Visual Voices at Zenith
Zenith Gallery hosts "Visual Voices" - an exhibition of DC area artists profiled in the new book "100 Artists of the Mid-Atlantic" by E. Ashley Rooney. The show at Zenith Gallery will open with a Book-signing Party with the author and artists, on Wednesday, September 21, 6:00 – 8:30pm, and remain on display through October 29, 2011.
Visual Voices - featuring works by: Alan Binstock, Joan Danziger, Julie Girardini, Margery Goldberg, Robert Jackson, Michael Janis, Joan Konkel, Ann Marchand, Donna McCollough, Davis Morton, Carol Newmyer, Marc Rubin, Barton Rubenstein, Sica, Ellen Sinel, Betsy Stewart, Cassie Taggert, Tim Tate, Erwin Timmers, Paul Martin Wolf, Joyce Zipperer and yours truly.
Book Party, Meet the Author and Artists
Wednesday September 21, 6 - 9 PM
Exhibition: September 21 - October 29, 2011
Zenith Gallery at Chevy Chase Pavilion, second level next to Embassy Suites Chevy Chase Pavilion, 5335 Wisconsin Ave NW, Washington DC 20015
Friday, September 02, 2011
Thursday, September 01, 2011
Wednesday, August 31, 2011
New EO at the Torpedo Factory
The Torpedo Factory Art Center Board has appointed my good friend Harry E. Mahon interim chief executive officer of the Torpedo Factory Art Center (TFAC).
“The Board is very pleased to have Mr. Mahon in this leadership role. He brings a wealth of experience and knowledge about Alexandria, the arts, and nonprofit organizations, as well as successful business experience,” said Susan Corrigan, president of the Torpedo Factory Art Center Board.
Under the direction of the Board, appointed by Alexandria City Council in 2010, Mr. Mahon will manage the operations of TFAC and assist with strategic planning, resource development, and other new Board initiatives.
Mr. Mahon previously served as president and trustee of the Northern Fine Arts Association, based at the Athenaeum. While there, Mr. Mahon led a significant renovation of the Athenaeum interior and established collaborations with The Washington Ballet to provide ballet classes, the Songwriters Association of Washington for the Second Thursday Music program, and other regional arts groups. He also had a successful career in telecommunications with companies such as AT&T, GTE, and INTELSAT. He is the creator of ArtsDC.com and ArtsMedia News. Mr. Mahon has served the City of Alexandria as a member of several City commissions. He lives in Old Town with his wife, Twig Murray, and son, Jamie.
“I am honored to be working with the Torpedo Factory Art Center Board to build a solid future for this vibrant City asset,” said Mr. Mahon.
Go get them Harry! Great choice!
Tuesday, August 30, 2011
(e)merge announces its exhibitors
The (e)merge art fair has announced its exhibiting galleries and invited unrepresented artists. Check them out here.
Also check out Maura Judkis' take on the issue in the WaPo here and GOG's Lavanya Ramanathan, also in the WaPo, here and Benjamin Freed in the WCP here.
The participants are:
GALLERY PLATFORM > galleries and non-profit art spaces
AUSTRIA: Brot Kunsthalle, Vienna. | BELGIUM: Nomad Gallery, Brussels. | CANADA: Pierre-François Ouellette Art Contemporain, Montréal. | FRANCE: Galerie E.G.P., Paris. | GERMANY: Galerie Anita Beckers, Frankfurt. | ITALY: Jerome Zodo Contemporary, Milan. / Teverina Fine Art, Cortona. | THE NETHERLANDS: Amstel Gallery, Amsterdam. | U.K.: Vane, Newcastle upon Tyne. | U.S.A: ADA Gallery, Richmond, VA. / Art Whino Gallery, National Harbor, MD. / Aureus Contemporary, Providence, RI. / Conner Contemporary Art, Washington, DC. / Corcoran College of Art + Design, Washington, DC. / Curator’s Office, Washington, DC. / Flashpoint Gallery, Washington, DC. / G Fine Art, Washington, DC. / Ghostprint Gallery, Richmond, VA. / Goya Contemporary, Baltimore. MD / Hamiltonian Artists, Washington, DC. / Heiner Contemporary, Washington, DC. / Hemphill Fine Arts, Washington, DC. / Honfleur Gallery, Washington, DC. / Irvine Contemporary, Washington, DC. / Jordan Faye Contemporary, Baltimore, MD. / Josée Bienvenu Gallery, New York, NY. / Lu Magnus Gallery, New York, NY. / Mayer Fine Art, Norfolk, VA. / McLean Project for the Arts, McLean, VA. / Maryland Institute College of Art, Baltimore, MD. / Mindy Solomon Gallery, St. Petersburg, FL. / monique meloche, Chicgo, IL / Solas Nua, Washington, DC. / The Studio Visit, Washington, DC. / Transformer, Washington, DC. / Washington Project for the Arts, Washington, DC. / White Columns, New York, NY.
