFA, which also represents my work, is by far the top fine arts venue in the Tidewater area, and its hardworking owner, the talented Shiela Giolitti, daughter of the legendary comic book artist Alberto Giolitti has been preparing for this, Ramos' second ever solo show in the USA, for a long time.

Sandra Ramos. Flying to Miami. Charcoal and Acrylic on Digital Canvas Print. 130 x 90 cm. Circa 2010
The opening is Saturday, October 23rd from 6-9PM.

Additionally, Ramos will be leading a printmaking workshop at the Chrysler Museum on Oct 23 and 24th. You can register for that workshop here.

Then, on October 26th at 7PM, Sandra Ramos will present a lecture on contemporary Cuban art at the Baron and Ellin Art Galleries of Old Dominion University in Norfolk. Free and open to the public.

I'm driving down for this opening; see ya there!

Sandra Ramos' workshop

Havana-based Cuban artist Sandra Ramos is in many people's opinions, the leading contemporary Cuban artist in the world, and later this month, her solo exhibition titled Exodus, running from October 23 - December 27, opens in Norfolk's leading independently owned commercial fine arts gallery: Mayer Fine Art.

MFA, which also represents my work, is by far the top fine arts venue in the Tidewater area, and its hardworking owner, the talented Shiela Giolitti, daughter of the legendary comic book artist Alberto Giolitti has been preparing for this, Ramos' second ever solo show in the USA, for a long time.

Sandra Ramos. Flying to Miami. Charcoal and Acrylic on Digital Canvas Print. 130 x 90 cm. Circa 2010
The opening is Saturday, October 23rd from 6-9PM.

Additionally, Ramos will be leading a printmaking workshop at the Chrysler Museum on Oct 23 and 24th. You can register for that workshop here. Hurry! There are only three spots left!

Then, on October 26th at 7PM, Sandra Ramos will present a lecture on contemporary Cuban art at the Baron and Ellin Art Galleries of Old Dominion University in Norfolk. Free and open to the public.

Ramos is in the permanent collection of MoMa, MFA Boston, Dallas Museum, Miami Art Museum and many other US, European and Latin American art museums.

I'm driving down for this opening; see ya there!

Sandra Ramos solo show in Norfolk

Havana-based Cuban artist Sandra Ramos is in many people's opinions, the leading contemporary Cuban artist in the world, and later this month, her solo exhibition titled Exodus, running from October 23 - December 27, opens in Norfolk's leading independently owned commercial fine arts gallery: Mayer Fine Art.

MFA, which also represents my work, is by far the top fine arts venue in the Tidewater area, and its hardworking owner, the talented Shiela Giolitti, daughter of the legendary comic book artist Alberto Giolitti has been preparing for this, Ramos' second ever solo show in the USA, for a long time.

Sandra Ramos. Flying to Miami. Charcoal and Acrylic on Digital Canvas Print. 130 x 90 cm. Circa 2010
The opening is Saturday, October 23rd from 6-9PM.

Additionally, Ramos will be leading a printmaking workshop at the Chrysler Museum on Oct 23 and 24th. You can register for that workshop here.

Then, on October 26th at 7PM, Sandra Ramos will present a lecture on contemporary Cuban art at the Baron and Ellin Art Galleries of Old Dominion University in Norfolk. Free and open to the public.

I'm driving down for this opening; see ya there!

At the end of the fair

Overall Mayer Fine Art sold nearly 40 works of art during last week's Affordable Art Fair in NYC. Work by Shiela Giolitti, Alexei Terenin, Heather Bryant, Michael Janis, Matt Sesow, and a few more artists, sold by MFA.

I sold about a dozen drawings, including three of the pieces that I had done for the Mera Rubell studio visit last week.

On Sunday I sold two big drawings, including "Fallen Angel" and "Superman Flying Naked and Close to the Ground in Order to Avoid Radar"; both of these were "Rubell visit drawings." I also sold a large female nude drawing titled "America Desnuda".

