Tuesday, January 02, 2024

Multiple Exposures Gallery Presents WINTER

Multiple Exposures Gallery (MEG) has announced WINTER, a new fine art photography exhibition juried by Tim Anderson, publisher and editor of acclaimed photography magazine, Shadow & Light

On display at MEG through January 28, 2024, the exhibition features 24 images that reflect the beauty and complexities of winter. "Upon first viewing, I almost felt an icy shudder course through my body," juror Tim Anderson says. 

"The challenge was not to select those that would be in the gallery show, it was which ones to not include. All are worthy." 

Exhibition Artists: Soomin Ham, Eric Johnson, Clara Young Kim, Irina Lawton, Sandy LeBrun-Evans, Matt Leedham, Francine B. Livaditis, Maureen Minehan, Van Pulley, Sarah Hood Salomon, Alan Sislen, Tom Sliter and Fred Zafran

Exhibition hours: 11am-5pm daily

Location: Multiple Exposures Gallery | Torpedo Factory Art Center | #312

Saturday, December 30, 2023

A Drawing Like No Other: Marilyn Brought Back to Life in 9,000,000 Marks

Opens February 7 at the American University Museum:

A Drawing Like No Other: Marilyn Brought Back to Life in 9,000,000 Marks

With a depth of resolution created by nine million graphite marks, A Drawing Like No Other is Billy Pappas’s pencil drawing of mid-20th century screen icon Marilyn Monroe. Pappas, a Baltimore native, spent nearly nine years working seven days a week, 16 hours a day, to create this single drawing of Monroe, based on a Richard Avedon photo from 1957. Curated by Gary Vikan. Gallery Talk: 2 to 3 p.m., Feb. 17.

This exhibition is devoted to a drawing – its artist and his creative process – with a depth of resolution that guest curator Gary Vikan declares has “likely never before been achieved in the history of art.”

Its creator, Billy Pappas, a Baltimore native and graduate of the Maryland Institute College of Art, set out in 1994 to create the “apotheosis of naturalistic portraiture” and establish a new standard for drawing. Billy’s point of departure was a reproduction of Richard Avedon’s famous soft-focus portrait of Marilyn Monroe from 1957.

More than eight years and nearly nine million marks later, Billy completed this extraordinary work, using nothing more elaborate than standard drawing pencils and two sets of magnifiers. The drawing’s precision and detail are so profound, its visual data so rich and deep, that it required the narrow band multi-spectral imaging techniques developed by Bill Christens-Barry for imaging of the Dead Sea Scrolls. As Charles Falco of the College of Optical Sciences at the University of Arizona remarked: “By incorporating 3-dimensional information from live models, Billy has arrived at his own solution to the fundamental limitation of the photograph.”

Learn about Billy Pappas’ creative process and the critical reception of this work, including his related encounter with David Hockney which became the subject of an award-winning documentary by Julie Checkoway, Waiting for Hockney. In his review of the film following its premiere at the 2009 Tribeca Film Festival, Ben Davis of Artnet wrote: “Pappas has clearly done something, maybe even something great – you leave the film wanting to see the work in real life.”

4400 Massachusetts Avenue, NW

Washington, DC 20016

(202) 885-1000


 

Thursday, December 28, 2023

Upcoming fairs in 2024

Next March I'll be at the Affordable Art Fair in Chelsea, New York City - we'll be featuring the works of Cory Oberndorfer, Christina Helowicz, Suzanne Yurdin, Dora Patin... and yours truly!

And after that we'll be at the Affordable Art Fair Austin in Texas! First one ever there!, with works by Jon Linton, Seth Fairweather, Kathleen Hope, Jodi Walsh and me!

a tromp l'oeil memento mori - "The Other Side", size 5x7" by Dora Patin
A tromp l'oeil memento mori - "The Other Side" 5x7" by Dora Patin

Drop me a note if you'd like some complimentary tickets to either of those art fairs.

