Gallery Round-up

Thinking About Art has a good round-up of current exhibtions along the 14th Street area.

Read them here.

And JT has added a round-up of Dupont Circle galleries. Read that one here.

Coming to the Katzen

The American University Museum at the Katzen Arts Center is already asserting its presence in our region under the guidance of its savvy Director and Curator Jack Rasmussen. The Katzen is and will continue to grow as one of the most important art venues in the Mid Atlantic.

And next week they open their 2006 year with three equally interesting exhibitions; from their news release:

Remembering Marc and Komei
This exhibition introduces the outstanding art collection of H. Marc Moyens who, with Komei Wachi, owned and operated Gallery K in Washington, DC for nearly three decades until their deaths, months apart, in 2003. Mixing local and national artists with Europeans often known better abroad than in the United States, Moyens and Wachi eschewed fashion in favor of the offbeat, the magical and the visually arresting. This selection, the first of its kind since Walter Hopps curated a show of Moyens's holdings for the Corcoran Gallery of Art in 1969-70, encompasses surrealistic/fantastic images by Ernst Fuchs, Jess, and Sandy Skoglund; expressive, metaphorical and raunchy figures by Lisa Brotman, Roy de Forest, Jean Dubuffet, Fred Folsom, Jody Mussoff and Joe Shannon, and diverse abstractions by Edward Dugmore, Tom Green, Pierre Soulages, and Ken Young.

From the Studio
This exhibition will showcase work by the 21 artists who make up the studio faculty in the Department of Art for the 2005-2006 academic year. The work addresses a wide range of contemporary issues through painting, drawing, sculpture, and multi-media installation. Exhibiting artists include: Tom Bunnell, Zoe Charlton, Mary Cloonan, Billy Colbert, Tim Doud, Ben Ferry, Sharon Fishel, Carol Goldberg, Lee Haner, Kristin Holder, Tendai Johnson, Deborah Kahn, Don Kimes, Isabel Manalo, Mark Oxman, Randall Packer, Luis Silva, Jeff Spaulding, Robert Tillman, Seth Van Kirk, and Susan Yanero.

Comic Reality: Political Cartoons by Ibero-American Artists
This exhibition presents more than 100 new or never-before-published political cartoons from 20 Latin American countries, Spain and Portugal, by Ibero-America's best-known practitioners of the genre. Chico Caruso of Brazil, Oscar Sierra of Costa Rica, Elizandro de Los Angeles of Guatemala, Jimmy Scott of Chile, Pancho Cajaz of Ecuador and others, present humorously incisive images leading the charge against hypocrisy, the misuse of power, scandal, incompetence and buffoonery.

All three exhibitions will open to the public on Wednesday, Jan. 18 and continue through Sunday, March 12, 2006.

Beck's art nominations announced

The nominations for this year's Beck's Futures contemporary arts prize have been announced.

The thirteen artists up for the £20,000 award include sculptors, film-makers and illustrators. I cannot think of a single American art prize where illustrators would be included as "fine artists," as in our nation, we tend to segregate illustrators away from the fine arts.

I think that is silly.

Of the 13 artists, only two come from the Americas: Mexican installation artist Stefan Brueggemann and Brazilian photographer and filmaker Flavia Mueller.

Read the story here.

Only in America

Art by jailed politician; methinks the club may expand soon. See it here.

Thanks James!

The Year in Review

In January:

- We were informed that painting was hot again (yawn).

- In DC, Kelly Towles was (and still is) hot at Adamson in his first solo show.

- In Germany, some street cleaners were punished with having to take modern art lessons when they erroneously threw away some public art that they thought was abandoned garbage.

- I almost became an eunuch.

- Anne Ellegood was selected as one of the new Hirshhorn curators (I still haven't met Anne).

- I started raving about PostSecret.

- The Arlington Arts Center re-opened after a long refurbishment hiatus.

- We were told that painting is no longer hot.

In February:

- I revealed how I once fooled a curator by guessing her choices.

- Hot DC painter Ian Whitmore had a great solo at Fusebox.

- Isamu Noguchi opened at the Hirshhorn. Gopnik hated it; I liked it.

In March:

- I raised old issues about missing DoD art.

- A new gallery opened in DC: Shigeko Bork MU Project.

- I urged artists to contact their elected representatives to support the artists' bill making it possible once again for artists to receive a fair market value deduction for donated works.

- Local blogger Kriston Capps raised issues about me contributing gallery announcements to DCist, so I quit.

- The then new WaPo Style editor Deb Heard promised to re-assess gallery coverage. We're still waiting.

- I reviewed some Seattle galleries.

