Call for Art

Fermentation Festival and Exhibit: Call for Art - The Gallery at Convergence

            Since the beginning of civilization fermentation has mystified humans. Ancient legends say we were taught by sacred beings to make fermented beverages containing a magical substance, a spirit that awakens dormant capacities within us.

            A cursory look at the process of fermentation reveals connections with our personal experiences of transformation. Fermenting implies agitation, excitement or tumult. It is the process by which old ideas, habits and patterns are overturned and new insight is introduced to strengthen us and ensure our flourishing. As artists our creative experience often ferments from initial intent into surprising transformations. It is our growth process.

            Convergence is calling artists to submit works that express, share or observe fermentation in a creative, personal, spiritual or global sense. You are invited to share what is fermenting inside you!

*All media considered including 2D, 3D, multi-media, installations and performance. Open to all artists.

*Entry Deadline: 10 am, August 24, 2013

*Email jpg images of artwork and entry form to office@convergenceccf.net by 10am on August 24, 2013

*Payment should be dropped off/mailed to Convergence Office, ATTN: Christina Perry, 1801 N. Quaker Ln, Alexandria, VA 22302. $15 per entry (up to 4 pieces per entry).

*For multi-media, installations, or performance pieces please write and send in a proposal.

Important Dates:

•   Call for art launches: June 25, 2013

•   Deadline for submissions: 10am, August 24, 2013

•   Artists notification: August 27, 2013

•   Hanging: Tuesday, Wednesday, September 3 and 4th, 2013

•   Exhibition: Thursday, September 5th - Monday, October 28, 2013

•   Opening Reception: Saturday, September 14, 2013, 10am-3pm

•   Closing Party: TBD

•   Deinstall: TBD

Submission Details: Please submit a digital image of your entry. You may submit up to 4 pieces total per entry.

 

    Submission Fees: $15 per entry made payable to Convergence.

•     Artists are invited to submit up to four (4) pieces of original art. All media including painting, photography, mixed media, fiber/textile, sculpture, and other high quality fine art. Convergence encourages submissions of cutting edge, experimental, and high energy styles.
•     Artists will be notified of the curator's selection by August 27, 2013 
•     Shipping costs (including return shipping) are the responsibility of the artists. Detailed shipping instructions will be sent with the curators' notification.
•     Participating artists will be asked to sign an "Artist's Loan Agreement," which includes a liability waiver and permission to use any images for promotional purposes, as well as other terms.

Exhibition:

•     Artwork previously exhibited at Convergence is not eligible.
•     All artwork selected must be ready for exhibition: framed when appropriate, delivered with necessary hardware.
•     Finished and framed art should not exceed 48” in any direction. All art on paper must be framed and under glass or plexiglass. Work on canvas should finished sides or be framed.
•     All artwork must be labeled on the back with the artist name, phone number, title of work, medium, and price
•     Artists are required to provide a current Artist Statement and Bio limited to 1 page to be included in the Gallery Notebook.
•     All artwork must remain on exhibit for the duration of the show and will not be removed prior to Tuesday, October 29, 2013.
•     A donation of 15% of art sales will be made to Convergence by the artist. All sales are handled by the artist.

Accepted Artist Responsibilities:

•    Artists are responsible for drop off/pick up as well as delivery of sold artworks.
•     All taxes are the sole responsibility of the artist.
•     Convergence requests each art publicize the exhibit and opening on their websites, blog, and/or Facebook.
•     All artists MUST volunteer for a show job, see list on Entry Form. Sign up sheet will be available at Artwork Receiving.

Use Rights: by submitting artwork for the exhibition, accepted artists grant Convergence the right to use their images for the purpose of marketing he exhibition, marketing Convergence’s programs and display on the Convergence website. Artists grant the use of their image(s) as stated without further contact or compensation from Convergence. Artist’s credit is provided with any use.

Liability: Artwork and submission materials will be handled with all possible care. Convergence will not be responsible or liable for loss or damage from any cause whatsoever. Entering this exhibition shall constitute understanding and agreement on the part of the artist with the conditions stated. Insurance, if desired, is the sole responsibility of the artist.

