Deysi Del Cueto from Havana was arrested during the historic Cuban uprising. She will not be forgotten! |
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Deysi Del Cueto from Havana was arrested during the historic Cuban uprising. She will not be forgotten! |
About 1,300 works of art were submitted for review for the ongoing Phillips Collection invitational show Inside Outside, Upside Down, and about seventy works were chosen by the jurors, Elsa Smithgall (Senior Curator, The Phillips Collection), Renée Stout (DC artist and guest curator of the exhibition), Phil Hutinet (publisher of the local news source East City Art), and Abigail McEwan (Associate Professor of Latin American Art at the University of Maryland). I am proud and honored to have been one of the chosen artists – thank you to the jurors.
The jurors awarded the First Prize to Dominick Rabrun’s work titled Dr. LaSalle, The Spider Queen, and Me, a 2021 digital mixed-media video installation. The Second Prize went to Kristina Penhoet’s installation fiber piece titled How Many More? and Honorable Mentions went to Desmond Beach’s fabric and paper work titled #SayTheirNames 2, to Marta Pérez García’s Your Hand, a molded cotton handmade paper and stitching work with yarn, and to Richard L. Williams’ touching photograph titled Claudette, Roman and Rashard – February 2021.
Constant readers know something about me and jurors -- I love to re-review shows and see if I agree or disagree with their choices. Art is a very subjective thing and artists must all have thick skins.
My choice for Best in Show – not just First Prize – would have been Werllayne Nunes’ gigantic oil on panel painting titled Us. The work vibrates with happiness and power and reaches deep into every child’s memories as well as delivering a powerful social message.
Werllayne Nunes, US, 2021, Oil on linen panel, 30 × 60 × 2 1/2 in |
Second Prize goes to Carol Antezana’s sensitive portrait photograph titled Las Gringas. She writes about this work:
“Las Gringas is a photographic self-portrait analyzing the balance between being both Bolivian and a first-generation American amid political turmoil and uprisings in both countries. Disagreements about politics have been a specter for many families and the differences are ones of morality, core values, and character, creating tension and division. I was always taunted by my family for being “una gringa” because I cannot speak Spanish perfectly, yet there was no importance in keeping our Indigenous language, Quechua, alive. As a child of immigrant parents, the act of balancing, adopting, and assimilating cultures can be daunting; there are deeply rooted racial double standards in both countries. Through redefining my identity, I am striving to decolonize my mind—my attempt at breaking the intergenerational trauma in my family.”
Carol Antezana - Las Gringas |
Honorable Mention goes to Cathy Abramson’s oil painting titled Waiting for Takeout (to go), another cool work which captured the Covidian Age perfectly!
Cathy Abramson - Waiting for Takeout (to go) |
I also like Aaron Maier-Carretero’s somewhat disturbing enormous painting titled not in front of the kids. The palpable, hidden violence is terrifying in the work.
Aaron Maier-Carretero - not in front of the kids |
Congrats to all the prizewinners! And to my prizewinners!
As most artists in the DMV know by now, the Phillips Collection’s call for area artists to submit artwork for Inside Outside, Upside Down, a juried invitational show (currently on view through September 12), where the museum invited artists of the Greater Washington area to submit recent artwork that “addresses the unprecedented events of the past year” was and is the talk of the visual arts community for the last few weeks.
The call was part of the museum’s 100th anniversary celebration, and according to the Phillips' news release continues “founder Duncan Phillips‘s commitment to present, acquire, and promote the work of local artists.”
About 1,300 works of art ranging from paintings, to sculptures, videos, drawings, etc. were submitted for review, and about seventy works were chosen by the jurors, Elsa Smithgall (Senior Curator, The Phillips Collection), Renée Stout (DC artist and guest curator of the exhibition), Phil Hutinet (publisher of the local news art source East City Art), and Abigail McEwan (Associate Professor of Latin American Art at the University of Maryland).
I am proud and honored to have been one of the chosen artists – Muchas thank yous to the jurors!
Several of the DMV area blue chip artists were selected, including megablue chip artists like Tim Tate, Michael Janis, Kate Kretz, Judith Peck, and others – all with immense artistic pedigree, huge exhibition histories and a proven and deep international presence.
A lot of new artists – at least new to me – were also chosen, which is always a great sign of a well-curated exhibition; kudos to the jurors for the internal mental amplitude to select work based on visual impression rather than recognizing a name or presence.
What caught my eye - other than the many great works in the show, was this:
“After an extraordinarily difficult year that has shaken the world, we feel it is important to join with our entire region to celebrate human resiliency, and especially the strength of artists and the arts,” said Vradenburg Director and CEO Dorothy Kosinski. “Duncan Phillips hosted this type of exhibition annually from 1935 to 1950, and we are proud to continue this tradition to support our talented community.”