"Superman flying naked and close to the ground in order to avoid NORAD radar"" Charcoal on Paper. 20x24 inches.

At the end of the day...

Yesterday things picked up a little and some more artists at the AAFNYC showing with Mayer Fine Art have broken the ice.

Yesterday Sheila Giolitti sold four of her paintings, I sold my cool drawing of "St. Ernesto 'Che' Guevara", more Matt Sesow's sold as well as one Novie Trump sculpture and one of Rosemary Feit Covey's super cool "Peep Show" boxes and one of her wood engravings

In walking the fair a little I've really become quite fond of the breath taking photographic wax encaustic work by Leah MacDonald, represented by Galerie BMG from Woodstock, New York. MacDonald has some of the most innovative and sexiest work that I have seen in a long time.

Encaustic Photography by Leah MacDonald"

At the end of the day...

The 1,000 point drop in the market yesterday was buzzing through the crowd coming to the Affordable Art Fair in New York. However, having done this fair many years, it seemed that Thursday's attendance was quite good considering it was a Thursday, so there were mixed signals: good crowds + bad economic news = slower sales than preview night.

Also, last night was "Brooklyn Night" and the crowd seemed younger and more interested in the open bar for wine and beer and the cool DJ who was actually playing music from a record player... than in artwork.

At the end of the day Mayer Fine Art ended up selling Sheila Giolitti's second largest painting (a major sale), a few more paintings by Matt Sesow, and as the lights were being flickered at 9:30PM, one of my large drawings ("Eve and the Lilith"), which ended up being acquired by the Sonya Spann Collection.

Preview Night at the Fair

Today was the press night and VIP preview night at New York's Affordable Art Fair, held at 7 West 34th Street, right across the street from the beautiful Empire State Building.

In the many years that I have been doing the AAFNYC, tonight's opening was by far the most crowded and buzzy preview that I have seen. It seemed like most galleries were selling something.

Norfolk's Mayer Fine Art, showcasing several DMV artists including my work, also did OK, with several sales by multiple artists, including a couple of sales by Novie Trump, a major piece by Rosemary Feit Covey on hold, a few sales of Matt Sesow, and sales of four of my drawings, including my two largest pieces that I brought to NY: "Batman Naked" and "Suddenly she discovered that she wasn't afraid any longer".

Want free tickets to the art fair?

The Affordable Art Fair NYC is this week, opening on Thursday in New York. Drop me an email if you want me to set you up with a couple of free tickets to the fair.

If you go to the fair, swing by and say hi... I'll be with Mayer Fine Art. Reports coming as time allows.

Congrats

The my good bud and one of the District's uberartists, Tim Tate, who just got picked up by London's Cynthia Corbett Gallery.

The whole thing started in one of the art fairs in Miami last December. Corbett was showing in Miami, walked through several of the fairs in the city, chatted with Philadelphia's Projects Gallery (which also represents Tate), and that gallery's hardworking owner Helen Meyrick introduced Corbett to Tate's work.

Meyrick then took Corbett over to by Norfolk's Mayer Fine Arts, which also represents Tate's work, and there Meyrick and MFA's also hard-working owner Sheila Giolitti showed Corbett more of Tate's video work and she liked them a lot.

And just recently they closed the deal and now Corbett will represent Tate internationally (she does most of the American and European power art fairs). This is a huge step forward for Tim Tate.

Lesson here? This is why it is important for galleries to do some art fairs, and why it is important for artists to support their galleries' as much as they can. The art fairs are a huge financial risk for the art galleries, but the pay off opportunities, both for the galleries and for the artists whom they take there are huge.

One at a time...

Today the person who had Sandra Ramos' "El Bote" on hold actually called and purchased the piece, but wanted it unframed so that they could reframe it to their own taste. Of course, "El Bote" is the largest framed piece that I brought down to Miami, and because of interruptions it took me almost two hours to unframe it, roll up the etching, store the big frame in the van and hang some new pieces in the area vacated by the piece.

But a sale is a sale and "El Bote" joins several other works by Sandra Ramos in this couple's collection.

