Wanna go to an art event in DC tonight?

I am told that if you didn't RSVP that you can still show up! See below...

Congratulations

To former DC area artist Jiha Moon (represented locally by Curator's Office), and a past winner of the Trawick Prize, as two of her pieces have been acquired by the Hirshhorn Museum as a generous gift of my good friend Mario Cader-Frech, and Robert Wennett.

Buy Jiha Moon now!

Robin Tierney's Top 10

Robin Tierney writes art criticism and covers art events and issues in the Greater DC area for the Washington Examiner. Below is her list of her Top 10 DC area art shows:

"I'm going from memory. These are in no particular order of preferences, and I would prefer to list 15 or 20 in my top 10 (metaphysically speaking). These don't include big-gallery shows (like dada at NGA, Joseph Cornell at SAAM, Hiroshi Sugimoto at Hirshhorn & Sackler, the smartly focused "women" shows that Jack curated (non-locals) at AU/Katzen, etc.); just local artist-focused showcases.

1. Juke, Jefferson Pinder's video installation at G Fine Arts

2. City Hall "HeART of DC" Art Collection (because it's a fantastic array of local, diverse talents of several generations).

3. Katzen/AU: "Remembering Marc and Komei."

4. Warehouse shows such as Freak House (Dana Ellyn and Russell Richards...I hadn't known of him before; such a combination of imagination and precision/technique). And the Peace show (which may have also been called War).

5. Fraser Gallery: now how can one decide between Interface, Compelled by Content II and Annual Photo Show? Maybe Interface first.

OK, some that other folks may not mention:

6. Sculpture Unbound: like a playpen for the mind.

7. Touchstone's Mud, Earth... I am forgetting the name. But then again, now I'm thinking I was more pleasantly surprised by fiber creativity at Touchstone's Woven Tapestries by the Wednesday Group (a group of local fiber artists).

8. Rebecca Cross Mackenzie's Raku. Actually, CM had two shows that had many standout pieces. Some folks classify ceramics/pottery as 'other than art' but I respect Rebecca's efforts to show the art potential of such works and think her gallery helps build up the DC art scene's foundation.

9. Cupidity at Gallery Neptune. Liked the lively alchemy of this artful experiment (among other shows there).

10. Various rotating displays of member work at Washington Printmaker Gallery. Not necessarily a particular feature artist exhibition, but over a few visits there one can discover treasures along with magic etching tricks.

Jobs in the Arts

Assistant Professor, Arts Management American University, Department of Performing Arts - Washington, DC.

The Department of Performing Arts in the College of Arts and Sciences at American University invites applications for a tenure-track position at the rank of Assistant Professor in Arts Management, beginning fall 2007. Applicants must have a Master's Degree in Arts Management or in a related field. PhD, preferred.

Three years professional experience in arts management or a related field is required. Applicants should be prepared to teach graduate courses in marketing and public relations, arts programming, and related undergraduate level courses including General Education, advise and mentor both graduate and undergraduate students in arts management and related fields, and have demonstrated excellence in teaching and scholarship in arts management and/or a related field. Send letter of application addressing teaching and research interests and experience, curriculum vitae, and three letters of recommendation to:

SEARCH COMMITTEE
DEPARTMENT OF PERFORMING ARTS
KATZEN ARTS CENTER
AMERICAN UNIVERSITY
4400 MASSACHUSETTS AVENUE, N.W.
WASHINGTON, D.C. 20016-8053

For best consideration, applications should be complete by January 20, 2006 (yikes! that's tomorrow!). Direct inquiries to streeks@american.edu.

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Director of Development: Smithsonian Institution, Hirshhorn Museum & Sculpture Garden - Washington, DC

The Hirshhorn, one of the nation's leading contemporary art museums, seeks to broaden its base of private sector support to provide a platform for the art and artists of our time, to connect more fully with their regional and local community and to better serve the 750,000 visitors they welcome annually.

Building on the strength of an existing program, the Director of Development, will expand their capacity in individual and major gift campaigns, corporate and foundation relations and develop strategic alliances and sponsorship programs that will support the museum goals in exhibition, educational programming, and collections development. For a detailed position description and application procedures visit www.si.edu/ohr listing Vacancy announcement #EX-07-02, closing date 1/19/07. The Smithsonian is an Equal Opportunity Employer. Email or fax resume with a cover letter referencing experience and qualifications by closing date to lawrencet@hr.si.edu or fax 202/275-1115.