If you have any questions please contact the Gallery Coordinator, Christina Perry at 703-998-6260 or email: office@convergenceccf.net

Call for Scary Art

Deadline: August 1, 2013

BFSD (BIG FAT SCARY DEAL) Purdue University Galleries is curating exhibit of contemporary art that is edgy, weird, unsettling and scary. Open to US artists. Oct 21 - Dec 8, 2013. Any media, limit 8 feet tall or 10 feet wide. Selections from jpeg or video files - no PowerPoints. Artists responsible for shipping. No entry fee.

Details: Craig Martin, Director
765-494-3061
 http://cla.purdue.edu/galleries
email: cdmartin@purdue.edu

Vintage Korda on its way to Oregon

See that shrink wrapped photo lying on my kitchen island and awaiting for an art courier to pick it up (which she did yesterday)? - that's the very first, original, vintage Korda photograph of the Argentinean psychopath Ernesto Guevara de La Serna Lynch, known to most of the world as Ché and to many Cubans as El Chacal de La Cabaña.

That photo, together with 16 other vintage Kordas from 1959 - 1960s are heading to the Jordan Schnitzer Museum at The University of Oregon for an extended loan.

Korda's iconic photo of Guevara (titled "Guerrillero Heroico") is the most reproduced photograph in history, thanks to the billions of T-Shirts that it adorns. I am told that recent appraisals put its value at around $4.5 million dollars.

I'm glad that it is out of my house and on its way to the Great Pacific Northwest. It's a good thing that the kid has nerves of steel, as I picked it up from the owners' home in Chevy Chase and transported it to my home so that the courier could pick it up yesterday. She came with a crew that boxed it up in a very cool carrying case.

The world's most reproduced and iconic photograph (and perhaps the most expensive as well) made its way to a collector's home in the Greater DC area thanks to a very interesting series of events after Korda died a few years ago.

The two top most reproduced images in the world are bearded men: The Christ and Ché...  cough, cough...

Now it's on a permanent loan to Oregon, which this Fall begins to teach a new class on Guevara.

Admiral Frank Kelso

Sad to report that Admiral Frank Kelso passed away today after sustaining injuries after a fall.

I never served with him, but under him.

And he probably never even knew that he saved my butt when I was a very junior officer in the Navy and I did something under fire that drew a lot of harsh criticism from senior leadership in the Navy and to which Kelso (then Commander of the Navy's Sixth Fleet) sent an official message using the words "initiative that Commanders can only dream of" that pretty much saved that young officer's (me) Naval career.

Fair winds and following seas Admiral...

And the next Artomatic will be at...

You saw it first here... the next Artomatic will be at the old Hecht's warehouse on New York Avenue - that's a great location for Artomatic!

Frida Kahlo’s Closet is Opened 58 years After Her Death

"If you are a Frida Kahlo fan – and really, who isn’t – check out the new exhibit at the Frida Kahlo Museum in Mexico City.  It opened this past weekend and it takes us inside Frida’s long-locked closet."

Read the story by Diana Olivia Cave here.

Reworking Eve

I seldom do this, but after framing "Eve Sees Her Face for the First Time" and looking at it for a few days, I decided to re-work the pond/water area. Here's the final version heading to Glenn Aber Contemporary in New York for the fairs at the Hamptons.

This is an experimental public artwork that uses social media to create this final work of art. The concept is to offer a path to develop a collaborative effort between the artist and other people. 

The video drawing “Eve Sees Her Face for the First Time” showcases the faces of about 75 women from all over the world. When this piece was conceived, I put out a call via Facebook for women of all ages, ethnicities and races to send him an image of their faces for inclusion in the piece. 

The call went viral on Facebook and over 1,000 images of women came from all over the world (and are still coming!). This work contains about 75 rotating images of the first woman. Additionally, the piece can continue to “grow” and the collector of this piece has the option to continue to add more faces to the piece via an included USB connector, if so desired, and thus become a “contributor” to the work.