Wednesday, December 27, 2023

Is there an art fair coming to Washington, DC

Not yet... but the DC Commission on the Arts & Humanities is thinking about one -- I've volunteered to assist them...

As you may know, we've been hosting a series of community stakeholder meetings discussing the potential of bringing an international art fair/festival to Washington DC in 2025. We want to meet with individual artists from the community to discuss this opportunity and how it might impact their livelihood and their art.

Our next Art Week 2025 Community Stakeholder Meeting will be held at the Thurgood Marshall Center (1816 12th St NW) on February 1st from 6 to 8 pm.

There is very limited space for this meeting. Please RSVP to secure a spot. There will be a few spots left for walk-ups but we cannot exceed our event capacity. If you have attended a stakeholder meeting in the past please let someone else get a chance to RSVP.

Join us from 6 to 8 pm on Tuesday, February 1 at the Thurgood Marshall Center.

I first proposed a slightly different version of the following art fair model to all the organizations mentioned in this article about a decade ago, when there was (even then) a sense of art fatigue brewing in the art world. Result: zip, nada, nothing! No one even answered my letters (remember letters?).

In a post Covidian world, I suspect that a lot of people will still be a little leery of large group gatherings, and art fairs based on pre-Covidian standards may be a bit antiquated in the Brave Chickenized New World.

Herewith a revised Campello Art Fair Model.

The important thing to remember, as I mull, chew, and refine a "new" art post-Covidian fair model to replace the existing pre-Covidian art fair model, which in its American incarnations seemed to work well only in Miami and New York, but not so well in the West coast (and as we DMV-based folks have seen with (e)merge and artDC, not at all in the capital region), is the marriage of a legitimate art entity (a museum) with an art-for-sale process as a means to raise funds.

The seeds for this model already exist in the DC region with the Smithsonian Craft Show, now in its third decade.

Considered by many to be the finest craft fair in the world -- and from the many artists that I have spoken to over the years -- one of the best places to sell fine crafts as well, this prestigious and highly competitive juried exhibition and sale of contemporary American craft usually takes place each April for four days. It takes place at the National Building Museum in Washington, DC and it includes one-of-a-kind and limited-edition craft objects in 12 different media: basketry, ceramics, decorative fiber, furniture, glass, jewelry, leather, metal, mixed media, paper, wearable art and wood.

There were 120 exhibitors in their last show, including emerging artists and master craftsmen, over 30 of whom were first-time participants. Twelve of those selected were also first-time applicants to the show. All were chosen by a panel of expert jurors from a highly competitive field of close to 1,400 applicants.

So, we have a model for crafts in DC which has been working for over 30 years.

See where I'm going?

Can we envision the Smithsonian American Art Fair?

Or... The Smithsonian American International Art Fair?

The SAIAF would dramatically expand the business model of the Smithsonian Craft Fair to a National Mall-wide - outdoors - or even a citywide art fair anchored and guided by the Smithsonian Institution, and possibly either:

(a) spread throughout the various accommodating outdoor spaces at the various SI locales around the National Mall or even…

(b) in temporary art spaces, booth, or containers on the open spaces of the National Mall itself!

The latter is not as big of a deal as it sounds.

The National Mall already hosts a spectacular variety of outdoor events on the Mall spaces where complex display spaces are temporarily built, secured and just as quickly dismantled, grass re-seeded, and by Monday the Mall is back to normal.

Boom!

For art, all we need is protection from the weather and security. Perhaps even a combination of "free" (to the public) set of exhibitors (maybe out on the Mall) coupled with a paid admission set of exhibitors inside SI spaces -- or just make them all free to the public?

Details... details...

This new fair model would be open to both commercial art galleries and art dealers, as well as to art schools, and (and here's the key "and") to individual artists and cooperative artist-owned galleries.

Size matters… just ask Salvador Dali, who once said: “If you can’t paint well, then paint big!”

Would 1200 galleries, dealers, schools and artists in a mega, new-model art fair raise some interests from art collectors to come to DC for a long weekend in May?