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VSA arts seeks Director of Outcomes and Evaluation - Washington, DC

A position description can be found at the Employment button of the Kennedy Center web site. Applications can be submitted from that web site. Interested individuals can also contact:

James E. Modrick
Vice President, Affiliate & Education Services
VSA arts
818 Connecticut Ave, NW, Suite 600
Washington DC 20006
202-628-2800

Jazz & Art at the Katzen

The Katzen at American University in having a free Jazz & Art night this coming Saturday at the museum from 7-9PM. See details here.

Bloomberg looks at DC art

Roger Atwood of Bloomberg.com checks in with a piece on some DC area art shows. Read it here.

Congratulations

Contemporary Art Gallery magazine has a nice article by Tia Marks on our own Rosetta DeBerardinis. Read it here.

Philip Barlow's Top 10

Ubercollector Phillip Barlow is a towering presence at most DC area art shows, and also has done a super job in his first venture as a curator. Below is his list of his top 10 DC area art shows for 2006 and they are in order

1. Simon Gouverneur – Curator’s Office (1/28/06 – 3/4/06)

2. Brandon Morse – Conner Contemporary (3/17/06 – 4/29/06)

3. Iona Brown & Jefferson Pinder – G Fine Art (11/18/06 – 1/6/07)

4. Jae Ko – Marsha Mateyka (9/28/06 – 10/28/06)

5. Laurel Lukaszewski – Project 4 (6/16/06 – 7/22/06)

6. Robin Rose & Sharon Sanderson – Hemphill Fine Art (9/16/06 – 10/28/06)

7. Dan Treado – Addison/Ripley Fine Art (9/9/06 – 10/14/06)

8. Manon Cleary – WAM (Edison Place Gallery) (9/14/06 – 10/27/6)

9. Amy Lin – District of Columbia Arts Center (12/15/06 – 1/15/07)

10. Teo Gonzalez – Irvine Contemporary (9/8/06 – 10/14/06)

More Baltimorism

Uli Loskot is a talented photojournalist from Austria who shoots for the Baltimore City Paper.

She has been spending a lot of time in Mexico and those works will be included in the exhibition "Northern Comfort" at The Whole Gallery (405 W. Franklin Street in Baltimore). The exhibition also includes works by Seth Mathurin, Steve Dewey, Dirk Joseph and Mike Miller.

Check it out Saturday, January 20th. Music by Lighter Thieves and Puddle. 7PM to Mindnight.

Art Horror Story

Read this Los Angeles Times story about artist John O'Brien and what happened when he decided to sell reproductions of his paintings.

Add a dishonest art dealer to the mix and this is what you get.

Baltimore Yarns

"Yarns of the Material World" opens January 20, 2007 from 6-10 pm at Cubicle 10 in Baltimore.

The exhibition features work by Ken Ashton, D.Billy, Zoe Charlton, Jeffry Cudlin, Rick Delananey, Richard Dana, Candace Keegan, Bridget Sue Lambert, Bill Johnson, J.T. Kirkland, Jefferson Pinder, Michael Platt, Stan Squirewell, Alex Schuchard and Trish Tillman.

The gallery is at 1431-1435 North Central Avenue, Baltimore, MD 21202 and can be reached at 202-247-0595.

While there swing by the new Patricia Touchet Gallery and see DC artist's Sean Hennessey's first solo, as I've been hearing good things about that show.

Opportunity for Artists

Deadline: February 1, 2007

The National Society of Arts and Letters 2007 Water Media Art Competition is accepting applications from younger artists, age 18-29. Deadline is February 1st, 2007. $4,000 prize with opportunity to win $10,000 prize at the national level. Works must be made with water-soluable paint or ink. Details here.

Exhibit for the competition will be at Heineman Myers in Bethesda, MD from March 18-25, 2007.

Art Party on 14th Street

By Rosetta DeBerardinis

January is usually a dead month for art, but there was a party going on opening night along DC’s newest art district - 14th Street, N.W. Bright lights were flashing, car horns blowing and art lovers spilling onto the sidewalk in front of the galleries. It was a wild night in the city.

