Showing posts sorted by relevance for query "adah rose". Sort by date Show all posts
Showing posts sorted by relevance for query "adah rose". Sort by date Show all posts

Sunday, February 28, 2021

Maremi Andreozzi and Wayson Jones at Adah Rose

 Awright folks - the Covidian Age is almost over (one hopes) - time to start getting back to visiting galleries, creating art, doing art fairs...

Start here:

"May You Live In Interesting Times" -- Maremi Andreozzi and Wayson Jones at Adah Rose Gallery


Maremi has created a remarkable and sensitive group of portraits of women entitled "History Adorned". Some of the women are famous, others have only recently begun to have their fascinating stories told.  They range from teachers to doctors, queens to courtesans, scientists to poets, couturiers to activists. Each is painted in silhouette, ageless and beautiful. Their adornments; brooches, lace, earrings, hats and dress are exquisite and give them each a wonderful uniqueness.

Maremi grew up and lives in Alexandria Virginia. She earned a BFA from Cornell University and a MFA from Clemson University. She was an artist in residence at the International Artist Residency in La Macina di San Cresci in Chianti, Italy. She has exhibited at the Tephra Institute for Contemporary Art, the Smith Center, the Rachel Schlesinger Art Center/NOVA, the Torpedo Factory, Radford University, Glenview Mansion and the Howard County Council for the Arts. Her work is in many private and public collections including Marriott Corporation and the DC Commission on the Arts and Humanities. This is Maremi's first show with Adah Rose Gallery.


The paintings of Wayson Jones are a mere six by six inches, yet each has a monumental presence. They are tactile, lavish, alluring and modest. The physicality of paint is explored in each painting and the beauty of color. Some of the paintings have a rich impasto with bold gestures and energy. Other works are smooth as silk. Wayson has a background in music and each painting performs in wonderful and powerful ways.

Wayson is a painter, musician, and spoken-word artist. He received a degree in music from the University of Maryland and later went on to perform with the renowned poet Essex Hemphill, as part of Washington DC's burgeoning Black gay and lesbian arts scene of the 80's and 90's. The two performed at DC Space, Blues Alley, The Kennedy Center, The Painted Bride (Philadelphia), LACE (Los Angeles) and LaMama Theater (NYC) They appeared in works by filmmaker Isaac Julien and Videographer Marlon Riggs. Wayson's visual art is informed by his performance experience and an exuberant approach to materiality and process. He has exhibited at the Black Rock Center for the Arts, Arts/Harmony Hall, Northern Virginia Community College and DCAC. 
Wayson received a 2017 Individual Artist Fellowship from the Prince George’s Arts and Humanities Council. His work is in numerous public and private collections including the DC Commission on the Arts and Humanities and the MGM National Harbour. This is Wayson's first show with Adah Rose Gallery.

March 3- April 10, 2021

Open by Appointment Most Days

Adah Rose Gallery

3766 Howard Ave

Kensington MD 20895

301-922-0162

www.adahrosegallery.com

Wednesday, January 10, 2018

Jessica Drenk at Adah Rose!

Opening at Adah Rose Gallery
adahrosegallery@gmail.com
www.adahrosegallery.com

"The Evocation of a Moment..a Gesture" - Jessica Drenk

Vernissage Saturday January 20 6:00-8:00 pm.
Live Music by Bud Wilkinson
Tactile and textural, the sculptures of Jessica Drenk highlight the chaos and beauty that can be found in simple materials. Jessica's work is influenced by systems of information and the impulse to develop an encyclopedic understanding of the world. Jessica’s interests in archaeology, paleontology, biology, botany and geology influence not only the shapes and textures of her sculpture, but also lend a visual framework for creating, collecting and classifying her own specimens of the present. The sculptures are both fragile and strong, complex and simple; always elegant and unique. Her materials  are as varied as marble, PVC pipes, toilet paper, books, pencils, wood, coffee filters, and q-tips. 
Jessica was raised in Montana, where she developed an appreciation for the natural world that remains an important inspiration to her artwork today. Jessica was awarded the International Sculpture Center's Outstanding Student Achievement in Contemporary Sculpture Award.  Her work has been pictured in Sculpture Magazine and she has exhibited in shows at the International Grounds for Sculpture in NJ, Skidmore College, the Albuquerque Museum, the Tucson Museum of Art, the Everhart Museum, Yale University and the Brooklyn Public Library. Her work is in many prominent individual and corporate art collections. Jessica has exhibited in numerous solo and duo shows in Washington DC, Dallas, San Francisco, Hawaii, Florida, Massachusetts and Arizona. She has exhibited with the gallery at PULSE Miami, PULSE NY and the Silicon Valley Art Fair. This is her third show with Adah Rose Gallery.
Jessica Drenk received an MFA from the University of Arizona in 2007 and a BA from Pomona College in 2002. She currently lives and works in Florida.
Adah Rose Gallery
3766 Howard Ave
Kensington MD 20895
Thursday-Sunday 12:00-5:30 and always by appointment

