Thursday, March 11, 2004

Just flew back from San Diego and on the way back I read another great book, which (at least for me) was not only informative, but incredibly educational and eye opening.

It is The Basque History of the World by Mark Kurlansky. It's absolutely a great read, especially if you are a history buff or interested in Europe's oldest people, the world's most unique language and the most stubborn nation without a country on this planet.

I learned that their ancient tongue (Euskera) is not only the oldest European language, but it is not related to any other language on Earth.

Wednesday, March 10, 2004

Councilmember Harold Brazil, chairperson of the Committee on Economic Development, announces a public hearing on Bill 15-636, “Arts Funding Improvement Task Force Establishment Act of 2003.”The hearing will be held at 3:00 p.m. on Wednesday, March 17, 2004, in the Council Chamber of 1350 Pennsylvania Avenue, NW (John A. Wilson Building).

Bill 15-636, “Arts Funding Improvement Task Force Establishment Act of 2003," if approved, would establish a taskforce that will focus on increasing funding for the Arts and Humanities. The task force would provide recommendations to the Commission on the Arts and Humanities, the Council, and the Mayor on ways to increase funding for arts and humanities programming and education in the District.

For more info call the Council of the District of Columbia at 202.724.8050

Opportunity for artists...

Deadline: Thursday, April 01

The Cultural Development Corporation (CuDC) is seeking proposals for The Gallery at Flashpoint.

Flashpoint is DC's first arts space dedicated to nurturing and growing emerging arts organizations and the Gallery at Flashpoint provides artists and arts organizations a place to show innovative, new works. Applications for the 2004-2005 Season are now being accepted from artists, curators and arts organizations. The Request for Proposals is available at their website.

Deadline: All proposals are due to the CuDC offices (916 G Street, Washington, DC 20001) by April 1, 2004 at 5:00pm. For more info call the Gallery at Flashpoint at 202/315-1310.

Tuesday, March 09, 2004

Hello from San Diego, in the middle of a very warm (almost 80s) winter!

But read this important announcement dealing with events back in DC:

Annual Arts Advocacy Day, Wednesday, March 31, 2004

Hard working art activists are presently organzing visits to all the DC Council Members to discuss the role of the arts in our community. In addition, the Budget Hearing for the DC Commission on the Arts and Humanities at the Committee on Economic Development (chaired by Council Member Harold Brazil) is scheduled for Thursday, April 1, 2004. You are invited to an organizing meeting for Arts Advocacy Day and the Budget Hearing on Friday, March 19th, Noon-1:30 PM, at Flashpoint. At this meeting, members of the Steering Committee will present briefings on three topics: the arts as an economic generator, the arts and youth, and the arts as an attractor to life in our city.

They'll walk through the process of Arts Advocacy Day and the budget hearing. We strongly encourage you to come to this meeting as your participation will help create a coherent message and force for the advocates for Arts Advocacy Day and for the budget hearing. To summarize: Friday, March 19th, Noon-1:30 PM -- Briefing meeting. Wednesday, March 31st -- Meetings with Council Members (the meetings will go on throughout the day, each lasting about 15-30 minutes.) Thursday, April 1st -- Budget Hearing for DC Commission on the Arts and Humanities. If you have any questions, please contact Jill Strachan at jpstrach@aol.com.

Monday, March 08, 2004

Traveling all day - finally in San Diego. Over the last few years I have been here many times (and I've actually lived here in San Diego twice in my life). San Diego has maybe half a dozen decent, reputable art galleries, a decent museum and a terrific photography venue. Yet, in spite of those low numbers, these art venues seem to get more attention in national magazines such as ArtNews and Art in America than our DC area galleries.

I've always wondered why? How come half a dozen San Diego area art venues get more "back of the magazine" mini reviews than 100 good art venues in the DC area?

Part of the answer is that many of the writers who cover the DC area for those national magazines favor reviewing museum shows, at the expense of area galleries. And those same magazines usually give DC one mini-review a month period - so the galleries have little chance competing against our great museums.

But still... how come San Diego gets more numerical reviews in a calendar year than Washington when we have around ten times more art spaces than San Diego does?

P.S. - On the way here I read Waiting for Snow in Havana, by Carlos Eire, which is the National Book Award Winner. What a brilliant book! I highly recommend it.

Sunday, March 07, 2004

NASA on Friday released the first pictures ever taken of an eclipse as seen from the surface of another planet, snapped by the Opportunity rover a day earlier. Art and history married in a photograph.

Saturday, March 06, 2004

"First Annual Selected Figure Drawing Exhibition" call for entries.
Deadline: April 30, 2004
The New England Realist Art Center announces a call for entries for their "First Annual Selected Figure Drawing Exhibition". This International open exhibition will be held online. Open to all artists who work in a representational style in any graphic media (wet or dry). Up to $1,000 in awards. Juror will be renowned artist and portraitist Ted Seth Jacobs. Entry deadline is April 30, 2004. Entry fee: Up to 3 slides $25, $5 each additional. For more information contact Dennis Cheaney at info@newenglandrealistartcenter.com or visit their website.