My next step with this series is to create the next piece with the ability to log onto the Internet and via Facebook (once the owner logs it into his/her Facebook account) to search for the Facebookian women who have given permission and donated their faces to the project.

I am in the process of beginning working with Facebook developers to have them create a "permission" that can be recognized by my work, so that it can "grab" the permitted image and insert it into the artwork.

Eve Sees Her Face for the First Time
Charcoal and Conte with Embedded Electronics
32 x 20 inches and framed to 40.5 x 28.5 inches

Previous version of the piece

USS Enterprise's last voyage

USS Enterprise, easily the most legendary US Navy ship, is about to take its final voyage.

Read it here.

Fair winds and following seas to this amazing lady.

Mexican Emperor bit the dust in 1864

On this day in history, Austrian Archduke Ferdinand Maximilian, who had been made Emperor of Mexico by French Emperor Napoleon III in 1864, was whacked on the orders of Benito Juarez, the President of the Mexican Republic.

I know that all of you knew that, but how many of you know that the Italian dictator Benito Mussolini was named after Juárez?

Wanna go to an artist's talk this Saturday?

Come hear local glass artist Erwin Timmers discuss his work.

  

Thoughtful and ingenious, Timmers' sculpture calls attention to contemporary issues through a creative re-engineering of often-overlooked forms and concepts, often focusing on industrial salvage and recycling.

 

In my opinion, he's also one of the "earliest" green artists on the planet.

 

Artist Talk:  Saturday, June 22, 2:00pm

 

Brentwood Arts Exchange - exchanging ideas through art

located in the Gateway Arts Center
3901 Rhode Island Avenue
Brentwood, MD 20722
301-277-2863/ tty. 301-446-6802
email: pgp-brentwood-arts@pgparks.com

Call to Artists - Art HoCo 2013‏

Artists who live, work, or study in Howard County are invited to apply for this biennial, juried exhibit. Guest juror is Fahimeh Vahdat, Chair of Visual Arts at Howard Community College. Deadline for entries is August 30; exhibit runs from November 1–December 13. The prospectus and entry form are available for download at www.hocoarts.org/exhibits.php.

 

Pam Perna
Community and Web Relations Assistant
Howard County Arts Council
8510 High Ridge Road
Ellicott City, MD 21043
p: 410.313.ARTS
f: 410.313.2790

Parish Gallery's Final Exhibit‏

NORMAN PARISH: The Artist

Opening June 21, 2013

Reception 6:00 to 8:00 PM

Parish Gallery - Georgetown

1054 31st Street, NW

Washington, DC 20007

Tel: 202.944.2310  

Email: parishgallery@bigplanet.com

www.parishgallery.com

Boardwalk Art Show

This is about half of the massive 58th Annual Virginia Museum of Contemporary Art Boardwalk Art Show in Virginia Beach... it's late Friday, a few minutes after a massive wind burst destroyed about 33 booths and damaged many others.

The CIA, Jackson Pollock and the abstract boys...

Oh boy...

For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.

Details here...

Read this!

I started out as a young Turk completely rebellious against skill.  I was conceptual!  I knew what was important!  And it wasn’t some type of mindless devotion to creating perfect solder seams.  I was so bad, and this is true; that on at least one occasion, my work fell apart at the opening.

Read some really good writing by Judith Schaechter at Late Breaking Noose here.

Looking for studio space?

Available July 1, 2013.

Approx. 326 sf for 353.17 per month plus utilities. This store front studio is located in the heart of the Gateway Arts District. One block from The Gateway Arts Center and 1/4 mile form the DC line on Rhode Island Ave. Most mediums allowed.

1 year lease minimum.

For more information, to get an application, or to see the space email John Paradiso at john@gateway-cdc.org

Gallery B call to artists!

  

The Bethesda Arts & Entertainment District and Bethesda Urban Partnership are accepting applications for Gallery B in downtown Bethesda!