Wednesday, January 03, 2018

Jessica Drenk at Adah Rose

Opening at Adah Rose Gallery
adahrosegallery@gmail.com
www.adahrosegallery.com

"The Evocation of a Moment..a Gesture" - Jessica Drenk

January 19-March 2, 2018
Vernissage Saturday January 20 6:00-8:00 pm.
Live Music by Bud Wilkinson
Tactile and textural, the sculptures of Jessica Drenk highlight the chaos and beauty that can be found in simple materials. Jessica's work is influenced by systems of information and the impulse to develop an encyclopedic understanding of the world. Jessica’s interests in archaeology, paleontology, biology, botany and geology influence not only the shapes and textures of her sculpture, but also lend a visual framework for creating, collecting and classifying her own specimens of the present. The sculptures are both fragile and strong, complex and simple; always elegant and unique. Her materials  are as varied as marble, PVC pipes, toilet paper, books, pencils, wood, coffee filters, and q-tips. 
Jessica was raised in Montana, where she developed an appreciation for the natural world that remains an important inspiration to her artwork today. Jessica was awarded the International Sculpture Center's Outstanding Student Achievement in Contemporary Sculpture Award.  Her work has been pictured in Sculpture Magazine and she has exhibited in shows at the International Grounds for Sculpture in NJ, Skidmore College, the Albuquerque Museum, the Tucson Museum of Art, the Everhart Museum, Yale University and the Brooklyn Public Library. Her work is in many prominent individual and corporate art collections. Jessica has exhibited in numerous solo and duo shows in Washington DC, Dallas, San Francisco, Hawaii, Florida, Massachusetts and Arizona. She has exhibited with the gallery at PULSE Miami, PULSE NY and the Silicon Valley Art Fair. This is her third show with Adah Rose Gallery.
Jessica Drenk received an MFA from the University of Arizona in 2007 and a BA from Pomona College in 2002. She currently lives and works in Florida.
Adah Rose Gallery
3766 Howard Ave
Kensington MD 20895
Thursday-Sunday 12:00-5:30 and always by appointment

Sunday, April 14, 2013

Learn Firsthand about Art Basel

Free and Open to the Public
Talk  & Tour Adah Rose Gallery April 20 10:45am 

Learn Firsthand about Art Basel (One of largest Art Events in the USA)
Director Adah Rose of the Adah Rose Gallery will talk 
about presenting art at Art Basel
Talk :10:45 am- 12:00 noon
Tour: after 12:00 noon On your own 
 
Adah Rose Gallery
3766 Howard Ave
Kensington, Maryland 20895
http://www.adahrosegallery.com/

Tuesday, June 14, 2016

Carte Blanche at Adah Rose

June 10-August 31, 2016
Change is in the air. Summer is a time to embrace the new, spend time outdoors and shake things up a little bit. At Adah Rose Gallery we will be rotating our exhibits every three weeks and invite guest artists to participate as well as gallery artists.  One week we may feature large scale painting, one week works with an emphasis on color and the next...works with TEXT. Shows will be curated by former interns and patrons. We want to keep it exciting, dynamic and challenge the way we view art in our space.
 
Guest artists will be added continually all summer long and so far include Sarah Purvey, Sheila Giolitti, Christina Tenaglia, Dave Rothschild, Gregory Ferrand, Joy Garnett, Kyujin Lee, Tim Makepeace, McCain McMurray, and Gabe Brown. 

Adah Rose Gallery
3766 Howard Ave
Kensington MD 20895
301-922-0162

Hours Thurs-Sunday 12-5:30 and always by appointment

Saturday, November 03, 2018

Superfine! DC: The Review

Yesterday I gave you my thoughts on the Superfine! DC art fair currently underway at the District's historical Union Market. You can read those opinions here.

Today the crew and I visited the fair, and spent a few hours enjoying the artmosphere that any major art fair brings to any city, and chatting with a lot of old friends while making some new ones.

Bottom line: Apparently Superfine! art fairs has already announced that they'll return next year - that by itself is a major success in view of the DMV's past attempts to entertain and host a major fine arts fair such as the ones that routinely take place in many other world capitals as well as in Miami each December for the art world's big dance.



