Opportunities for Photographers

Carmen Herrera and the world of blue chip artists

This year, at the age of 101, Herrera finally received recognition as a pioneer of 20th-century abstract painting. The Cuban-born, New York-based artist was celebrated in a major survey exhibition at the Whitney Museum of American Art this fall; a show of her new paintings christened Lisson Gallery’s New York space in the spring; and she featured in a full-length documentary released on Netflix in September—all of which served to land her name in the press and in the canon like never before. 

At the Whitney, “Carmen Herrera: Lines of Sight” exposed the art world to her formative years, the period of 1948–1978, including many works that had never been on public view. Over these three decades she worked prolifically and ran among prominent artist circles in New York and Paris, with the likes of Josef Albers and Barnett Newman. And she honed her signature style—canvases filled with striking geometric shapes characterized by crisp lines, sharp angles, and bold shocks of color. “We can see in the works in ‘Lines of Sight’ that Herrera was thinking about the painting as an object—using panel divisions and the sides of canvases, and incorporating the surrounding environment—in the early 1950s,” says Whitney curator Dana Miller, who helmed Herrera’s exhibition there. “This is at the same time or before other artists, who have been previously heralded for such developments, first began to undertake similar experiments,” Miller adds. 

While the artist has been active in New York since 1954, and has been exhibited across the world since the 1930s, it was not until 2004 that she sold a work. She has been counted among key forces behind Latin America’s rich history of geometric abstraction, yet not until now has Herrera been properly lauded on the international art-world stage. As Miller put it, “Herrera was, and still is, an artist and a woman ahead of her time, and we are all just beginning to catch up to her.”

Read the above and the rest of The Most Influential Living Artists of 2016 - at least according to the editorial humanoids of Artsy here.

“Blanco y Verde.” Credit Carmen Herrera, Private Collection, New York        

Meanwhile at the New York Times:

At 101, the artist Carmen Herrera is finally getting the show the art world should have given her 40 or 50 years ago: a solo exhibition at a major museum in New York, where she has been living and working since 1954. The show, “Carmen Herrera: Lines of Sight,” caps off several years of festivities, many of which have focused on the artist’s centenarian status, including a documentary film, “The 100 Years Show, Starring Carmen Herrera”; a spring exhibition of recent paintings at the Lisson Gallery in Chelsea; and numerous profiles hailing Ms. Herrera as a living treasure and praising her acerbic wit.

“Blue and Yellow” (1965). Credit Carmen Herrera, Hirshhorn Museum and Sculpture Garden

Copyright? or Copywrong?

By now, the Kardashian clan is most certainly used to being the subject of copyright infringement claims, seeing as the reality TV-made stars have their hands in just about any product empire you can think of: from cosmetics to diet pills, clothing lines and cars, the Kardashian sisters are no strangers to copyright law litigation. 

Now, one of the most of-the-moment sisters is being challenged in court. Kylie Jenner’s new cosmetics line, Kylie Cosmetics, has already been the subject of several lawsuits, but the latest focuses on a supposedly intentional ripping-off of an artist’s work. According to visual artist Vlada Haggerty, a Los Angeles-based creator who also dabbles in makeup artistry, Kylie Cosmetics appropriated one of her images for its own social media campaign.

Read Nicole Martinez in Art Law Journal here. 

Opportunity for Artists

Gallery 66 NY Open Call: - DUALITY OF FEMININE AND FEMINIST



"Duality of Feminine and Feminist" Open Call for artists: seeks works that tackle these subjects in the “Trump Era”. Endless news cycles emphasize the fragmentary nature of our present society and a divided nations’ opposition to a single logic or subject. With this in mind, how do women balance the duality of feminine and feminist? Should we be concerned with the manner in which a woman is portrayed as strong and/or feminine? In recent cultural movements, the ramifications of mixed gender attributes seemed to be growing in popularity yet with the recent elections and threats to women’s rights in particular, are we going backwards. This ability to carry the strengths of both genders is empowering but are we now dealing with a backlash? Is the current political atmosphere an attempt to return to the stereotypical view of women as submissive and passive? Express your views on the “Duality of Feminine and Feminist” through your visual language. 



Exhibition Dates March 3rd-April 2nd 2017 at Gallery 66 NY.  Juror: Artist and Curator Karen Gutfreund   (see below for bio)



CALENDAR
Submission deadline- Sunday Feb. 5th 11:59PM
Accepted notices sent out- Feb. 15th & 16th 
Delivery of Work-  Hand delivery- Feb. 24th–27th,12-5pm or by appointment.  Delivery by mail Feb. 21-27  Pick up of work- no earlier than Sunday April 2nd after 6 pm to Monday April 3rd  from 9am to 7pm
Exhibition dates- March 3rd-April 2nd 2017
Opening Reception of Exhibit- March 3rd 6-9 pm 



REQUIREMENTS:
•Artists must reside within the United States. •Media is open to traditional, mixed media and non traditional materials. Excluded materials- no cd's, films or digital works requiring equipment to play. Original artworks only. No giclee's or reproductions please.  
•Sculpture is limited no larger than 24" x 24"base and no taller than 6 feet. We do have pedestals. 
•Wall mounted pieces should be no larger than 4 ft. in any direction. 

Eligibility:  Open to all Artists in the United States
 SUBMISSION REQUIREMENTS & ENTRY FEES:


*Please enter 1-3 images for a $30.00 submission fee, and $5 each additional entry image. 
*Each artwork may be supported with 2 alternate side photos if your work is 3-dimenional only. 
*Please send jpegs a minimum of 500 KB and a maximum of 1mb per photo. NO images over 1 MB.
*Label each jpeg with the following: artists name, title, media, dimensions. 



HOW TO ENTER:
Follow the instructions to enter your submission and upload your images http://www.entrythingy.com/www.gallery66ny.com


The Gallery takes a standard 50% commission for all sales.



Questions about the exhibition? Email Barbara – gallery66ny@gmail.com
 

*Please note returnable shipping containers only. No styrofoam peanuts.  Artists are responsible for insurance during shipping and must include return shipping for unsold artworks that will not be picked up by hand. 

JUROR- Artist and Curator Karen Gutfreund


Karen Gutfruend is an Artist, Curator and Director She has just finished mounting her 25th major national group exhibition. Her co-owned company Gutfreund Cornett Art is a curatorial program that specializes in creating exhibitions in venues around the U.S. on themes of “art as activism”. Gutfreund has worked in the Painting & Sculpture Department for MoMA, the Andre Emmerick Gallery, The Knoll Group, the John Berggruen Gallery, Arc Gallery and the Pacific Art League. With degrees in Fine Arts and Art History, she is a consultant to galleries and for private and corporate collections. Over the past six years, Gutfreund has focused on creating exhibitions for women artists that travel around the country.  



Gallery 66 NY, is an award winning gallery in the Hudson Valley, NY, voted “Best Art Gallery” in the Hudson Valley by Hudson Valley Magazine, voted “20 Best Places” to visit by Kids Out and About.  The Gallery has been featured in the NY Times Metropolitan section, Hudson Valley Magazine, WAG Magazine, Chronogram Magazine, The Poughkeepsie Journal, HV Biz Journal, The Times Herald Record to name a few.



EXHIBITION VENUE:


Gallery 66 NY, 66 Main St., Cold Spring, NY 10516 www.gallery66ny.com
Director:  Barbara Galazzo

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