This gallery, located at 7700 Wisconsin Avenue, Suite E in downtown Bethesda, is available to interested artists and arts organizations for one-month rentals. All media including, but not limited to, painting, photography and sculpture is eligible to use the space. Gallery B does not take a commission on any artwork sold during the exhibition.  

They are seeking applications from local artists and arts organizations for month-long exhibitions in 2014.  There is approximately 1,500 sq. feet of available exhibition space.  The deadline for submission is July 19, 2013.

To be considered for a solo or group exhibition, and to review the gallery requirements, please complete this application.

Questions?  Please send them an email to artist@bethesda.org.

  

 www.bethesda.org

Eve Sees Her Face for the First Time

"Eve Sees Her Face for the First Time"
Charcoal, conte and Embedded Video
2013. Framed to 40x30 inches

The return of the censored artsy underwear

The more things change...

David Woodward, a Queen's University fine arts student, planned to display 10 pairs of underwear at a university donor appreciation event. But when he arrived, the Toronto Star reports school officials quickly told him to get rid of them before the event at the Kingston, Ontario, school began.

This is so old news in some many ways... sometime in the mid 1990s there was a Washington DC area artist, I can't recall her name, whose work consisted of exactly the same thematic idea, but in this case her own underwear (sexy, feminine things...) and of course it was censored. I recall this because I wrote a long article for the historic KOAN Magazine about it.

More than a decade later... the more they stay the same.

New record for rugs... cough, cough

 New record!

"A Persian carpet decorated with swirling vines and vibrant flowers that was stored for decades by the Corcoran Gallery of Art sold Wednesday for more than $30 million. That sum, fetched at a Sotheby’s sale, shattered the previous record for rugs sold at auction. But it won’t help the struggling Washington gallery overcome its financial woes because the money must be used for future acquisitions, not to help the bottom line."

Read the article in the WaPo here. If the Corc needs some ideas as to how to spen the $30M... they know my number...

Opening at the Katzen June 15...

The American University Museum at the Katzen Arts Center spotlights the art of its hometown with five of its six new summer exhibitions featuring works by Washington, D.C. artists. Exhibitions open Saturday, June 15, with a reception from 6 to 9 p.m. and close Sunday, August 11.

The museum has a reputation for showing Washington art, something director and curator Jack Rasmussen initiated when the museum opened in 2005.

“Museums were not showing Washington art except on very rare occasions,” Rasmussen said in a recent interview with American magazine. “It’s important to have local artists on your side. They support you, they talk to their friends, the friends come, and all this makes it possible to have a scene in which people want to participate.”

Washington Art Matters: 1940s–1980s tells the story of art made here during five crucial decades. As such, this is the first major effort by a museum to present a comprehensive history, representing those times with works by some 80 artists. The exhibition is based on Washington Art Matters: Art Life in the Capital 1940-1990, a book published by the Washington Artists Museum and co-authored by Jean Lawlor Cohen, Benjamin Forgey, Sidney Lawrence and Elizabeth Tebow.

Tim Tate: Sleep Walker features video installations by Tim Tate, Washington’s best known contemporary glass artist, as well as collaborations with Pete Duvall and Richard Schellengberg. Videos are probably the closest medium we have to experiencing the inexplicable quality of the dream in our waking lives. Rich in symbol, metaphor, movement and mystery, videos—like dreams—enable us to participate in another reality, and, through that participation, to be transformed. Hidden within is the latent content which will give the viewer an understanding of what is happening in the mind of a dreamer.

Raya Bodnarchuk: Form spotlights sculptures by Raya Bodnarchuk, a major artist and influential mentor in Washington for 40 years. Her sculpted animals and people are beautifully and carefully observed, the mature work of a master of many different media. Bodnarchuk trained at the Rhode Island School of Art and Design and the Rinehart School of Sculpture, Maryland Institute College of Art.

Nan Montgomery: Opposite and Alternate consists of recent oil paintings by Washington, D.C., artist Nan Montgomery. Throughout her career, Montgomery’s basic signature has been the use of color as communication, the interest in the painted surface and a minimalist aesthetic.  Large fields of color are painted with many color overlays using a small brush.