Upon entering the fair spaces, and as a veteran of nearly 100 art fairs all over the nation and overseas, I immediately noticed two things: (a) Zenith Gallery - which has my work at this fair - has the primo spot by the entrance, and (b) this fair's booths are superbly well designed and spaced, and unlike any other art fair that I've ever seen!

That's a good thing.

Why do I say that? Because every other fair on this planet has one mission in mind when designing their floor plan: maximize the number of booths, because the more booths that you can squeeze into a floor, the more Samolians that the fair organizer stands to make.

Kudos to Superfine! DC management for their booth arrangement.

Another important thing separates this fair from your typical New York or Miami art fairs: Artists can have individual booths. This is both a positive (especially in the DC art market) and a negative impact... but that's a story for another column.

In yesterday's preview, I mentioned how impressive Martin Swift's chiaroscuro portraits looked online - they look even better when closely examined! Swift's works are with Monochrome Collective and are a delight to the eyes. I also liked the giant poster that he created on one of the side exits of the fair... that's a close up below.


Martin Swift Mural outside Superfine! DC
Note the enviable agility with the brush and the mastery of the paint application! This artist is really good.

We visited several DMV gallerists, admiring the works by Gregory Ferrand and Jessica Drenk at Adah Rose Gallery. This art dealer is one of the hardest working gallerists in the area and her booth look superb! Drenk's work was one of my son's early favorites for best in show.


Gregory Ferrand at Adah Rose


Jessica Drenk at Adah Rose Gallery
My son was also mesmerized by Matthew Langley's hypnotic wall of color paintings in Susan Calloway's booth.


Matthew Langley at Susan Calloway
Yesterday I also mentioned how an impressive artist like Scott Hutchison can remain largely ignored by museum curators in this area - mostly because DMV museums think of themselves as "national" museums, rather than regional or local. In person Hutchison's new series of works are even more impressive. Check some of these gorgeous works here.



Imaginary Grasp by Scott Hutchison. 19x24 inches, oil on aluminum
Imaginary Grasp by Scott Hutchison. 19x24 inches, oil on aluminum

I soon lost the family, as a decent crowd was packing the fair's well-designed floor, but I quickly found them admiring the work of Baltimore artist Daniel Stuelpnagel.  His elegant geometric work hides the extraordinary amount of compositional planning and work that it takes to deliver these intelligent pieces.
Campello clan chatting with artist Daniel Stuelpnagel


Work by Daniel Stuelpnagel
We then spent some time chatting with the hardworking art dealer Gabriela Rosso of Potomac's RoFa Projects - I was astounded to find that this is Rosso's 9th fair this year! All over the globe, by the way, not just the US.


Gabriella Rosso of RoFa Projects
RoFa's booth was full of impressive work, the output of this gallerist's focus on Latin American artists (mostly). I was taken by the photographs of Jesús Chacón, which (of course) remind me of my own work.


Jesús Chacón at RoFa Projects
After chatting a little with DC uberartist Anne Marchand, we set out to "discover" some new artists...


Campellos talking with artist Anne Marchand
Yesterday, when  I did my online preview, I thought that the work of Gaithersburg artist Hannah Sarfraz was fabric based, and essentially fabric design or painting on fabric... but they were in fact really well executed, hyper realistic water media paintings!


Hannah Sarfraz
Anderson soon made a straight line for Rogelio Maxwell's booth and was fascinated by his works and received a really nice reception and explanation of Maxwell's talented handling of color.


A picture of Mom taking a picture of Anderson being educated on Rogelio Maxwell
While I was there, I was quite impressed by the sculptural work that Maxwell brought to the fair - see some details images below.


Detail of sculpture by Rogelio Maxwell
Detail of Sculpture by Rogelio Maxwell
From there I found my way to the refined works of Wayson R. Jones, whose technique and presentation just keeps getting better and sharper! This is a key DMV artist deserving of more attention by the curatorial cabal of our area.


Drift II by Wayson R. Jones
Not too far from Wayson, this gorgeous wall of painted metal chairs, where the artist has kidnapped the substrate and made it into a work of high art, caught my attention.



It is the work of Dr. Bob, who is represented at the fair by the DMV's Gallery O on H... this piece below (detail) was my favorite and it was really bustin' loose.  This work needs to be acquired by the DC Arts Commission for the collection of the city.