ARTIST PLATFORM > unrepresented artists
CANADA: Tammi Campbell, Saskatoon / Jennifer Mawby, Vancouver. | GERMANY: Christina Kruse, Berlin (+ New York). U.S.A: Chukwuma Agubokwu, Upper Marlboro, MD. / Becky Alprin, Chicago, IL. / Nico Antoniadis + Alexi Stone, Boston, MA. / Holly Bass, Washington, DC. / Kristina Bilonick, Washington, DC. / Calder Brannock, College Park, MD. / Bradley Chriss, Bethesda, MD / Matias Cuevas, Washington, DC. / Double A Projects, Brooklyn, NY. / Jeremy Flick, Tacoma Park, MD. / Free Space Collective, Washington, DC. / Jeremy Haik, Brooklyn, NY. / Terence Hannum, Chicago, IL. / Syed Sibtul Hasnain, Leesburg, VA. / Evan Hume, Washington, DC. / Steven Jones, Baltimore, MD. / Craig Kraft, Washington, DC. / Jacqueline Levine, Washington, DC. / Adam Lister, Arlington, VA. / Katherine Mann, Alexandria, VA. / Nathan Manuel + D. Billy, Brooklyn, NY. / J.J. McCracken, Mt. Ranier, MD, / Patrick McDonough, Washington, DC. / Jonathan, Monaghan, Oceanside, NY. / Kendall Nordin, Washington, DC. / Sean Noyce, Brooklyn, NY. / Peacock, Queens, NY. / Beverly Ress, Washington, DC. / Siobhan Rigg, Washington, DC. / Zach Rockhill, Brooklyn. / Sam Scharf, Washington, DC. / David B. Smith, New York,NY. / Dan Solberg, Washington, DC. / Emma Spertus, Oakland, CA. / James J. Williams III, Brooklyn, NY. / Wilmer Wilson IV, Richmond, VA.
On the air soon
In a few days I'll be on the Kojo Nnamdi Show discussing the Greater Washington area visual arts and artists and art stories as I usually do several times a year.
I'll let you all know the exact time as soon as we settle on one.
Opportunity for Artists
Deadline: November 7, 2011.
The State University of New York at Cortland announces a call to artists for a group exhibition at the Dowd Gallery, January 18–March 2, 2012. Open to all artists nationally and internationally, to submit work for consideration that represents innovation in concept, subject or media use. All work must be the original work of the applicant, suitable for gallery installation. Full color publication produced. Juried by committee of 5-9 professional artists. No entrance fee. Artists are responsible for shipping fees. Selected artists may be invited for a subsequent short term visiting artist program with undergraduate studio art students including presentation of work, discussion and studio visit. The selected artist will receive a stipend of $1000 for his/her time and travel expenses. For more information contact Bryan Thomas at dowd.gallery@cortland.edu or visit the gallery website here.
Monday, August 29, 2011
Go to this tonight!
This summer, Red Dirt Studio hosted two awesome Cranbrook artists, Christina Osheim and Matthew Kerkof.
Join them for a one night only exhibition, artist talk and party,“RAD DIRT”, at the culmination of their residency. It is at events like this where one really feels and discovers what makes the DMV art scene pop and vibrate.
See you at the studio!
RED DIRT STUDIO
3706-08 Otis Street
Mt. Rainier, MD 20712
202.607.9472
Hope Chest
HOPE CHEST: a young woman's accumulation of clothes and domestic furnishings (as silver and linen) kept in anticipation of her marriage; also : a chest for such an accumulation.
This is a special event featuring artwork by DC/Baltimore artists Mariah Anne Johnson, Becca Kallem, Chandi Kelley, Michelle McAuliffe, Erin Murray, Elle Perez, Katherine Sifers, and Dafna Steinberg. These emerging artists "challenge and reinvent tradition, romance, gender roles/expectations, and sexuality. Their work also investigates what we keep, save, and treasure in contrast to what is discarded. Photography, installations, mixed media work, and paintings present the domestic, nostalgic, and personal in new contexts."