Kitty Klaidman: Beneath the Surface highlights recent mixed media paintings by Washington, D.C., artist Kitty Klaidman. In these paintings, richly colored acrylic pigment is applied on wood panels covered with molding paste than has been incised with organic patterns. They are then highly glazed. The over-all effect is to make explicit the subtle rhythms and tensions in seemingly static natural settings.

Chester Arnold: Accumulations and Dispersals showcases large-scale, ecologically relevant oil paintings by San Francisco Bay area figurative artist, Chester Arnold. It is the great pageant of life on earth, as seen and remembered by an individual, mixed with dreaming narrative and fictional riff that speaks of the accumulated travails of an individual and an era. The voice and vision, although sparked with critical observation, is orchestrated with an overwhelming love of visual experience. As evidence of an artistic ambition and moral commitment to the human experiment, these paintings celebrate living and art-making and accumulating in a most visible and accessible way.

And the winner is...

If you read this, then you know that I am a little shocked but not surprised that the boss of one of the jurors won the Bethesda Painting Award.

I know that the subordinate recused herself when discussing her boss, but you know how it looks no matter what... I'm actually beginning to think that it wasn't her fault that her boss applied to the prize while she was the juror, nor that two other co-workers also made it to the finals.

Bethesda Painting Awards Winners

Best in Show ($10,000): Barry Nemett - Stevenson, MD
Second Place ($2,000): Christine Gray - Alexandria, VA
Third Place ($1,000): Hedieh Ilchi - Rockville, MD
 
Congratulations to all the 2013 Finalists!

Joan Belmar – Takoma Park, MD Dennis Farber – Lutherville, MD Christine Gray – Alexandria, VA Hedieh Ilchi – Rockville, MD Barry Nemett - Stevenson, MD Cara Ober - Baltimore, MD Erin Raedeke - Gaithersburg, MD Bill Schmidt - Baltimore, MD

Grammar Police on the prowl

No, not Kriston "Il Capo" Capps (who's instead Hirshhorning), but the other grammar police... see what I mean hear here... cough, cough.

The Batman in The Batcave... brooding over Robin

Newest piece... heading to Glenn Aber Contemporary Art in NY for the Hamptons art fairs... the work has a 6.5 minute loop of appropriated vintage Batman TV show video focusing on The Batman's relationship with The Boy Wonder.





The Batman in The Batcave (Brooding Over Robin)
Charcoal, conte and Embedded Appropriated Video. Circa 2013
Framed to 30x40 inches.

Update: Thanks to FedEex, this piece arrived to the gallery with a large footprint on the box (packed by FedEx) and busted glass and frame, so it couldn't be exhibited at the fair by my NY dealer... luckily, when I got it back from him, all that it needed was reframing... so it is safe.

New doors for the Library of Congress

In case you haven't noticed, all new doors on the east side of the Library of Congress Adams Building have been installed, with the new west side doors going in sometime in the next month. 

This is the culmination of a project that began 9 years ago where the Washington Glass School was tasked with replacing the doors in this most iconic of DC buildings. 

The project has been ignored by the DC area media (what else is new?) but the doors were fortunate enough to receive a fantastic 4-page spread in American Craft Magazine, discussing a one-in-a-lifetime project that represents not only some of the best of what the DMV art scene has to offer, but also the perfect balance of craft and architecture.

Read the article here.

Pheo Para Alliance Fundraiser at the Katzen

The Pheo Para Alliance and
The Katzen Arts Center at The American University
cordially invite you to
THE HEALING ARTS
An Evening of Art, Discussion, Good Food, and
Live and Silent Auctions
Saturday, June 22 at 5:30pm
The American University Museum

Sponsorship Levels:
The Andy Warhol Table For 10: $10,000
The Georgia O’Keefe Table For 8: $6,000
The Larry Rivers Table For 6: $4,500
The Sam Gilliam Table For 4: $3,000

$350/person
$175/person for patients and artists

FUNDS RAISED WILL GO TO RESEARCH FOR FINDING A CURE FOR PHEO PARA.