Detail of Chuck Brown by Dr. Bob. Acrylic on metal chair, c.2015
Detail of Chuck Brown by Dr. Bob. Acrylic on metal chair, c.2015
Another artist who caught the eye of the young critic was Dennis Crayon, who was gracious enough to spend a lot of time discussing his techniques with an admiring 9-year-old fan!


Dennis Crayon at Superfine! DC
Dennis Crayon at Superfine! DC
But no artist fascinated this young mind more that the Ft. Lauderdale artist known as Aliguori... see below.



His fascination was in large part driven by the 3D effect delivered by this painter's focused genre of monochromatic works that tickle the eye's ability to separate depths based on color warmth and position.


Looking at Aliguori's 3D paintings
The fact that the very nice artist was also kind enough to spend a lot of time discussing his art and technique with a young admirer is also a great lesson in art fair niceness! Thank you!

By now we had spent a few hours at the fair, and towards the end I discovered the booth of New York's Lori Cuisinier, whose Ariadne series of works were not only elegantly hung in the minimalist style preferred by the art fair management set - not only did she have the best hung booth at the fair - but was also the singularly sexiest booth in the entire fair and stood out in prudish Washington.


Ariadne bride cake by Lori Cuisinier. UV pigment on dibond, 55x54 inches
My overall impression of the fair was very positive, and I sincerely hope that the rumors that the organizers have already made the decision to return next year are true. This is a kick in the creative arse of the DMV, and it helps the capital's artistic juices in not only a seminal way, but also in one that helps our art foot print.

Tomorrow is the last day to visit Superfine! DC - the fair runs to 8PM... details here.

Friday, January 19, 2018

Go to this opening tomorrow

Opening at Adah Rose Gallery
adahrosegallery@gmail.com
www.adahrosegallery.com

"The Evocation of a Moment..a Gesture" - Jessica Drenk

Vernissage Saturday January 20 6:00-8:00 pm.
Live Music by Bud Wilkinson
Tactile and textural, the sculptures of Jessica Drenk highlight the chaos and beauty that can be found in simple materials. Jessica's work is influenced by systems of information and the impulse to develop an encyclopedic understanding of the world. Jessica’s interests in archaeology, paleontology, biology, botany and geology influence not only the shapes and textures of her sculpture, but also lend a visual framework for creating, collecting and classifying her own specimens of the present. The sculptures are both fragile and strong, complex and simple; always elegant and unique. Her materials  are as varied as marble, PVC pipes, toilet paper, books, pencils, wood, coffee filters, and q-tips. 
Jessica was raised in Montana, where she developed an appreciation for the natural world that remains an important inspiration to her artwork today. Jessica was awarded the International Sculpture Center's Outstanding Student Achievement in Contemporary Sculpture Award.  Her work has been pictured in Sculpture Magazine and she has exhibited in shows at the International Grounds for Sculpture in NJ, Skidmore College, the Albuquerque Museum, the Tucson Museum of Art, the Everhart Museum, Yale University and the Brooklyn Public Library. Her work is in many prominent individual and corporate art collections. Jessica has exhibited in numerous solo and duo shows in Washington DC, Dallas, San Francisco, Hawaii, Florida, Massachusetts and Arizona. She has exhibited with the gallery at PULSE Miami, PULSE NY and the Silicon Valley Art Fair. This is her third show with Adah Rose Gallery.
Jessica Drenk received an MFA from the University of Arizona in 2007 and a BA from Pomona College in 2002. She currently lives and works in Florida.
Adah Rose Gallery
3766 Howard Ave
Kensington MD 20895
Thursday-Sunday 12:00-5:30 and always by appointment

Thursday, February 02, 2012

John James Anderson and Susan Stacks at Adah Rose Gallery

Adah Rose Gallery (3766 Howard Ave Kensington Md, 20895, www.adahrosegallery.com is a relative newcomer to the DMV art scene, but under the experienced guidance of Adah Rose, it seems to have hit the deck running.

“The Pleasures Here Are Well Known” - work by John James Anderson and Susan Stacks - is their next show, with an opening reception, on Saturday February 11, 6:30-8:30 p.m. (also music by Walker Road).

John James AndersonThe printed word and the acquisition of language are the principal ideas in the work of John James Anderson. His first series, “Building Blocks,” adopts the playful vocabulary of pop art with familiar logos and graphics which require reading through a lens that is both nostalgic and cerebral. Mr. Anderson creates a graphic alphabet from the eye-catching lettering of soda cans, candy wrappers and cereal boxes. In his second series, “Out of Print,” language and the evolution of our collective literacy is also explored, this time in the decline of print journalism. Mr. Anderson collected the front pages of national newspapers and carefully erased portions of their content, resulting in graphic and poetic musings on the fate of mass communication.