Then we sold a Tim Tate video to a Miami collector. It is the sexy and mesmerizing Ophelia video; one of my favorites.

Tate has also been attracting the attention of the dealers themselves. There's a piece on hold by the owner of a local Miami gallery, and then a well-known video collector who already owns a Tate piece brought Tim's work to the attention of a super New York gallery currently showing at Pulse and that connection happened and hopefully something will come out of it.

Then a British gallery from Art Miami came from across the street - tipped off by Tate's Philadelphia gallery - and she wants to take all unsold Tate pieces with her back to London at the end of the fair. We'll need to seal the arrangements between now and Sunday.

Russian-born Alexey Terenin's work has also been attracting a lot of attention from art dealers, and Mayer Fine Art may have found Terenin a couple of American galleries to show his work. Two Terenin oils sold today as well.

I also sold one of my watercolors from the Cuba series and my Philadelphia gallery (Projects Gallery) also sold another watercolor from the Cuba series.

I also visited Art Miami across the street today, and was very impressed with the level of work at that fair, although I did find a few galleries showing work that was in the awful range, bordering on Artomatic as its detractors see it. More on that later...

The Power of the Web

Well... the power of this blog really.

A while back I wrote a review of Shelly Voorhees at the gorgeous Black Rock Arts Center in Gaithersburg.

Gallerist Sheila Giolitti from Mayer Fine Art in Norfolk read the review, contacted Shelly and when an unexpected opening in her scheduled happened (gallerists hate that!), she gave Voorhees a solo show! I believe that they're also taking Voorhees work to the Art Basel fairs in Miami later this year.


This is the main reason why artists should always look around for opportunities and show their work as much as possible. One never knows who is about to see your work and what doors are about to happen.

And here is a great opportunity.

Matt Sesow at MFA

I hear that Matt Sesow had a great opening at Mayer Fine Art in Norfolk with loads of sales. Congrats to both!

This Friday in Norfolk


My good bud Matt Sesow opens in Norfolk's best art gallery, Mayer Fine Art. The opening reception is from 7-9PM.

Affordable Art Fair New York: Final Report

Home at last, tired (more like exhausted) after five days of hauling artwork up and down to the 11th floor and schlepping it for five days at AAFNYC.

Overall it is my impression that most galleries at this fair sold very well. Perhaps it is an indication that the art economy is taking a tiny advance, or perhaps it is a simple sign of the times where people are looking at affordable art more closely?

In my personal sphere, I sold a lot of my own drawings (around 30 of them), and the gallery showing my work (Mayer Fine Art of Norfolk, Virgina) also did exceptionally well, practically selling out of Sheila Giolitti's paintings on Friday and Saturday, and essentially selling out all 12 of Matt Sesow's paintings that they brought, and had they brought more, they could have probably sold another dozen. I bet Matt's website experiences a "surge" of interest after this fair, as Mayer Fine Art must have given out a couple of hundred business cards with his details to interested buyers.

Sale of a gorgeous Tim Tate audiovisual sculpture to a major San Francisco collector, and a large Cirenaica Moreira photograph to a well-known collection of Cuban art also helped to push MFA's numbers.

Across from us, New York's Emmanuel Fremin Gallery had a slow start, but by Sunday they had quite a few red dots, mostly accomplished by multiple sales of Drew Tal's gorgeous photography.

And Montreal's Arteria continued to do well, with the roster of young Canadian artists whom they represent.

DC area galleries also seemed to do well, and I continued to see folks from Honfleur and Fraser bring works to the wrapping station.

And finally, tear down was not the nightmare that I thought it was going to be. The fair ended on Sunday at 5PM, and by 8PM we were out of there and stuck in the gridlock traffic for the tunnel to New Jersey.

Affordable Art Fair NY day two and three

Day two and three (Thursday and Friday) at AAFNYC went pretty much along the same way as the opening night, with good crowds and (since we are really close to the wrapping station) we can keep an eye on the sales, and the wrapping station was always busy through both days.

