Art by Students

The AP's Joan Loviglio had an interesting article in the Philly Inquirer about art by students being the latest rage.

"If there's an art to collecting art, Susan Guill just might be considered an old master.

For about 15 years, she has been attending the annual student exhibition at the esteemed Pennsylvania Academy of the Fine Arts. Nearly every wall in her Bala Cynwyd home is adorned with the work of an academy student; she purchased five student paintings at this year's show alone.

But in recent years, the crowds have become larger and the art gets snapped up even faster."

Buying student artwork has always been a great idea for young collectors and collectors on a limited budget. Savvy collectors and smart art dealers have always known that keeping an eye on what the art schools are delivering is a proven way to stay fresh and ahead of the game.

"Tilton Gallery in New York City has successfully brought the work of art students to its commercial gallery. Gallery director Janine Cirincione told The New Yorker that a show this year called "School Days" featuring art by 19 graduate students from Hunter College, Columbia and Yale University was 70 percent sold before the opening. Prices ranged from $2,000 to $16,000."

In the Greater DC area, over the last few years, Conner Contemporary, Fraser Gallery and Irvine Contemporary have all regularly had student shows and consistently included work by art students in their exhibition schedules. In the Greater Philly area, according to the article: "this year, the Pennsylvania Academy's 105th annual student show broke all previous sales records, raising $313,000 in its three-week run... and about 350 works of art were sold, some priced as high as $15,000."

I know of at least one major ubercollector, based in Maryland, who regularly attends students shows aroun the Mid Atlantic region, and happens to have an excellent eye (and one of the largest private art collections that I have ever seen - literally numbering in the thousands of paintings and sculptures (and lately even some videos) and who has been doing this "student art" practice for many years now.

For example, he started collecting Erik Sandberg and Andrew Wodzianski while they were both students, and has many, many paintings by Sandberg and a gigantic Wodzianski acquired while Andrew was a student at MICA.

Sandberg's latest is currently at Conner Contemporary until Oct. 28 and Wodzianski just recently had two very successful shows following his last solo at Fraser: one in Philadelphia at the Rodger Lapelle Galleries and one at Old Dominion University in Norfolk, and he has twice been a finalist for the Bethesda Painting Awards.

Needless to say, both those two young artists have gone on to bigger and better things and higher prices.

The fly in the ointment could be that:

"Some art school professors worry that early success could inappropriately influence students still defining their voice and their style to play it safe and commercial, so their works can easily sell.

"The danger is where you have critics coming into (students') studios looking for new talent; that's when it can be very disruptive," said Carol Becker, dean of faculty for The School of the Art Institute of Chicago. "You want students finding themselves, not trying to find what the market wants."

I would be curious to hear Dean Becker tell me and the rest of the world "what the market wants"?