Hemphill

As I made my way through the narrow entrance at 1515 14th Street to visit some of the best galleries in city, I rubbed past many familiar faces dodging wine-filled plastic cups.

Ah-to be pencil-thin again!

Once inside the three-story urban industrial space, two friends suggested I begin with Hemphill Fine Arts. It was filled with people who looked like hires from Central Casting. Everyone was chic, hip, urban - and young. A great place to check-out the latest fashion trends in eyewear.

The show “Colby Caldwell | small game” (a collection of mostly landscape inkjet prints on wood), gave you a sense of space and depth in a gallery that had none. It was jam-packed!

"after nature (41)" by Colby Caldwell

Some sought relief from the tuxedo-clad servers who were generously dispensing wine, beer, water or whatever would take the edge off the intense body-heat. My favorite print was “after nature (41),” or #9 according to the signage on the wall. I assume it is part of a series because there are eight paintings with the same title on the price list.

This work captures the hues of darkness and the formations of water with a very thin color-line depicting a horizon far into the distance. There lies the subtle beauty of black and white photography and its size (45 7/8” x 61 3/8”) captivates the viewer, however, the striped abstracts that open the show are not as compelling as Caldwell’s transformable landscapes.

Adamson

The hallways on my way to Adamson Editions were filled with chatter and more members of the fashion crowd. Adamson usually has a more mature, sophisticated and moneyed crowd at his openings. But, where there is free food and free alcohol there is the infamous DC moochers (as anointed by the City Paper).

"Jessie Mann: Self Possessed, Photos by Len Prince," an exhibit of black and white photography was the strongest show in the building. I overheard conversations from the locals who disagreed with me and conjured up recollections of the Mapplethorpe debacle.

First of all, the show exhibited the human figure which everyone loves and can relate to - especially in Washington. I particularly liked the nude female seated on a rickety old staircase holding an Ipod with its cord running up the staircase still connected to its charger. And, the beautiful outline of a female sitter like a relief in the round, her considerable charm form the fluid grace of her outline.

This is a show of beauty, talent, creativity and excellent technical execution.

G Fine Art

Walking sideways through another packed hallway, I wiggled into G Fine Art who was hosting "Civilian @ G," the second launching of Jamie McLellan’s new gallery without walls, the Civilian Art Projects.

The Projects is currently a roving installation of its gallery artists held at host venues. Its first exhibition was at the Warehouse in December. It is my understanding that these premier exhibits are intended to introduce Civilians' stable of artists.

It was also packed with many familiar faces in the crowd. Washington collector and curator Phillip Barlow stood towering over the crowd, and somehow “the moochers” had beaten me there.

It was a non-thematic group exhibition. And, a little signage on the walls to tell us the “who and what” about the works would have surely helped.

I found the show of edgy and innovative works uneven, but like every exhibit, there were a few outstanding pieces. The two collages with paper cut-outs of urban hipsters wearing summer outwear (eg. Birkenstocks, sleeveless t-shirts, sunglasses) strolling through the stark white aftermath of a major blizzard was the best.

Unfortunately, due to time constraints, confusion and my ignorance, I missed what I heard is a superb G Fine Art photography group show in the back gallery including works by one of my favorite photographers, Chan Chao.

Irvine

Exiting the building was as difficult as entering it. Now it is around eight-something, so I dashed to Irvine Contemporary Art, housed in the next block.

Luckily, the crowd there had thinned. It is showing two exhibits “Melissa Ichiuji: Nasty Nice” and Kahn Selesnick’s “The Apollo Prophecies: New Photographs.”

Ichujii’s doll-like sculptures leaning toward surrealism dominates the front gallery. When you enter the space “Snake-n-eggs” is a hair-less form relaxing on a white pedestal flaunting her fertile eggs that are lying atop an array of beautiful colored feathers. From this point on in the exhibit you know this is no typical doll-show.

The wall text reads: “Beauty is dangerous in narrow times, a knife in a slender neck of the rational man, and only those who live between the layers of these strange days can know its shape and name.” (From Great Jones Street, 1973).