... Beginning with the unconsciousness of a doodle, but executed with the commitment of surgery, Susan Stacks creates drawings with pencil and pen that are artifacts of a meditative experience. These intricate and elegant works reference landscapes, microscopic forms, and cartography. As Ms. Stacks draws, a twist becomes a tug, a dash a dot. Her influences are as varied as novels, mythological figures, plant and bacterial life, rock stars and vending machines. She refers to her drawings as emotional maps, parasites, friends, and penance.

Monday, October 24, 2022

Art Clinic Online to host Adah Rose Bitterbaum

On Saturday, October 29, Art Clinic Online (ACO) will have an exciting guest, and one of the DMV's hardest working art dealers!

The guest is Owner/Director of Adah Rose Gallery, Adah Rose Bitterbaum.



Saturday, 10/29 at 10:30am - details here.


The mission of the Art Clinic Online (ACO) is to create dialog, relationships, and community among artists of all levels working in the DMV area.  Every other Saturday, we virtually join together to discuss art. At least once monthly, a featured artist showcases their work and takes questions from participants. At the ACO, our aim is to curate a variety of different presenters’ perspectives, backgrounds, and art making styles in order to highlight the diversity of our incredible DMV artists. 

The ACO is FREE. 

No membership required. 

"We’re providing artists and art supporters with a platform to talk about local art, often their art. Please show support by attending, asking questions, and spreading the word! We’re hoping this experience is educational and provides different perspectives for everyone involved."
- Jordan Bruns

Monday, June 16, 2014

Pop Up in DC

Part Cindy Sherman, part Amélie (Audrey Tatou), and a little bit Phoebe Philo, our own "that girl" has just moved flats dans le ville (city) of political movers and shakers, and she's making some moves of her own in the art world. Our chic girl Laila, just got a new pad and is looking to meet some new friends in town and share the best art secrets of a native Washingtonian. But in between her job at International Arts & Artists examining the world of Fakes and Forgeries in the Art World and the Ebony Fashion Fair, Laila along with Adah Rose Gallery is excited to present the works of some our favorite D.C. area artists in her "petite maison."

On Saturday June 21, Laila is partnering with her friends at Adah Rose Gallery for a pop-up at  her new “petite maison” in Woodley Park. They've chosen some fab artists to hang on her walls and invite only the most happening crowd to stop by. Included in our pop-up are super chouette, et brilliante, works on paper, including photography, painting, graphite, prints and mixed media works—only the most daring and brilliant will be allowed.  Laila, along with her entourage from the gallery, will be creating a site specific installation, hanging art and hanging out all night long, so pop by.
The Petite Maison et Adah Rose Pop Up Gallery @ Laila's will be located at:
2401 Calvert Street NW, Apt. 812
Washington, DC 20008

The Opening is Saturday June 21 7:00-9:30..Be There or be L-7!

Monday, August 20, 2018

Gabe Brown and Akemi Maegawa at Adah Rose


"Along the Enchanted Way"

Gabe Brown and Akemi Maegawa

Sept 12-Oct 28
Vernissage Saturday Sept 15 6:00-8:00 pm.
Live Music by Terraplane

Adah Rose Gallery
3766 Howard Ave
Kensington MD 20895
Thursday-Sunday 12:00-5:30 and always by appointment
Gabe Brown:
The abstract landscapes of Gabe Brown are exploding with color and teeming with the lush diversity of nature. They are captivating in their richness of tone and interplay of shades. Gabe employs motifs of delicate lines, leaves, rainbows, rock formations, botanics, erupting forms, and bursts of color. One sees the complexity and wonder of life in her works. There is whimsy, sophistication, elegance, and a sense of the artist’s imagination in her works on canvas and paper. For Gabe, “Art is like magic, an illusion created by the force of humanity.” 
Gabe Brown was raised in New York City. She received her BFA degree from The Cooper Union and was awarded a Full Fellowship to attend the Skowhegan School of Painting and Sculpture. She went on to receive her MFA in Painting from the University of California, Davis. Gabe is a 2018 recipient of a New York Foundation for the Arts Fellowship in Painting Award. Gabe has exhibited in many shows including Kenise Barnes Contemporary Art, Samuel Dorsky Museum of Art, Matteawan Gallery, The Saratoga Arts Center, Garrison Arts Center, ArtsWestchester, Schweinfurth Arts Center, SUNY Brockport, The Horticultural Society of New York, Sears-Peyton Gallery, and Carrie Haddad Gallery. Gabe exhibited in our Carte Blanche show in 2017.  
Akemi Maegawa:
Akemi Maegawa is a conceptual artist working in ceramics and a variety of medium. Her ceramic sculptures in the show include Darumas, Vessels, and Housing Market Miniatures. Akemi’s works are delicately and intimately conceived, reflective of musings on the world around her; Akemi uses her sculpture to “question the human condition, politics, history, and everyday life.” Her works broach serious topics, yet maintain an exquisite delicacy, indicative of her conscientious artistic process. Akemi’s works radiate with a soft tenderness, lovingly imbued with their creator’s personality, humor, and deep thought.  
Akemi was born in Tsu, Japan. She came to the United States to study at the Corcoran College of Art and Design and graduated with a BFA in 2005, before acquiring her MFA from the Cranbrook Academy in Michigan. She is the recipient of numerous awards, including the Anne and Ronald Abramson Award for Excellence in Ceramics at the Corcoran. Akemi has exhibited in numerous shows including the University of Maryland University College, Metro Micro Gallery, Irvine Contemporary Gallery, Area 405, Carrol Square Gallery, the SculptureCenter, the Betty Mae Kramer gallery, and DCAC. Akemi exhibited in our Carte Blanche show in 2017.