Some of the press reviews have come out, and yesterday Robert Ayers discussed his impressions of the fair and had some good things to say about both my former DC art gallery and about Tim Tate's work (showing with Norfolk's Mayer Fine Art). And LoftLife also reviews the fair and picks MFA with the splendid Santeria work of Marta Maria Perez Bravo.

Talking about Mayer Fine Art, its hardworking owner, Sheila Giolitti, is selling like gangbusters and her resin paintings are flying off the wall. Last year she sold out at AAFNYC and this year Giolitti is once again on the way to a sell out.

On the press preview I got into a slight tiff with a journalist.

She looked at Tim Tate's work and stated, "I know this artist."

"Cool," I responded, and I began to start discussing Tate's work with her.

"He shouldn't be here!" she exclaimed in a thick French accent, clearly miffed. The staff at MFA looked a little puzzled.

"Why?" I asked.

"This fair is supposed to be about emerging artists, and Tate is in museums already, so he's certainly not an emerging artist," she added.

It's not easy to throw me for a verbal loop, but this almost did. I started to counter her point about who or what can be at this fair or any other fair, but she kept going, adding more reasons why Tate's work doesn't belong at AAF.

"I disagree," was all that I could come up with.

"Well," she said imperiously as she walked away miffed, "I disagree too!"

In our row, our across the aisle neighbor, Arteria from Montreal, Canada seems to be doing well, and on Friday night they moved a huge wall sized oil by Jonathan Theroux. Also nearby, MAC Art Group from Miami, Florida is selling their riot of tropical colors steadily and works by Cuban painter Vicente Dopico-Lerner is doing well.

DC area galleries seem to be faring positively as well, and I've seen Honfleur's staff at the wrapping line several times and both Fraser and Nevin Kelly seem to be moving work.

Finally, the new location across the street from the Empire State Building is a winner (in my opinion), since the floor plan is much better and there are no "bad spots" for booths. Because it is on the 11th floor, setting and tear down might be a nightmare, but we'll see.

In New York

By the time you read this I'll be huffing and puffing and schlepping artwork to the 11th floor for The Affordable Art Fair NYC which has a private opening tonight and opens to the public later this week. I'll be there with Mayer Fine Art in booth D-100.

I'll be blogging from the fair as time permits.

See ya there!

Art of Glass II

Ten years ago, the major arts institutions of the Greater Hampton Roads area in Virginia joined together to put together of the most successful examples of region-wide art partnership events: The Art of Glass.

Across Norfolk and the Greater Tidewater area, through the Art of Glass, they proved that art has the power to be a transcendent force.

In April 2009, the Chrysler Museum of Art, the Contemporary Art Center of Virginia and the Virginia Arts Festival, as well as many of the Norfolk-area art galleries, will once again collaborate to create a landmark event for Hampton Roads: Art of Glass 2.

Anchored by The Art of Glass II, the Chrysler Museum of Art will have Lino Tagliapietra in Retrospect: A Modern Renaissance in Italian Glass. Held at the Chrysler Museum of Art. This is the first exhibition to thoroughly examine the career and art of Lino Tagliapietra. The exhibition presents 155 works from Tagliapietra’s 40-year career, including pivotal works from the artist’s own collection and collections around the world as well as designs made for industry and objects that have never before been exhibited.

The Chrysler Museum will also have Contemporary Glass Among the Classics, which features glass installations from four contemporary artists: Katherine Gray, Stephen Knapp, Karen LaMonte, and Beth Lipman. Focusing on each artist’s approach to the versatile material of glass, this exhibition will present new works inspired by the Chrysler’s collection. Gray, LaMonte, and Lipman’s works will be featured throughout various galleries alongside objects from the Museum’s collection.

The Contenporary Art Center of Virginia has a wide host of events and exhibitions lined up with Hank Murta Adams, Dante Marioni, and others; see them all here.

Several key DC area artists will be involved in the festivities as Mayer Fine Arts hosts Dialogues in Glass with the usual powerhouse names from the DC area. Click on below image for more details.