From the DC Commision:
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Since 2003... the 11th highest ranked art blog on the planet! And with over SIX million visitors, F. Lennox Campello's art news, information, gallery openings, commentary, criticism, happenings, opportunities, and everything associated with the global visual arts scene with a special focus on the Greater Washington, DC area.
From the DC Commision:
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Artworks can be submitted online via this link here. The deadline is Sunday, February 27 at 11:59 pm EST.
Before applying, please review the eligibility & selection requirements carefully. WPA will split sale proceeds with artists 50-50.
There is no submission fee.
Open Call: April-June Studio Residency at Otis Street Arts Project
Otis Street Arts Project is looking for an excited, inspired artist to temporarily join the O.S.A.P. community for a one-time, short-term studio residency. This is a free residency with no fees attached.Artists are free to work on projects of their choosing, and are expected to provide their own materials and tools. Artists are expected to work a minimum of 15 hours a week. Artists must be fully vaccinated against COVID-19.
There is no fee to apply. This residency is open to applicants of all backgrounds and experience levels. Applications are due March 7, 2022 for a residency period of April 1—June 30, 2022.
Benefits include:
10x10' studio space with lots of natural light
Participation in Open Studios May 14th and group exhibition at Otis Street Arts Project.
Access to Otis Street Arts Project's collaborative community of 11 artists working in a wide variety of disciplines
Minimal furniture (table and chair)
Heating and air conditioning
Loading dock
Key for studio access
This residency does not include:
Housing
To apply, please submit the following via our Google form: https://forms.gle/J45f1huBKEw8BbcT7
If you do not have a Google account or have difficulty with the form please contact OSAP at info@otisstreetarts.org.
Answers to these questions:
What would you work on?
What are you hoping to gain from this residency?
How would this residency further your goals?
3-5 images or video links that are representative of your work
Image guide with captions/descriptions
A short bio
Apply by: 3/7/2022
Notifications by: 3/18/2022
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You are being invited to submit artwork for consideration in FEST ART 2022!, an exciting community exhibition that will be displayed in the CAMP Rehoboth Gallery from April 7 to 30, 2022, with an Open House Reception planned for Friday, April 8, from 3 to 5 p.m.
Women’s FEST is planning for entertainment and many fun events this year, and we are happy to report that this popular annual art show will be one of them! Join us as we celebrate the arts and artists in an exhibition that features the work of Delaware’s women artists, and artists of all genders.
To be considered, please complete the submission and agreement form by March 6 at 11:59 p.m. You will be asked to provide information about yourself and upload jpegs or files of up to three of your original works.
FEST ART 2022! Submission and Agreement Form
FEST ART 2022! is an outlet for creative expression via all art forms - painting, drawing, sculpture, 3D, ceramics, photography, videography, and more! FEST ART 2022! is a juried exhibition, and you will be notified of your acceptance by March 12, 2022.
CAMP Rehoboth will promote the exhibition and the artists on social media and in Letters from CAMP Rehoboth. We will also include the art on the CAMP Rehoboth website, allowing individuals who cannot be there in person to view and purchase the art. A sizable number of sales have been made both in person and via the website. The 25% commission on artwork sold will be used to support CAMP Rehoboth’s arts programs, including exhibitions, Art Markets, performances, and more.
Key Dates
FEST ART 2022! Exhibition dates: April 7 to 30, 2022
Open house reception: Friday, April 8, from 3 to 5 p.m.
Registration Closes: March 6, 2022, at 11:59 p.m.
Notification of Acceptance: March 12, 2022
Artwork Drop off: March 31, April 1 and 2, between 10 a.m. and 3 p.m., or by special arrangement
Pick up of unsold artwork: May 2, 3, or 4, between 10 a.m. and 3 p.m., or by special arrangement
CAMP Rehoboth, located at 37 Baltimore Avenue in Rehoboth Beach, is thrilled to host FEST ART 2022!, and we hope that your artwork will be part of it!
Everyone who is serving, has served, or has been a Navy brat reacted like this when it was announced that the Washington teams which plays professional football in the NFL had been renamed the Washington Commanders: "... they way that they play not even Lieutenant Commanders..."
#washingtoncommanders #washingtonfootballteam #washington #nfl #dmv
One of the most common mistakes that I've seen across the decades, mostly from beginning artists, but often also from experienced artists with limited exhibition exposure, is artwork which is defaced or ruined by an offending signature.
I most clarify: no one will ever complain about the size or placement of a Picasso signature on a real Picasso (lots of fakes out there). But for most of us, an improperly placed signature, either location and or size, will sometimes deliver a negative impression upon a gallerist or a collector.
The impression delivered is "amateur."