- The exhibition "Faces of the Fallen" caused a lot of angst and opinions.

- The 48th Corcoran Biennial opened.

In April:

- The National Portrait Gallery announced their portrait award competition.

- I curated a worldwide homage to Frida Kahlo.

- Lida Moser became our best selling photography show ever.

- I threatened to kick another blogger's ass.

- The Katzen Arts Center was about to open.

In May:

- Melissa Ichuiji caused a local stir with "Stripped."

- Blake Gopnik had an idea for the Corcoran and the Corcoran responded. And then Bailey interpreted it for th rest of us.

- I was asked to curate Seven for the WPA/C.

- DCist almost outed Borf.

- The Corcoran director called it quits.

- Olga Viso was chosen as the new director of the Hirshhorn.

In June:

- A local artist told us about the Worst New York Gallery Experience in History.

- Joe Kabriel won the inaugural $10,000 Bethesda Painting Prize.

- Kodak announced that all black and white silver gelatin photographic papers have been discontinued.

- Seven opened.

In July:

- The WaPo explained why Blake Gopnik does not review our area art galleries.

- I kicked a Neo wannabe out of the gallery.

- Borf was arrested.

- I reported from the International Comic Book Convention.

In August:

- I discussed the impact of subject matter.

- Michael Brand was chosen as the new head of the Virginia Museum of Fine Arts.

- I explained what a "gallery backer" is.

- We began art auctions to help Katrina victims.

In September:

- Hot DC artist Jiha Moon opened at Curator's Office and also took the $10,000 Trawick Prize.

- Warhol Legacy: Selections from The Andy Warhol Museum opened at the Corcoran.

- A list of things that make me go mmm...

- Testudo is coming.

- Options 2005 opened. I reviewed the show here.

- Mark Jenkins got in hot water over plastic excrement.

- Andrew Wodzianski had the first DC podcast of a visual art show.

- I made a proposal to the DC Commission on the Arts and Humanities. Nothing heard so far.

- Hot DC sculptor Yuriko Yamaguchi opened at Numark.

In October:

- The city announced $4 million in additional arts funding.

- Alice Neel opened at the NMWA.

- PostSecret was the second highest ranked blog in the world.

- Hot DC artist Tim Tate opened his third solo at our Bethesda space.

- Blake Gopnik announces a new category of artists: "barely emerging."

- The Galleries column moved to Saturdays.

- Terry Teachout wrote about art blogs and art criticism.

- A new gallery opened.

- The Art Bill passed the Senate.

- The Smithsonian debuted a new arts blog.

- I discussed the Vlogging Revolution.

- The Whitney Biennial list was announced and a reader broke it down. No DC area artists were included.

In December:

- Paul Greenhalgh was selected as the new Corcoran director.

- I wrote how video killed the art star.

- The Hirshhorn finally added some DC area artists to its collection.

- PostSecret WPA/C show opened in Georgetown. It became (easily) the most heavily attended non-museum visual art show of the year.

- Borf pleaded guilty.

- JET Artworks closed.

- What Your End-of-the-Year Top 10 List(s) Says About You

Spanish Subject

From 2004:

In Spanish, Mona Lisa means (roughly translated) "Smooth Female Monkey."

And now it seems that Leonardo's subject for his most famous masterpiece may have been a Spanish noblewoman.

Read it here.

Bad Things Artists do to Galleries

This actually happened to one of our neighbors in Georgetown:

One of the galleries there (at one time there were eight galleries in Canal Square - soon they will be down to four) had given a show to a local (at the time "hot" artist) who was a painter (I say "was" because I haven't heard of the dude in years).

The artist was supposed to deliver and help hang all the paintings on a Wednesday, in order to be ready for the Georgetown third Friday openings. He did show up on Wednesday with about 50% of the work, and brought some more (freshly finished) on Thursday and to the gallerist's horror, even brought some more on Friday, and even as the show was opening at 6PM, was adding the last painting touches to several of the works.

Needless to say, several of the oils were actually wet.

On opening night, it was crowded (let us not forget that this was a very "hot" painter) and someone apparently rubbed against one of the paintings and smeared some of the oil paint.

Now the gallerist is faced with a very irate person, demanding that his suit be cleaned (it eventually had to be replaced) and with a furious artist, demanding that the gallery pay him in full for the damaged painting.

If I am to believe the gallerist, the case actually went to court, where the judge threw it out.

More bad things that (a) galleries do to artists or (b) artists do to galleries or (c) galleries do to collectors here, and here and here.

Bloggies 2006

Nominations for the 6th Annual Web Blog Awards (the 2006 Bloggies) have started. Anyone can nominate blogs in a variety of categories.