It would if it attracted 100,000 visitors to the fair instead of 10,000 (like the looooong gone art fair artDC once attracted).

Are you aware that in May the Bethesda Fine Arts Festival in nearby Bethesda attracts 30-40,000 people to the streets of Bethesda for this artist-only street fine arts fair? or that also in May the Northern Virginia Fine Arts Festival attracts the same number of people to the streets of the Reston Town Center to buy art from individual artists?

Both Bethesda and Reston have two of the highest median household incomes in the US. And I am told that the Greater Washington, DC region has the second highest concentration of multi-millionaires in the world.

The money is here - the key is to get the disposable income crowd in touch with the art.

Both Bethesda and Reston manage to accomplish this one weekend each year. Do not, under any circumstances assume that these are "street fairs" where teddy bears, country crafts, and dried flowers are sold. These are both highly competitive fine arts outdoor fairs where artists from all over the nation come to and compete for spots because artwork sells well.

I have seen $80,000 worth of sculptures sell to one collector in Bethesda and a painter with a price point of $17,000 sell out in Reston.

Do not let the snobby attitude of the high art world affect your preconception of what these two street art fairs are like; go visit one this coming (and hopefully post Covidian) and open your eyes. In 2021 the fairs slipped from May to later months… but I am sure that they’ll be back to May in 2022.

And because of them, and because of the success of Art Basel Miami Beach, we know that given a certain critical mass, people will come out to an art fair. The primary key for art dealers to have interest in an art fair is sales (and also exposure to new collectors, museum curators, etc.), but mainly sales.

If you are a British gallery, by the time you get yourself and your artwork to Miami Beach, you're in the hole a whole bunch of Euros and British pounds; if you don't sell anything (like it happened to a British gallery in artDC and an Israeli gallery at another fair), chances are that you won't return to that fair.

But increase the public attendance numbers exponentially, and Economics 101 tells you that sales will also increase exponentially. And unlike the hotel-deprived artDC location at the Convention Center, I am told by DC's tourist gurus that the National Mall is already a magnet location where visitors, regardless of where they are staying around the Greater DC region, flock to during their visits to the capital.

Since two major Greater DC area street art fairs already exist in May in the Greater DC area, we can even consider aligning the weekends so that both Reston, Bethesda, and the Smithsonian American International Art Fair all take place on the same weekend!

Offer free bus service between Reston and Bethesda and the National Mall for collectors to hop around during the fair weekend, and a public buzz alignment will begin to happen. The Smithsonian American International Art Fair starts on a Thursday through Sunday and both Reston and Bethesda continue to run on Saturday and Sunday. And the Smithsonian American International Art Fair is focused as a major fundraiser for the cash-hungry SI.

A formula of booth prices + perhaps a 5% commission on all sales (both tax deductible for American galleries) would take care of temporary Mall booth construction, re-seeding of grass, and booth construction inside SI venues and still yield a nice chunk of cash for the SI.

If there's commercial success and high public attendance, soon we'd see some satellite hotel fairs popping up all over DC and its easy-to-get-to suburbs; the Phillips will jump on the bandwagon right away.

ABMB had 26 fairs all over Greater Miami last December. Another DC-unique element to the above model, and an important element that only a Washington art fair weekend can add: include the Embassies!

In addition to all the above events taking place, the fair could also align with shows at 15-20 embassy galleries around DC. The embassies would showcase one (or a group) of their national artists, and then the fair would really have an international flavor, and the beginning seeds of an American Venice in the DMV.

DC is a small city; it's fairly easy to set up transportation between the embassies and the Mall. In fact, some embassies could probably set that up themselves.

I think that this "new" super model could (and eventually when someone delivers and implements it -- it will) challenge Miami Beach -- and yes, I am aware that DC in May is not Miami in December -- but I also think that the District's own museums and public attractions trump Miami's anytime, so the DMV has something different to offer the potential collector who may be considering attending a new art fair in a city (like DC) that also offers him/her some other cultural and visual attractions besides good weather, and nice beaches… and Calle Ocho.