The gallery assistant began to flicker the lights like a call for seating in a theatre. “We will re-open on Tuesday,” she announced. Flickering lights usually signal a beginning but instead it marked the end of a great night for art on 14th Street-in January!

Call for Curatorial Proposals

Deadline: January 31st, 2007

The Bronx River Art Center, a 2,000 sq. ft. storefront exhibition space consisting of two interconnected galleries, is seeking dynamic and challenging curatorial proposals from emerging and mid-career curators. Selected proposals will be included in BRAC’s 2007-2008 exhibitions program.

They welcome innovative concept-based proposals involving new media, new genres and interdisciplinary practices as well as projects that interweave site-specificity and public/community interaction, however all submissions will be reviewed and considered.

All proposals should include:

*A written statement of the proposed project (including its concept and its relevance to contemporary society, contemporary art and/or the Bronx community)

*CVs and bios for all participating artists and curator(s)

*Documentation on the artwork proposed in slide form, 8.5”x11” prints, CD or DVD

*An accompanying Image List for all of the visual materials submitted. This list can also include a short description of each of the pieces if applicable.

*A SASE for the return of materials (optional)

Proposals should be mailed to:

Bronx River Art Center
c/o Jose Ruiz – Gallery Coordinator
1087 East Tremont Avenue
Bronx, NY 10460

For additional information, please contact:
Jose Ruiz – Gallery Coordinator
(718)589-5819 (x14)
jruiz@bronxriverart.org

$7 Million Gift for the Eakins' Cause

Athena and Nicholas Karabots of Fort Washington, PA, have contributed a total of $7 million to the homegrown Philly effort to keep Thomas Eakins' "The Gross Clinic in Philadelphia."

This is the second largest gift towards the effort after after that of the Annenberg Foundation. So far $37 million has been raised.

Now... if DC could get their local Greek-American philantrophist(s) such as Ted Leonsis (go Caps!), to contribute a good chunk of greenbacks to the cause of a Washington Art Museum for Washington, DC - as every other major American city has a "local" museum, then we'd all be in sweet art heaven.

Honfleur Gallery

Today I visited the under-construction spaces for the new Honfleur Gallery in order to deliver to them three pieces which will be included in their soft-opening "No Scratchers."

Even under the construction dust, it is easy to see that this new space will be a beautiful new addition to the Greater DC area art scene, and this Anacostia neighborhood right off the MLK, Jr already seems alive and bright with new construction everywhere (the NAACP is having its new headquarters being built almost right across the street.

ARCH has done an excellent job in designing and staffing the gallery, and already they talked to me about an energetic and aggressive exhibition program that has both national and international roots.

Above the gallery are four brand new studios, and four lucky artists have already rented them out and have got a terrific deal (the studio size ranges from 100-125 square feet, and the prices from $155-$200 a month, based on square footage. Each studio has its own skylight. Spaces will be rented on 6-month or 1 year term).

The Gallery and Studios are located at 1241 Good Hope Road SE, in historic Anacostia. They are a 10 minute walk from Anacosia Metro Station and directly on the bus line. To make an appointment to view the spaces (still under construction), contact bevans@archdc.org or call (202) 889-5000, x 113.

Their first show opens Saturday January 20th, 2007, with a reception at 7pm. The show is an informal exhibition highlighting works of art created by D.C. Tattoo Artists. The exhibition is curated by Imani Brown, area artist and photographer, whose work I saw while I was there and speaking of Brown's artwork, I predict that it will be surprisingly refreshing and a welcome addition to our capital's artistic dialogue.

The grand opening is Saturday, February 24, 2007, with an opening reception at 7PM and an exhibition titled "The East of the River Group Show," and featuring work by Jonathan French, Gilbert Trent, Anne Bouie, Fred Joiner, Henry Ferrand, Prelli Williams, Bruce McNeil and more... all artists with East of the River connections.