September 15, 2011, 6-9 pm
GreenHouse 11
1123 11th St NW
Washington, DC
Work on view September 15 - November 15 by appointment. A special event will be held on September 24 to coincide with Shaw's NUIT BLANCHE Art All Night and the (e)merge art fair.
Opportunity for Artists
Deadline: Friday, October 28, 2011
The gorgeous BlackRock Center For the Arts is accepting entries for their October 2012 - August 2013 exhibit season.
You can download the prospectus here.
Eligibility: Open to all artists 18 years and over residing in Maryland, Virginia, and Washington DC.
Special Consideration: Artists who are willing to conduct a lecture or workshop for a BlackRock standard fee will receive special consideration during the selection process.
About the Gallery: BlackRock Center for the Arts gallery is 1500 square feet of exquisite gallery space located in Germantown, Maryland. With its high neutral walls and beautiful windows strategically placed it allows in just the right amount of natural light. The windows are located above the walls which makes it an ideal space for fiber art. BlackRock Center for the Arts takes pride in the eclectic group of artists we have exhibited in the gallery since 2002.
Jurors: Jack Rasmussen: Director and Curator of the American University Museum at the Katzen Arts Center in Washington, DC.
Jodi Walsh: mixed medium artist, curator, national speaker, owner and Gallery Director of Gallery 555 in Washington, DC.
Carol Brown Goldberg: professional fine artist and lecturer, Carol has been exhibiting her work locally and internationally over the past 36 years.
Sunday, August 28, 2011
Saturday, August 27, 2011
Artists Announced
The But Is It Art? art fair has announced their participating artists. They are:
Aaron Lim / Adrian Parsons / Adriane Connerton / Chris Fitzwater / Christina Osheim / Cross Adams / Dafna Steinberg / Dan Tulk / Deshaundon Jeanes / Floyd York / Graham Childs / Jake Dibeler / James Martin / Joseph Hale / Joseph Orzal / Kat Sotelo / Keli Anaya / Kunj Patel / Lindsay Rowinski / Matthew Kerkhof /Mike Corigliano / Robert Esustice Curring / Ryan Florig / Sebastian Rosseau / Stephen Crouch / Kelly Towles / Theodore Denman BriceThey need to raise funds and have a kickstarter drive going on - donate here.
Friday, August 26, 2011
Thursday, August 25, 2011
Wednesday, August 24, 2011
On the subject of the MLK Memorial
As the former chief art critic of the Washington Post once noted over three years ago:
The Rev. Martin Luther King Jr. is one of the few undoubtedly, undilutedly great figures of the 20th century. Here's a radical idea for truly doing justice to the greatness of his memory: Give him a monument that might go down in history as an equally great work of art.Of course giving King, or anyone for that matter "a monument that might go down in history as an equally great work of art" is not an easy assignment, as the only judge and jury there is time, not contemporary artists, critics or intelligentsia.
According to the U.S. Commission of Fine Arts, the 28-foot-tall statue of King now being prepared on a work site in China, for eventual placement in a memorial on the Mall, doesn't fill that bill. As reported yesterday, the commission, which has final say in all such projects, recently concluded that the latest model for the sculpture evokes the socialist realist art of Stalin's Russia and Mao's China -- "a genre of political sculpture that has recently been pulled down in other countries," as the commission's chairman put it in a letter to the foundation raising funds for the memorial.
Back then Gopnik made it clear that "for the record, I'm not on board with those who complain that the King monument is being made by a foreigner. Americans have a great tradition of bringing in the best art from abroad and (eventually) making it their own: The Statue of Liberty was designed, engineered and financed by Frenchmen."
That is 98% correct, although a little research into how his example's seminal idea, construction and delivery was initially received by the American press and public does yield a few similarities with the King issue. With the passage of time, though, Gopnik's example eventually becomes a good one. But it's also not a good example in the sense that Liberty was a gift from the people of France, designed, built and paid by the French.
Remember the huge controversies and arguments raised at the time over the Viet Nam War Memorial?
In fact, it seems like the first thing that happens when a public memorial, any memorial, gets planned and discussed, is that huge chasms erupt as the various agendas, ideologies and issues arise.