DC art commissioners... Smithsonianos... DC city fathers and mothers.... call me!

Tuesday, December 19, 2023

"Confluences: Intersectional Visions of Italy"

The Georgetown University Art Galleries and the Italian Cultural Institute of Washington are thrilled to present "Confluences: Intersectional Visions of Italy." The exhibition presents for the first time in the United States a group of artists addressing social justice issues connected to notions of Italy—which is far more complex than the single cultural, political, or social space it is commonly thought to be. 

Artists: Dafne Boggeri, Valeria Cherchi, Giulia Crispiani, Maria Adele Del Vecchio, Binta Diaw, Alessandra Ferrini, Muna Mussie 

These contemporary artists counter such familiar fictions through projects that consider nuances of individual and collective experience across a variety of topics, such as colonialism, societal amnesia, gender-based biases, and civic activism. 

This exhibition will be on view in the de la Cruz and Spagnuolo Art Galleries from January 26th, 2024 - April 7th, 2024. The project is curated by Ilaria Conti and organized by the Italian Cultural Institute of Washington in collaboration with Georgetown University Art Galleries. You are invited to a private curator-led tour of the exhibition on Friday, January 26th at 5 pm. An Opening Reception from 6-8 pm that is free and open to the public will follow. Visitors should RSVP for the Reception here

Monday, December 18, 2023

Bethesda Painting Awards

The Bethesda Arts & Entertainment District invites local artists to submit work to the 20th annual Bethesda Painting Awards. This juried art competition awards $14,000 in prizes to four selected winners. The deadline for submissions is Tuesday, February 27, 2024. Up to eight finalists will be chosen to display their work at Bethesda’s Gallery B in June 2024.

 

A panel of esteemed jurors, including Virginia Anderson, Department Head of American Painting & Sculpture and Decorative Arts at the Baltimore Museum of Art; Scott Hutchison, Associate Professor of Practice in painting and drawing at Georgetown University; and Nicole Santiago, Professor of Art at the College of William and Mary and the 2023 Bethesda Painting Awards Best in Show Winner, will curate the competition.

 

The first-place winner will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000.  A “young” artist whose birth date is after February 28, 1994 may also be awarded $1,000.

 

Artists can apply online or download an application online. For information on the Bethesda Painting Awards, visit www.bethesda.org or call 301-215-6660.

 

Participation is open to artists aged 18 and above, residing in Maryland, Virginia, or Washington, D.C. The competition welcomes original 2-D paintings, spanning various mediums such as oil, acrylic, watercolor, gouache, encaustic, and mixed media. The maximum dimension should not exceed 60 inches in width or 84 inches in height. No reproductions. Artwork must have been completed within the last two years and must be available for the duration of the exhibition. Selected artists must deliver their artwork to the exhibit site in Bethesda, MD. Each artist must submit five images, an application and a non-refundable entry fee of $25.


The Bethesda Painting Awards was established by local business owner Carol Trawick in 2005. Ms. Trawick has served as a community activist for more than 25 years in downtown Bethesda and established The Jim and Carol Trawick Foundation in 2007. She is the former Chair of the Bethesda Arts & Entertainment District, past Chair of the Bethesda Urban Partnership, Inc. and founder of The Trawick Prize: Bethesda Contemporary Art Awards.