Shall I repeat that?
“Duncan Phillips hosted this type of exhibition annually from 1935 to 1950, and we are proud to continue this tradition to support our talented community.”
Wait... whaaaat?
Why did the Phillips stop? OK - I don't care --- what I do care about and what I hope the Phillips will do, is to re-start that initiative so that Inside Outside, Upside Down, is not a 2021 anomaly, but the first of annual local area shows like Duncan Phillips organized for 15 years!
The ball is on your court Phillips!
The showcased artists below - and see the digital catalog of the show here.
Cathy Abramson
Simone Agoussoye
Maremi Andreozzi
Carol Antezana
Desmond Beach
Julia Bloom
Michael Booker
Kimberly Brammer
Nikki Brugnoli
Florencio Campello a.k.a. Lenny
Carlos Carmonamedina
Sandra Chen Weinstein
Peter Cizmadia
Wesley Clark
Dominick Cocozza
Robin Croft
Sora DeVore
Sarah Dolan
Mike Dowley
Nekisha Durrett
Tae Edell
Bria Edwards
Kate Fleming
Chawky Frenn
Amelia Hankin
Michael Hantman
Leslie Holt
Michael Janis
Jane Kell
Jean Jinho Kim
Katherine Knight
Ara Koh
Kokayi
Gary Kret
Kate Kretz
Catherine Levinson
Kirsty Little
Kim Llerena
Aaron Maier-Carretero
Timothy Makepeace
David Mordini
Barbara Muth
Werllayne Nunes
Zsudayka Nzinga
Jennifer O’Connell
John Pan
Judith Peck
Shedrick Pelt
Kristina Penhoet
Marta Pérez García
Lydia Peters
Junko Pinkowski
Dominick Rabrun
Mojdeh Rezaeipour
Marie Ringwald
Janathel Shaw
Joseph Shetler
Nicolas F. Shi
Tim Tate
Julio Valdez
Jessica Valoris
Ian White
Richard L. Williams Jr.
Colin Winterbottom
New York Times journalist Nikole Hannah-Jones, the leader of that paper's controversial 1619 Project recently showed a spectacular lack of background knowledge on the Cuban dictatorship's well-documented racist history and abuses of its black population by her statement that “If you want to see the most equal, multiracial democ … it’s not a democracy — the most equal, multiracial country in our hemisphere, it would be Cuba,” and then proceeding to cite socialism as her reason to make the statement.
Ms. Hannah-Jones' rosy-eyed view of the Marxist dictatorship's oppression of its citizens, especially its black citizens not only reveal loads about her own political leanings, but also serves as a brilliant example of suspicious lack of research skills about a subject as widely discussed as Cuba's oppressive and racist government.
Had Ms. Hannah-Jones - who visited Cuba in 2008 - bothered to look past her clear admiration for the Marxist government, and bothered to take a quick tour of the facts, she would have discovered that much has been written and documented about racism in Cuba, and it was even one of the earliest subjects addressed by the Washington Post's Eugene Robinson upon his arrival to the DMV a few decades ago from his various Latin American postings.
In his article a couple of decades ago, Cuba Begins to Answer Its Race Question, Robinson, also clearly and openly a very extreme left-wing oriented writer, tried hard to find excuses for the dictatorship, but nonetheless admits that:Academics say that black Cubans are failing to earn university degrees in proportion to their numbers--a situation to which Castro has alluded publicly. The upper echelons of the government remain disproportionately white, despite the emergence of several rising black stars. And while perceptions are difficult to quantify, much less prove true or false, many black Cubans are convinced that they are much less likely than whites to land good jobs--and much more likely to be hassled by police on the street, like Cano's husband, in a Cuban version of "racial profiling."But how about some Cubans inside Cuba discussing the subject?
In primary [Cuban] education, skin color is not mentioned," ... If we are still living in a society where white people have the power, and we don't mention color in education, we are in practice educating [Cuban] children to be white.A lot of hopes have been pinned by many people (who know little about Cuba and the repressive nature of its government) on President Obama's monumental decision to re-establish diplomatic relations with the unfortunate Caribbean island prison of Cuba; but first another Cuban quote:
Cuban history as we teach it is a disgrace, because it is predominantly white history, and explaining the role of black people and mulattoes in building this society and its culture is not given its due importance.
Esteban Morales
University of Havana
Centre for the Study of the Hemisphere and the United States
...to carry on "hiding" the issue [of racism in Cuba] would lead black people to think that "they belong to another country, and that there are two Cuba’s as there were in the 19th century, a black Cuba and a white one."And thus, it is curious to me that in his attempt to re-establish diplomatic ties, our socially conscious President (and his cadre of advisors) back then also - like Ms. Hannah-Jones - appeared to know little or nothing about the way that Afro-Cuban citizens are treated in their own country.