"Bold Expressions" call for entries.
Deadline: August 2, 2004.
Northern California Arts, Inc. invites you to enter their 49th Annual Open International Exhibition, "Bold Expressions," September 28 - October 17, 2004, at the Sacramento Fine Arts Center Galleries. Open to creators of original art. Mixed media, no photography, film or crafts. Best of Show $750, awards totaling $3500. Juror: Cynthia Hurley, well-known Northern California and international artist. Judged by slides. Fee: $30 for 1, 2 or 3 artworks, non refundable. Slide deadline is August 2, 2004. For information call Deb Johansen-Cook, Show Chair at 916-988-9417. Prospectus available from this website.


"Alcyone" call for entries.
Deadline: May 15, 2004.
Pleiades Gallery of Contemporary Art in New York announces Alcyone, a juried competition being curated by Tracey Bashkoff of the Guggenheim Museum. All Media is eligible and fees are: $40 up to 3 slides, $5 each additional slide - no commission on sales. For info call the gallery at (646) 230-0056 or visit their website.

There's a very good article in Art Business News magazine about Cuban art and once again I am being quoted discussing our strong program promoting Cuban art and artists in our area.

Among the many artists discussed, Sandra Ramos, who will be making her DC debut next May in our Georgetown gallery, is highlighted.

Ramos' art deal with migration, exile, sex, and racism - all taboo subjects in Cuban society. She's in the permanent collection of MOMA, MFA Boston and a dozen other museums worldwide - and yet has never exhibited in DC.

Friday, March 05, 2004

I received a really nice note from Harrison Arnett, of the Tinwood Alliance about my review of the "Quilts of Gee's Bend." It was nice of him, as I was a little iffy as how the review would be received.

Please read this: Michelle Marder Kamhi on Rescuing Art from "Visual Culture Studies" at Aristos. Link thanks to ArtsJournal.

Art Chat is a quarterly informal gathering of arts groups and arts administrators, sponsored by the Alexandria Arts Forum (an arts advocacy group) and the Alexandria Commission for the Arts. The public is invited to the March Art Chat, to be held Thursday, March 11 at 7 p.m., a joint gathering of the Arlington and Alexandria Arts Commissions and arts groups. It will be held at the Torpedo Factory Art Center at 105 N. Union Street, Alexandria.

The Artist Help Network has launched a "Bulletin Board" to announce items of interest related to artist career development - including new publications, services, and resources. Go to their homepage and click "News of Interest" located at the top left-hand corner.

I really believe that if one is to write and discuss DC area artists, galleries and our "scene," then one must get out and go to openings, see show, talk to artists, visit museums, etc. As many and as varied as possible.

One of my pet peeves is a well-known writer from a weekly alternative free newspaper who for the last several years just continues to write about the same two or three museums or the same two or three galleries... over and over and over. Get your ass out and see some other shows, visit as many galleries as you can and expose yourself to DC artists and art - then write about it.

Tonite was the first Friday of the month, which of course means that the Dupont Circle Galleries had their extended hours from 6-8 PM and thus I trekked to a few and then had dinner (I had Veal Marsala, which was magnificent) at Anna Maria's on Connecticut, one of the best Italian restaurants in DC.

From the gallery crawl, what best sticks on my mind as memorable were the truly unusal, not even sure how to describe it, work by Dean Kessman at Conner Contemporary. Elegant, thin, and super minimalist perhaps? Or maybe a 21st century rebirth of the Washington Color School on Intel Steroids?

A few doors down, in the small space now shared by Troyer and Irvine Fine Arts there were some watercolors and gouaches by Roberto Matta never before seen in the United States.

Thursday, March 04, 2004

Bethesda Arts and Entertainment District Announces 2nd Annual Trawick Prize - $14,000 in Prize Money to be Awarded

Deadline May 21, 2004. Don't leave this to the last minute! Start getting your slides ready now!

The Bethesda Arts and Entertainment District is accepting submissions for The Trawick Prize: Bethesda Contemporary Art Awards.

This is the largest cash award to area artists given by anyone in the area. The 2nd annual juried art competition awards $14,000 in prize monies to four selected artists. Deadline for slide submission is Friday, May 21, 2004 and up to fifteen artists will be invited to display their work from September 7, 2004 - October 2, 2004 in downtown Bethesda at Creative Partners Gallery.

The 2004 competition will be juried by Jeffrey W. Allison, the Paul Mellon Collection Educator at the Virginia Museum of Fine Arts in Richmond, VA; Peter Dubeau, Associate Dean of Continuing Studies at the Maryland Institute College of Art and Kristen Hileman, Assistant Curator at the Hirshhorn Museum and Sculpture Garden.

The first place winner will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000. A "young" artist whose birth date is after May 21, 1974 will also be awarded $1,000.

Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C. Original painting, drawing, photography, sculpture, fiber art, digital, mixed media and video (VHS tapes only) are accepted.

The maximum dimension should not exceed 96 inches in any direction. No reproductions. Artwork must have been completed within the last 5 years. Selected artists must deliver artwork to exhibit site in Bethesda, MD. Each artist must submit five slides, application and a non-refundable entry fee of $25.

Please visit www.bethesda.org or send a self-addressed stamped envelope to:

Bethesda Urban Partnership, Inc.
c/o The Trawick Prize: Bethesda Contemporary Art Awards
7700 Old Georgetown Road
Bethesda, MD 20814.

For more information, please contact Stephanie Coppula at scoppula@bethesda.org or call 301.215.6660 ext. 20.

Comment: Considering some of the huge corporations that are headquarted in our area, and specifically in Bethesda (such as Lockheed), I find it amazing that it is a small woman-owned local business (Trawick and Associates) that ponies up most of the cash given out each year to help foster the visual arts environment in our area. Memo to Lockheed, and to AOL and to Giant and to the Post and others: How about adding $10,000 each to this annual prize?

Wednesday, March 03, 2004

$60,000 in prizes...

The 7th Annual L'Oreal Art & Science of Color Prize.

The Gold Prize is presented to one artist and carries with it an award of Euro 30,000. The Silver Prize is presented to one person and carries with it an award of Euro 20,000. The Bronze Prize is presented to one person and carries with it an award of Euro 10,000.

For additional information review this website.

21st Annual Art Competition sponsored by The Artist's Magazine
Deadline: May 1, 2004.

Compete and Win in five Categories!

PORTRAIT & FIGURE Portrait and figure entries can be individuals or groups, and will be judged on expressiveness, personality and draftsmanship.
STILL LIFE Entries will be judged on overall design, unique arrangement of subject matter, handling of medium, lighting and mood.
LANDSCAPE Any landscape, from city scenes to imaginary horizons, will be judged on the creative use of form, space, lighting and mood.
EXPERIMENTAL With unlimited subject matter, entries will be judged on creative use of design, texture, media, lighting or special techniques.
ANIMAL ART Any animal in any setting is fair game for this category. Entries will be judged on the innovative handling of the subject, the expression and rendering.

More than $25,000 in cash prizes. Winners will be featured in the December 2004 issue of The Artist's Magazine. Five First Place Awards: $2,500 each, five Second Place Awards: $1,250 each, five Third Place Awards: $750 each, and 15 Honorable Mentions: $100 each.

Winners will be featured in the December 2004 issue along with a list of 250 finalists. In addition, 10 finalists will be featured in the "Competition Spotlight" in The Artist's Magazine, 12 finalists will be featured as "Artist of the Month" in their web site, and all winners and finalists will receive a certificate suitable for framing.

For details and an entry form visit their website, or email them at art-competition@fwpubs.com or call Terri Boes at 513-531-2690 x1328.

Tuesday, March 02, 2004

I'm down in an interesting neck of the Maryland woods... around LaPlata, Indian Head and Waldorf... nursing either a nasty cold or pneumonia.

Anyway, Muriel Hasbun, one of Washington DC's art stars, and represented by Conner opens Thursday, March 11th with a show titled "Memento" at The Corcoran Gallery of Art. "Memento" will be on view March 6-June 7, 2004 and it is a survey of recent work including work showcased by Hasbun at the 50th Venice Biennale, where she represented her native El Salvador.

Monday, March 01, 2004

William Willis, Works on Paper, opens Wednesday, March 3 (6:00 - 8:00 PM) at Hemphill Fine Arts in Georgetown. The exhibition runs until April 10, 2004.

CuDC Call for Proposals...
Deadline: All proposals are due to the CuDC offices (916 G Street, Washington, DC 20001) by April 1, 2004 at 5:00pm.

The Cultural Development Corporation (CuDC) is seeking visual art proposals for The Gallery at Flashpoint.

Flashpoint is DC's first arts space dedicated to nurturing and growing emerging arts organizations and the Gallery at Flashpoint provides artists and arts organizations a place to show innovative, new works.

Applications for the 2004-2005 Season are now being accepted from artists, curators and arts organizations. The Request for Proposals is available at www.flashpointdc.org.

David In case you missed it, the Post's Sunday Arts had a wonderful orgy of coverage about the restoration of Verrocchio's David.

Articles by Blake Gopnik, whose doctoral thesis was on ideas of realism in Renaissance Italy, and who as usual manages to shoot a few arrows into the genre of realism (he once described realism as a "vampire that refuses to die" at a Corcoran lecture on realism), plus articles by Nicolas Penny, who is a is curator of sculpture at the National Gallery of Art; an article by Mary D. Garrard, professor emerita at American University; and a somewhat suspicious piece (that I think Camille Paglia would have fun with) by James M. Saslow, a professor of art history and theater at Queens College and the Graduate Center, City University of New York, and the author of "Pictures and Passion: A History of Homosexuality in the Visual Arts."