 

 

Best in Show winners include:

2023  Nicole Santiago, Williamsburg, VA

2022  Andrew Hladky, Kensington, MD

2021  Megan Lewis, Baltimore, MD

2020  Lawrence Cromwell, Baltimore, MD

2019  Mary Anne Arntzen, Baltimore, MD

2018 Carolyn Case, Cockeysville, MD

2017 Katherine Tzu-Lan Mann, Washington, D.C.

2016 Tanja Softic, Richmond, VA

2015 Bill Schmidt, Baltimore, MD

2014 Kyle Hackett, Baltimore, MD

2013 Barry Nemett, Stevenson, MD

2012 Ali Miller, Baltimore, MD

2011 Alison Hall, Roanoke, VA

2010 Nora Sturges, Baltimore, MD

2009 Camilo Sanin, Jessup, MD

2008 B.G. Muhn, North Potomac, MD

2007 Matthew Klos, Baltimore, MD

2006 Tony Shore, Baltimore, MD

2005 Joe Kabriel, Annapolis, MD

 

From award-winning theatre to independent films, downtown Bethesda’s Arts & Entertainment District is filled with inspiring artists and art venues. The Bethesda Arts & Entertainment District is managed by the Bethesda Urban Partnership, Inc., and is the producer of The Trawick Prize: Bethesda Contemporary Art Awards, Bethesda Painting Awards, Bethesda Fine Arts Festival, Bethesda Film Fest and Play In A Day.

 

Established by Montgomery County in 1994, Bethesda Urban Partnership, Inc. (BUP) is a downtown management organization that markets and maintains downtown Bethesda. The BUP team works in marketing, maintenance, transportation and administration to produce cultural events and community festivals and attend to landscaping and maintenance needs. BUP also manages Bethesda Transportation Solutions (BTS), the Bethesda Arts & Entertainment District, and the Bethesda Circulator as well as the non-profit art spaces, Gallery B, Studio B and Triangle Art Studios. For a closer look, please visit www.bethesda.org.

Sunday, December 17, 2023

Artomatic is returning Spring 2024!

Good news for the DMV art scene! Artomatic will be back next year! They met today (See their announcement below) and I got some intel that AOM is on!


AOM is "estimating a March/April show. Huge space, 8 levels of office space in center of everything DC, 2100 M St. NW. No signed contract- but looks very likely. 

In its 25 year history, Artomatic has become a DC institution. It has provided an alternative venue for local artists, offering a festival that’s part art fair and part circus, but always the best open art show on planet Earth!

And because it doesn't use judges, curators or hierarchy, Artomatic is as democratic as an art show can get... which usually drives art critics crazy!

Besides heaps of visual arts of all types, the fair showcases local Dance, Theater, Spoken Word, Music, Film, Story Telling, Workshops, and whatever else DMV creatives can incorporate into the month long event. 

I am told that there was some talk of adding “culinary arts” to this show- but not set yet.

Below is the call for volunteers for today's meeting - but still has some good info:

Artomatic is returning Spring 2024 and we need your help!

The time has come to form committees and round up volunteers to make Artomatic 2024 the best ever. We meet this Sunday 17 December. 

·         This is our 1st return to Washington, DC Proper since 2009

·         Artomatic hosts our largest DC Building ever at over 400,000 sq ft

·         We are in the Golden Triangle BID for the 1st time

·         The building is “Taylor Made” for an Artomatic with office & open space

·         This will be Artomatic’s 25th anniversary event

If you are interested in participating in the organization of Artomatic 2024, please make time this Sunday 17 December.  We are hosting a meeting to begin the formation of committees and volunteers.  

This is the 1st such meeting since 2009 and we are excited to have you on board.  

● The address is  2100 M Street, NW 20037

● Meeting starts at 2:00 PM and will go till 5:00 pm

● The building’s parking lot will be accessible (paid)

   (Enter garage on 21st between M and K, one way south bound)

● Street parking is free on Sunday!

Bring your idea cap and be ready to get to work.  This is strictly a volunteer and committee sign up meeting so if you just want to see the building, please wait for other announcements

We are also looking for organizations that would like to bring performance to Artomatic. 

Dance            Theater          Spoken Word            Music              Story Telling

So if you know folks in these arts please make them aware of this gathering!