Roberto Zurbano
Director
Casa de las Américas publishing house
Havana
“The images of the meetings, the agreements, they’re all shameful for many black Cubans — I’m including myself in this — because it’s difficult to feel represented.”Was the projected flow of American tourists expected to help black Cubans in a pre-COVID Cuba? Roberto Zurbano, a Cuban expert in Afro-Cuban identity, race and literature based out of Havana wrote in his 2013 New York Times article that:
Most remittances from abroad — mainly the Miami area, the nerve center of the mostly white exile community — go to white Cubans. They tend to live in more upscale houses, which can easily be converted into restaurants or bed-and-breakfasts — the most common kind of private business in Cuba. Black Cubans have less property and money, and also have to contend with pervasive racism. Not long ago it was common for hotel managers, for example, to hire only white staff members, so as not to offend the supposed sensibilities of their European clientele.Zurbano was subsequently punished by his Marxist government for daring to express that opinion on the pages of Ms. Hannah-Jones employing newspaper. Because that's how Communists roll!
One would hope that Ms. Hannah-Jones' exploration of Cuba, a nation with one of the world's worst human rights records, where Amnesty International has been denied access to (except to that bit of Cuba where the Guantanamo Naval Base is located); a nation where gay people were once given lobotomies to "cure" them; and where HIV+ Cubans were detained and segregated in guarded colonies away from the general public, could at least have educated her on the disturbing status of blacks in their own island nation.“They talk a lot here about discrimination against blacks in the United States. What about here?” said Manuel Valier Figueroa, 50, an actor, who was in the park on Monday. “If there’s a dance competition, they’re going to choose the woman who is fair-skinned with light, good hair. If there’s a tourism job, the same.”He added: “Why are there no blacks managing hotels? You don’t see any blacks working as chefs in hotels, but you see them as janitors and porters. They get the inferior jobs.”
General Antonio Maceo, known as "the Bronze Titan." He was the true warrior leader of the Cuban Wars of Liberation. His father was white of French ancestry; his mother was black, of Dominican ancestry. After the first Cuban Liberation War ended in a truce with Spain, some say that Maceo was so disillusioned with the realities of life in Cuba as a black man, that he left Cuba and lived in Panama, until he was called back to lead the Cuban rebels in a new rebellion in 1895. He returned to Cuba and was killed in battle against the Spanish Army in 1896.
"I think silence is worse. The longer nothing is said, the more the racism fermenting underground is rotting the entire nation..."While the Cuban constitution of the 1940s (since then abolished by the Communist government) outlawed segregation and racism on paper, and the current Cuban Constitution guarantees black Cubans the right to stay in any hotel and be served at any public establishment, as it has been documented by many foreign journalists, black Cubans will tell you in private that those rights exist only on paper. They would have told Ms. Hannah-Jones during her visit to Cuba in 2008 - but she probably didn't notice that nearly everywhere that she visited, the presence of the Cuban government was not far, and people fear that presence.
Gerardo Alfonso
singer/songwriter
Havana
Unfortunately, these things [disparities in the treatment of blacks and whites] are very common in Cuba.Do these Cuban voices from within Cuba itself sound like the subjects of a government whose murdering tyrants' atrocities should be dealt with in silence? -- especially in view of our nation's own racial history and what Ms. Hannah-Jones so expeditiously attempted to document in her controversial 1619 Project?
Ricardo Alarcón Quesada
President of the National Assembly of People's Power
Cuban Parliament
We have practically apartheid in this country sometimes... racism is deeply rooted in Cuba's history and will not disappear overnight.What would she say if she had discovered the "permanent and shameful police harassment of young Cubans of African descent in our streets..." as noted by Leonardo Calvo Cardenas, the Cuban National Vice-Coordinador of the Citizens' Committee for Racial Integration (Comité Ciudadanos por la Integración Racial (CIR))?
Rogelio Polanco Fuentes
Director
Cuban Communist Party-owned Juventud Rebelde newspaper.
The situation for Black Cubans worsened after Castro assumed power... even though there were always racial issues, before Castro in Cuba there had been Black governors, a President of the Senate, Martín Morua Delgado, and also many Congressmen such as the labor leader Jesús Menéndez, a member of the Socialist Party.
When Cuba became a Communist dictatorship, and democracy was lost, the advance of Black Cubans came to a halt.
Father Rafael Cruz Debora is a priest from Matanzas who was arrested on the first day of the historic Cuban uprising against the Marxist yoke. He will not be forgotten! |
Omar Odin Planos Cordoví from Santiago de Cuba was arrested on the first day of the historic Cuban uprising and remains behind bars! He will not be forgotten! |
I know that some of them have already spoken out (like Pitbull)... but we need our Cuban-American celebs to step out and support the Cuban uprising! Gloría Estefan, Jeff Bezos, Camilla Cabello, Andy Garcia, Cameron Diaz, William Levy, Dara Torres, Ryan Lochte, Bella Thorne, Maria Teresa (the Grand Duchess of Luxembourg), and many more!
