Monday, May 08, 2006

Tomorrow May 19 is the deadline

To get your entry in for the 2006 Tenth Annual Greater Washington, DC International Fine Arts Competition, which I am jurying this anniversary year (I juried the first one as well). Jurors over the years have included Stacey Schmidt from the Corcoran, Kristen Hileman from the Hirshhorn, painters Joe Shannon and Chawky Frenn and others.

Details here.

Bethesda Fine Arts Festival This Weekend

Downtown Bethesda celebrates a weekend of Art on May 13 & 14, 2006 as the Bethesda Arts & Entertainment District announces the 3rd annual Bethesda Fine Arts Festival, a two-day event highlighting 130 contemporary artists who will sell their original fine art and fine craft at the event.

The festival is scheduled for Saturday, May 13 from 10am-6pm and Sunday, May 14, 2006 from 10am-5pm. Last year around 30,000 people attended the festival and this year (weather permitting) an increase in attendance and sales is expected.

National artists from nearly 25 states and Canada will showcase painting, drawing, furniture, jewelry, photography, ceramics and mixed media. The event will also feature live entertainment, a children’s activity area and downtown Bethesda restaurants including Hard Times Café, Mamma Lucia, Ben & Jerry’s and more. Participating artists were selected and juried by members of the Bethesda Arts & Entertainment District Advisory Committee.

Admission to the Bethesda Fine Arts Festival is free. The festival will be held in downtown Bethesda’s Woodmont Triangle along Norfolk and Auburn Avenues, located six blocks from the Bethesda Metro Station. Free parking is available adjacent to the event in the parking garage located on Auburn Avenue.

The Bethesda Fine Arts Festival, produced by the Bethesda Arts & Entertainment District,is directed by Catriona Fraser, a fourteen year veteran of fine arts festivals, an international awards-winning photographer and co-owner of the Fraser Gallery, located in downtown Bethesda.

Comcast, MIX 107.3 FM, Whole Foods, Stonyfield Farm, The Gazette, Bethesda Magazine and Washington Woman are serving as the 2006 event sponsors.