Tuesday, October 11, 2022

ARB at ACO

 On Saturday, October 29, Art Clinic Online (ACO) will have an exciting guest, and one of the DMV's hardest working art dealers!

The guest is Owner/Director of Adah Rose Gallery, Adah Rose Bitterbaum.



Saturday, 10/29 at 10:30am - details here.


The mission of the Art Clinic Online (ACO) is to create dialog, relationships, and community among artists of all levels working in the DMV area.  Every other Saturday, we virtually join together to discuss art. At least once monthly, a featured artist showcases their work and takes questions from participants. At the ACO, our aim is to curate a variety of different presenters’ perspectives, backgrounds, and art making styles in order to highlight the diversity of our incredible DMV artists. 

The ACO is FREE. 

No membership required. 

"We’re providing artists and art supporters with a platform to talk about local art, often their art. Please show support by attending, asking questions, and spreading the word! We’re hoping this experience is educational and provides different perspectives for everyone involved."
- Jordan Bruns

Friday, June 16, 2023

Thursday, January 09, 2020

Call for local artists

Spotlight Art Series@Touchstone Gallery 2020
CALL FOR LOCAL ARTISTS
JURIED SOLO EXHIBITION OPPORTUNITY
Spotlight Solo Exhibition Dates: June 3 – 28, 2020
Juror: Adah Rose Bitterbaum, Owner and Director, Adah Rose Gallery

Deadline: Monday, February 3, 2020 11:59 PM Eastern Time
Entry fee: $45

Spotlight Art Series 2020 is an opportunity to have a solo exhibition at the Touchstone Gallery. A successful applicant will enjoy a front window 90 sq. ft. wall exhibition space in our street level gallery located in downtown Washington DC. If you don’t get selected for solo exhibition, you still get to exhibit one artwork, no larger than 12” in any dimension, in 2020 as part of Local Guest Artists Group show at a date to be specified.

For a full prospectus and to apply visit www.touchstonegallery.com/spotlight
Touchstone Gallery is an artist-owned gallery located at 901 New York Ave NW, Washington DC, close to several major national galleries. Since its founding in 1976, Touchstone has maintained a reputation for exhibiting contemporary work of high quality and innovation. Touchstone’s mission is to exhibit diverse contemporary visual art and to promote artistic talent in the DC region.

Tuesday, September 06, 2011

New gallery in the DMV

The Mysteries of Place and Space is the inaugural show of the Adah Rose Gallery, which is a new art gallery located in Kensington's Antique Row. The gallery showcases contemporary art in a variety of mediums.

The inaugural show at Adah Rose Gallery features the work of artists Lori Anne Boocks and Elizabeth Grusin-Howe.

Ms Boocks, a painter, is the keeper of stories. The act of remembering and sharing stories is a powerful influence on her work. Just as the passage of time creates layers of experiencing -- the remembering of an event, the misremembering of it, the distancing, the forgetting -- are all important pieces in her process and thinking. In her paintings, text serves as both subject matter and the basis for mark-making. Texture for each piece comes from her hands, brushwork, and a subtractive process where layers of poured washes are added to the surface, then partially removed with cloth. Ms Grusin-Howe, a printmaker, also uses layering in her one of a kind prints that revel in the splendor, decay and serenity of Venice. In layers of paint, metallic pigments and waxes, she builds layer upon layer reflecting the experiences of the city itself and the intrigue and stories implicit in such a mysterious place.
Opening Reception with the Artists: Saturday, September 10, 6-9pm. Music by Walker Road and catering by "Cookies".