I have nominated PostSecret as the Blog of the Year.

Nominate your favorite Blog here.

Artists Interview Artists

Thinking About Art has my interview up. Read it here.

Art Jobs at Local Universities

Graphic Design Position: American University

Assistant Professor rank. New tenure track faculty line. Beginning Fall 2006. Qualifications: MFA or equivalent terminal degree in the discipline. Teaching and professional experience preferred, but not required. The applicant should be knowledgeable of current issues in design, the demands of the professional field and the tools, technologies and resources inherent to the discipline. Expected familiarity with the theoretical issues of graphic design as well as its historical background. Ability to contribute to the teaching of interactive and experience design courses.

Responsibilities: Teaching graphic design at the undergraduate level, basic through advanced levels. Student advising, including mentoring women and minority students. Scholarship/Creative work: active professional in the field. University service: serving on Department, College and University Committees. Salary is competitive and dependent on qualifications and experience. Review of applications will begin on November 1, 2005 and will continue until the position is filled. Selected candidate will begin appointment working at facilities located in a brand-new building.

Visit www.design.american.edu and www.american.edu for further information on the University and the design program. Include letter of application stating teaching philosophy, curriculum vitae, a minimum of 20 slides or disk media with samples of own work and (if available) examples of student's work, and printed writing samples if any. No email applications will be reviewed. Send materials along with a self-addressed, stamped envelope for their return, and three letters of recommendation to:

Chemi Montes-Armenteros
Committee Chair
Graphic Design Search Committee
Department of Art
American University
4400 Massachusetts Ave. NW
Washington, DC 20016-8004

---

Assistant Professor of New Media: George Washington University

The department is seeking applicants from a wide range of practices, such as digital arts, installation, and time-based media. Applicants must have an MFA or extensive professional experience and recognition; two years teaching experience beyond graduate school is preferred, and creative work should demonstrate a thorough understanding of the history and theory of New Media, as well as the ways in which contemporary artists incorporate emerging technologies into their practice. The successful candidate will be expected to take the leading role in developing a New Media curriculum that encourages the fusion of traditional and contemporary media. Responsibilities include actively producing and exhibiting work, teaching at the undergraduate and graduate levels, developing curriculum, keeping current with technology, supervising a digital lab, serving on departmental, college and university committees.

Applicants must submit a letter of application, curriculum vitae, artist's statement addressing current creative work, sample syllabi of courses taught or proposed (please specify), 20 slides (or equivalent in digital format) each of current personal work and that of students, 3 letters of reference and SASE to:

New Media Search Committee
Department of Fine Arts and Art History
The George Washington University
801 22nd Street, NW
Washington, D.C. 20052

Review of applications will begin on January 23, 2006, and continue until the position is filled. Salary: Open. Type: Tenure-track.

Library Fellows Grant

Deadline: January 31, 2006.

The National Museum of Women in the Arts invites applicants for its annual Library Fellows Grant. The Library Fellows program provides up to $12,000 annually for the production of an artist book in an edition of 125. An additional $1,000 is provided for the artist to create 500 copies of a promotional brochure for the book, as well as $1,000 for the artist to travel to the Library Fellows' annual meeting to present her book upon completion.

Grant guidelines and application are available on the NMWA website. Information about the program is available at: this website. For more information, please contact the NMWA Library and Research Center at 202.783.7365.

Male Figure Drawing Group

Frederick Nunley hosts a drawing group focused on only male figure models at Warehouse Gallery every Monday night from 7:00 to 10:00 PM at 1019 Seventh St. NW on the second floor. Fee $10 and drop ins are always welcome.

Contact:
Frederick Nunley
Male Figure Drawing Group
Woodcut55@aol.com (subject:Figure Drawing)
Tel: (202) 635-1309

Gender Bias

Edna V. Harris, who pens Anonymous Female Artist (a.k.a. Militant Art Bitch) is having a fascinating online conversation with Biennial co-curator Chrissie Iles on the subject of gender bias at the Whitney.

Read it all here. Keep at 'em Edna!

Heather on PostSecret

Heather over at Two Timing the Cosmos has an excellent review of the PostSecret exhibition and also some good photos. See it all here.

And Heather's friend Chai, has some equally intelligent comments on the whole PostSecret phenomenom here.

Huge lines

As I drove around M Street on Saturday afternoon, I couldn't believe my eyes at the huge line outside the PostSecret exhibition waiting to see the show! If this show doesn't or didn't make your own Top Ten list, then I really think that you ought to consider the fact that the last time that anyone lined up to see a visual arts show in DC was for a dude named Vermeer, and previous to that for Van Gogh; now add Frank Warren to the list.