Exhibiting Artists:
Gaurav & Anju Agarwal, Suwanee, GA
Fred Albright, Lancaster, PA
Amos Amit, Los Angeles, CA
Lisa Aronzon, Broadway, VA
Dwight Baird, Champlain, NY
Robert Barab, Hampton, VA
Dave Bazzel, Morgantown, PA
Joel Beckwith, Jamaica, VT
George Biersdorf, Cooksville, MD
Jim E. Biond, Jacksonville, FL
Eric Black, Charlottesville, VA
Edward Bordett, Fincastle, VA
Alex Brand, Corning, NY
Stephen Brehm, Leola, PA
Robert Bridenbaugh, Fair Haven, MI
Dave Bruner, Sarasota, FL
Michael Bryant, Atlanta, GA
Helen Burkett, Sarasota, FL
Marshall Burns, Woodbury, NJ
Brian Butters, Washington, D.C.
Walter Cade III, Jamaica, NY
F. Lennox Campello, Potomac, MD
Kimmy Cantrell, College Park, GA
Lisa Cimino, Baltimore, MD
Fiona Clark & Vincent DeLisle, Jefferson, ME
Karen Clark, Baltimore, MD
Bob Coleman, Montgomery Village, MD
Will Connor, Washington, D.C.
Norry Coscia, Langhorne, PA
Beth Crowder, West Union, WV
Carolyn Currie, New Milford, CT
Rick Dean, Charleston, SC
Karen Deans, Bethesda, MD
Tracy Deming, Butler, TN
Sharon Donovan, Ann Arbor, MI
Katherine Drew Dilworth, Brookeville, MD
Marsha Drummond, Devon, PA
Tony Elliott, Cockeysville, MD
Leslie Emery, Madison, WI
Joseph Craig English, Washington Grove, MD
Dede Faller, Washington, D.C.
Penny Feder, Jamaica, NY
Lynn Ferris, Berkeley Springs, WV
Matthew Fine, Norfolk, VA
Foust, Richmond, VA
Bjorn & Tatiana Fruchtman, Centreville, VA
Lou Gagnon, Gainesville, VA
Ming Gao, Philadelphia, PA
Geri Geremia, Boynton Beach, FL
Marcia Germain, Midlothian, VA
Paul Germain, Midlothian, VA
Courtney Gillen, Washington, D.C.
Sheila Giolitti, Norfolk, VA
Debra Lynn Gold, Atlanta, GA
Irwin Goldman, N. Bergen, NJ
David Gordon, Greenfield Center, NY
Judy Goskey, Burton, OH
Eve Greiner, Blue Bell, PA
Giffen Douglas Grosvenor, Stowe, VT
Anjali Gulati, Silver Spring, MD
Hilary Hachey, Baltimore, MD
Marsha Heatwole, Lexington, VA
Victoria Horner, Charlottesville, VA
Cassandra Jackson, Brooklyn, NY
Brendan Kager, Bethesda, MD
Gopal Kapoor, Greenville, NC
Flo Kemp, Setauket, NY
David Kiley, Medina, OH
Nancy Klotzle, Croton on Hudson, NY
Michelle Krespi, Oakland, CA
Kathy Lapso, N. Royalton, OH
Michele LeVett, Durham, NC
Steven Levine, Dayton, NJ
Jim Livermore, Barrington, NH
Robin Markowitz, Rockville, MD
Lee Angelo Marraccini, Charlottesville, VA
Syl Mathis, Falls Church, VA
Kerin McBride, McLean, VA
Christopher McCall, Doylestown, PA
Marti Mocahbee, Staunton, VA
Richard Moran, West Barstable, MA
Brenda Morrison, Quincy, MA
Debra Murray, Voorhees, NJ
Mary Ann Neilson, Westport, CT
Phillip Nolley, Staunton, VA
David Oleski, West Chester, PA
Carlos Page, Hoboken, NJ
Robert Patierno, Dallastown, PA
Fae Penland Gertsch, Reston, VA
Becky Peretz, Pittsburgh, PA
Diem Pham, Forest Hills, NY
Harold Pickern, Hannibal, MO
Ernest Porcelli, Brooklyn, NY
DeAnn Prosia, Monroe, CT
Ron Prybycien, Doylestown, PA
Ken Rahaim, Fairfax Station, VA
Bruce Reinfeld, Philadelphia, PA
James Gary Richmond, Titusville, FL
Evy Rogers & Joe Jacobs, Sewickley, PA
Martin Rothenberg, Shirley, NY
Jay Royal Chadwick, Malvern, PA
Gary San Pietro, Elkins Park, PA
Grant Silverstein, Mansfield, PA
Phil Skoczen, St. Petersburg, FL
Sherry Smith, Woodbridge, VA
Michael Soloman, Maplewood, NJ
David Souza, Gilbertsville, PA
Robert Stadnycki, Harrisburg, PA
Jill Stern, Frederick, MD
Nancy Strailey, Columbia, SC
Joyce Stratton, New Bern, NC
Cheryl Summers, Poland, OH
Steven Edward Summerville, Bumpass, VA
Sherry Terao, Silver Spring, MD
Richard Toft, Accomac, VA
Karen Trimble, Baltimore, MD
Allan Tuttle, Hallowell, ME
Barbara & Rick Umbel, Pawleys Island, SC
Alan Vaughn, Atlanta, GA
Joryel Vera, Altamont, NY
Susan Wertheimer David, Columbia, MD
Meg West, Crozet, VA
Judith Wrend, Morrisville, VT
Kim Young, Richmond, VA
Bernard Zalon, New York, NY
Stacy Zink, Washington, D.C.

For more information, please visit www.bethesda.org or call 301/215-6660. See ya there!

Sunday, May 07, 2006

48 Hour Film Project

I just found out that the 48 Hour Film Project is doing their Washington, DC event this weekend.

And thus, this weekend local filmakers are undertaking the 48 Hour Film Project locally, and each competing team has exactly 48 hours to make a five minute film that incorporates the same character, prop and line of dialogue.

Why am I writing about this cool film project in a visual arts blog?

Because this year's DC elements are as follow:
Character: Tim or Tina Tate, Gay Glass Sculptor Extraordinaire
Prop: Fire Extinguisher
Line of Dialogue: "This is absolutely the last time."

There were 100 teams at the kick-off event, and their films will be screened May 9 through the 12th at AFI, and the schedule is listed here.

Saturday, May 06, 2006

Wanna go to an opening today?