Historically, huge differences of opinion and artistic controversy seems to be part of the process. It was for Lady Liberty, it was for Maya Lin's elegant wall, it was for the recent WWII Memorial, and it has been for several years now for Dr. King's statue.
It was and it will always be a difficult process to select a national level capital area statue or monument for Dr. King; that much we already know, but the current Maoist-Stalinist piece of mierda that was constructed inside the Chinese BORG was not the answer, and I stand by my three year-old position that this statue is now my least favorite monument in the Mall area -- too bad that it honors one of my favorite and most inspirational characters in Terran history.
What's with that weird "look" in King's face in the Lei Yixin statue anyway? And what's with the arms crossed and one hand holding a pen? (is it a pen?) - it's like Lei Yixin took Bob Dole's body and put a King head on it, where MLK is staring at the sun and squinting in discomfort?
I don't like it; I don't think that it contains the "it" that makes a statue cross over from being a cold stone object to the embodiment of the subject matter, like Micheangelo's beautiful David or Daniel Chester French's massive seated Lincoln in the Mall's Lincoln Memorial.
But what bugs me the most is that the statue does "look" like it belongs in Stalin's Russia or Mao's China or Hitler's Germany - homes to some of history's worst mass murderers and the anti-thesis of everything that MLK stood for.
Just my opinion, and for those who like the statue: let's just honor the man for which it stands and disagree with the vehicle itself.
Tuesday, August 23, 2011
Realer Art D.C.
Remember the WaPo's "Real Art DC"?
And now, John Anderson, over at the WCP tips us all that the WaPo has a second iteration of the "Real Art DC" quasi competition that they had last year.
This is where you enter the "competition".
I'm curious as to the rules this year... more on that later.
Monday, August 22, 2011
The WaPo on Erwin Timmers
Check it out here - a "green" artist since before there were "green artists."
Timmers is one of my 100.
Sunday, August 21, 2011
Things we see at airports
We approach the security point at Ft. Lauderdale Airport, and as experienced travelers, my wife, Little Junes and I begin the usual routine: shoes off, change out of pocket, laptop out of the bag, etc.
I notice the old guy in front of me when he starts doing the same thing, he takes off his shoes, empties his pockets, takes off his belt, and then begins to take off his pants.
"Sir!" shouts an alarmed TSA agent, "there's no need to take off your pants!"
Dude looks at her, shrugs and pulls his trousers up, buttons them and walks through the scanner.
Saturday, August 20, 2011
Tropical Restaurant
I've always thought that I had a pretty good handle on all the good Cuban restaurants around Miami (well at least as good as someone who goes there a lot), but on this visit my mother took us all out to lunch at this place in the middle of Hialeah, just a couple of quick miles from the airport and almost right off LeJeune Road, which is the main road right off the airport.
The place is called Tropical Restaurant and it is located at 652 E 9th St
Hialeah, FL 33010 - (305) 887-5556.
Let me tell you, this place is worth driving to it if you are in Miami and want to experience a really good restaurant with really cheap prices and excellent Cuban food.
It has a huge sign on 9th Street, and then once you drive into the strip mall where it is located, it is a little hard to locate at first - all you really see is an outside kiosk-like entrance common to Cuban restaurants -- where people can walk up and have a Cuban coffee or a sandwich. To the right of that is a door, and that is the actual entrance to a very large restaurant.
When we entered, it was very cool and very dark, and there's a stage to the left where a really good singer was entertaining the eating customers singing smooth, Spanish love songs in a Julio Iglesias-type crooning voice.
There's a small army of waiters in uniform and as soon as we were seated, and one brought us some toasted Cuban bread with butter. I'd say the average age of the waiters was around 60 and they all looked like they've been doing the job for decades.
My wife ordered some "mariquitas" (waver thin fried plantain chips) to start and we got a huge hot plate of them for $2.50 - they were right off the pan!
The food was excellent - since it was lunch I had a large "Caldo Gallego" (Galician Stew) and it was very tasty and another amazing deal for $3.50. Anderson had Cuban Chicken Soup and scarfed up an adult-size plate as well as a full avocado salad on a bed of lettuce and tomatoes. He then finished off a mamey "batido" (A Cuban milkshake amde with mamey fruit).
The menu was quite extensive and they have daily specials (I noted they serve goat once a week) and the prices are all excellent and quite a mind check to other (higher) prices in Miami's more chic Cuban restaurants.
Generous portions, perfect service and a very friendly atmosphere - This is as local and as Cuban as it gets.