To get your mind jogging, here are some committees to consider

Music / Performance  Film ▪  Site Operations ▪ Marketing & Development ▪ Arts Program Resources ▪ Staffing & Volunteer Management ▪ Merchandising and Bar

Thursday, December 14, 2023

"Four Stories" at Gallery B

Stop by Gallery B for the December exhibit, "Four Stories." This group collection presents the contemporary work of local artists Karen Van Allen, Mimi Guernica, Tamora Ilasat and Kate McConnell representing their woven voices. Working both independently and together over many years in workshops and art associations, these artists use various media to reflect on their personal journeys to create work that tells a story through each of their respective narratives.

Gallery hours are Fridays and Saturdays from 12 PM to 5 PM and Sundays from 11 AM to 2 PM. Gallery B is located at  the location of the former Fraser Gallery at 7700 Wisconsin Avenue, Suite E, in Bethesda, Maryland.

Wednesday, December 13, 2023

Oprah Winfrey portrait unveiled at Smithsonian's National Portrait Gallery

Just back from the National Portrait Gallery, where somehow someone invited me to the unveiling of Oprah's portrait by Chicago artist Shawn Michael Warren.

I am told that the chain of events started when Warren, a muralist, painted an Oprah Winfrey's portrait as part of a mural in Chicago's West Loop neighborhood.

Oprah saw the mural and the rest is history... and oh yeah: This dude can paint!

Oprah Winfrey portrait by Shawn Michael Warren at the National Portrait Gallery
Oprah Winfrey portrait by Shawn Michael Warren 

Monday, December 11, 2023

Newly Selected Artists at Hillyer

"Newly Selected Artists: George Lorio, E.d. Adegoke, and Dan Ortiz Leizman"


January 6–January 28, 2024.


The opening reception is Friday, January 5

(“First Friday”), 6 to 8 p.m


9 Hillyer Ct, NW, Washington, DC 20008

Monday, December 04, 2023

Bethesda Fine Arts Festival Application Deadline Approaching

The 2024 Bethesda Fine Arts Festival application is open for submissions. This annual festival features 120 of the nation's finest artists, in categories including, but not limited to, ceramics, fiber, glass, painting, photography and sculpture. The juried festival provides artists with amenities including 24-hour security of the festival site, booth sitters, breakfast & lunch for participating artists, and more. The deadline to apply is Friday, December 22, 2023, and selected artists will be notified in late January 2024.

The Bethesda Fine Arts Festival will be held on May 11 & May 12, 2024 in Woodmont Triangle and will feature our selected artists, live music and local restaurants.

Details here.

Sunday, December 03, 2023

Art Scam Alert!

Beware of this insect trying to rip off artists:

From: Jonathan Bassett - bassettjay25@gmail.com 

Good day,

How are you today? I hope this email email finds you well! This is Jonathan Bassett a learning facilitator.  I’m privileged to be writing you this, I got your contact details online. I need the service of an illustrator/animator or cartoonist.

I’m intrigued by your skill and creativity I’ve seen on your website. I’m willing to work with you as I know you’d be a great fit for our forthcoming coming workshop, I’ll give you the ideas of what needs to be illustrated/drawn so you can get back to me with a quote to get it done, hopefully we can take it from there. Pls get back to me for more details

Bests Regards,

Jon

Saturday, December 02, 2023

Wanna go to an opening this coming Friday? Waverly Street Gallery Artists

Opening reception:  Friday, December 8th, 6-8pm.

Hours: Thursdays, Saturdays and Sundays 1 – 6 pm, Fridays 3 - 8pm, and by appointment

Gallery Artists: Barbara Bickley, Rachel Carren, Dennis Crayon, Geoff Desobry, Bruce Paul Gaber, Mariah Gugel, Wanjin Kim, Keith Kozloff, Barbara Mierau-Klein, Matthew Nance,  Jan Long, Grace Peterson, Michele Rubin, Marc Schneiderman, Pat Silbert, Kanika Sircar, Claire Wright

Waverly Street Gallery 4600 East West Highway, Bethesda, MD 20814

Friday, December 01, 2023

20th annual Bethesda Painting Awards

The Bethesda Arts & Entertainment District invites local artists to submit work to the 20th annual Bethesda Painting Awards. This juried art competition awards $14,000 in prizes to four selected winners. The deadline for submissions is Tuesday, February 27, 2024. Up to eight finalists will be chosen to display their work at Bethesda’s Gallery B in June 2024.