The Jackson Gallery (118 Bryant St, NW in DC, near Howard University) opens "Works on Paper" tonight with an opening reception from 1-5PM.

Works by E. J. Montgomery, Samella Lewis, Elizabeth Catlett, Leon Hicks, Valerie Fair, Varnette Honeywood, Margo Humphrey, Clarissa Sligh, Victor Ekpuk, Betty Blayton, Shirley Woodson, Gilda Snowden, Eglon Daley, Renee Stout, Floyd Coleman and Jocelyn Rainey.

A portion of the proceeds will go to the Evangeline J. Montgomery Scholarship Fund.

For more info call my good friend Caesar Jackson at 202.285.1754

Shaw-Eagle on Compelled by Content II

Joanna Shaw-Eagle, the chief art critic of the Washington Times delivers a major review of our current Compelled by Content II exhibition. Read that review here.

Shaw-Eagle (who has been writing about art since I was a kid), provides yet more evidence of how "healthy" it is to have more that one critical voice look at an artist or a show, and offer a different perspective or opinion. I also used the recent multi-reviews of the Connie Imboden show at Heineman-Myers as such an example, and now our show adds more evidence why it is important in most cases (and whenever possible) to have more than one set of eyes and more than one pen on paper to deliver an opinion.

I'm not criticizing either of the views, as art criticism should have teeth, but pointing out how two independent writers view the same artist completely different.

In his otherwise very positive review of our show, the CP's Kriston Capps describes Carmen Lozar's work as "puerile figurines [that] look as if they could have been made by Walt Disney."

Looking at the same artist, Shaw-Eagle (who disses my news release in the second paragraph of the review) writes:

Other glass works, such as those by 31-year-old newcomer Carmen Lozar, a teacher at Illinois State University and Illinois Wesleyan University, delightfully intrigue and puzzle.

An artist with impeccable credentials -- study at Alfred University, Corning Museum of Glass and the Pilchuck Glass School -- Miss Lozar presents "Tenuous," three tiny glass sculptures named "rabbit," "lizard" and "baby with umbilical cord."

She writes that many of her charming pieces emerge from her dreams. "Sister in Butterflies," an intricate, four-piece construction of flameworked glass and mixed media, comes apart to reveal the engraved words, "I dreamt my sister has beautiful long eyebrows. I dreamt she fought off butterflies while laying beneath a dogwood tree, thinking they were threatening when really they were just searching for her smile."
Although there are still some missing images, you can see most of the exhibition online here.

An artists' talk, sponsored by the James Renwick Alliance will take place at the gallery on Saturday, May 20, 2006 at 2PM. The talk is free and open to the public and will also offer an opportunity to learn more about the Renwick Alliance.

Friday, May 05, 2006

Wanna go to an opening tonight?

Hemphill Fine Arts' opening for the new Steven Cushner show is tonight, Friday, from 6:30 to 8:30 PM.

Irvine

Irvine is having an informal re-opening tonight at their new gallery at the former Fusebox location at 1412 14th Street, with a continuation of Susan Jamison's and Robert Mellor's solo exhibitions, and they will be open from 11AM - 8PM today and tomorrow.

Talking about Irvine, I've heard from various sources that Heather (or maybe it was Martin?) saw the Washington Glass School's intern Evan Morgan's show at Warehouse and fell in love with Morgan's work and signed him up!

I hear from Tim Tate that Evan Morgan is immensely talented, and now that Irvine scooped him up, I am sure that we'll hear great things from this young man.

WaPo's Weekend Staff Online

The WaPo's Weekend staffers are online at 11AM today answering questions about Weekend and its coverage. You can email your question to them here.

I've sent mine in...

Thursday, May 04, 2006

I'll bite

Today's CP has this curious item by Josh Eiserike:

Japanese artist Hokusai probably never imagined that his work would inspire tentacle porn. The Edo-period great master, who coined the term “manga,” created wood-block printings and drawings that are considered the forbearers of all things anime, from Sailor Moon to hentai and everything in between. In “Capricious Comics,” American cartoonist Colleen Doran will explain the connections between manga and anime, and how both relate to American comics, in conjunction with the current exhibit of Hokusai’s work. Though Doran’s résumé includes Captain America, Wonder Woman, and fantasy series A Distant Soil, she doesn’t enjoy the accolades in America that Japan showers on contemporary manga artists—in Japan, everyone reads comics, not just maturity-delayed men. In addition to a discussion of the Hokusai exhibit, Doran offers a showcase of her own work at 1 p.m. (see City List for other dates) at the Sackler Gallery, 1050 Independence Ave. SW. Free. (202) 633-4880.
OK... I'll bite: what is "tentacle porn?"