See ya there!

Monday, June 12, 2023

After Tradition at Studio Gallery

Studio Gallery and their neighbors, the IA&A at Hillyer and The Phillips Collection will once again offer Third Thursdays! The gallery is at 2108 R Street N.W., Washington, DC 20008.

SAVE THE DATE: Thursday, June 15th from 5-8 pm

At Studio they'll have After Tradition by Freda Lee-McCann and curated by Adah Rose Bitterbaum, not only one of the hardest working gallerists in the DMV but also one of the nicest!

"I have always painted Chinese landscapes. Sometimes I have introduced new elements into the classical paintings - stronger colors, adding collages of my own calligraphy and my paintings, or less traditional textures. Over time my landscapes have become less traditional, but still the classical landscape was there."

In this body of work, the landscapes are no longer the main focus, the collages are. The landscape starts at the middle ground, recedes into the distance, while the collage is in the foreground. There is a transparent layer of written poetry between the landscape and the collage. The poetry is written in very light tone, not necessarily to be read by the viewers. This gives the landscape a feeling and a memory."

View the exhibit online

Society of Solitude by Cheryl Ann Bearss - Curated by Mira Hecht

"My search for solitude - seeking time alone with thoughts and away from everyday demands - is found walking in nature among trees or on a secluded beach at sunrise. The society I seek is the company of tress, birds, and ocean waves. Looking at a solitary tree or a tree inhabiting a space in the society of neighboring flora and fauna reflects our lived experience of aloneness and community."

View the exhibit online

Mispocha (Family) by Deborah Addison Coburn, also  curated by Adah Rose Bitterbaum.

"I've been fortunate to recently inherit my parents' albums of old family photos. While I can't identify many of the folks pictured, their faces are vibrant and full of personality. Some had been in this country for generations, and other never made it out of Poland. The names of many of the folks in my pictures have been lost. But in these paintings, I am trying to capture their humanity and pay tribute to my family, my 'mispocha.'"

View the exhibit online

Around the Edge by Wayne Paige - Curated by Deborah Addison Coburn and Miriam Keeler

"The Digital Age has brought upon us a binary kaleidoscope fog blanketing both perception and reality. I think of my art as beyond the fog evolving at the bottom of an inkwell. In only working with the traditional media of pencils, pens and paper, my inspiration derives from personal perceptions of contemporary life and the reality of encroachment. Conflict, dreams, and humor are often woven within."

View the exhibit online

Morocco: Colors and Shapes by Joyce McCarten - Curated by Deborah Addison Coburn and Miriam Keeler

"I made these paintings in a studio situated in the High Atlas Mountains of Morocco. With my group from Canada, I walked the dry riverbeds, or stopped our driver by the side of the road, to collect earth pigments.

Colors and shape in the landscape have informed my work for over 40 years. Honest response to personal search is my driving imperative. Working abstractly makes me continue the search. These small paintings were made very quickly, and with the idea of responding to my surroundings with as true a response as I could make."

View the exhibit online

Sunday, March 09, 2014

Alchemical Vessels Opens Next Week



Opening April 4, 2014, the Joan Hisaoka Healing Arts Gallery will host the return of Alchemical Vessels
Alchemical Vessels brings together 125 local artists and 20 invited curators for a community dialogue on healing and transformation through the arts. Each artist will transform a simple ceramic bowl by means of his or her own personal aesthetic and medium, drawing inspiration from the bowl as a place of holding, open community, sacred space, and even the alchemical vessel. The show is an amazing grouping of Who's Who in the DMV art scene.

The ceramic bowl was selected as the fundamental element of the exhibition to symbolize creating a space where healing can take place—an idea at the heart of Smith Center's work and mission. Metaphorically speaking, Smith Center—the space and the work we do within our walls—resembles an alchemical vessel. People bring their everyday burdens, fears, and pains to us, and in this place of holding, we help transform those toxic elements into hope, light, wisdom and strength.
The Alchemical Vessels exhibition will open at the Joan Hisaoka Healing Arts Gallery on April 4th and run through May 16th, 2014, with the opening reception on Friday, April 4th, 7-9pm. The Alchemical Vessels Benefit will take place on Friday, May 2nd, with doors opening at 7pm. With a $125 Benefit-Vessel Contribution, guests will be admitted to the event and will select one of the 125 works on display to add to their own collections. 