A panel of esteemed jurors, including Virginia Anderson, Department Head of American Painting & Sculpture and Decorative Arts at the Baltimore Museum of Art; Scott Hutchison, Associate Professor of Practice in painting and drawing at Georgetown University; and Nicole Santiago, Professor of Art at the College of William and Mary and the 2023 Bethesda Painting Awards Best in Show Winner, will curate the competition.

 

The first-place winner will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000.  A “young” artist whose birth date is after February 28, 1994 may also be awarded $1,000.

 

Artists can apply online or download an application online. For information on the Bethesda Painting Awards, visit www.bethesda.org or call 301-215-6660.

 

Participation is open to artists aged 18 and above, residing in Maryland, Virginia, or Washington, D.C. The competition welcomes original 2-D paintings, spanning various mediums such as oil, acrylic, watercolor, gouache, encaustic, and mixed media. The maximum dimension should not exceed 60 inches in width or 84 inches in height. No reproductions. Artwork must have been completed within the last two years and must be available for the duration of the exhibition. Selected artists must deliver their artwork to the exhibit site in Bethesda, MD. Each artist must submit five images, an application and a non-refundable entry fee of $25.

 

The Bethesda Painting Awards was established by local business owner Carol Trawick in 2005. Ms. Trawick has served as a community activist for more than 25 years in downtown Bethesda and established The Jim and Carol Trawick Foundation in 2007. She is the former Chair of the Bethesda Arts & Entertainment District, past Chair of the Bethesda Urban Partnership, Inc. and founder of The Trawick Prize: Bethesda Contemporary Art Awards.

 

Best in Show winners include:

2023, Nicole Santiago, Williamsburg, VA

2022, Andrew Hladky, Kensington, MD

2021, Megan Lewis, Baltimore, MD

2020, Lawrence Cromwell, Baltimore, MD

2019, Mary Anne Arntzen, Baltimore, MD

2018 Carolyn Case, Cockeysville, MD

2017 Katherine Tzu-Lan Mann, Washington, D.C.

2016 Tanja Softic, Richmond, VA

2015 Bill Schmidt, Baltimore, MD

2014 Kyle Hackett, Baltimore, MD

2013 Barry Nemett, Stevenson, MD

2012 Ali Miller, Baltimore, MD

2011 Alison Hall, Roanoke, VA

2010 Nora Sturges, Baltimore, MD

2009 Camilo Sanin, Jessup, MD

2008 B.G. Muhn, North Potomac, MD

2007 Matthew Klos, Baltimore, MD

2006 Tony Shore, Baltimore, MD

2005 Joe Kabriel, Annapolis, MD

 

From award-winning theatre to independent films, downtown Bethesda’s Arts & Entertainment District is filled with inspiring artists and art venues. The Bethesda Arts & Entertainment District is managed by the Bethesda Urban Partnership, Inc., and is the producer of The Trawick Prize: Bethesda Contemporary Art Awards, Bethesda Painting Awards, Bethesda Fine Arts Festival, Bethesda Film Fest and Play In A Day.

 

Established by Montgomery County in 1994, Bethesda Urban Partnership, Inc. (BUP) is a downtown management organization that markets and maintains downtown Bethesda. The BUP team works in marketing, maintenance, transportation and administration to produce cultural events and community festivals and attend to landscaping and maintenance needs. BUP also manages Bethesda Transportation Solutions (BTS), the Bethesda Arts & Entertainment District, and the Bethesda Circulator as well as the non-profit art spaces, Gallery B, Studio B and Triangle Art Studios. For a closer look, please visit www.bethesda.org.