It's Grant Time!

Applications for all Fiscal Year 2007 DC Arts Commission grant programs are now available. Please visit www.dcarts.dc.gov for more information.

If you don't apply, you definately won't get one!

Wednesday, May 03, 2006

New Arts Beat Columnist

Rachel Beckman, formerly from the Washington City Paper will be taking over the Arts Beat column at the WaPo.

Rachel follows in the footsteps of Jessica Dawson, who also used to write for the CP before she replaced Ferdinand Protzman a few years ago, when Ferd suddenly quit writing the "Galleries" column for the WaPo.

Congrats to Beckman, and we all hope that Rachel will return the Arts Beat column to what it used to be: a column that augmented the fine arts coverage of the WaPo's Style section, rather than the all-inclusive general column that it became in recent years.

Caucus Report

Authentic Art has a good report and loads of photos from the recent Women's Caucus for Art Annual Networking Day.

Read the report and see the pics here.

Bisese at Neptune

Gallery Neptune will showcase “A Perfect Garage,” new paintings by Ed Bisese from May 4 through May 27 with an artist’s reception May 12, 2006 6-9 PM.

According to the gallery: "In this new body of work, we are introduced to an assortment of men, most who moving and some that are standing in personal landscapes that serve to enhance their exaggerated traits. Through form, color, facial expression, body language and props, Ed invites us to study the dilemma of each of these characters, caught in a synthesis of psychological and societal impositions."

Art from the Gulf

Pyramid Atlantic Art Center, in Silver Spring, MD, is presenting “Art from the Gulf: Reflections on Katrina,” an exhibit of over 25 artists from the Gulf Coast region whose work explores the impact of Hurricane Katrina and considers its relation to the threat of global warming.

Curated by Steve Prince, a native of New Orleans, “Art from the Gulf” is on view from May 9th until June 16, 2006. The opening reception is on Tuesday, May 9th, from 6:30 to 8:30pm.

Spaulding at G Fine Art

Trawick Prize finalist Jeff Spaulding will have his second one-person show at G Fine Art, and the show is entitled Mine and will open on Saturday May 6 and continue through June 17, 2006. There will be an opening reception for the artist Saturday May 6 from 6:30-8:30pm.

On the road today...

I'm off for the day to Widener University. More when I get back later tonight.

Here's their art gallery.

Tuesday, May 02, 2006

“Paint” Alexandria

On Saturday, May 20 and Sunday, May 21, 2006 The Art League will hold its annual “Paint” Alexandria, a two-day, all-media, plein air event, followed by the “Paint” Alexandria exhibition in The Art League Gallery, from June 7 – July 3, 2006.

They encourage artists of all media to participate in the event and creatively interpret Old Town Alexandria. Art League instructors will be on hand at various locations throughout historic Old Town Alexandria to guide participants in the fine art of sketchbook, painting, and photography.

During the event, artists will set up at different locations within walking distance of the Art League Gallery on the waterfront to paint, photograph, sketch, and create. Sessions with Art League instructors will be from 10:00 am – 12:00 noon and 3:00 – 5:00 pm on both Saturday and Sunday.

The registration fee is $40, and participation is not limited to Art League members. Participants are encouraged to come with their favorite artist materials and work alongside our instructors, set up on their own, or just come to enjoy the walking tour and demonstrations.

For more information, please contact Erica Fortwengler, Assistant Gallery Director at The Art League Gallery, 703-683-1780, ericaf@theartleague.org.

Kirkland Catching Up

Fellow artblogmeister JT Kirkland has so many diverse things going on that I'm catching up with all of them at once.

The One Word Project is JT's first book and it's now out and available for purchase. Details here.

bARTer is JT's new take-off on the barter idea for art. Details here.

The upcoming solo exhibition of JT's art, titled "Framed," opens May 11, 2006 at the Greater Reston Arts Center (GRACE) in Reston, VA and runs through June 16, 2006. There will be a reception for the artist on Saturday, May 13, 2006 from 6:00 – 8:00 pm. You can see a preview of the exhibition here.