SCHEDULE OF EVENTS:
5:30-6:30 - Cocktails and Art Exhibit of Prominent Washington Artists (and also by yours truly, easily the prominest of all prominent DC area artists... cough, cough... I will be donating this work) . Silent Auction Opens.
 
6:45-7:15 - Panel Discussion “The Healing Arts”
Dr. Frederick Ognibene, Deputy Director Of Clinical Research Training, National Institutes of Health, Moderator
 
PANELISTS:
Susan B. Magee – Author, INTO THE LIGHT The Healing Art of Kalmon Aron
Shanti Norris – Executive Director of Smith Center for Healing And The Arts
Jerzy Sapieyevski – Award Winning Composer, Pianist, and Educator
Tim Tate – Mixed Media Sculptor, Co-Founder of  The Washington Glass School

Humanitarian Award Presentation to Dr. Antonio Tito Fojo (a fellow Cuban-American by the way).
 
7:30-9:30 – Dinner, Entertainment, Live Auction
 
9:30 – Grand Finale

PLEASE RSVP BY FRIDAY, JUNE 14
Checks payable to
Pheo Para Alliance can be sent to:
6111 Western Avenue, NW
Washington, DC 20015
To register online, please visit
www.pheo-para-alliance.org

Red Handed at MFA

RED HANDED

A gallery installation experience by ROSEMARY FEIT COVEY 

June 21st, 2013 - June 5th, 2013

EXHIBITION LOCATION

Morton Fine Art (MFA)

1781 Florida Ave NW (at 18th & U Sts)

Washington, DC 20009

HOURS

Tuesday - Saturday 11am - 6pm

Sunday 12pm-5pm  

OPENING RECEPTION

Friday, June 21st from 6pm-8pm

The artist will be in attendance. 

About Red Handed:  

Rosemary Feit Covey's Red Handed is a complete gallery installation project which combines drawings printed on both hand and commercial printers.  The prints are then made into paintings, or left rough on cheap paper.  Covey's exploration in media and method has evolved and is comprised of wall-wrapped images and an all-encompassing floor piece - the major part of the installation - which forces the viewer to walk on the art.  The image is meant to have no beginning and no end.

Red Handed began as a set of drawings and printed columns during Covey's 2012 residency at Spiro Arts in Utah. The initial drawing appeared as a steam of conscience image. It was at first unclear why red hands kept appearing on her running figures, Covey feels it is connected to guilt.

Inspiration for Red Handed:

Referencing Dore, Modigliani and Picasso's Guernica - Red Handed raises issue of collective versus personal guilt.

"Where all are guilty, no one is; confessions of collective guilt are the best possible safeguard against the discovery of the culprit, and the very magnitude of the crime the best excuse for doing nothing."
 -Hannah Arendt

"For all survivors of suicide the question of guilt opens a maw that fills and envelopes adding to the pain, shock and sorrow. A murder has been committed where the murderer can not be blamed. The past becomes the framework for constant reexamination.  I had to ask myself - why did this image spring whole from my imagination?  I had to wait and allow my thoughts to unearth the past.  Guilt is the most personal of emotions and universal only when we take it on ourselves before we look at the rest." -Rosemary Feit Covey

About ROSEMARY FEIT COVEY:

Rosemary Feit Covey was born in Johannesburg, South Africa. In a career spanning three decades she has exhibited internationally and received countless awards. Covey's work is in numerous national and international museum and library collections.
Select collections include the Corcoran Gallery of Art; the New York Public Library Collection of Prints and Drawings; the Papyrus Institute, Cairo, Egypt; the National Library of Australia, Canberra; The National Museum of American History; Georgetown University Library Print Collection; Harvard University Library; and Princeton University Library.
Georgetown University Library currently houses 512 of her wood engravings in their permanent collection. She has an upcoming solo exhibition at the Evergreen Museum at Johns Hopkins University in Baltimore in 2014.

Red Handed marks Covey's third annual exhibition at Morton Fine Art.