For more information about the Alchemical Vessels 2014 Benefit, please visit www.smithcenter.org/benefit.

Artists: Eames Armstrong, Sardar Aziz, Karen Baer, Beth Baldwin, Michele Banks, Joseph Barbaccia, Carolyn Becker, Jessica Beels, Joan Belmar, Lori Anne Boocks, Anne Bouie, Amy Braden, Julia Brown, Karen O. Brown, Larry Brown, Amanda Burnham, Lenny Campello, Shanthi Chandrasekar, Mei Mei Chang, Peter Charles, Asma Chaudhary, Travis Childers, Eunmee Chung, Wesley Clark, Michael Corigliano, Sheila Crider, Candy Cummings, Anna U. Davis, Rosetta DeBerardinis, Tamara De Silva, Elsabe Dixon, Joel D'Orazio, David D'Orio, Chelsea S. Dobert-Kehn, Thomas Drymon, Nekisha Durrett, Victor Ekpuk, Laura Elkins, Dana Ellyn, Erica Benay Fallin, Felisa Federman, Jeremy Flick, Suzi Fox, Barbara Frank, Nancy Frankel, Shaunté Gates, Dawn Gavin, Bita Ghavami, Aziza Claudia Gibson-Hunter, Melissa Glasser, Janis Goodman, Pat Goslee, Sherill Anne Gross, John Grunwell, Nelson Gutierrez, Kristen Hayes, Eve Hennessa, Sean Hennessey, Linda Hesh, Matt Hollis, Leslie Holt, Jessica Hopkins, Karen Hubacher, Monica Jahan Bose, Barbara Johnson, Wayson R. Jones, J'Nell Jordan, Mila Kagan, Sumita Kim, Joan Konkel, Yar Koporulin, Walter Kravitz, Kate Kretz, Randall Lear, Heather Levy, Yue Li, Nathan Loda, Armando Lopez-Bircann, Laurel Lukaszewski, James Mahoney, J.J. McCracken, Donald McCray, Jayme Mclellen, Tendani Mpulubusi El, Komelia Okim, Amie Oliver, Luis Peralta, Michael Platt, Maryanne Pollock, Lynn Putney, Maria-Lana Queen, Beverly Ress, Kim Reyes, Glenn Richardson, Marie Ringwald, Amber Robles-Gordon, Pam Rogers, Lisa Rosenstein, Nicole Salimbene, Samantha Sethi, Matt Sesow, Amy Sherald, Shahin Shikhaliyev, Ellen Sinel, Casey Snyder, Susan Stacks, Dafna Steinberg, Jennifer Strunge, Lynn Sures, Lynn Sylvester, Ira Tattelman, Christine Buckton Tilman, Erwin Timmers, Ben Tolman, Novie Trump, Shinji Turner-Yamamoto, Laurie Tylec, Michael Verdon, Jodi Walsh, Jenny Walton, Ellyn Weiss, Stephanie Williams, Audrey Wilson, Sharon Wolpoff, and Carmen C. Wong.

Curators: Peggy Cooper Cafritz, Educator, Philanthropist and Founder of D.C.'s Duke Ellington School for the Arts | Jarvis DuBois, Independent Curator and Principal at J. DuBois Arts | Monica Jahan Bose, Artist and Activist | Anne L'Ecuyer, Arts Management Faculty at American University | Camille Mosley-Pasley, Photographer and Principal at Pasley Place Photography | B.G. Muhn, Professor of Art, Georgetown University | Michael O'Sullivan, Art Critic for The Washington Post | Dr. Frederick P. Ognibene, M.D., NIH Physician, Fine Art Collector and; Past Board Chair, Washington Project for the Arts | Michael Platt, Artist and Professor at Howard University | Jennifer Riddell, Writer and Interpretive Projects Manager at the National Gallery of Art | Adah Rose, Principal at Adah Rose Gallery | Laura Roulet, Independent Curator and Writer | Molly Ruppert, Artist and Gallery Director at the Warehouse Theater | Terry Scott, Cultural Organizer and Independent Curator | Judy J. Sherman, Art Consultant and Principal at j. fine art | Thomas Stanley, Professor at George Mason University | Nuzhat Sultan, Independent Curator | Tim Tate, Artist and Co-Director of Washington Glass School | R.L. Tillman, Artist, Teacher and Curator | Dolly Vehlow, Fine Art Collector and Principal at Gallery O on H 

Planning Committee: Helen Frederick, Deborah Lesser, Wendy Miller, PhD, Kim Schelling, Timothy Schelling, and Ellyn Weiss.