Monday, May 01, 2006

American Style

Two interesting articles in the current issue of American Style magazine, both good reasons to go pick up an issue.

-- This article highlights the top 25 American cities for art (according to the magazine's national readers). New York, of course, is number one. Behind the Big Apple are Chicago, (No. 2), Washington, D.C. (No. 3), San Francisco, (No. 4), and Boston, (No. 5). I realize that this rather great ranking is (I suspect) mostly based on our plethora of great museums (from the readers' perspectives), but I hope that it also raises some tiny issues with the editors at the Washington Post and the Washington Times, and their abysmal coverage of DC area art galleries and artists. And, over a year after the new Style section editor at the WaPo stated that they'd be looking to add a second freelancer to the "Galleries" column, so that the column could return to its once-a-week schedule, we're still waiting for Ms. Heard to hire a freelancer.

-- And the second reason to read this issue is (are you ready for this?)... the magazine has a huge article focusing national attention upon our own Washington Glass School and the whole "context in glass" movement that the school is a part of nationally. The article by Lee Lawrence reveals that

"It's addictive to make the perfect vessel," Tate admits. "The trick is to overcome that." Janis calls this hard-to-resist attraction "the quest for the perfect bubble," and he, too, confesses he is not immune. But, like a growing number of artists, Tate and Janis subscribe to the motto their glass school hammers home to students: "Learn your craft, then move beyond it."
Read the whole article by Lee Lawrence here. The "Compelled by Content II" show runs through June 4, 2006. Visit the Washington Glass School here.

Pinder's Ships

A few days ago I posted a bit about the CP blog story on Jefferson Pinder and his artwork at CORE.

Jennifer Motruk Loy, who is CORE's Director of Marketing (and a strong, proven supporter of our area's arts and artists) sent me a full perspective on the issue:

In response to Rachel Beckman’s City Desk Blog, Pinder’s Ships Have Sailed (4.25), I would like to clarify and address some key points not raised in Ms. Beckman’s piece that provide a full perspective on the story.

While it is unfortunate that Mr. Pinder’s work was de-installed by his curator (not "pulled off the wall") from the CORE lobby gallery prior to May 12, his work was installed on March 12, and remained on view for a full six weeks. This point was not only unreported in the article, but six weeks is an average if not slightly longer typical exhibition time in similar alternative spaces and true 'art gallery' spaces around town.

Perhaps even more unfortunate is that Mr. Pinder's work didn't receive this type of attention during its run so that more viewers could have enjoyed it. We welcomed the opportunity to share his work with our colleagues and clients, though did not commission the work or ask him to create work specifically for our space, as the article implies. In actuality, Mr. Pinder's curator was the one that approached CORE about installing Pinder's work in our space, and the ‘hundreds’ of announcement cards that were sent out included the CORE logo, not Mr. Pinder’s gallery was also responsible for sending out announcement cards, not the gallery, as reported. We wrote the press release, we included information on Mr. Pinder’s exhibition in our electronic newsletter and linked to him on our web site. Despite these efforts, CORE was never contacted by interested visitors, writers, critic or members of the media to view the show over the course of six weeks.

Though not a professional 'art gallery', the CORE lobby exhibition space has seen at least three other exhibitions by regional artists and is also used to display the firm's own art collection, and as business warrants, displays of the firm's professional architecture and design project boards. In showcasing the work of regional artists, our goal is not to draw hundreds of visitors, nor to engage in artwork commerce, but to enhance our space and engage colleagues and clients with examples of contemporary art, which we accomplished with this most recent exhibition and will do so again in the future.

Despite these non 'art gallery' characteristics of our space, Mr. Pinder saw some advantage to having his work on view at CORE, and could have made better use of the opportunity by reaching out to the press during the actual run of the exhibition which could have resulted in far better exposure and visibility for both he and his gallery. Finally, if content of the exhibition were in ANY way related to a need to remove the work prior to the anticipated closing date, it would have involved a meeting in person with Mr. Pinder to discuss the issues and a decision would have been made as to proceed or not to proceed with the exhibition. Content was not the issue, but we hope that these discussions bring Mr. Pinder the attention he deserves in anticipation of his first solo exhibition at G Fine Art in the fall.

Sincerely,

Jennifer Motruk Loy
Director of Marketing

ps thanks for the web site hits