#SOSCuba #Cuba #cubalibre
As many of you know, I have a work in The Phillips Museum DC exhibition 'Inside Outside Upside Down;' It is a super important art exhibition celebrating the museum's 100th anniversary! They have just sent out a note with People's Choice Award voting platform found here:
https://insideoutside.phillipscollection.org/link/peopleschoiceaward
Vote for your favorite work with 1-5 stars
My work is "Suddenly, She Discovered Her Identity (Many of Them)"
#SOSCuba #11J
This 1980 work from my Cuba series just popped up at an auction house in Miami! Proceeds go to the American Museum of the Cuban Diaspora.
Isla Prision A 1980 work of art from Cuba Series by Florencio Lennox Campello |
Reggie Van Lee was officially sworn as chairperson of the DC Commission on the Arts and Humanities on Thursday, July 1, 2021. Chairperson Van Lee was appointed to the position by Mayor Muriel Bowser for a three-year term, with subsequent reappointments possible.
“It truly is an honor to be appointed chairperson of the arts commission by Mayor Bowser,” said Chairperson Van Lee. “Every DC resident should have the opportunity to access the full spectrum of arts and cultural offerings available in the District, and I look forward to helping the Commission continue its work to make that a reality.”
The Commission is an independent agency in the District of Columbia government that evaluates and initiates action on matters relating to the arts and humanities and encourages programs and the development of programs that promote progress in the arts and humanities. The Commission consists of 18 members appointed by the Mayor with the advice and consent of the DC Council, who serve without compensation.
In 2020, Van Lee chaired the Commission’s Task Force on Equity, Inclusion, and Belonging, which produced a report of 44 recommendations aimed at improving the Commission’s operations and improving access and transparency.
“There is a tremendous amount of knowledge, expertise, and talent amongst the staff and commissioners. Chairperson Van Lee will add to and enhance those abilities with his own, to the ultimate benefit of the District’s arts and cultural sector and our residents,” said Arts Commission Executive Director Heran Sereke-Brhan.
Van Lee is a Partner and Chief Transformation Officer of The Carlyle Group where he helps the firm develop strategies to enhance business processes. He previously served for 32 years as an executive at Booz Allen Hamilton. He has served on the boards of local arts organizations such as The Washington Ballet, Washington Performing Arts, and the John F. Kennedy Center for the Performing Arts.
The internet is ablaze with the news that for the first time (at least in my memory) there are widespread protests in Cuba - the shouts are for "Libertad" which means "freedom."
The Marxist dictators are sure to react with a bloody reprisal - let's pray for these brave men, women and children on the streets of that poor brutalized island!
11 July Uprising Flag by Florencio Lennox Campello |
"Punk Lincoln", circa 1981, Charcoal and conte on paper, 12x16 inches - an art assignment from the University of Washington School of Art (for a portrait assignment).
Punk Lincoln Florencio Lennox Campello circa 1981 Charcoal and conte on paper, 12x16 inches |
Here's the whole logic to this song:
Songo hit Borondongo because Borondongo had hit Bernabe... And Borondongo did that because Bernabe had hit Muchilanga... why?
Because Muchilanga had used Burundanga (the toxic drug) to make Bernabe's feet swell up!!!
Cough... cough...
Landscape painters from around the Mid-Atlantic region gathered in Historic Ellicott City June 10-13, dodging raindrops and cicadas while competing for cash prizes during Paint It! Ellicott City 2021, the Howard County Arts Council’s annual plein air paint-out.
A virtual reception on June 18 featured a sneak peek at the Paint It! Ellicott City 2021 exhibition, featuring 27 juried artists; a look at the Open Paint exhibit, featuring 41 community artists; and the presentation of more than $9,000 in awards to the artists.
Juror Lynn Mehta presented the $1,000 Gino Awards, named in honor of Ellicott City artist Gino Manelli (1915-2010), to Rajendra KC for Little Market Café and Michael Kotarba for Water Like Wine.
Juror awards also went to:
Paint It! awards were made possible through the generous support of these sponsors: The Manelli Family, AARP of Maryland, Blossoms of Hope, Patapsco Heritage Greenway, and the Family of Carole Zink.
Paint It! Ellicott City 2021, the exhibit featuring the juried artists’ work, remains on display at the Howard County Arts Council through August 7. The Open Paint exhibit will be on display at the Howard County Welcome Center through July 24. Both exhibits are also available to view online via the Current Exhibits section at hocoarts.org/galleries.