I wonder if Warren is considering traveling this show to other venues?

Amy Lin saw the lines as well and took some photos; see one below:


The book, PostSecret Extraordinary Confessions from Ordinary Lives compiled by Frank Warren, with a foreword by Anne C. Fisher, Ph.D. is today number 27 in Amazon's best-seller list!

Rejected

Rejected from the 2006 Northern Virginia Fine Arts Festival, which really sucks, since it's one of my biggest (personal) moneymaking oulets for my own work.

It's staged by the Greater Reston Arts Center in Virginia. Later this year I will be curating "Text: Phase II" for them, bringing together again the artists who were in the Text gallery at Seven.

Interface

One of the most unique and eye-popping shows that we've hosted since we opened in 1996 will debut to the public next Friday in Bethesda.

Curated by Catriona Fraser, and in preparation for over a year, the exhibition is titled "Interface," and it seeks to explore the marriage and coming together of technology with contemporary art in the context of the latter.

Through the use of robotics, magnetism, motorized works, video, lasers and computers, both area artists and invited artists from New York and Los Angeles explore the unavoidable marriage of modern technology with contemporary art.

"We seek to explore and to show," says Fraser, "what happens when talented and creative individuals, with a proven record of using technology as an integral part of their art, are given free reign to deliver a new work of art within that dialogue."

The exhibition includes new work by Kathryn Cornelius, Claire Watkins, Scott Hutchison, Thomas Edwards, Philip Kohn, Andrew Wodzianski, David Page and others. A catered opening reception for the artists (free and open to the public) will be held on Friday, January 13 from 6pm - 9pm. The exhibition runs through February 8, 2006.

And one of the artists in the show is looking for volunteers to assist with the art event itself.


David Page (who was the 2004 Trawick Prize winner - one of his projects is pictured) needs two volunteers 5'8" or smaller, weighing 160lbs or less (and over 18 years of age). They should not be claustrophobic, asthmatic and should be in general good health. Contact David at david@davidpageartist.com.

And see ya there!

Be ready for something really new -- and be steady!

Every Picture Tells A Story

I dropped by real quickly yesterday to chat with Clark at MOCA and while there I walked through MOCA's current show: Every Picture Tells A Story.

Like any group show, it's a mixed bag. In this case the show's best work is a huge (around eight feet tall) oil by Erik Sandberg, a Caravaggioesque oil of MOCA co-director David Quammen, depicting Quammen sitting down and cutting (I think) his toenails (or maybe his toes) with a menacing cleaver.

Sandberg is an amazing painter, and this is one of the largest paintings by Erik that I have seen in years.

I also liked the skilled drawings of Jennifer Schoechle; other work that I liked were the photographs by Joel Fassler, Chris Harrop and Renee Woodward - all very sensual and erotic.

The show runs through January 27, 2006.

Touchstone

Each year Touchstone Gallery showcases the works of new members of the Touchstone Gallery in a special exhibit. The new member show, "Latest Additions," presents the art of five new members: Jim Church, Harvey Kupferberg, Emery Lewis, Jan Sherfy and Charles St. Charles. Opening Reception: Friday, January 13, 2006, 6 - 8:30PM. Show runs though February 5, 2006.

Fusebox guessing

Nearly recovered from the shock of learning that Fusebox Gallery is closing after the show that opens tonight.

If I may enter into some guessing as to what will happen to their terrific space: I believe that another gallery will step into it almost immediately.

Why? Because I recall that Sarah and Patrick had a incredibly long lease (like a 15 year lease) for the space; it apparently worked to give them a sweet deal rent-wise, but a lease is a lease.

So my guess is that they may have worked out a deal with their landlord (I hope) for another art venue to take over the space.

Since many of you have emailed me asking: It's not us.

As reported in the Examiner, and as many of you know, we're closing our Georgetown space soon (news relase will be out in the next few days) as a result of a desire to concentrate on the Bethesda space and because of the construction mess that M Street will soon become. More on all that later.

It's not the new Heineman-Myers Gallery either; Zoe shopped exhaustively for a large space on the 14th Street corridor, but the space that she really wanted was given to a restaurant, so she will soon be opening a huge new gallery in Bethesda.

Kirkland guesses over at Thinking About Art that it may be Conner or Irvine, and I agree with his guess.

Fusebox will be missed.

It was not only a leader and one of the top galleries in our region, but also a very hardworking gallery (and ruthless if you believe this), who did a lot not only for their artists, but also for our region's cultural tapestry.

We all wish Sarah and Patrick the best of luck in San Francisco.