Randall Scott's Top 10

Randall Scott opened his cool new art gallery in DC last year and very quickly has established it as one of the leading new galleries in the area. Below are his choices for the Top 10 DC area art shows:

1. Sugimoto
2. DADA
3. Keifer
4. Opening of Nat. Gallery
5. Jennifer Steinkamp at the Corcoran (should be perm.)
6. Redefined at the Corcoran
7. Teo Gonzolez at Irvine
8. Christenberry
9. Ledelle Moe’s heads at Metropolis ground floor
10. Wall Snatchers at WPA/C

Opportunity for Artists

Keystone Art and Culture Center (KACC) is a non-profit arts educations center located in Lancaster, PA. The Center houses a 1,800 sq. ft. gallery space and adjacent art foundry facilities. The exhibit space is 10 feet high with a 40 feet by 50 feet floor space.

They are now planning their 2007-2008 calendar of shows and are looking for artists to exhibit their work. Shows run on a 1 to 2 month basis with an opening event typically on the First Friday of each month. KACC may also hold special events in addition to the first Friday openings.

For more information please visit www.artfoundlancaster.org to download the application form.

Jack Rasmussen's Top 10

Few people know more about the art and artists of Washingmore (Washington + Baltimore) than my good friend Dr. Jack Rasmussen, who runs the American University Museum at the Katzen. Below is his Top DC area (sort of) shows for 2006:

"I don't get out of my own space enough to be a good judge of what other places were showing in 2006.

Certainly Da Da at the National Gallery of Art was the greatest.

Then, in no particular order, I liked everything I saw at the Hirshhorn, Jonathan Binstock's selections from the Corcoran's Collection, and Sean Scully and The Société Anonyme at The Phillips Collection.

I thought the new Smithsonian American Art Museum was OK, and I know I would have liked Manon Cleary's show with WAM if I had only been able to extricate myself from here.

I did manage to see Hemphill's shows of Steve Kushner and Robin Rose, beautiful as usual, and the great pairing of Jeff Spaulding and Ledelle Moe at G Fine Art.

The show I wish I had seen the most was the one Kevin MacDonald had been planning for the American University Museum. But it seems only the good die young."

Opportunity for Artists

Deadline: January 31, 2007

The Third Annual Bethesda Painting Awards - Submissions must be received by January 31, 2007. The Bethesda Arts & Entertainment District is currently accepting applications for the third annual Bethesda Painting Awards, which are mostly funded through the immense generosity of Bethesda businesswoman and arts activist Carol Trawick.

Eight finalists will be selected to display their work in an exhibition during the month of June 2007 at the Fraser Gallery in downtown Bethesda, and the top four winners will receive $14,000 in prize monies. Best in Show will be awarded $10,000; Second Place will be honored with $2,000 and Third Place will receive $1,000. Additionally, a "Young Artist" whose birthday is after January 31, 1977 will be awarded $1,000. Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C.

All original 2-D painting including oil, acrylic, watercolor, gouache, encaustic and mixed media will be accepted. The maximum dimension should not exceed 60 inches in width or 84 inches in height. No reproductions. Artwork must have been completed within the last two years and must be available for the duration of the exhibition. Each artist must submit five slides, application and a non-refundable entry fee of $25.

For a complete application, please send a self-addressed stamped envelope to:

Bethesda Painting Awards
c/o Bethesda Urban Partnership
7700 Old Georgetown Road
Bethesda, MD 20814, or call 301/215-6660.

The 2007 Bethesda Painting Awards will be juried by Dr. Brandon Fortune, Professor W.C. Richardson and Professor Tanja Softic'.

Dr. Brandon Brame Fortune is the Associate Curator of Painting and Sculpture at the National Portrait Gallery. She has spent the last three years researching contemporary portraiture, and was the Gallery’s coordinator for the Outwin Boochever Portrait Competition.

Professor W.C. Richardson is a Professor of Painting and Drawing at the University of Maryland. His most recent one person shows were at Loyola University, Baltimore, MD, March 2004; Fusebox, Washington, DC, June 2003; Fusebox, Washington, DC, July 2002; Baumgartner Gallery, New York, NY, September 2000.

Professor Tanja Softic’ is an Associate Professor of Art at the University of Richmond. Softic was a recipient of the 1996 National Endowment for the Arts/ Southern Arts Federation Visual Artist Fellowship and Soros Foundation—Open Society Institute Exhibition Support Grant in 1997. She recently participated in the 12th International Print Triennial in Cracow, Poland and won a first prize at the The 5th Kochi International Triennial Exhibition of Prints, Ino-cho Paper Museum in Kochi, Japan in 2002.