A signature is important, and artists should and must always sign their artwork, to both document the provenance and identity of the work, for both contemporary and future generations, but also because in today's art world, it is expected -- both by gallerists and collectors.
Let's bring Picasso back into the discussion: a unsigned Picasso, even with a well-documented provenance, is generally worth nearly half of what a signed Picasso brings at auction. Nothing exemplifies the power of an artistic signature like the commodity aspect of art.
The mandate then to artists is: sign your damn work! Usually... usually, collectors do not care where the work is signed, and "reticent" artists always have the option to sign the artwork on the back (or verso is the art lingo of the secondary art market).Here are some visual examples -- see the gorgeous abstract that I just painted on a very large canvas that I recycled from dumpster diving at American University - it had a series of yellow dots on an otherwise blank, beautiful 40x60, nicely stretched canvas.
The curious coincidence of being surrounded by yellow 2022 abstract painting by F. Lennox Campello 40x60 inches |
Every once in a while I come across one of these... I used to do a lot of cartoons while I was in the Navy... some were published in base newspapers, Navy magazines, Stars & Stripes, etc.
I gave most of them away over the years... here's one of the fabled Seaman Schmuckatelli (Navy sailors know who this fabled sailor was/is) - do they even have clubs on base anymore??? This one was "Seaman Schmuckatelli Dirty Cover"
Seaman Schmuckatelli's dirty cover
1981 Navy cartoon by Lenny Campello
When I first heard about the casting for Amazon's film "Being the Ricardos", the pedantic part of me immediately went into hyper-critical mode and I thought out loud, "Nicole Kidman... Seriously? Isn’t she an Aussie? Playing Lucy?”
Then I read about Javier Bardem playing Desi and I went ballistic… A Spaniard playing a Cuban? Not just any Cuban, but a Cuban from Santiago de Cuba, that most Cuban of all Cuban places!
I also knew at the time that I was being hypocritical in the sense that actors, great actors that is, like Kidman and Bardem can probably do anything and become anyone. Still, a Spaniard portraying a Santiaguero was gonna be an uneasy pill to swallow for that most clannish of people known as Cubans. Everyone is Hialeah was probably having a fit.
Then I watched the film.
Both Kidman and Bardem delivered exceptional performances and had me believing in their inner Lucy and Desi. Congratulations to two great actors and a great performance.
However.
My obnoxious pedantic nature found a spectacularly chronological anachronism which, unfortunately makes up one of the pillars of the storyline which according to the Amazon description takes place “during one production week of “I Love Lucy” — from Monday table read through Friday audience taping — Lucille Ball (Nicole Kidman) and Desi Arnaz (Javier Bardem) face a series of personal and professional crises that threaten their show, their careers and their marriage, in writer-director Aaron Sorkin’s behind-the-scenes drama.”
In summary, it’s the 1950s in the middle of the “red scare” and Lucy is being accused on having once being a member of the Communist Party in the 1930s. The script has Bardem talking about having to leave Cuba because of the Bolsheviks and throughout the movie Aaron Sorkin wants the audience to believe that Desi came to the United Sates as a refugee because of the Cuban Revolution of the Castro brothers.
This is an important part of the storyline of the film.
What?
Now do you see why my pedantic head is spinning when Sorkin mixes crap up to make the storyline of the movie fit a made-up Hollywood timeline?
“But Lenster,” you say, “It’s just a movie… who cares?”
Today I was listening to the 1A with Jen White on WAMU. It is one of my favorite radio shows. And White was interviewing Bardem about (mostly) Desi, Lucy and “Being the Ricardos.”
And it was clear to the most casual listener that both White and Bardem actually believe that Arnaz had escaped Cuba because of the Communist takeover.
Why? Because Sorkin directed a movie that tells a made-up storyline which will now have most people think that the Cuban Revolution took place around the 1930s.
Makes my head hurt.
PS – Ms. Jen White also seems to think that the Ball-Arnaz marriage was a “mixed race” marriage – either White thinks that Cubans are a separate race or is curiously unaware that in the 1950s there was no such thing as a Hispanic or Latino with the contemporary present day confusions as to race and national origin and/or ethnicity. In the 1950s Arnaz was a “Cuban”, but his race was/is still the same as Ball’s.
Once a week or so I get an email from an artist somewhere on the planet like this about a potential art scammer (see all my listed scammers here):
Hello, I'm a German artist and found your " Art Scam Alert " from July 15 2018 about this Donald Hugh mail. Now at January 21 2022 I got the same mail from him online in German. He ordered two pictures from me. My question is, how he is trying to rip off artist? He wants me to send pictures and doesn't pay?
Thank you for an answer.
This is how: